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Alternate picking

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36: 793: 467: 257:) emphasize the near-exclusive use of alternate picking, even in situations where another technique would be easier, claiming that pure alternate picking leads to a more consistent sound and allows for greater control of tone. 157:
Alternate picking involves a continuous down-up or up-down motion of the picking hand, even when not picking a note (except when the gap lasts longer than one full up-down motion). In this manner, an
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the guitarist is attempting to play. For example, during fast passages, alternate picking is necessary in keeping the picking arm from tiring out. At very high
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Perfect pick technique for guitar: A method of playing steel-strung guitar devised to result in a flawless basic right hand technique without limitations
218:) are very difficult to play using pure alternate picking and almost impossible to play at great speeds, which is why many guitarists choose to employ 623: 142:
that employs alternating downward and upward strokes in a continuous fashion. If the technique is performed at high speed on a single
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runs are most easily played using alternate picking. Similarly, the complex, syncopated rhythm guitar patterns found in
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Despite some of the well-known disadvantages of the technique, some guitarists (such as
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The technique has many advantages and some disadvantages, largely depending on the
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Alternate picking can be heard in almost all styles of picked guitar music, from
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require a good alternate picking technique to play fast and accurately.
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uses his thumb for alternate picking, as displayed on his DVD
456: 360:. Distributed by the Hal Leonard Corporation HL00695293. 189: 318:(1. ed.). Chichester: Wiley & Sons Ltd. p. 9. 792: 757: 261: 60:. Unsourced material may be challenged and removed. 350:. Tyne and Wear: Ashley Mark Publishing Company. 150:voicing the same note, it may be referred to as " 841: 824: 617: 397: 242:(a hybrid of alternate and sweep picking) or 831: 817: 624: 610: 404: 390: 214:(especially those spanning more than one 120:Learn how and when to remove this message 342: 14: 842: 799:This article relating to guitars is a 605: 385: 313: 787: 631: 58:adding citations to reliable sources 29: 24: 411: 377:Alternate Picking for Bass Players 336: 25: 866: 365: 181:in the middle of picked phrases. 791: 465: 34: 45:needs additional citations for 316:Mandolin exercises for dummies 307: 222:to play these arpeggios (e.g. 154:picking" or "double picking". 13: 1: 850:Guitar performance techniques 300: 803:. You can help Knowledge by 7: 372:Alternate Picking Explained 283: 10: 871: 786: 161:(such as an even-numbered 710: 639: 586: 555: 512: 474: 463: 419: 278:Super Bass Solo Technique 210:On the other hand, large 27:Guitar playing technique 196:are made not feasible. 452:Performance techniques 165:or, at faster tempos, 489:Carter Family picking 173:-based notes such as 54:improve this article 314:Julin, Don (2014). 69:"Alternate picking" 768:Neoclassical metal 591:Outline of guitars 812: 811: 781: 780: 753:Instrumental rock 647:Alternate picking 599: 598: 522:Alternate picking 140:playing technique 133:Alternate picking 130: 129: 122: 104: 16:(Redirected from 862: 833: 826: 819: 795: 788: 773:Progressive rock 633:Guitar shredding 626: 619: 612: 603: 602: 469: 468: 406: 399: 392: 383: 382: 361: 330: 329: 311: 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 870: 869: 865: 864: 863: 861: 860: 859: 840: 839: 838: 837: 784: 782: 777: 706: 692:Tremolo picking 677:String skipping 652:Economy picking 635: 630: 600: 595: 582: 563:Maybelle Carter 551: 537:Economy picking 508: 470: 466: 461: 415: 410: 368: 358: 339: 337:Further reading 334: 333: 326: 312: 308: 303: 286: 240:economy picking 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 18:Tremolo picking 15: 12: 11: 5: 868: 858: 857: 852: 836: 835: 828: 821: 813: 810: 809: 796: 779: 778: 776: 775: 770: 765: 760: 755: 750: 745: 740: 735: 730: 725: 720: 714: 712: 708: 707: 705: 704: 699: 697:Wide intervals 694: 689: 684: 679: 674: 669: 664: 662:Hybrid picking 659: 654: 649: 643: 641: 637: 636: 629: 628: 621: 614: 606: 597: 596: 594: 593: 587: 584: 583: 581: 580: 575: 570: 565: 559: 557: 553: 552: 550: 549: 544: 539: 534: 529: 524: 518: 516: 510: 509: 507: 506: 501: 496: 491: 486: 480: 478: 472: 471: 464: 462: 460: 459: 454: 449: 447:Hybrid picking 444: 439: 434: 429: 427:Alternate bass 423: 421: 417: 416: 413:Guitar picking 409: 408: 401: 394: 386: 380: 379: 374: 367: 366:External links 364: 363: 362: 356: 344:Mairants, Ivor 338: 335: 332: 331: 324: 305: 304: 302: 299: 298: 297: 292: 290:Guitar picking 285: 282: 167:sixteenth note 128: 127: 42: 40: 33: 26: 9: 6: 4: 3: 2: 867: 856: 853: 851: 848: 847: 845: 834: 829: 827: 822: 820: 815: 814: 808: 806: 802: 797: 794: 790: 789: 785: 774: 771: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 715: 713: 709: 703: 700: 698: 695: 693: 690: 688: 685: 683: 682:Sweep picking 680: 678: 675: 673: 670: 668: 665: 663: 660: 658: 655: 653: 650: 648: 645: 644: 642: 638: 634: 627: 622: 620: 615: 613: 608: 607: 604: 592: 589: 588: 585: 579: 576: 574: 571: 569: 566: 564: 561: 560: 558: 554: 548: 547:Sweep picking 545: 543: 540: 538: 535: 533: 530: 528: 525: 523: 520: 519: 517: 515: 511: 505: 502: 500: 497: 495: 492: 490: 487: 485: 482: 481: 479: 477: 473: 458: 455: 453: 450: 448: 445: 443: 440: 438: 435: 433: 430: 428: 425: 424: 422: 418: 414: 407: 402: 400: 395: 393: 388: 387: 384: 378: 375: 373: 370: 369: 359: 357:0-7935-9195-3 353: 349: 345: 341: 340: 327: 325:9781118769539 321: 317: 310: 306: 296: 293: 291: 288: 287: 281: 279: 275: 274:Victor Wooten 271: 267: 263: 258: 256: 252: 247: 245: 241: 237: 233: 232:Frank Gambale 229: 228:K. K. Downing 225: 221: 220:sweep picking 217: 213: 208: 206: 202: 197: 195: 191: 187: 182: 180: 176: 172: 168: 164: 160: 155: 153: 149: 145: 141: 138: 134: 124: 121: 113: 110:February 2024 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: –  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 855:Guitar stubs 805:expanding it 798: 783: 702:Pick tapping 691: 646: 573:Merle Travis 568:Robert Fripp 542:Guitar Craft 527:Crosspicking 521: 347: 315: 309: 277: 259: 248: 224:Glenn Tipton 209: 198: 183: 156: 132: 131: 116: 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 763:Jazz fusion 748:Heavy metal 738:Power metal 532:Downpicking 514:Flatpicking 476:Fingerstyle 442:Guitar pick 295:Downpicking 270:heavy metal 255:Steve Morse 251:Al Di Meola 236:Mario Parga 205:death metal 194:downpicking 163:eighth note 844:Categories 657:Hammer-ons 640:Techniques 578:Leo Kottke 556:Innovators 437:Fingerpick 301:References 175:hammer-ons 80:newspapers 743:Hard rock 723:Bluegrass 718:Classical 672:Pull-offs 494:Rasgueado 266:bluegrass 212:arpeggios 179:pull-offs 733:Flamenco 484:Apoyando 432:Arpeggio 346:(1997). 284:See also 728:Country 687:Tapping 499:Tirando 420:General 244:tapping 177:and/or 159:up-beat 152:tremolo 94:scholar 711:Genres 667:Legato 504:Travis 354:  322:  234:& 216:octave 201:scalar 190:tempos 171:legato 148:course 144:string 137:guitar 96:  89:  82:  75:  67:  457:Strum 268:, to 199:Most 186:licks 135:is a 101:JSTOR 87:books 801:stub 758:Jazz 352:ISBN 320:ISBN 264:and 262:jazz 73:news 272:. 146:or 56:by 846:: 280:. 253:, 246:. 230:, 226:, 832:e 825:t 818:v 807:. 625:e 618:t 611:v 405:e 398:t 391:v 328:. 123:) 117:( 112:) 108:( 98:· 91:· 84:· 77:· 50:. 20:)

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Tremolo picking

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