335:, a complex solo combining elements of three other pieces, she demonstrated a mental and physical virtuosity seldom seen in the dance world, then or now. Brown's rigorous structures, combined with pedestrian or simple movement styles and tongue-in-cheek humor brought an intellectual sensibility that challenged the mainstream "modern dance" mindset of this period.
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In the late 1960s Brown created her own works which attempted to defy gravity, using equipment such as ropes and harnesses, to allow dancers to walk on or down walls or to experiment with the dynamics of stability. These "equipment pieces" were the first dances to comprise a distinct series in what
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and a set design by
Rauschenberg, solidified Brown's stature as an innovator within the dance world and as an artist of global significance. Three screens simultaneously broadcast separate black and white film collages from five 16 millimeter projectors (more than 20 years before a video component
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Though Brown has long been known for her collaborations with artists, it is less known that she has also produced a substantial body of drawings. In recent years she has shown these drawings, including during a major multidisciplinary 2008 celebration of her work at the
699:, after a lengthy illness. She is survived by her son, Adam Brown, his wife Erin, her four grandchildren – and by her brother Gordon Brown and sister Louisa Brown. Trisha Brown's husband, artist Burt Barr, died on November 7, 2016.
311:(1971), which is executed with the dancers on their backs, has been performed in public spaces of all kinds, including on water, with the dancers floating on rafts as they methodically work through the piece's graduated gestures.
556:, Minneapolis. In 2009, the Chelsea gallery Sikkema Jenkins & Company, which represents her husband, Burt Barr, presented her first solo exhibition in New York, featuring work dating to the 1970s.
433:, a former French minister of culture who died in 1990) is sculptural and kinetic, opening with a dancer running in figure-eight circles around the stage, slowing into loping motion down the center.
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In 1960 Brown participated in an experimental workshop devoted to improvisation at the studio of Anna
Halprin, in Kentfield, California. Subsequently, at the urging of fellow choreographers,
350:. This period was most notable for the slithery and highly articulated movement style which characterized much of her work during this time. The Molecular Structure cycle, which included
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as part of a
Performance Exhibition Series in conjunction with the survey "On Line: Drawing Through the Twentieth Century". That same year, "Trisha Brown" was mounted at the
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became the norm in new choreography), while the dancers rippled around the stage in part-translucent costumes marked with gray and black figures that resembled newsprint.
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presented "Trisha Brown: So That the
Audience Does Not Know Whether I Have Stopped Dancing." In honor of her company's 40th anniversary season in 2010, the
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by the government of France. In
January 2000 she was promoted to officier and in 2004, was again elevated; this time to the level of commandeur. Brown's
393:(1985), which began Brown's Valiant cycle. It used a larger pad, bolder movement phrases to articulate Brown's evolving spatial aesthetics. This led to
382:, who worked separately on projects and left it to the viewer to put the elements together, Brown and her collaborators worked toward a shared vision.
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movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international
323:'s SoHo, with each dancer transmitting the movements to a dancer on the nearest roof. In 1974, Brown began a residential relationship with the
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would become a working method for Brown as she went on to create various "cycles" of dances throughout her career. Brown's early works
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in
Washington, D.C., as part of a major Robert Rauschenberg exhibition in 1991 and presented on the museum's steps, overlooking the
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448:(1994), Brown performed entirely with her back to the audience for ten minutes with an electronic "sound score" on a bare stage.
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1423:"Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing — Calendar — Walker Art Center"
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1561:"Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing, April 18 – July 20, 2008"
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Fellow award. She also received a
Foundation for Contemporary Arts Robert Rauschenberg Award in 2013.
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hosted several performances as part of "Off the Wall: Part 2 — Seven Works by Trisha Brown".
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1169:"Trisha Brown Dance Company in Residence at Dia:Beacon, Riggio Galleries" (press release)
1098:"Press Release: "Trisha Brown: So That the Audience Does Not Know I Have Stopped Dancing"
676:, an award worth about $ 300,000 that was named after the silent film actresses, and the
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in 2010-11, Brown selected
Australian dancer and choreographer Lee Serle as her protégé.
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is included in the baccalaureate curriculum for French students pursuing dance studies.
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Ramsay, Burt (Summer 2005) "Against
Expectations: Trisha Brown and the Avant-garde".
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National Museum of Dance's Mr. & Mrs. Cornelius
Vanderbilt Whitney Hall of Fame
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In 2003, "Trisha Brown: Dance and Art in Dialogue 1961-2001", was organized by the
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at the Brooklyn Academy of Music in 1996. Also in a mirror duet drawn from a solo,
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1693:"Trisha Brown, Choreographer and Pillar of American Postmodern Dance, Dies at 80"
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in 2004. In 2007, works of Brown's choreography and drawings were included in
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In the 1990s she also turned more to choreographing classical music, creating
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1059:. v.37, n.1, pp.11-36. Cambridge, England: Cambridge University Press
618:. She has also received numerous honorary doctorates. She received a
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1071:"How Trisha Brown changed the way mostly everyone thinks about dance"
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In 2011, the Trisha Brown Dance Company took over the atrium of the
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at Phillips Academy and the Tang Teaching Museum and Art Gallery at
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1277:"Review: Flashes of lightning in Trisha Brown's 'Astral Converted'"
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During the 1980s Brown produced large-scale works intended for the
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409:(1990), costumes and sets were once again made by Rauschenberg.
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dance studio who was interested in applying the musical ideas of
1600:"Rolex Names Artists to Work With Kapoor, Eno in Mentor Program"
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39:
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1636:"Trisha Brown to Receive ‘Bessie’ Lifetime Achievement Award"
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How long does the subject linger on the edge of the volume...
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In 1983, Brown received an honorary Doctor of Fine Arts from
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took place on 12 different rooftops over a ten-block area in
1803:, danceinteractive.jacobspillow.org; accessed June 17, 2019.
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Laurence Olivier Award for Outstanding Achievement in Dance
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I'm Going to Toss My Arms – If You Catch Them They're Yours
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1807:
Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
1448:"On Roofs and Walls, They're Honoring Trisha Brown’s Work"
284:(Cunningham's partner and regular collaborator) to dance.
315:
involved dancers in harnesses moving along a wall, while
1756:
NYPL acquisition of Trisha Brown Dance Company's Archive
296:(1971) were designed to be performed at specific sites.
1665:"Trisha Brown :: Foundation for Contemporary Arts"
1618:"Lee Serle: following in the footsteps of Trisha Brown"
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include local marching bands from the presenting city.
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https://walkerart.org/collections/artists/trisha-brown
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and began her artistic collaborations, beginning with
527:. Brown worked again with Laurie Anderson in 2004 on
134:(November 25, 1936 – March 18, 2017) was an American
507:) in 2001, and in 2002 choreographed the song cycle
413:, in particular, originally was commissioned by the
358:(1981) and another collaboration with Rauschenberg,
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in 1962. There she worked with experimental dancers
222:, Brown moved to New York to study composition with
303:, an experimental dance collective, and formed the
1294:"Private Gestural Language, Unfolding Poetically"
2899:Commandeurs of the Ordre des Arts et des Lettres
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648:Samuel H. Scripps American Dance Festival Award
331:, that has continued to this day. With 1978's
611:in Choreography, one in 1975 and one in 1984.
181:in 2000. For several summers she studied with
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1382:"40 Years of Creations, Onstage and on Paper"
1260:"Dance: The Trisha Brown Company in 'Newark'"
1140:
1103:. Mills College Art Museum. December 15, 2009
346:(1979) which had sets and costumes by artist
272:. She also joined a composition class led by
1779:Archival footage of Trisha Brown performing
1409:Henry Art Gallery, University of Washington.
1330:"Trisha Brown, Queen Elizabeth Hall, London"
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177:in 1958. Brown later received a D.F.A. from
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1217:"Rauschenberg and Dance, Partners for Life"
1151:"Step-by-step guide to dance: Trisha Brown"
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1576:"Lifetime Honors - National Medal of Arts"
1239:"Trisha Brown, the Artist's Dance Partner"
1196:Wesleyan, Ohio: Wesleyan University Press
1026:Terpsichore in Sneakers: Post-Modern Dance
822:Accumulation with Talking plus Water Motor
636:Chevalier dans L'Ordre des Arts et Lettres
397:(1987), with decor and a sound concept by
1028:. Wesleyan University Press. p. 77.
1007:
333:Accumulation with Talking plus Watermotor
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1340:
1194:Trisha Brown: Choreography as Visual Art
1069:Hansen, Melody Datz (January 29, 2016).
695:Trisha Brown died on March 18, 2017, in
667:Rolex Mentor and Protégé Arts Initiative
572:; the exhibition later travelled to the
455:(1995) based on the Musical Offering by
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723:Man Walking Down the Side of a Building
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1653:United States Artists official website
1486:"Trisha Brown, March 26 - May 1, 2011"
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654:in 2000. In 2002, she was awarded the
2530:Pennsylvania Academy of the Fine Arts
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1669:www.foundationforcontemporaryarts.org
1616:Mackrell, Judith (November 16, 2011)
1548:"Trisha Brown - MacArthur Foundation"
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683:In 2012 Brown was the recipient of a
678:Bessie Award for lifetime achievement
535:. Among her well-known disciples are
21:Not to be confused with rugby player
1468:"Drawings in a Museum, Using Bodies"
1352:"There Is So Much That Must Live On"
710:
631:American Academy of Arts and Letters
440:(1995), she performed together with
245:and became a founding member of the
1904:Ballet de l'Opéra National de Paris
629:Brown is an Honorary Member of the
241:in 1961, Brown trained with dancer
13:
2025:and Mark Morris Dance Group (2002)
1746:Trisha Brown Dance Company Website
1712:Trisha Brown Dance Company website
1634:Lee, Felicia R. (October 4, 2011)
1446:Kourlas, Gia (September 10, 2010)
1412:
1328:Dowler, Gerald (October 18, 2010)
1124:Trisha Brown Early Works 1966-1979
1022:"Trisha Brown: Gravity and Levity"
646:Brown was a 1994 recipient of the
510:Die Winterreise (Winter's Journey)
493:(1998–2000), completed her second
14:
2925:
2874:Contemporary dance choreographers
2189:National Medal of Arts recipients
1960:London Contemporary Dance Theatre
1928:London Contemporary Dance Theatre
1739:
1589:website; accessed March 20, 2017.
1313:"Misha and Trisha, Talking Dance"
622:grant in 1991, and served on the
142:, and one of the founders of the
16:American choreographer and dancer
2889:People from Aberdeen, Washington
1311:Grant, Annette (August 8, 1999)
1292:Sulcas, Roslyn (March 17, 2011)
650:, and she was inducted into the
38:
2914:Prix Benois de la Danse winners
2576:Interlochen Center for the Arts
2241:, cultural programming division
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1587:National Endowment for the Arts
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1149:Roy, Sanjoy (October 13, 2010)
566:Addison Gallery of American Art
1598:Rosboch, Lili (June 28, 2010)
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674:Dorothy and Lillian Gish Prize
607:Brown is the recipient of two
602:
586:Whitney Museum of American Art
559:
1:
2794:Oberlin Conservatory of Music
996:
485:. Brown found inspiration in
107:Burt Barr (?-2016; his death)
2652:Lionel Hampton Jazz Festival
2276:Alvin Ailey Dance Foundation
624:National Council on the Arts
299:In 1970 Brown cofounded the
7:
2723:José Limón Dance Foundation
2586:Preservation Hall Jazz Band
2444:Andrew W. Mellon Foundation
1790:Five Part Weather Invention
1724:Mazzaglia, Rossella (2007)
1275:Swed, Mark (April 5, 2013)
894:Another Story as in falling
10:
2930:
1700:; accessed March 20, 2017.
1643:; accessed March 20, 2017.
1625:; accessed March 20, 2017.
1492:; accessed March 20, 2017.
1390:; accessed March 20, 2017.
1337:; accessed March 20, 2017.
1302:; accessed March 20, 2017.
1225:; accessed March 20, 2017.
765:Group Primary Accumulation
662:for lifetime achievement.
658:, and in 2005 she won the
546:
305:Trisha Brown Dance Company
20:
2807:
2799:School of American Ballet
2736:
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2367:William "Smokey" Robinson
2319:
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2196:
2009:
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1811:in 2017 at Jacob's Pillow
1801:in 2011 at Jacob's Pillow
1792:in 1999 at Jacob's Pillow
1783:in 1994 at Jacob's Pillow
1774:in 1986 at Jacob's Pillow
1765:in 1986 at Jacob's Pillow
1400:"Trisha Brown, in Stereo"
1167:Staff (October 30, 2009)
119:
111:
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2069:Royal Ballet of Flanders
1710:"Full repertory by date"
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633:. In 1988 she was named
429:(1991; "M.G." refers to
226:, who taught a class at
209:
166:in 1936, and received a
158:Early life and education
91:Dancer and choreographer
2879:American modern dancers
2869:American choreographers
2114:English National Ballet
1821:Awards for Trisha Brown
1122:Kertess, Klaus (2004).
888:One Story as in falling
707:Brown's works include:
672:In 2011, Brown won the
660:Prix Benois de la Danse
415:National Gallery of Art
234:'s theories of chance.
204:
195:American Dance Festival
2728:The Presser Foundation
2708:Ford's Theatre Society
2337:Philippe de Montebello
2327:Florence Knoll Bassett
1874:London Festival Ballet
1781:If You Couldn't See Me
1581:July 21, 2011, at the
1405:June 20, 2010, at the
1057:Dance Research Journal
904:If you couldn't see me
656:National Medal of Arts
609:Guggenheim Fellowships
446:If You Couldn't See Me
366:by performance artist
276:, a musician from the
2784:Michael Tilson Thomas
2239:National Public Radio
2148:Isabela Coracy (2024)
2075:Rambert Dance Company
1978:Rambert Dance Company
1258:(September 16, 1987)
1174:June 6, 2012, at the
940:O Zlozony/O Composite
811:Spanish Dance' (1976)
789:Structured Pieces III
685:United States Artists
529:O Zlozony/O Composite
463:Johann Sebastian Bach
389:designed the set for
2909:Bates College alumni
2904:Mills College alumni
2894:Bessie Award winners
2713:Fisk Jubilee Singers
2596:Viktor Schreckengost
2142:Arielle Smith (2022)
2098:Michael Hulls (2014)
2045:San Francisco Ballet
1237:(January 11, 2004),
1126:. Artpix Notebooks.
771:Structured Pieces II
759:Primary Accumulation
620:MacArthur Foundation
597:Serralves Foundation
593:Museum of Modern Art
362:(1983), featuring a
250:Judson Dance Theater
230:'s studio, based on
164:Aberdeen, Washington
144:Judson Dance Theater
61:Aberdeen, Washington
2774:Joseph P. Riley Jr.
2693:Olivia de Havilland
2656:University of Idaho
2571:Wilhelmina Holladay
2296:Helen Frankenthaler
2214:Mikhail Baryshnikov
1728:. Palermo: L'Epos.
1466:(January 13, 2011)
882:For M.G.: The Movie
840:Son of Gone Fishin'
747:Walking on the Wall
729:Floor of the Forest
626:from 1994 to 1997.
505:Salvatore Sciarrino
500:Luci mie traditrici
442:Mikhail Baryshnikov
356:Son of Gone Fishin'
348:Robert Rauschenberg
313:Walking on the Wall
290:Walking on the Wall
199:Connecticut College
2683:Richard M. Sherman
2383:Austin City Limits
2145:Dickson Mbi (2023)
1697:The New York Times
1689:Macauley, Alastair
1640:The New York Times
1473:The New York Times
1452:The New York Times
1387:The New York Times
1357:The New York Times
1348:Macaulay, Alastair
1317:The New York Times
1299:The New York Times
1264:The New York Times
1243:The New York Times
1222:The New York Times
1213:Macaulay, Alastair
1179:Dia Art Foundation
958:L'Amour au Theatre
870:Astral Convertible
697:San Antonio, Texas
533:Paris Opera Ballet
483:Claudio Monteverdi
421:. Performances of
411:Astral Convertible
403:Astral Convertible
162:Brown was born in
80:San Antonio, Texas
2884:MacArthur Fellows
2846:
2845:
2840:
2839:
2688:Robert B. Sherman
2642:Henry Z. Steinway
2495:Louis Auchincloss
2155:
2154:
1994:Ballett Frankfurt
1930: (1989/1990)
1809:Les Yeux et L'Ame
1799:Les Yeux et L'Ame
1751:NY Times Obituary
1734:978-88-8302-329-3
1691:(March 20, 2017)
1564:Walker Art Center
1528:Missing or empty
1464:La Rocco, Claudia
1427:www.walkerart.org
1380:(April 24, 2009)
1378:La Rocco, Claudia
1350:(July 18, 2014).
1281:Los Angeles Times
1035:978-0-8195-7180-9
993:
992:
976:Les Yeux et l'âme
582:Walker Art Center
574:Henry Art Gallery
554:Walker Art Center
325:Walker Art Center
129:
128:
96:Years active
57:November 25, 1936
2921:
2622:N. Scott Momaday
2617:Morten Lauridsen
2505:Paquito D'Rivera
2413:Tabernacle Choir
2347:Lawrence Halprin
2260:Barbra Streisand
2182:
2175:
2168:
2159:
2158:
2120:Francesca Velicu
2108:Alessandra Ferri
2063:The Royal Ballet
1990:William Forsythe
1948:The Royal Ballet
1944:William Forsythe
1898:Stuttgart Ballet
1892:The Royal Ballet
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1256:Kisselgoff, Anna
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1190:Rosenberg, Susan
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1014:
952:I love my robots
711:
570:Skidmore College
541:Stephen Petronio
525:Simon Keenlyside
376:Merce Cunningham
278:Merce Cunningham
237:After moving to
228:Merce Cunningham
191:Merce Cunningham
152:postmodern dance
148:postmodern dance
124:Official website
75:
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2847:
2842:
2841:
2836:
2803:
2732:
2717:Fisk University
2666:
2605:
2591:Gregory Rabassa
2544:
2525:Wynton Marsalis
2515:Leonard Garment
2483:
2432:
2418:Leonard Slatkin
2398:Suzanne Farrell
2371:
2315:
2264:
2245:Claes Oldenburg
2192:
2186:
2156:
2151:
2138:(2021 Covid-19)
2093:Marianela Núñez
2005:
1984:Lez Brotherston
1938:Jennifer Tipton
1886:Peter Schaufuss
1862:
1857:
1822:
1742:
1716:
1708:
1704:
1687:
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1673:
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1663:
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1597:
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1583:Wayback Machine
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1421:
1420:
1413:
1407:Wayback Machine
1398:
1394:
1376:
1372:
1362:
1360:
1345:
1341:
1334:Financial Times
1327:
1323:
1310:
1306:
1291:
1287:
1274:
1270:
1254:
1250:
1233:
1229:
1215:(May 14, 2008)
1211:
1207:
1188:
1184:
1176:Wayback Machine
1166:
1162:
1148:
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1134:
1120:
1116:
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1054:
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1038:
1036:
1015:
1008:
999:
994:
916:Twelve Ton Rose
705:
693:
665:As part of the
616:Oberlin College
605:
580:. In 2008, the
562:
549:
368:Laurie Anderson
329:Minneapolis, MN
212:
207:
197:, then held at
160:
83:
77:
73:
64:
58:
52:
50:
33:
26:
17:
12:
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5:
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2801:
2796:
2791:
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2776:
2771:
2766:
2761:
2756:
2751:
2749:Clint Eastwood
2746:
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2556:William Bolcom
2552:
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2542:
2537:
2532:
2527:
2522:
2520:Ollie Johnston
2517:
2512:
2507:
2502:
2500:James DePreist
2497:
2491:
2489:
2485:
2484:
2482:
2481:
2476:
2474:Vincent Scully
2471:
2466:
2461:
2459:Frederick Hart
2456:
2454:Carlisle Floyd
2451:
2446:
2440:
2438:
2434:
2433:
2431:
2430:
2425:
2420:
2415:
2410:
2405:
2400:
2395:
2390:
2388:Beverly Cleary
2385:
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2301:Judith Jamison
2298:
2293:
2288:
2283:
2278:
2272:
2270:
2266:
2265:
2263:
2262:
2257:
2252:
2250:Itzhak Perlman
2247:
2242:
2236:
2231:
2226:
2221:
2216:
2211:
2206:
2200:
2198:
2194:
2193:
2185:
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2170:
2162:
2153:
2152:
2150:
2149:
2146:
2143:
2140:
2135:
2129:
2123:
2117:
2111:
2105:
2099:
2096:
2090:
2084:
2081:Antony Gormley
2078:
2072:
2066:
2060:
2054:
2048:
2042:
2032:
2026:
2020:
2017:Deborah Colker
2013:
2011:
2007:
2006:
2004:
2003:
1997:
1987:
1981:
1975:
1972:Siobhan Davies
1969:
1963:
1957:
1954:Siobhan Davies
1951:
1941:
1931:
1925:
1919:
1913:
1910:Ballet Rambert
1907:
1901:
1895:
1889:
1883:
1877:
1870:
1868:
1864:
1863:
1856:
1855:
1848:
1841:
1833:
1827:
1824:
1823:
1814:
1813:
1804:
1794:
1785:
1776:
1767:
1758:
1753:
1748:
1741:
1740:External links
1738:
1737:
1736:
1715:
1714:
1702:
1681:
1656:
1645:
1627:
1609:
1591:
1568:
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756:
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738:
732:
726:
720:
709:
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701:
692:
689:
604:
601:
561:
558:
548:
545:
521:Franz Schubert
469:production of
438:You Can See Us
266:Lucinda Childs
211:
208:
206:
203:
173:in dance from
159:
156:
127:
126:
121:
117:
116:
113:
109:
108:
105:
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100:
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92:
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84:
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76:(aged 80)
72:March 18, 2017
70:
66:
65:
59:
48:
44:
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
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2856:
2854:
2833:
2830:
2828:
2825:
2823:
2820:
2818:
2815:
2813:
2812:Complete list
2810:
2809:
2806:
2800:
2797:
2795:
2792:
2790:
2789:John Williams
2787:
2785:
2782:
2780:
2777:
2775:
2772:
2770:
2769:Jessye Norman
2767:
2765:
2762:
2760:
2757:
2755:
2754:Milton Glaser
2752:
2750:
2747:
2745:
2742:
2741:
2739:
2735:
2729:
2726:
2724:
2721:
2718:
2714:
2711:
2709:
2706:
2704:
2703:Jesús Moroles
2701:
2699:
2696:
2694:
2691:
2689:
2686:
2684:
2681:
2679:
2676:
2675:
2673:
2669:
2663:
2660:
2657:
2653:
2650:
2648:
2647:George Tooker
2645:
2643:
2640:
2638:
2635:
2633:
2632:Roy Neuberger
2630:
2628:
2625:
2623:
2620:
2618:
2615:
2614:
2612:
2608:
2602:
2601:Ralph Stanley
2599:
2597:
2594:
2592:
2589:
2587:
2584:
2582:
2579:
2577:
2574:
2572:
2569:
2567:
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2559:
2557:
2554:
2553:
2551:
2547:
2541:
2538:
2536:
2533:
2531:
2528:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2510:Robert Duvall
2508:
2506:
2503:
2501:
2498:
2496:
2493:
2492:
2490:
2486:
2480:
2477:
2475:
2472:
2470:
2467:
2465:
2464:Anthony Hecht
2462:
2460:
2457:
2455:
2452:
2450:
2447:
2445:
2442:
2441:
2439:
2435:
2429:
2426:
2424:
2423:George Strait
2421:
2419:
2416:
2414:
2411:
2409:
2406:
2404:
2401:
2399:
2396:
2394:
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2368:
2365:
2363:
2360:
2358:
2355:
2353:
2352:Al Hirschfeld
2350:
2348:
2345:
2343:
2340:
2338:
2335:
2333:
2330:
2328:
2325:
2324:
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2318:
2312:
2309:
2307:
2304:
2302:
2299:
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2292:
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2287:
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2282:
2281:Rudolfo Anaya
2279:
2277:
2274:
2273:
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2267:
2261:
2258:
2256:
2255:Harold Prince
2253:
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2240:
2237:
2235:
2234:Lewis Manilow
2232:
2230:
2227:
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2133:
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2121:
2118:
2115:
2112:
2109:
2106:
2103:
2100:
2097:
2094:
2091:
2088:
2087:Edward Watson
2085:
2082:
2079:
2076:
2073:
2070:
2067:
2064:
2061:
2058:
2057:Carlos Acosta
2055:
2052:
2049:
2046:
2043:
2040:
2036:
2033:
2030:
2027:
2024:
2021:
2018:
2015:
2014:
2012:
2008:
2001:
1998:
1995:
1991:
1988:
1985:
1982:
1979:
1976:
1973:
1970:
1967:
1966:Peter Mumford
1964:
1961:
1958:
1955:
1952:
1949:
1945:
1942:
1939:
1935:
1932:
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1926:
1923:
1920:
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1911:
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1902:
1899:
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1818:
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1800:
1795:
1793:
1791:
1786:
1784:
1782:
1777:
1775:
1773:
1768:
1766:
1764:
1763:Set and Reset
1759:
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1749:
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1744:
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1723:
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1577:
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1549:
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1522:
1507:
1504:
1503:walkerart.org
1498:
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1300:
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1278:
1272:
1266:
1265:
1261:
1257:
1252:
1245:
1244:
1240:
1236:
1235:Perron, Wendy
1231:
1224:
1223:
1218:
1214:
1209:
1203:
1202:9780819576620
1199:
1195:
1191:
1186:
1180:
1177:
1173:
1170:
1164:
1157:
1156:
1152:
1146:
1144:
1135:
1133:9780966801064
1129:
1125:
1118:
1099:
1093:
1078:
1077:
1076:Seattle Times
1072:
1065:
1058:
1052:
1037:
1031:
1027:
1023:
1019:
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1006:
1004:
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989:
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968:
965:
962:
959:
956:
953:
950:
947:
944:
941:
938:
935:
934:PRESENT TENSE
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:
901:
900:
895:
892:
889:
886:
883:
880:
877:
874:
871:
868:
865:
862:
859:
856:
853:
850:
847:
846:Set and Reset
844:
841:
838:
835:
832:
829:
828:Glacial Decoy
826:
823:
820:
817:
814:
812:
809:
806:
803:
800:
797:
796:
795:
790:
787:
784:
781:
778:
775:
772:
769:
766:
763:
760:
757:
754:
751:
748:
745:
742:
739:
736:
735:Leaning Duets
733:
730:
727:
724:
721:
718:
715:
714:
713:
712:
708:
700:
698:
688:
686:
681:
679:
675:
670:
668:
663:
661:
657:
653:
649:
644:
642:
641:Set and Reset
638:
637:
632:
627:
625:
621:
617:
612:
610:
600:
598:
594:
589:
587:
583:
579:
575:
571:
567:
557:
555:
544:
542:
538:
534:
530:
526:
522:
519:
516:
512:
511:
506:
503:(composed by
502:
501:
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492:
488:
484:
481:
478:
474:
473:
468:
464:
461:
458:
454:
449:
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439:
434:
432:
428:
424:
420:
419:National Mall
416:
412:
408:
404:
400:
396:
392:
391:Lateral Pass,
388:
383:
381:
377:
372:
369:
365:
361:
360:Set and Reset
357:
353:
349:
345:
344:Glacial Decoy
341:
336:
334:
330:
326:
322:
321:New York City
318:
314:
310:
306:
302:
297:
295:
291:
285:
283:
279:
275:
271:
267:
263:
259:
255:
254:Yvonne Rainer
251:
248:
244:
240:
239:New York City
235:
233:
229:
225:
221:
220:Yvonne Rainer
217:
202:
200:
196:
192:
188:
184:
180:
179:Bates College
176:
175:Mills College
172:
169:
165:
155:
153:
149:
145:
141:
137:
136:choreographer
133:
125:
122:
118:
114:
110:
106:
102:
98:
94:
90:
88:Occupation(s)
86:
81:
71:
67:
62:
49:
45:
41:
36:
29:
24:
19:
2779:Frank Stella
2662:Andrew Wyeth
2581:Erich Kunzel
2566:Roy DeCarava
2561:Cyd Charisse
2540:Dolly Parton
2535:Tina Ramirez
2469:John Ruthven
2449:Ray Bradbury
2393:Rafe Esquith
2362:Ming Cho Lee
2357:George Jones
2332:Trisha Brown
2331:
2311:Mike Nichols
2291:Kirk Douglas
2229:Horton Foote
2219:Benny Carter
2204:Maya Angelou
2137:
2102:Crystal Pite
2010:2001-present
2002: (2000)
1996: (1999)
1986: (1998)
1980: (1997)
1974: (1996)
1968: (1995)
1962: (1994)
1956: (1993)
1950: (1992)
1940: (1991)
1924: (1988)
1922:Kirov Ballet
1918: (1987)
1916:Trisha Brown
1915:
1912: (1986)
1906: (1982)
1900: (1981)
1894: (1980)
1888: (1979)
1882: (1978)
1880:Robert Cohan
1876: (1977)
1808:
1798:
1789:
1780:
1772:Lateral Pass
1771:
1762:
1726:Trisha Brown
1725:
1719:Bibliography
1718:
1717:
1705:
1695:
1684:
1672:. Retrieved
1668:
1659:
1648:
1638:
1630:
1622:The Guardian
1620:
1612:
1602:
1594:
1571:
1556:
1542:
1530:|title=
1511:September 4,
1509:. Retrieved
1502:
1497:
1490:serralves.pt
1481:
1471:
1459:
1450:
1442:
1430:. Retrieved
1426:
1395:
1385:
1373:
1361:. Retrieved
1355:
1342:
1332:
1324:
1315:
1307:
1297:
1288:
1279:
1271:
1262:
1251:
1241:
1230:
1220:
1208:
1193:
1185:
1163:
1155:The Guardian
1153:
1123:
1117:
1105:. Retrieved
1092:
1080:. Retrieved
1074:
1064:
1051:
1039:. Retrieved
1025:
1018:Banes, Sally
1001:
1000:
987:
981:
975:
969:
963:
957:
951:
945:
939:
933:
927:
921:
915:
909:
903:
893:
887:
881:
875:
869:
863:
857:
852:Lateral Pass
851:
845:
839:
833:
827:
821:
815:
810:
804:
798:
788:
782:
776:
770:
764:
758:
752:
746:
741:Accumulation
740:
734:
728:
722:
716:
706:
694:
682:
671:
664:
645:
640:
634:
628:
613:
606:
590:
578:documenta 12
563:
550:
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270:David Gordon
258:Steve Paxton
243:Anna Halprin
236:
216:Simone Forti
213:
161:
132:Trisha Brown
131:
130:
74:(2017-03-18)
32:Trisha Brown
23:Tricia Brown
18:
2864:2017 deaths
2859:1936 births
2764:Rita Moreno
2479:Twyla Tharp
2286:Johnny Cash
2224:Chuck Close
2209:Eddy Arnold
2051:Pina Bausch
2035:Thomas Edur
2029:Robyn Orlin
2023:Mark Morris
2000:Jiří Kylián
1934:Twyla Tharp
928:Winterreise
876:Foray Forêt
816:Water Motor
603:Recognition
560:Exhibitions
423:Foray Forêt
407:Foray Forêt
405:(1989) and
399:Donald Judd
301:Grand Union
292:(1971) and
274:Robert Dunn
262:Twyla Tharp
247:avant-garde
224:Robert Dunn
183:Louis Horst
2853:Categories
2698:Hank Jones
2627:Craig Noel
2428:Tommy Tune
2408:Ron Howard
2132:Sara Baras
2126:Akram Khan
2039:Agnes Oaks
997:References
753:Roof Piece
491:El Trilogy
475:(1998) by
465:, and the
431:Michel Guy
317:Roof Piece
294:Roof Piece
187:José Limón
53:1936-11-25
2744:Bob Dylan
2403:Buddy Guy
2342:Uta Hagen
1867:1977-2000
1604:Bloomberg
1432:March 25,
1107:March 26,
1082:March 26,
1041:March 26,
964:Pygmalion
834:Opal Loop
799:Solo Olos
599:, Porto.
427:For M. G.
385:Sculptor
380:John Cage
352:Opal Loop
282:John Cage
232:John Cage
99:1962–2017
2759:Maya Lin
2678:Stan Lee
2637:Les Paul
2306:Yo-Yo Ma
1674:April 5,
1579:Archived
1521:cite web
1403:Archived
1363:July 20,
1172:Archived
1020:(2011).
717:Homemade
531:for the
518:composer
515:Austrian
480:composer
460:composer
354:(1980),
146:and the
112:Children
2191:(2000s)
1192:(2016)
922:L'Orfeo
805:Line Up
547:Drawing
477:Italian
472:L'Orfeo
374:Unlike
193:at the
120:Website
2134:(2020)
2128:(2019)
2122:(2018)
2116:(2017)
2110:(2016)
2104:(2015)
2095:(2013)
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984:(2011)
982:Rogues
978:(2011)
972:(2011)
966:(2010)
960:(2009)
954:(2007)
948:(2005)
942:(2004)
936:(2003)
930:(2002)
924:(1998)
918:(1996)
912:(1995)
906:(1994)
896:(1993)
890:(1992)
884:(1991)
878:(1990)
872:(1989)
866:(1987)
864:Newark
860:(1986)
858:Carmen
854:(1985)
848:(1983)
842:(1981)
836:(1980)
830:(1979)
824:(1978)
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779:(1974)
777:Spiral
773:(1974)
767:(1973)
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755:(1971)
749:(1971)
743:(1971)
737:(1970)
731:(1970)
725:(1970)
719:(1966)
457:German
401:. For
395:Newark
268:, and
189:, and
171:degree
140:dancer
104:Spouse
82:, U.S.
63:, U.S.
2832:2010s
2827:2000s
2822:1990s
2817:1980s
1101:(PDF)
1002:Notes
783:Locus
703:Works
691:Death
495:opera
467:opera
364:score
340:stage
210:Dance
2737:2009
2671:2008
2610:2007
2549:2006
2488:2005
2437:2004
2376:2003
2320:2002
2269:2001
2197:2000
2037:and
1992:and
1946:and
1936:and
1730:ISBN
1676:2018
1534:help
1513:2024
1434:2017
1365:2014
1198:ISBN
1128:ISBN
1109:2016
1084:2016
1043:2016
1030:ISBN
910:M.O.
539:and
523:for
489:for
487:jazz
453:M.O.
378:and
218:and
205:Work
168:B.A.
138:and
69:Died
47:Born
2715:, (
513:by
436:In
327:in
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1667:.
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