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which were not without talent. From 1752 until 1766, her brother studied art abroad. During this period, her father's career declined, because he had failed to adapt to the new rococo style. Consequently, the family experienced economical difficulties. Ulrika Pasch was therefore, after the death of her mother in 1756, employed as a housekeeper in the house of her maternal aunt's widower, the goldsmith Gustaf
Stafhell the Elder.
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her father and her sister as a professional portrait painter. Reportedly, she managed to achieve this success and build up a clientele quickly by her affordable prices. She was able to move into her own apartments and establish her own studio. By the time of her brother's return to Sweden in 1766, she was said to have supported the family for a period of ten years.
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returned to
Stockholm, and from that point on, the two siblings worked together. Their collaboration has been described as one of mutual respect and harmony. They shared their studio and guided each other in their work, while their sister Hedvig Lovisa managed their household. Hedvig Lovisa has been
198:
Her uncle, however, allowed her to paint in her free time and develop her artistic talent, and she started to paint and draw for money. It is explicitly stated that she started to take orders as an artist the same year that she year formally became a housekeeper. Soon, she was able to support both
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Ulrika Pasch and her brother was tutored in drawing and painting by their father. She, unlike her sister Hedvig Lovisa Pasch (1744-1796) was tutored explicitly because she displayed early talent for the work. Hedvig Lovisa never became an artist, though it is mentioned that she left som drawings
215:
Ulrika Pasch is known to have painted details in her brother's painting which he himself found tiring, especially details in textiles and clothing. Pasch had an active and successful career until her death, and was frequently hired by members of the royal court and aristocracy.
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As a person, Ulrika Pasch has been described as a humble character, who never claimed her work to be anything but a way of supporting herself. She is also described as an easygoing and humorous person, who was easy to be around and could adapt to every situation.
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was founded in 1773 and there were 15 members accepted by the academy that year. Pasch was the only female who was made a member that year a recognition which seem to have been considered to be well deserved within the academy.
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described as their dutiful housekeeper, and it is hinted and alleged by contemporaries that Hedvig Lovisa actually committed suicide after the death of her sister in 1796: she died later the same year.
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Ulrika Pasch is the most famous and successful female artist in Sweden and perhaps also the rest of
Scandinavia (among artists who actually worked in these countries) before the 19th century.
179:. After the death of her grandfather in 1727, the family studio had been managed by her paternal grandmother Judith Larsdotter until it was taken over by her paternal uncle,
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She was made a member at the same occasion as her brother. Unlike her male counterparts, however, she never received a pension from the crown despite repeated appeals.
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En mamsell i akademien. Ulrica
Fredrica Pasch och 1700-talets konstvärld. av Anna Lena Lindberg, Stockholm: Signum, 2010.
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175:. Her grandfather, the painter Danckwart Pasch (d. 1727), had emigrated to Sweden from
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She participated in the exhibitions of the academy, most notably in 1794.
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Svenskt konstnärslexikon (in
Swedish). Malmö: Allhems Förlag. 1952.
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167:and Anna Helena Beckman, the niece of the artist
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479:] (in Swedish). Malmö: Allhems Förlag. 1952.
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271:, 1780, oil on canvas, Finnish National Gallery
265:, 1775, oil on canvas, Finnish National Gallery
332:Hedvig Elisabeth Charlotte of Holstein-Gottorp
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289:1776, oil on canvas, Finnish National Gallery
277:1772, oil on canvas, Finnish National Gallery
163:Ulrika Pasch was the daughter of the painter
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1123:Members of the Royal Swedish Academy of Arts
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287:Portrait of Carl Johan von Schultzenheim,
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399:Dictionary of Women Artists: Artists, J-Z
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338:Johanna is hired as a nude model by her.
171:, and the sister of the future painter
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298:Ulrika Pasch is portrayed in the novel
283:oil on canvas, Finnish National Gallery
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759:Hedvig Amalia Charlotta Klinckowström
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138:(10 July 1735 – 2 April 1796), was a
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402:. Taylor & Francis. p. 49.
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1133:18th-century Swedish women artists
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250:(Memory of Ulrica Fredria Pasch).
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503:
497:Svenskt kvinnobiografiskt lexikon
447:"Ulrica Fredrica Pasch Paintings"
430:
1078:Swedish people of German descent
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1038:
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306:from 2014, where she, alongside
571:Historic Swedish women artists
263:Captain Carl Adolf Möllersvärd
1:
1118:18th-century Swedish painters
1113:Swedish portrait miniaturists
631:Amalia Wilhelmina Königsmarck
353:
293:
269:Catharina Charlotta L'Estrade
248:Minne af Ulrica Fredria Pasch
230:Royal Swedish Academy of Arts
224:Royal Swedish Academy of Arts
148:Royal Swedish Academy of Arts
129:Hedvig Charlotta Nordenflycht
789:Magdalena Margareta Stenbock
684:Christina Elisabeth Carowsky
679:Johanna Emerentia von Bilang
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136:Ulrika "Ulla" Fredrica Pasch
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1138:18th-century women painters
749:Elisabeth Charlotta Karsten
704:Fredrika Eleonora von DĂĽben
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16:Swedish painter (1735–1796)
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465:
449:. Finnish National Gallery
246:held her memorial speech,
159:Education and early career
35:Self-portrait from c. 1770
1108:Swedish portrait painters
1033:
985:Ellen Roosval von Hallwyl
807:
729:Margareta Christina Giers
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613:
585:
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316:Jeanna von Lantingshausen
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890:Signe Hammarsten-Jansson
794:Gustava Johanna Stenborg
473:Svenskt konstnärslexikon
326:, becomes a member in a
275:Hedvig Ulrika Hedengran,
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209:Lorens Pasch the Younger
173:Lorens Pasch the Younger
1005:Wendela Gustafva Sparre
304:Anna Laestadius Larsson
302:(Chamber pot child) by
183:, in 1734. Her cousin,
1098:Swedish women painters
714:Katarina Erlandsdotter
626:Anna Maria Ehrenstrahl
477:Swedish Art dictionary
328:Blue Stockings Society
165:Lorens Pasch the Elder
146:, and a member of the
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120:
945:Sara Augusta Malmborg
694:Charlotta Cedercreutz
517:at Wikimedia Commons
334:, and the fictitious
207:In 1766, her brother
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45:Ulrika Fredrica Pasch
995:Ida von Schulzenheim
955:Ida Göthilda Nilsson
930:Karin Bergöö Larsson
925:Wilhelmina Lagerholm
905:Helena Sophia Isberg
875:Anna Gardell-Ericson
799:Anna Brita Wendelius
744:Anna Maria Hilfeling
724:Christina Fredenheim
699:Charlotta Cederström
490:Lindberg, Anna Lena
734:Maria Johanna Görtz
709:Marianne Ehrenström
673:Charlotta Arfwedson
668:Margareta Alströmer
642:Anna Maria Schmilau
522:Sample of paintings
320:Marianne Ehrenström
308:Anna Maria Lenngren
281:Portrait of a Lady,
142:rococo painter and
895:Hanna Hirsch-Pauli
774:Margareta Stafhell
719:Lisa Erlandsdotter
647:Anna Maria Thelott
185:Margareta Stafhell
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1015:Hildegard Thorell
975:Anna Palm de Rosa
935:AdelaĂŻde Leuhusen
885:Anna Göransdotter
815:Sofia Adlersparre
779:Anna Brita Sergel
754:Wilhelmina Krafft
739:Amalia von Helvig
513:Media related to
409:978-1-884964-21-3
379:978-91-86221-05-8
324:Sophie von Fersen
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396:(January 1997).
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1083:Pasch family
880:Selma Giöbel
825:Lea Ahlborn
820:Sofia Ahlbom
808:19th century
769:Ulrika Pasch
768:
764:Ulrika Melin
656:18th century
614:17th century
527:Ulrika Pasch
515:Ulrika Pasch
507:
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492:Ulrika Pasch
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453:September 1,
451:. Retrieved
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189:Chalcography
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75:(1796-04-02)
73:2 April 1796
55:10 July 1735
23:Ulrika Pasch
1093:1796 deaths
1088:1735 births
1025:Hanna Winge
1020:Elin Wallin
860:Emma Ekwall
850:Fanny Brate
840:Eva Bonnier
835:Anna Boberg
587:Middle Ages
336:Rower woman
181:Johan Pasch
169:Johan Pasch
144:miniaturist
1072:Categories
980:Maria Röhl
394:Delia Gaze
354:References
294:In fiction
51:1735-07-10
600:Gunnborga
300:Pottungen
242:In 1798,
154:Biography
81:Stockholm
59:Stockholm
342:See also
191:artist.
187:, was a
102:Movement
96:Painting
466:Sources
140:Swedish
406:
377:
203:Career
177:LĂĽbeck
106:Rococo
85:Sweden
63:Sweden
475:[
257:Works
455:2014
404:ISBN
375:ISBN
322:and
228:The
70:Died
41:Born
529:at
494:at
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49:(
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