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Trisha Brown

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335:, a complex solo combining elements of three other pieces, she demonstrated a mental and physical virtuosity seldom seen in the dance world, then or now. Brown's rigorous structures, combined with pedestrian or simple movement styles and tongue-in-cheek humor brought an intellectual sensibility that challenged the mainstream "modern dance" mindset of this period. 287:
In the late 1960s Brown created her own works which attempted to defy gravity, using equipment such as ropes and harnesses, to allow dancers to walk on or down walls or to experiment with the dynamics of stability. These "equipment pieces" were the first dances to comprise a distinct series in what
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and a set design by Rauschenberg, solidified Brown's stature as an innovator within the dance world and as an artist of global significance. Three screens simultaneously broadcast separate black and white film collages from five 16 millimeter projectors (more than 20 years before a video component
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Though Brown has long been known for her collaborations with artists, it is less known that she has also produced a substantial body of drawings. In recent years she has shown these drawings, including during a major multidisciplinary 2008 celebration of her work at the
699:, after a lengthy illness. She is survived by her son, Adam Brown, his wife Erin, her four grandchildren – and by her brother Gordon Brown and sister Louisa Brown. Trisha Brown's husband, artist Burt Barr, died on November 7, 2016. 311:(1971), which is executed with the dancers on their backs, has been performed in public spaces of all kinds, including on water, with the dancers floating on rafts as they methodically work through the piece's graduated gestures. 556:, Minneapolis. In 2009, the Chelsea gallery Sikkema Jenkins & Company, which represents her husband, Burt Barr, presented her first solo exhibition in New York, featuring work dating to the 1970s. 433:, a former French minister of culture who died in 1990) is sculptural and kinetic, opening with a dancer running in figure-eight circles around the stage, slowing into loping motion down the center. 214:
In 1960 Brown participated in an experimental workshop devoted to improvisation at the studio of Anna Halprin, in Kentfield, California. Subsequently, at the urging of fellow choreographers,
350:. This period was most notable for the slithery and highly articulated movement style which characterized much of her work during this time. The Molecular Structure cycle, which included 2179: 595:
as part of a Performance Exhibition Series in conjunction with the survey "On Line: Drawing Through the Twentieth Century". That same year, "Trisha Brown" was mounted at the
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became the norm in new choreography), while the dancers rippled around the stage in part-translucent costumes marked with gray and black figures that resembled newsprint.
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presented "Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing." In honor of her company's 40th anniversary season in 2010, the
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by the government of France. In January 2000 she was promoted to officier and in 2004, was again elevated; this time to the level of commandeur. Brown's
393:(1985), which began Brown's Valiant cycle. It used a larger pad, bolder movement phrases to articulate Brown's evolving spatial aesthetics. This led to 382:, who worked separately on projects and left it to the viewer to put the elements together, Brown and her collaborators worked toward a shared vision. 2831: 2826: 2821: 2816: 2811: 2165: 1402: 150:
movement. Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international
323:'s SoHo, with each dancer transmitting the movements to a dancer on the nearest roof. In 1974, Brown began a residential relationship with the 666: 430: 1635: 1560: 1843: 1293: 1070: 2873: 288:
would become a working method for Brown as she went on to create various "cycles" of dances throughout her career. Brown's early works
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in Washington, D.C., as part of a major Robert Rauschenberg exhibition in 1991 and presented on the museum's steps, overlooking the
2913: 1750: 1578: 448:(1994), Brown performed entirely with her back to the audience for ten minutes with an electronic "sound score" on a bare stage. 1836: 1351: 2529: 1733: 1238: 1033: 1171: 630: 1259: 2275: 1422: 673: 1787: 1965: 1959: 1927: 1329: 1201: 1131: 2878: 2868: 1989: 1943: 2575: 1617: 1586: 623: 565: 1778: 1423:"Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing — Calendar — Walker Art Center" 1097: 585: 1828: 1312: 2908: 2903: 2893: 2793: 635: 1806: 2651: 1796: 1561:"Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing, April 18 – July 20, 2008" 269: 1150: 2585: 2443: 2022: 1760: 1664: 1533: 2883: 1769: 1399: 687:
Fellow award. She also received a Foundation for Contemporary Arts Robert Rauschenberg Award in 2013.
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hosted several performances as part of "Off the Wall: Part 2 — Seven Works by Trisha Brown".
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in 2010-11, Brown selected Australian dancer and choreographer Lee Serle as her protégé.
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is included in the baccalaureate curriculum for French students pursuing dance studies.
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Ramsay, Burt (Summer 2005) "Against Expectations: Trisha Brown and the Avant-garde".
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National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame
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In 2003, "Trisha Brown: Dance and Art in Dialogue 1961-2001", was organized by the
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at the Brooklyn Academy of Music in 1996. Also in a mirror duet drawn from a solo,
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in 2004. In 2007, works of Brown's choreography and drawings were included in
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In the 1990s she also turned more to choreographing classical music, creating
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In 2011, the Trisha Brown Dance Company took over the atrium of the
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at Phillips Academy and the Tang Teaching Museum and Art Gallery at
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During the 1980s Brown produced large-scale works intended for the
1745: 514: 456: 409:(1990), costumes and sets were once again made by Rauschenberg. 280:
dance studio who was interested in applying the musical ideas of
1600:"Rolex Names Artists to Work With Kapoor, Eno in Mentor Program" 139: 39: 2187: 1636:"Trisha Brown to Receive ‘Bessie’ Lifetime Achievement Award" 946:
How long does the subject linger on the edge of the volume...
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In 1983, Brown received an honorary Doctor of Fine Arts from
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took place on 12 different rooftops over a ten-block area in
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Laurence Olivier Award for Outstanding Achievement in Dance
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I'm Going to Toss My Arms – If You Catch Them They're Yours
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Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
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Archival footage of Trisha Brown Dance Company performing
1448:"On Roofs and Walls, They're Honoring Trisha Brown’s Work" 284:(Cunningham's partner and regular collaborator) to dance. 315:
involved dancers in harnesses moving along a wall, while
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NYPL acquisition of Trisha Brown Dance Company's Archive
296:(1971) were designed to be performed at specific sites. 1665:"Trisha Brown :: Foundation for Contemporary Arts" 1618:"Lee Serle: following in the footsteps of Trisha Brown" 425:
include local marching bands from the presenting city.
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https://walkerart.org/collections/artists/trisha-brown
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and began her artistic collaborations, beginning with
527:. Brown worked again with Laurie Anderson in 2004 on 134:(November 25, 1936 – March 18, 2017) was an American 507:) in 2001, and in 2002 choreographed the song cycle 413:, in particular, originally was commissioned by the 358:(1981) and another collaboration with Rauschenberg, 252:
in 1962. There she worked with experimental dancers
222:, Brown moved to New York to study composition with 303:, an experimental dance collective, and formed the 1294:"Private Gestural Language, Unfolding Poetically" 2899:Commandeurs of the Ordre des Arts et des Lettres 2850: 1145: 1143: 648:Samuel H. Scripps American Dance Festival Award 331:, that has continued to this day. With 1978's 611:in Choreography, one in 1975 and one in 1984. 181:in 2000. For several summers she studied with 2173: 1844: 1382:"40 Years of Creations, Onstage and on Paper" 1260:"Dance: The Trisha Brown Company in 'Newark'" 1140: 1103:. Mills College Art Museum. December 15, 2009 346:(1979) which had sets and costumes by artist 272:. She also joined a composition class led by 1779:Archival footage of Trisha Brown performing 1409:Henry Art Gallery, University of Washington. 1330:"Trisha Brown, Queen Elizabeth Hall, London" 1012: 1010: 177:in 1958. Brown later received a D.F.A. from 1820: 1217:"Rauschenberg and Dance, Partners for Life" 1151:"Step-by-step guide to dance: Trisha Brown" 157: 2180: 2166: 1851: 1837: 1576:"Lifetime Honors - National Medal of Arts" 1239:"Trisha Brown, the Artist's Dance Partner" 1196:Wesleyan, Ohio: Wesleyan University Press 1026:Terpsichore in Sneakers: Post-Modern Dance 822:Accumulation with Talking plus Water Motor 636:Chevalier dans L'Ordre des Arts et Lettres 397:(1987), with decor and a sound concept by 1028:. Wesleyan University Press. p. 77. 1007: 333:Accumulation with Talking plus Watermotor 1346: 1340: 1194:Trisha Brown: Choreography as Visual Art 1069:Hansen, Melody Datz (January 29, 2016). 695:Trisha Brown died on March 18, 2017, in 667:Rolex Mentor and Protégé Arts Initiative 572:; the exhibition later travelled to the 455:(1995) based on the Musical Offering by 1121: 723:Man Walking Down the Side of a Building 2851: 1653:United States Artists official website 1486:"Trisha Brown, March 26 - May 1, 2011" 1068: 654:in 2000. In 2002, she was awarded the 2530:Pennsylvania Academy of the Fine Arts 2161: 1832: 1819: 1669:www.foundationforcontemporaryarts.org 1616:Mackrell, Judith (November 16, 2011) 1548:"Trisha Brown - MacArthur Foundation" 1417: 1415: 1016: 683:In 2012 Brown was the recipient of a 678:Bessie Award for lifetime achievement 535:. Among her well-known disciples are 21:Not to be confused with rugby player 1468:"Drawings in a Museum, Using Bodies" 1352:"There Is So Much That Must Live On" 710: 631:American Academy of Arts and Letters 440:(1995), she performed together with 245:and became a founding member of the 1904:Ballet de l'Opéra National de Paris 629:Brown is an Honorary Member of the 241:in 1961, Brown trained with dancer 13: 2025:and Mark Morris Dance Group (2002) 1746:Trisha Brown Dance Company Website 1712:Trisha Brown Dance Company website 1634:Lee, Felicia R. (October 4, 2011) 1446:Kourlas, Gia (September 10, 2010) 1412: 1328:Dowler, Gerald (October 18, 2010) 1124:Trisha Brown Early Works 1966-1979 1022:"Trisha Brown: Gravity and Levity" 646:Brown was a 1994 recipient of the 510:Die Winterreise (Winter's Journey) 493:(1998–2000), completed her second 14: 2925: 2874:Contemporary dance choreographers 2189:National Medal of Arts recipients 1960:London Contemporary Dance Theatre 1928:London Contemporary Dance Theatre 1739: 1589:website; accessed March 20, 2017. 1313:"Misha and Trisha, Talking Dance" 622:grant in 1991, and served on the 142:, and one of the founders of the 16:American choreographer and dancer 2889:People from Aberdeen, Washington 1311:Grant, Annette (August 8, 1999) 1292:Sulcas, Roslyn (March 17, 2011) 650:, and she was inducted into the 38: 2914:Prix Benois de la Danse winners 2576:Interlochen Center for the Arts 2241:, cultural programming division 1703: 1682: 1657: 1646: 1628: 1610: 1592: 1587:National Endowment for the Arts 1569: 1554: 1540: 1495: 1479: 1457: 1440: 1393: 1371: 1322: 1305: 1286: 1269: 1249: 1228: 1149:Roy, Sanjoy (October 13, 2010) 566:Addison Gallery of American Art 1598:Rosboch, Lili (June 28, 2010) 1206: 1183: 1161: 1115: 1090: 1062: 1049: 674:Dorothy and Lillian Gish Prize 607:Brown is the recipient of two 602: 586:Whitney Museum of American Art 559: 1: 2794:Oberlin Conservatory of Music 996: 485:. Brown found inspiration in 107:Burt Barr (?-2016; his death) 2652:Lionel Hampton Jazz Festival 2276:Alvin Ailey Dance Foundation 624:National Council on the Arts 299:In 1970 Brown cofounded the 7: 2723:José Limón Dance Foundation 2586:Preservation Hall Jazz Band 2444:Andrew W. Mellon Foundation 1790:Five Part Weather Invention 1724:Mazzaglia, Rossella (2007) 1275:Swed, Mark (April 5, 2013) 894:Another Story as in falling 10: 2930: 1700:; accessed March 20, 2017. 1643:; accessed March 20, 2017. 1625:; accessed March 20, 2017. 1492:; accessed March 20, 2017. 1390:; accessed March 20, 2017. 1337:; accessed March 20, 2017. 1302:; accessed March 20, 2017. 1225:; accessed March 20, 2017. 765:Group Primary Accumulation 662:for lifetime achievement. 658:, and in 2005 she won the 546: 305:Trisha Brown Dance Company 20: 2807: 2799:School of American Ballet 2736: 2670: 2609: 2548: 2487: 2436: 2375: 2367:William "Smokey" Robinson 2319: 2268: 2196: 2009: 1866: 1826: 1811:in 2017 at Jacob's Pillow 1801:in 2011 at Jacob's Pillow 1792:in 1999 at Jacob's Pillow 1783:in 1994 at Jacob's Pillow 1774:in 1986 at Jacob's Pillow 1765:in 1986 at Jacob's Pillow 1400:"Trisha Brown, in Stereo" 1167:Staff (October 30, 2009) 119: 111: 103: 95: 87: 68: 46: 37: 30: 2069:Royal Ballet of Flanders 1710:"Full repertory by date" 702: 690: 633:. In 1988 she was named 429:(1991; "M.G." refers to 226:, who taught a class at 209: 166:in 1936, and received a 158:Early life and education 91:Dancer and choreographer 2879:American modern dancers 2869:American choreographers 2114:English National Ballet 1821:Awards for Trisha Brown 1122:Kertess, Klaus (2004). 888:One Story as in falling 707:Brown's works include: 672:In 2011, Brown won the 660:Prix Benois de la Danse 415:National Gallery of Art 234:'s theories of chance. 204: 195:American Dance Festival 2728:The Presser Foundation 2708:Ford's Theatre Society 2337:Philippe de Montebello 2327:Florence Knoll Bassett 1874:London Festival Ballet 1781:If You Couldn't See Me 1581:July 21, 2011, at the 1405:June 20, 2010, at the 1057:Dance Research Journal 904:If you couldn't see me 656:National Medal of Arts 609:Guggenheim Fellowships 446:If You Couldn't See Me 366:by performance artist 276:, a musician from the 2784:Michael Tilson Thomas 2239:National Public Radio 2148:Isabela Coracy (2024) 2075:Rambert Dance Company 1978:Rambert Dance Company 1258:(September 16, 1987) 1174:June 6, 2012, at the 940:O Zlozony/O Composite 811:Spanish Dance' (1976) 789:Structured Pieces III 685:United States Artists 529:O Zlozony/O Composite 463:Johann Sebastian Bach 389:designed the set for 2909:Bates College alumni 2904:Mills College alumni 2894:Bessie Award winners 2713:Fisk Jubilee Singers 2596:Viktor Schreckengost 2142:Arielle Smith (2022) 2098:Michael Hulls (2014) 2045:San Francisco Ballet 1237:(January 11, 2004), 1126:. Artpix Notebooks. 771:Structured Pieces II 759:Primary Accumulation 620:MacArthur Foundation 597:Serralves Foundation 593:Museum of Modern Art 362:(1983), featuring a 250:Judson Dance Theater 230:'s studio, based on 164:Aberdeen, Washington 144:Judson Dance Theater 61:Aberdeen, Washington 2774:Joseph P. Riley Jr. 2693:Olivia de Havilland 2656:University of Idaho 2571:Wilhelmina Holladay 2296:Helen Frankenthaler 2214:Mikhail Baryshnikov 1728:. Palermo: L'Epos. 1466:(January 13, 2011) 882:For M.G.: The Movie 840:Son of Gone Fishin' 747:Walking on the Wall 729:Floor of the Forest 626:from 1994 to 1997. 505:Salvatore Sciarrino 500:Luci mie traditrici 442:Mikhail Baryshnikov 356:Son of Gone Fishin' 348:Robert Rauschenberg 313:Walking on the Wall 290:Walking on the Wall 199:Connecticut College 2683:Richard M. Sherman 2383:Austin City Limits 2145:Dickson Mbi (2023) 1697:The New York Times 1689:Macauley, Alastair 1640:The New York Times 1473:The New York Times 1452:The New York Times 1387:The New York Times 1357:The New York Times 1348:Macaulay, Alastair 1317:The New York Times 1299:The New York Times 1264:The New York Times 1243:The New York Times 1222:The New York Times 1213:Macaulay, Alastair 1179:Dia Art Foundation 958:L'Amour au Theatre 870:Astral Convertible 697:San Antonio, Texas 533:Paris Opera Ballet 483:Claudio Monteverdi 421:. Performances of 411:Astral Convertible 403:Astral Convertible 162:Brown was born in 80:San Antonio, Texas 2884:MacArthur Fellows 2846: 2845: 2840: 2839: 2688:Robert B. Sherman 2642:Henry Z. Steinway 2495:Louis Auchincloss 2155: 2154: 1994:Ballett Frankfurt 1930: (1989/1990) 1809:Les Yeux et L'Ame 1799:Les Yeux et L'Ame 1751:NY Times Obituary 1734:978-88-8302-329-3 1691:(March 20, 2017) 1564:Walker Art Center 1528:Missing or empty 1464:La Rocco, Claudia 1427:www.walkerart.org 1380:(April 24, 2009) 1378:La Rocco, Claudia 1350:(July 18, 2014). 1281:Los Angeles Times 1035:978-0-8195-7180-9 993: 992: 976:Les Yeux et l'âme 582:Walker Art Center 574:Henry Art Gallery 554:Walker Art Center 325:Walker Art Center 129: 128: 96:Years active 57:November 25, 1936 2921: 2622:N. Scott Momaday 2617:Morten Lauridsen 2505:Paquito D'Rivera 2413:Tabernacle Choir 2347:Lawrence Halprin 2260:Barbra Streisand 2182: 2175: 2168: 2159: 2158: 2120:Francesca Velicu 2108:Alessandra Ferri 2063:The Royal Ballet 1990:William Forsythe 1948:The Royal Ballet 1944:William Forsythe 1898:Stuttgart Ballet 1892:The Royal Ballet 1853: 1846: 1839: 1830: 1829: 1817: 1816: 1713: 1707: 1701: 1686: 1680: 1679: 1677: 1675: 1661: 1655: 1650: 1644: 1632: 1626: 1614: 1608: 1596: 1590: 1573: 1567: 1558: 1552: 1551: 1544: 1538: 1537: 1531: 1526: 1524: 1516: 1514: 1512: 1499: 1493: 1483: 1477: 1461: 1455: 1444: 1438: 1437: 1435: 1433: 1419: 1410: 1397: 1391: 1375: 1369: 1368: 1366: 1364: 1344: 1338: 1326: 1320: 1309: 1303: 1290: 1284: 1273: 1267: 1256:Kisselgoff, Anna 1253: 1247: 1232: 1226: 1210: 1204: 1190:Rosenberg, Susan 1187: 1181: 1165: 1159: 1147: 1138: 1137: 1119: 1113: 1112: 1110: 1108: 1102: 1094: 1088: 1087: 1085: 1083: 1066: 1060: 1053: 1047: 1046: 1044: 1042: 1014: 952:I love my robots 711: 570:Skidmore College 541:Stephen Petronio 525:Simon Keenlyside 376:Merce Cunningham 278:Merce Cunningham 237:After moving to 228:Merce Cunningham 191:Merce Cunningham 152:postmodern dance 148:postmodern dance 124:Official website 75: 56: 54: 42: 28: 27: 2929: 2928: 2924: 2923: 2922: 2920: 2919: 2918: 2849: 2848: 2847: 2842: 2841: 2836: 2803: 2732: 2717:Fisk University 2666: 2605: 2591:Gregory Rabassa 2544: 2525:Wynton Marsalis 2515:Leonard Garment 2483: 2432: 2418:Leonard Slatkin 2398:Suzanne Farrell 2371: 2315: 2264: 2245:Claes Oldenburg 2192: 2186: 2156: 2151: 2138:(2021 Covid-19) 2093:Marianela Núñez 2005: 1984:Lez Brotherston 1938:Jennifer Tipton 1886:Peter Schaufuss 1862: 1857: 1822: 1742: 1716: 1708: 1704: 1687: 1683: 1673: 1671: 1663: 1662: 1658: 1651: 1647: 1633: 1629: 1615: 1611: 1597: 1593: 1583:Wayback Machine 1574: 1570: 1559: 1555: 1546: 1545: 1541: 1529: 1527: 1518: 1517: 1510: 1508: 1501: 1500: 1496: 1484: 1480: 1462: 1458: 1445: 1441: 1431: 1429: 1421: 1420: 1413: 1407:Wayback Machine 1398: 1394: 1376: 1372: 1362: 1360: 1345: 1341: 1334:Financial Times 1327: 1323: 1310: 1306: 1291: 1287: 1274: 1270: 1254: 1250: 1233: 1229: 1215:(May 14, 2008) 1211: 1207: 1188: 1184: 1176:Wayback Machine 1166: 1162: 1148: 1141: 1134: 1120: 1116: 1106: 1104: 1100: 1096: 1095: 1091: 1081: 1079: 1067: 1063: 1054: 1050: 1040: 1038: 1036: 1015: 1008: 999: 994: 916:Twelve Ton Rose 705: 693: 665:As part of the 616:Oberlin College 605: 580:. In 2008, the 562: 549: 368:Laurie Anderson 329:Minneapolis, MN 212: 207: 197:, then held at 160: 83: 77: 73: 64: 58: 52: 50: 33: 26: 17: 12: 11: 5: 2927: 2917: 2916: 2911: 2906: 2901: 2896: 2891: 2886: 2881: 2876: 2871: 2866: 2861: 2844: 2843: 2838: 2837: 2835: 2834: 2829: 2824: 2819: 2814: 2808: 2805: 2804: 2802: 2801: 2796: 2791: 2786: 2781: 2776: 2771: 2766: 2761: 2756: 2751: 2749:Clint Eastwood 2746: 2740: 2738: 2734: 2733: 2731: 2730: 2725: 2720: 2710: 2705: 2700: 2695: 2690: 2685: 2680: 2674: 2672: 2668: 2667: 2665: 2664: 2659: 2649: 2644: 2639: 2634: 2629: 2624: 2619: 2613: 2611: 2607: 2606: 2604: 2603: 2598: 2593: 2588: 2583: 2578: 2573: 2568: 2563: 2558: 2556:William Bolcom 2552: 2550: 2546: 2545: 2543: 2542: 2537: 2532: 2527: 2522: 2520:Ollie Johnston 2517: 2512: 2507: 2502: 2500:James DePreist 2497: 2491: 2489: 2485: 2484: 2482: 2481: 2476: 2474:Vincent Scully 2471: 2466: 2461: 2459:Frederick Hart 2456: 2454:Carlisle Floyd 2451: 2446: 2440: 2438: 2434: 2433: 2431: 2430: 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G. 385:Sculptor 380:John Cage 352:Opal Loop 282:John Cage 232:John Cage 99:1962–2017 2759:Maya Lin 2678:Stan Lee 2637:Les Paul 2306:Yo-Yo Ma 1674:April 5, 1579:Archived 1521:cite web 1403:Archived 1363:July 20, 1172:Archived 1020:(2011). 717:Homemade 531:for the 518:composer 515:Austrian 480:composer 460:composer 354:(1980), 146:and the 112:Children 2191:(2000s) 1192:(2016) 922:L'Orfeo 805:Line Up 547:Drawing 477:Italian 472:L'Orfeo 374:Unlike 193:at the 120:Website 2134:(2020) 2128:(2019) 2122:(2018) 2116:(2017) 2110:(2016) 2104:(2015) 2095:(2013) 2089:(2012) 2083:(2011) 2077:(2010) 2071:(2009) 2065:(2008) 2059:(2007) 2053:(2006) 2047:(2005) 2041:(2004) 2031:(2003) 2019:(2001) 1732:  1200:  1130:  1032:  988: 984:(2011) 982:Rogues 978:(2011) 972:(2011) 966:(2010) 960:(2009) 954:(2007) 948:(2005) 942:(2004) 936:(2003) 930:(2002) 924:(1998) 918:(1996) 912:(1995) 906:(1994) 896:(1993) 890:(1992) 884:(1991) 878:(1990) 872:(1989) 866:(1987) 864:Newark 860:(1986) 858:Carmen 854:(1985) 848:(1983) 842:(1981) 836:(1980) 830:(1979) 824:(1978) 818:(1978) 807:(1976) 801:(1976) 791:(1975) 785:(1975) 779:(1974) 777:Spiral 773:(1974) 767:(1973) 761:(1972) 755:(1971) 749:(1971) 743:(1971) 737:(1970) 731:(1970) 725:(1970) 719:(1966) 457:German 401:. For 395:Newark 268:, and 189:, and 171:degree 140:dancer 104:Spouse 82:, U.S. 63:, U.S. 2832:2010s 2827:2000s 2822:1990s 2817:1980s 1101:(PDF) 1002:Notes 783:Locus 703:Works 691:Death 495:opera 467:opera 364:score 340:stage 210:Dance 2737:2009 2671:2008 2610:2007 2549:2006 2488:2005 2437:2004 2376:2003 2320:2002 2269:2001 2197:2000 2037:and 1992:and 1946:and 1936:and 1730:ISBN 1676:2018 1534:help 1513:2024 1434:2017 1365:2014 1198:ISBN 1128:ISBN 1109:2016 1084:2016 1043:2016 1030:ISBN 910:M.O. 539:and 523:for 489:for 487:jazz 453:M.O. 378:and 218:and 205:Work 168:B.A. 138:and 69:Died 47:Born 2715:, ( 513:by 436:In 327:in 2855:: 1667:. 1585:, 1525:: 1523:}} 1519:{{ 1488:, 1470:, 1425:. 1414:^ 1384:, 1354:. 1296:, 1219:, 1142:^ 1073:. 1024:. 1009:^ 680:. 497:, 307:. 264:, 260:, 256:, 201:. 185:, 154:. 2719:) 2658:) 2654:( 2181:e 2174:t 2167:v 1852:e 1845:t 1838:v 1678:. 1607:. 1550:. 1536:) 1532:( 1515:. 1476:. 1436:. 1367:. 1246:. 1158:. 1136:. 1111:. 1086:. 1045:. 115:1 55:) 51:( 25:.

Index

Tricia Brown

Aberdeen, Washington
San Antonio, Texas
Official website
choreographer
dancer
Judson Dance Theater
postmodern dance
postmodern dance
Aberdeen, Washington
B.A.
degree
Mills College
Bates College
Louis Horst
José Limón
Merce Cunningham
American Dance Festival
Connecticut College
Simone Forti
Yvonne Rainer
Robert Dunn
Merce Cunningham
John Cage
New York City
Anna Halprin
avant-garde
Judson Dance Theater
Yvonne Rainer

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