30:, which is not always from the film's soundtrack. The purpose of this music is to complement, support and integrate the sales messaging of the mini-movie that is a film trailer. Because the score for a movie is usually composed after the film is finished (which is long after trailers are released), a trailer will incorporate music from other sources. Sometimes music from other successful films or hit songs is used as a subconscious tie-in method. Trailer music is known for its sound-design driven and hybrid orchestral style. Trailer music tracks can vary greatly in duration, depending on the theme and target of the album. Some albums contains only sound-effects instead of actual music.
314:"Library" music, which is previously composed production music. Trailer music library companies typically didn't offer their music to the public and developed and licensed music exclusively to the motion picture studios.
257:, who began scoring trailers in the 1970s and, in the course of a thirty-year career, created original music for over 2,000 movie trailer projects, including 40 of the top-grossing films of all time, such as
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Specially composed film trailer music. One of the most famous
Hollywood film trailer music composers, credited with creating the musical voice of contemporary trailers, is
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Music from the score of other movies. Many films have tracked their trailers with music from other campaigns, such as
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Sound-design-focused and hybrid orchestral styles are typical of trailer music. Production companies like
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Popular or well-known music, often chosen for its tone, appropriateness of a lyric, or familiarity.
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The music used in the trailer may be (or may have suggestive derivatives from):
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Songs, which may imitate recognizable (but often expensive to license) songs.
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specialize in creating trailer music that can quickly captivate an audience.
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384:"Movie Trailers Keep Tweaking Well-Known Songs. The Tactic is Working"
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Short piece of epic music, composed for film trailers
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94:The Lord of the Rings: The Two Towers
26:) is the background music used for
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382:Ducker, Eric (January 6, 2023).
356:Newman, Melinda (3 June 2010).
338:from the original on 2008-04-17
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58:The Nightmare Before Christmas
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358:"Razor-thin copyright line"
100:Dragon: The Bruce Lee Story
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409:Film advertising material
205:Classical music, such as
154:The Shawshank Redemption
136:Bram Stoker's Dracula
124:Come See the Paradise
302:BMG Production Music
304:and composers like
106:Edward Scissorhands
88:Requiem for a Dream
389:The New York Times
255:John Everett Beal
207:Johann Strauss II
190:T2: Judgement Day
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414:Production music
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360:. Archived from
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284:The Last Samurai
220:Mozart's Requiem
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332:"Trailer Music"
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28:film previews
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366:. Retrieved
362:the original
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340:. Retrieved
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295:film trailer
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266:Forrest Gump
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230:9th symphony
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215:The Waterboy
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187:(11 times),
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178:Crimson Tide
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160:The Fugitive
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112:Far and Away
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225:Cliffhanger
115:(6 times),
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76:Dragonheart
67:(4 times),
61:(7 times),
52:Beetlejuice
43:(6 times),
403:Categories
368:2010-06-04
342:2008-04-17
319:References
290:The Matrix
199:(5 times).
184:The Matrix
118:Waterworld
260:Star Wars
196:Drop Zone
142:Backdraft
82:Gladiator
64:MouseHunt
336:Archived
306:Inon Zur
235:Die Hard
70:Stargate
46:Die Hard
278:Aladdin
272:Titanic
297:music,
238:), or
130:Aliens
40:Scream
247:Glory
148:Glory
287:and
172:Rudy
218:),
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