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decides to put Liam off by revealing her pregnancy to him. Liam is devastated and decides to commit suicide by throwing himself off a building. Kerrigan liked Liam's suicide plot because it allowed Tracy to be the main character "in a big storyline". Kerrigan described it as "very different" from any of Tracy's previous storylines. Tracy had always been given "very grown up" stories by writers, but Liam's suicide changed her. Kerrigan later acknowledged that the story was pivotal in Tracy's character development, believing from there on "Tracy seemed to grow up and take responsibility for her life. I quite liked her then."
423:, described Tracy as "wilful, headstrong and downright surly, Tracy was no loss to the diplomatic corps." Kerrigan agreed with Tibballs' assessment and revealed that Tracy was initially disliked. She explained other characters viewed her as a "little cow" because "she wound people up and managed to fallout with everyone." Tracy's characterisation was owed to being member of the volatile Corkhill family. Tracy had an attitude that annoyed others and she gained Billy's stubbornness. Kerrigan stated that personality wise she understood her character because they both came from a "working class background".
431:
meet Tracy
Corkhill, and I certainly wouldn't want to have my hair done by her." Despite this, Kerrigan respected certain aspects of Tracy's persona and thought her brashness was desirable. She told Fisher that "I'd like to be able to speak the way she does. She'll say anything to anyone and doesn't care what they say back. She has an attitude of 'I'll say what I like and I'll do what I like!' That's the sort of attitude I want to get." Later that year, Kerrigan had grown to like her character to the extent that she stated "nothing annoys me about Tracy now."
714:). Tracy is opposed to their relationship and voices her disapproval. Kerrigan told Tibballs that "she certainly didn't make it easy for Billy and Sheila, but then she's never been afraid to speak her mind." Kerrigan believed that the real issue for Tracy was that she actually liked Sheila, despite trying not to. Kerrigan began to relish working with Johnston and "really upped her game" acting wise. Kerrigan later assessed that her "best performances" occurred via their shared scenes. In 1990, Tracy begins a relationship with Sheila's son
657:. She stated her intention that the show would focus more prominently on its younger characters, Tracy in particular. In 1989, Tracy was featured in yet a further issue based story exploring work place sexual harassment. It begins when her manager, Gerrard Holt (Tom Sharkey) makes sexual advances towards Tracy in her work place. Tracy she rebuffs Gerrard's advances and he fires from her hairdressing job. Tracy takes Gerrard to an industrial tribunal accusing him of sexual harassment, which she wins and she returns to her former role.
317:) were some of Kerrigan's favourite stories. She relished working with Johnston and Usher, which in her opinion created her best acting performances. Writers continued to give Kerrigan dramatic stories. In 1990, Tracy meets Liam Riley (Adam Sunderland) who becomes besotted with her, eventually committing suicide when she rejects him. Kerrigan assessed that the story helped Tracy grow up and become likeable. Another issue lead plot featured Mark Potter (Paul Crosby) attempting to rape Tracy. In 1992, the character was written out of
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relationship, but she declines because she is dating Mark. Despite this, Tracy was conflicted over her feelings for Barry, who becomes more present in her life. Barry and Mark develop a personal vendetta and rivalry over Tracy. When Mark realises the extent of Tracy's feelings for Barry, he tries to rape her in her home. Tracy defends herself by stabbing him in the arm with a pair of hairdressing scissors. Rod deals with the situation by telling Mark to leave the police force. He leaves the area after applying for a transfer.
272:). Kerrigan had previously appeared as a guest character, Pat in 1984. She auditioned for the role after her grandfather and actor Peter Kerrigan encouraged her. Kerrigan was aged fourteen and still attending school when she took on the role. Tracy is characterised as brash and headstrong. She has aspirations of becoming a model but settles for a hairdressing career. Kerrigan disliked Tracy's style and early persona. Tracy transformed into a more adult character over time and Kerrigan admired her newfound attitude.
345:). Prior to this, Kerrigan had no previous acting experience and did not attend drama school. She was informed about the role from her grandfather, the actor Peter Kerrigan. She recalled not being nervous during the audition process because acting was not something she wanted to pursue when she was young. Producers liked Kerrigan and believed she was ideal to play Tracy, which made Kerrigan happy as she disliked school. She later told Karen Swayne from
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681:) that "men like Gerrard are horrible, preying on girls who are vulnerable." She was happy Tracy stands up for her rights because "no woman should have to fear for her personal safety at work." Sharkey's portrayal was so convincing, he began to receive verbal abuse in public spaces. The story also aided Tracy's character development. Kerrigan viewed Tracy as no longer being selfish and had started to look after herself.
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751:, as Tracy tries to forget Barry. The story was filmed on location on the island, but filming was challenging. Kerrigan revealed that "I knew it was going to be lots of hard work." Obstacles that marred filming the story included high temperatures, local police asking to see their working permits, tourists looking directly into filming cameras and topless sunbathers in view. The story was embargoed but the
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did, kind of build myself up to have my own exit story, which sadly never came. I really don't know why? It was a given that any long-term character would be given an exit story, but she wasn't, so I was a bit bereft for a while. It just ended." Her departure story was broadcast in
November 1992. It featured Tracy agreeing to manage Brian Kennedy's (Jonathan Caplan) hair salon in Chester.
667:) that many women approached her willing to share their stories. She found this research valuable to her portrayal. She explained "not having experienced it for myself I was grateful for their help, because it is such a delicate and controversial subject and I wanted to know as much about it as possible." Kerrigan also researched sexual harassment with the
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accused them of being easily fobbed off with "long, considered and perhaps bullshit" answers. Redmond had also told them they prolonged the feature of Durex branding to help illiterate viewers better understand, which also pleased the IBA. Despite the favourable ruling, Redmond later admitted the scene was probably prolonged simply "to make the edit work".
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continue their romance. Their parents however are unhappy and try to convince them to break-up. Tracy and Barry's romance was further developed over five months of episodes, at which point Tracy discovers that she is pregnant with Barry's child. Kerrigan thought the decision to have Billy, Sheila, Tracy and Barry as a family unit was a run of success.
780:. The disaster was a fatal human crush during a football match at Hillsborough Stadium in Sheffield, South Yorkshire and had occurred the previous year. McGovern wanted to create a story about the effects the disaster had on Tracy. His story pitch was blocked and caused an argument in production and McGovern quit the show in protest.
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Tracy was keen on fashion trends. Kerrigan assessed that
Liverpool was one of the UK's best dressed places. Therefore it was "no wonder Tracy is keen on fashion." Kerrigan disliked Tracy's "dead plain" clothing she wore in early episodes. In comparison, writers created a "punk phase" for the character. Tracy was styled with "all
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recording everyone was supposed to be on edge, and it was very long and tiring because we were desperate to get it right." Kerrigan credited the scriptwriters for creating good content, which she believed made filming easier. Prior to broadcast the outcome of the trial was kept secret from viewers. Kerrigan told Julia Clarke (
899:, Anthony Hayward wrote "knowing her mind and seeking independence, Tracy Corkhill fought back from a string of personal tragedies to start her own mobile hairdressing business." He added that the character appeared unaware that she "seemed to invite trouble". Nerys Lloyd-Pierce and Mike Smith from the
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Writers used the story to create additional subplots for Tracy which linked to her modelling aspirations. Tracy pursues the career until a female photographer tries to scam her. The photographer believes she can make money selling Tracy's modelling photos to tabloid newspapers, who were interested in
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described Rod and Tracy as appearing "ordinary enough" until viewers learn Rod wants to become a policeman and Tracy has aspirations of becoming a model. The
Corkhills are from a council housing estate and this plays into their characterisation. Tracy's mother, Doreen dreamed of a better life for her
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branded Tracy a "moaning Minnie" and a "scowling hairdresser who thinks she could train Vidal
Sassoon". Author Geoff Tibballs assessed Tracy's bad attitude. He wrote that "you always got the feeling with Tracy that she was likely to slip concentrated acid into the perming lotion if it was a customer
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revealed that producers decided Tracy could not be "developed any further." The news upset
Kerrigan and the lack of any prominent departure storyline given by writers confused her. Kerrigan told Jacobson that "when Tracy was written out, I was honestly very shocked. I thought - "Oh, ok, what now?' I
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had featured too many "doom and gloom" stories and were creating something more light. On-screen, Tracy and Nikki are romanced by local Greek residents
Sampikos Sarikas (Chris Constantinou) and Aki. Writers used the Corkhill family home to set up a collective of characters in a house share scenario.
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that "we're aiming at a hard hitting drama which explores urgent issues facing young people today - like unemployment and living conditions." The episodes featured Tracy and Jamie leaving
Liverpool intent on beginning a new life in London. It follows there subsequent troubles as they attempt to make
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that she did not understand what working with adults entailed or how her personality would change. She added that "I kept behaving in the way I thought was expected to behave because otherwise I wouldn't have got any respect from the cast." Kerrigan made her first appearance as Tracy on 10 September
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praised
Kerrigan stating she "has won many plaudits for her performance as the tempestuous Tracy Corkhill." Television critic Hilary Kingsley assessed that during Tracy's abortion story, Kerrigan had become a "much improved" actress. Kingsley also praised 1989 scenes featuring Kerrigan, McArdle and
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revealed that writers were forced to hastily rewrite Tracy's storylines. Kerrigan told
Hadfield that she was unaware of writers intentions for Tracy but assumed it would not be dramatic. She added that the writers "have said nothing to me, so it cannot be that drastic. All I know is that Tracy will
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crisis, which was then a prominent social issue in the United Kingdom. The scene clearly demonstrated that Tracy and Jamie were practising safe sex. The IBA changed their stance on the issue and told Redmond that it was an "absolutely marvellous" idea. Redmond thought their response was strange and
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To become a successful hairdresser, Tracy had to overcome much adversity despite not having a genuine interest in the profession. She faces sexual harassment at work and is fired from her job. She wins an industrial tribunal for sexual harassment and returns to work. The stories revitalised Tracy's
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also joined the cast as Tracy's grandmother, Julia Brogan. Ambrose had previously worked professionally with Kerrigan's real life grandfather Peter, portraying a married couple. Julia moves into the Corkhill house and shares a room with Tracy and her presence annoys Billy. Tracy is characterised as
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announced their casting alongside Kerrigan's and Tracy was described as an "attractive, headstrong girl". West added that the Corkhills had previously lived in a council housing estate and consider their move to Brookside Close as an ascent up the social class hierarchy. Rod was the final member of
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Swayne that "I like doing the dramatic scenes. I loved doing all the abortion stuff, it was great." Kerrigan preferred acting out Tracy's depressing stories because she had a moody personality. Kerrigan believed she "looked dead phony" during comedic scenes which required greater effort. Kerrigan
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Writers created a controversial story for Tracy via a romance with her geography teacher Peter Montague (Mark Draper). The story was broadcast during the characters initial months on-screen. Tracy develops feelings for Peter and during a school skiing trip in Switzerland, Peter reciprocates. Upon
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Fisher that "Tracy's only just started to grow up. She started to do things off her own bat for once." Had Tracy existed as an actual person, Kerrigan would not associate with her because of her attitude and hair dressing temperament. While interviewed by Tibballs, she quipped "I wouldn't want to
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Writers often created controversial storylines for the character. The first notable instance was Tracy being sexually abused by her geography teacher Peter Montague (Mark Draper). Her later relationship with Jamie Henderson (Sean McKee) proved equally as controversial. Writers included a scene in
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Tracy later decides to end her relationship with Barry. Writers created an abortion story in which Tracy ignores Barry's pleas and terminates the pregnancy. Kerrigan described as a "really powerful storyline" for the character. The realism of the story caused a woman to be approach Kerrigan in a
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Their relationship is tested when Tracy meets a customer Liam Riley (Adam Sunderland). He develops an obsession with Tracy, begins to pester her and declares his love. Liam purchases an engraved bracelet for Tracy and tries to kiss her. Barry retaliates by throwing Liam out of Tracy's salon. She
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Tracy's style was a particular concern for Kerrigan. She recalled that Tracy had "very stupid hair styles" and was even voted the worst dressed TV character in a magazine poll. She thought Tracy was no trendsetter and said "I hope nobody was influenced as she was so badly dressed." Despite this,
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producer Stuart Doughty revealed that Kerrigan and Hope were only allowed to film a limited number of episodes because they were still at school. Working alongside adults pressurised Kerrigan to grow up quickly and she quit her studies to accommodate filming commitments. Kerrigan later told Nick
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In 1991, writers created a new issue lead story for Tracy involving an attempted rape. The story begins when Rod is attacked at a pub and Tracy meets his police colleague Mark Potter (Paul Crosby) and an attraction develops between them. Barry tells Tracy that he wants to restart their romantic
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that this was because Tracy quite likes the party lifestyle displayed to her. In juxtaposition Jamie finds it difficult to adjust and lacks employment opportunities. McKee told Irwin that naïve Tracy and Jamie "come to London in search of a new life together, thinking the streets are paved with
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journalist Lucy O'Brien described it as the "most dramatic analysis" of child abuse on television. She described it as a "devastating family problem" in which Billy had to grasp the fact his "wayward daughter" was in love with her teacher; the story subsequently played out over a "tense month".
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publicist revealed that the relationship would produce "some furious family rows" and result in Tracy being forced out of her home. The duo's relationship is awkward because Billy's existing relationship with Sheila. Tracy moves out and gets a flat of her own, where the pair find it easier to
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The court scenes feature Tracy takings Gerrard to court for unfair dismissal on the grounds of sexual harassment. Writers decided to feature the entire court hearing on-screen to educate viewers. Kerrigan recalled that filming the scenes made her nervous. She told Macklin that "on the day of
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their return to Liverpool, fellow pupils begin rumours and Rod discovers graffiti disclosing their affair. Billy learns that his daughter is being abused and attacks Peter. Billy is arrested for assault and given a three-month prison sentence, suspended for one-year. At the time,
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press officer, Janice Troup responded to Dickens' accusations directly. She stated that the show's writers were "treating the storyline very sensitively and will do nothing to offend the viewers." She also refuted claims her company was trying to win a ratings competition with
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The story portrayed the reality of sexual harassment and the misery it can cause victims. To accurately portray the issue, Kerrigan researched the story in detail. She spoke to women who had experienced sexual harassment. Kerrigan recalled she told Helen Macklin
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when Fitzgerald chose to leave the show. On-screen, Tracy is upset and cries for her mother to return home. Fitzgerald recalled that she watched the scene and "sat at home and wept. It was too painful for me." After Doreen's departure writers paired Billy with
256:, played by Justine Kerrigan. The character debuted on-screen during the episode broadcast on 10 September 1985. Tracy was introduced as part of a new family, the Corkhills, which also includes her brother Rod Corkhill (Jason Hope) and their parents
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Kerrigan later told author Matt Jacobson that despite the abuse story generating tabloid press attention, she never felt pressure at work. During any of Tracy's controversial stories, Kerrigan "just turned up to work, did the job and went home."
636:"really thought me a great deal about the problems of being alone and homelessness." Tracy and Jamie's relationship was abruptly ended and Tracy's stories were quickly rewritten due to an altercation during filming. McKee was fired from
487:. It was also revealed that scriptwriters scheduled a meeting on 6 January 1986, to discuss a suitable resolve to the storyline. Tracy's story was also ridiculed by school teachers. McArdle defended the story's realism and applauded
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In 1991, Kerrigan became pregnant and continued to film until six-months into her pregnancy. She revealed that she agreed the date with producers, who she claimed were understanding. However, report by Clive Hadfield from the
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following an argument with a director, Nick Lauchland. McKee refused to wear a jumper that Lauchland had chosen for him and when Redmond got involved, McKee told him to "stuff" his job and he was instantly dismissed.
626:, producers hosted a press screening event in London. Kerrigan thought it was surreal viewing invitations to the event with her image on them. The spin-off proved less successful with viewers than its predecessor
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the following year. Kerrigan also had a "disciplined pregnancy" because she wanted to look good for her character's return. Kerrigan did return and one of Tracy's new stories included a tryst with Peter Harrison
298:, which focused on Tracy and Jamie's attempts to live in London. It was broadcast in March 1988 and lasted two episodes. In 1989, writers used Tracy to explore the issue of work place sexual harassment.
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On-screen Tracy decides let Nikki and Tommo (John O'Gorman) move in with her. Tracy is later fired from her job at the salon for stealing clients. She then sets up her own mobile hairdressing business.
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In October 1990, producers decided to give Tracy a more light-hearted storyline following her abortion. They featured her and her best friend Nikki White (Michelle Byatt) go on a club 18-30 holiday to
671:. They informed her of poor working conditions for women and low salaries within the hairdressing industry. Kerrigan was surprised by her findings and was glad she never became a hairdresser herself.
691:"Having the opportunity to work with Paul Usher day to day was great, in fact the whole time in the Corkhill's when Sheila moved in and Barry and Tracy were an item was a real purple patch for me."
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nightclub and discuss her own experiences of an abortion. Kerrigan recalled that she felt obliged to listen to the women's personal story. Kerrigan enjoyed filming the abortion storyline. She told
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friends and seek employment. Jamie quickly accepts leaving was a mistake and books them a ticket to return home. Tracy however leaves Jamie and disappears in London alone. McKee told Roy West of
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blond hair and black eyes" via make-up. Kerrigan really disliked this era and called it "awful". By 1989, producers had given Kerrigan more freedom over Tracy's hair styles and fashion choices.
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belonging to Tracy and Jamie. The scene depicted Billy viewing the condom's branding, which was visible for 1.83 seconds. This visibility created controversy and the British regulatory body,
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leaked plot details and an image of Kerrigan and Mario Frangoulis (Aki) on set. Journalist Tony Purnell claimed the story was an attempt to reengage the audience following falling ratings.
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Writers gave Tracy a love interest when they introduced Jamie Henderson (Sean McKee). Their relationship proved controversial during an episode which features Billy discovering a packet of
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her relationship with Peter. She attempts to convince Tracy to pose topless but Tracy refuses and gives up modelling. She later takes a job as a tea-maker at a hairdressing salon via a
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for Kerrigan. She later commented "Boyce wrote us a lovely script and it was just a pleasure. I'm so grateful for that experience." Kerrigan also revealed that she was contracted with
419:"a girl who knows her own mind and likes to be independent". But her family's financial problems prevent her from living her dream of becoming a model. Geoff Tibballs, author of
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Tracy became known for her brash attitude and controversial storylines and television critics noticed. In her early years her teenage angst garnered her various labels. The
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career and she even entered a hairdressing competition. Off-screen, Kerrigan's mother was a hairdresser, which gave her experience she remembered and applied to the role.
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Kerrigan believed that it took five years to fully develop Tracy. She originally disliked Tracy but this changed once Tracy found her independence. In 1990, Kerrigan told
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was thought Billy's negative attitude towards Tracy and Barry's relationship "strange" because he thought Billy would be "pleased about keeping it all in the family."
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and Kerrigan was upset because writers failed to create a prominent departure story. Kerrigan later reprised the role during the episode broadcast on 4 January 2003.
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the Corkhill family to be cast. After a successful audition, he was required to do a screen test with Kerrigan to assess their compatibility in the sibling roles.
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content. It was her first experience working for a larger company and she stated Thames Television had a bigger spending budget. They paid for chauffeurs and a
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816:) announces her pregnancy, Barry is exposed as a "love rat". His love interests Tracy, Fran and Angela Lambert (Hilary Welles) all turn against him.
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assessed that Tracy "had the guts" to fight sexual harassment and "blossomed into a mature and sophisticated young woman." Kieran Fagan of the
353:"did not seem that brilliant" because "it all went over my head at first." She added it took one year for her to really enjoy the experience.
560:. The miniseries consisted of two thirty-minute episodes which were broadcast during a daytime slot in March 1988. Production worked with
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Fitzgerald for the "terrific acting" and "best of the week". She added that Tracy played the role of the "sulky, stranglable daughter".
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Kerrigan later reprised the role and Tracy's brief return was broadcast on 4 January 2003. The story featured Tracy visiting her uncle,
632:. After the series, Kerrigan worked with other cast members to promote awareness of homelessness. Kerrigan revealed that working on
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for tackling a current social issue, noting that there had been many instances of school based sexual abuse reported in the news.
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family and Billy loved her enough to risk financial ruin. They had to save enough money to purchase a house on Brookside Close.
538:(IBA) lodged a complaint against the show, accusing the scene of being broadcast for a prolonged time. The show's broadcaster,
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333:, playing Tracy Corkhill. She was part of a new family being introduced into the series. Kerrigan had previously appeared in
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Producers heavily invested time into their relationship, with Tracy and Jamie being given their own spin-off series titled,
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reported that Barry initially uses Tracy to annoy Sheila and Billy. But afterwards they decide to pursue a relationship. A
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Her tenure also served as a chance for the unexperienced actress to improve her abilities. Andrew Knight from the
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288:. They accused the show of showing the product for too long but Redmond convinced them it was educatory content.
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Fisher branded Tracy as the "petulant Corkhill" and "sulky Tracy" who has "up-front brashness". Tony Pratt from
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episodes showed Jamie and Rod going back to London to locate Tracy and convince her to return home. To promote
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also makes a cameo appearance in the series and is featured in a scene with Tracy. Kerrigan found filming
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which Billy discovers Tracy and Jamie's contraceptives, which conveyed the pair were practising safe sex.
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a memorable experience, especially with Morrissey's cameo. She found it completely different to filming
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Kerrigan's seven-year journey as Tracy allowed for extensive character development. In his book,
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added that liked working with Usher and refined her acting technique via their shared scenes.
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was forced to defend the show against complaints raised by the British regulatory body,
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writer labelled her a "dour, restless teenage hairdresser." Pauline Cronin writing for
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In May 1992, it was announced that Producers decided to permanently write Tracy out of
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during 1984 as the guest character Pat, who was a girlfriend of established character
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asked Phil Redmond for a response to submit to the IBA. He responded in detail about
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and Tracy was written out temporarily. In October 1991, a journalist from the
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opined that Tracy had become an "unlovely but ever so believable" character.
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storylines ran in conjunction with the main series. When Jamie returns home,
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Roy West branded Tracy the show's "trendy" and "problem teenager". A fellow
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Fisher, Nick (27 January – 2 February 1990). "What's happened to Tracy?".
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Swayne, Karen (22 October 1990). "I'll still be in Brookie when I'm 60".
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On 21 August 1985, it was announced that Kerrigan had joined the cast of
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wanting to promote safe sex and educate viewers during the 1980s
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Joining her on-screen was Jason Hope playing her brother Rod and
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Purnell called Tracy a "cheesed off" and "troubled teenager". A
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journalist branded her the soap opera's "teenage tearaway". The
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696:—Kerrigan on the merged Corkhill and Grant families. (2020)
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518:) was forced to defend Tracy and Jamie's storyline to the
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and accusations of irresponsibility from the British MP
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until September but would definitely stay there after.
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Kerrigan was age fourteen when she took on the role.
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Lloyd-Pierce, Nerys; Smith, Mike (2 February 1992).
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2407:. No. 222. 4–17 January 2003. p. 32.
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795:be back." Kerrigan took maternity leave from
2884:Phil Redmond's Brookside - Life in the Close
1509:
1507:
1290:
1288:
1176:
1174:
1172:
16:Fictional character from British soap opera
2050:
2048:
2046:
1435:
1286:
1284:
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1272:
1270:
1268:
1147:
1145:
1094:
1092:
1090:
1088:
1086:
684:
576:episodes which were recorded on videotape.
2962:
2948:
2421:"Brookside star set for her own TV bubble"
2104:
1918:
1916:
1862:
1759:
1757:
244:is a fictional character from the British
2094:
2092:
2090:
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1590:
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1392:
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1354:
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1044:
1042:
1040:
1038:
1036:
1034:
1032:
940:
938:
936:
934:
701:Tracy's mother Doreen was written out of
3257:Television characters introduced in 1985
2777:
2742:
2183:
2043:
1837:"Archers' director for Close encounters"
1798:
1575:
1573:
1571:
1558:
1556:
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1541:
1539:
1537:
1524:
1522:
1294:
1265:
1232:
1230:
1142:
1083:
506:
3267:English female characters in television
2054:
2033:
2031:
2029:
1992:
1957:
1913:
1879:
1754:
1217:
1215:
1213:
1211:
1209:
1207:
1205:
1203:
1201:
1071:
984:
982:
980:
978:
976:
948:"Brookside debut for Justine and Jason"
3244:
2781:"Brookside's bully birds go to battle"
2707:
2676:"Highlights of the week: Kieran Fagan"
2555:
2083:
1922:
1833:
1664:
1585:
1387:
1349:
1098:
1050:
1029:
931:
462:The story also attracted criticism of
392:1985 during the show's 300th episode.
292:commissioned a spin-off series titled
2943:
2672:
2590:
2284:
1763:
1594:
1568:
1551:
1534:
1519:
1475:
1358:
1320:
1227:
1113:
1000:
2922:Phil Redmond's 20 Years of Brookside
2452:
2417:
2319:
2141:
2026:
1882:"Brookside Tracy's sex-pest anguish"
1729:"Brookside's home video competition"
1629:
1400:
1236:
1198:
973:
944:
764:Attempted rape, departure and return
644:
2919:
2708:Knight, Andrew (16 February 1988).
2556:Cronin, Pauline (20 October 1991).
2524:"Why Justine hates going out alone"
1802:"TV star sacked over woolly jumper"
1579:
1562:
1001:Allen, Rebecca (25 November 1988).
776:wanted to create a story about the
400:
13:
1436:O'Brien, Lucy (16 February 1988).
653:took on the role of a producer at
536:Independent Broadcasting Authority
520:Independent Broadcasting Authority
502:
286:Independent Broadcasting Authority
14:
3283:
2900:
2881:
2823:Brookside: The Official Companion
2778:Kingsley, Hilary (22 July 1989).
2743:Kingsley, Hilary (22 June 1990).
2388:
2171:
2159:
2147:
2098:
2055:Purnell, Tony (13 October 1990).
2037:
1923:Clarke, Julia (1 February 1989).
1359:Jones, Moya (29 September 1989).
1237:Moss, Judith (17 December 1991).
407:Brookside: The Official Companion
2862:
2187:"Brookside plots pregnant pause"
2018:
1905:
1880:Macklin, Helen (12 March 1989).
1545:
1528:
1461:
1221:
1163:
1103:(44). (Murdoch Magazines): 4, 5.
1065:
45:
3272:Fictional people from Liverpool
2865:Brookside - The First Ten Years
2843:
2817:
2771:
2736:
2701:
2673:Fagan, Kieran (12 March 1988).
2666:
2631:
2625:
2619:
2591:Pratt, Tony (10 January 1990).
2584:
2549:
2515:
2481:
2446:
2411:
2394:
2382:
2348:
2313:
2288:"Goings on with Pete and Tracy"
2278:
2244:
2212:
2184:Hadfield, Clive (12 May 1991).
2177:
2165:
2153:
1986:
1951:
1834:Thomas, Sharon (22 July 1988).
1827:
1792:
1720:
1686:
1658:
1623:
1595:Irwin, Ken (27 February 1988).
1513:
1469:
1429:
1314:
1295:Jacobson, Matt (21 July 2020).
1192:
1186:
1180:
1157:
1151:
1077:
988:
772:who was working as a writer on
446:
421:Brookside - The First Ten Years
2418:West, Roy (21 November 1987).
2285:Smith, Mike (30 August 1992).
2253:"Justine's Brookie baby break"
2125:. 30 November 1996. p. 18
1993:Stephen, Jaci (12 June 1990).
1476:Irwin, Ken (4 February 1986).
1401:West, Roy (30 December 1985).
1107:
1059:
1055:. No. 43. pp. 14–15.
994:
669:Equal Opportunities Commission
395:
1:
2969:
2920:Kibble-White, Graham (2002).
2533:. 3 November 1990. p. 13
2456:"No soap, this love is real!"
1799:Cochrane (8 September 1988).
1764:Irwin, Ken (8 January 1990).
1738:. 20 October 1988. p. 20
1321:Jones, Moya (25 March 1987).
1114:Irwin, Ken (22 August 1985).
924:
2846:The Who's Who of Soap Operas
2228:. 11 October 1991. p. 3
1926:"Menace of the randy bosses"
945:West, Roy (21 August 1985).
897:The Who's Who of Soap Operas
854:
572:and was shot on film unlike
309:) and her relationship with
7:
2903:Brookside - The Early Years
2848:. Guinness Publishing Ltd.
2746:"I'll see you on the ledge"
2320:Loos, Rachel (2 May 1992).
1958:Davison, Jo (7 June 1990).
1704:. 12 March 1988. p. 33
1665:Stubbs, Dan (15 May 2014).
851:) job is being advertised.
10:
3288:
2453:West, Roy (25 July 1988).
2262:. 9 August 1991. p. 4
1630:West, Roy (9 March 1988).
1324:"Tracy's dream comes true"
564:to co-produce the series.
372:respectively. Roy West of
324:
3207:
2979:
2844:Hayward, Anthony (1991).
2827:Weidenfeld & Nicolson
2800:British Newspaper Archive
2765:British Newspaper Archive
2730:British Newspaper Archive
2695:British Newspaper Archive
2660:British Newspaper Archive
2613:British Newspaper Archive
2578:British Newspaper Archive
2543:British Newspaper Archive
2509:British Newspaper Archive
2499:. 16 June 1990. p. 3
2475:British Newspaper Archive
2440:British Newspaper Archive
2376:British Newspaper Archive
2342:British Newspaper Archive
2307:British Newspaper Archive
2272:British Newspaper Archive
2238:British Newspaper Archive
2206:British Newspaper Archive
2135:British Newspaper Archive
2077:British Newspaper Archive
1980:British Newspaper Archive
1945:British Newspaper Archive
1856:British Newspaper Archive
1821:British Newspaper Archive
1786:British Newspaper Archive
1748:British Newspaper Archive
1714:British Newspaper Archive
1652:British Newspaper Archive
1617:British Newspaper Archive
1498:British Newspaper Archive
1423:British Newspaper Archive
1381:British Newspaper Archive
1343:British Newspaper Archive
1259:British Newspaper Archive
1240:"The best kind of Hollie"
1136:British Newspaper Archive
1117:"New faces for Brookside"
1023:British Newspaper Archive
1004:"Other side of 'Brookie'"
967:British Newspaper Archive
225:
211:
199:
189:
179:
169:
159:
149:
139:
129:
124:
120:
105:
95:
85:
77:
69:
61:
53:
44:
34:
29:
2901:Tibballs, Geoff (1995).
2882:Tibballs, Geoff (1994).
2863:Tibballs, Geoff (1992).
2366:. 11 May 1992. p. 9
1961:"Kate's funny valentine"
1598:"Brooksiders head south"
1479:"School for sex scandal"
1404:"TV 'steamy affair' rap"
685:Barry Grant and abortion
125:In-universe information
3262:Fictional hairdressers
3059:Jonathan Gordon-Davies
2116:"A cry for justice..."
693:
592:gold." British singer
523:
514:creator Phil Redmond (
3034:Little Jimmy Corkhill
2490:"Soap star's big day"
2323:"Barry on the ropes!"
2226:Sandwell Evening Mail
1843:Birmingham Daily News
801:Sandwell Evening Mail
778:Hillsborough disaster
689:
510:
497:Youth Training Scheme
70:First appearance
3252:Brookside characters
2530:Scunthorpe Telegraph
874:Scunthorpe Telegraph
570:Frank Cottrell-Boyce
226:Other relatives
78:Last appearance
24:Soap opera character
2357:"Axe for soap star"
2711:"Behind Brookside"
2401:"Back for good?".
1633:"On yer bike - to"
884:she didn't like."
823:. A report in the
524:
215:Jimmy Corkhill Jr.
212:First cousins
3239:
3238:
3129:Susannah Morrisey
3089:Heather Haversham
2994:Annabelle Collins
2989:Margaret Clemence
2924:. Carlton Books.
2855:978-0-85112-966-2
2682:Irish Independent
2650:. pp. 22, 23
1846:. pp. 20, 21
1580:Kibble-White 2002
1563:Kibble-White 2002
1301:Explore Liverpool
1010:Southport Visiter
908:Irish Independent
645:Sexual harassment
562:Thames Television
478:Coronation Street
290:Thames Television
239:
238:
235:
234:
193:Margaret Corkhill
73:10 September 1985
54:Portrayed by
3279:
3216:Damon and Debbie
3099:Roger Huntington
3039:Lindsey Corkhill
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2016:
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2000:Evening Standard
1995:"Pregnant cause"
1990:
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1769:
1767:"Rivals in love"
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1438:"School for sex"
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861:Liverpool Echo's
849:Jennifer Ellison
697:
651:Vanessa Whitburn
629:Damon and Debbie
468:Geoffrey Dickens
401:Characterisation
220:Lindsey Corkhill
217:William Corkhill
207:Frankie Corkhill
122:
121:
57:Justine Kerrigan
49:
27:
26:
3287:
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3282:
3281:
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3278:
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3109:Trevor Jordache
3024:Jackie Corkhill
3019:Doreen Corkhill
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2717:Evening Express
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2250:
2249:
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2231:
2229:
2221:"News in brief"
2218:
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2213:
2199:
2197:
2182:
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2122:Nottingham Post
2113:
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2017:
2006:
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1967:Hull Daily Mail
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1701:Nottingham Post
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932:
927:
917:Evening Express
857:
845:Suzanne Collins
766:
699:
695:
687:
647:
568:was written by
505:
503:Jamie Henderson
449:
409:, show creator
403:
398:
358:Kate Fitzgerald
327:
262:Kate Fitzgerald
258:Doreen Corkhill
230:
218:
216:
206:
194:
184:
154:Doreen Corkhill
134:
107:
96:Created by
90:Former; regular
65:1985–1992, 2003
25:
20:
12:
11:
5:
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3211:
3209:
3205:
3204:
3202:
3201:
3196:
3194:Terry Sullivan
3191:
3186:
3184:Nikki Shadwick
3181:
3176:
3171:
3166:
3164:Chrissy Rogers
3161:
3156:
3151:
3149:Alan Partridge
3146:
3141:
3136:
3131:
3126:
3124:Debbie McGrath
3121:
3116:
3111:
3106:
3104:George Jackson
3101:
3096:
3091:
3086:
3081:
3076:
3071:
3066:
3061:
3056:
3051:
3046:
3044:Tracy Corkhill
3041:
3036:
3031:
3029:Jimmy Corkhill
3026:
3021:
3016:
3014:Diana Corkhill
3011:
3009:Billy Corkhill
3006:
3001:
2999:Gordon Collins
2996:
2991:
2985:
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2514:
2496:Liverpool Echo
2480:
2462:Liverpool Echo
2445:
2427:Liverpool Echo
2410:
2393:
2381:
2363:Liverpool Echo
2347:
2312:
2277:
2259:Liverpool Echo
2243:
2211:
2176:
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2152:
2140:
2103:
2082:
2042:
2025:
2013:Newspapers.com
1985:
1950:
1912:
1900:Newspapers.com
1887:Sunday Mercury
1861:
1826:
1791:
1753:
1719:
1695:"Tracy's town"
1685:
1657:
1639:Liverpool Echo
1622:
1584:
1567:
1550:
1533:
1518:
1503:
1468:
1456:Newspapers.com
1428:
1410:Liverpool Echo
1386:
1368:Liverpool Echo
1348:
1330:Liverpool Echo
1313:
1264:
1246:Liverpool Echo
1226:
1197:
1185:
1168:
1156:
1141:
1106:
1082:
1070:
1058:
1028:
993:
972:
954:Liverpool Echo
929:
928:
926:
923:
869:Daily Mirror's
865:Liverpool Echo
856:
853:
841:Nikki Shadwick
833:Jimmy Corkhill
825:Liverpool Echo
814:Julie Peasgood
770:Jimmy McGovern
765:
762:
688:
686:
683:
664:Sunday Mercury
646:
643:
589:Liverpool Echo
504:
501:
448:
445:
416:Gladys Ambrose
402:
399:
397:
394:
375:Liverpool Echo
370:Billy Corkhill
326:
323:
266:Billy Corkhill
242:Tracy Corkhill
237:
236:
233:
232:
227:
223:
222:
213:
209:
208:
204:Jimmy Corkhill
201:
197:
196:
191:
187:
186:
183:Frank Corkhill
181:
177:
176:
171:
167:
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161:
157:
156:
151:
147:
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144:Billy Corkhill
141:
137:
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92:
87:
86:Classification
83:
82:
81:4 January 2003
79:
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71:
67:
66:
63:
59:
58:
55:
51:
50:
42:
41:
32:
31:
30:Tracy Corkhill
23:
15:
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6:
4:
3:
2:
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3159:Leanne Powell
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2912:0-7522-1051-3
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2893:1-85283-946-5
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2874:1-85283-197-9
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2836:0-297-79408-6
2832:
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2819:Redmond, Phil
2816:
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2789:
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2649:
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2642:
2641:"Street wise"
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2389:Tibballs 1995
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2172:Tibballs 1995
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2099:Tibballs 1994
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2038:Tibballs 1995
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2014:
2002:
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1989:
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1546:Tibballs 1992
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1362:"Catch this!"
1355:
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405:In the book,
393:
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385:
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367:
364:, as parents
363:
359:
354:
352:
349:that joining
348:
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343:Simon O'Brien
340:
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185:Albert Brogan
182:
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68:
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60:
56:
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48:
43:
39:
38:
33:
28:
22:
19:
3228:
3221:
3214:
3199:Petra Taylor
3179:Sammy Rogers
3174:Katie Rogers
3169:Frank Rogers
3154:Lance Powell
3139:Steve Murray
3134:Marty Murray
3119:Mick Johnson
3084:Sheila Grant
3043:
3004:Paul Collins
2970:
2921:
2902:
2883:
2864:
2845:
2822:
2811:Bibliography
2798:– via
2792:. Retrieved
2790:. p. 13
2787:Daily Mirror
2785:
2773:
2763:– via
2757:. Retrieved
2752:Daily Mirror
2750:
2738:
2728:– via
2722:. Retrieved
2715:
2703:
2693:– via
2687:. Retrieved
2685:. p. 15
2680:
2668:
2658:– via
2652:. Retrieved
2647:Western Mail
2645:
2633:
2626:Hayward 1991
2621:
2611:– via
2605:. Retrieved
2603:. p. 18
2600:Daily Mirror
2598:
2586:
2576:– via
2570:. Retrieved
2568:. p. 54
2565:Sunday World
2563:
2551:
2541:– via
2535:. Retrieved
2528:
2517:
2507:– via
2501:. Retrieved
2494:
2483:
2473:– via
2467:. Retrieved
2460:
2448:
2438:– via
2432:. Retrieved
2425:
2413:
2402:
2396:
2384:
2374:– via
2368:. Retrieved
2361:
2350:
2340:– via
2334:. Retrieved
2332:. p. 35
2329:Daily Mirror
2327:
2315:
2305:– via
2299:. Retrieved
2297:. p. 28
2294:Western Mail
2292:
2280:
2270:– via
2264:. Retrieved
2257:
2246:
2236:– via
2230:. Retrieved
2225:
2214:
2204:– via
2198:. Retrieved
2196:. p. 24
2191:
2179:
2167:
2155:
2143:
2133:– via
2127:. Retrieved
2120:
2075:– via
2069:. Retrieved
2067:. p. 14
2064:Daily Mirror
2062:
2011:– via
2005:. Retrieved
2003:. p. 31
1998:
1988:
1978:– via
1972:. Retrieved
1965:
1953:
1943:– via
1937:. Retrieved
1935:. p. 15
1932:Daily Record
1930:
1898:– via
1892:. Retrieved
1890:. p. 57
1885:
1854:– via
1848:. Retrieved
1841:
1829:
1819:– via
1813:. Retrieved
1811:. p. 21
1808:Daily Record
1806:
1794:
1784:– via
1778:. Retrieved
1776:. p. 17
1773:Daily Mirror
1771:
1746:– via
1740:. Retrieved
1733:
1722:
1712:– via
1706:. Retrieved
1699:
1688:
1676:. Retrieved
1670:
1660:
1650:– via
1644:. Retrieved
1637:
1625:
1615:– via
1609:. Retrieved
1607:. p. 11
1604:Daily Mirror
1602:
1514:Redmond 1987
1496:– via
1490:. Retrieved
1488:. p. 19
1485:Daily Mirror
1483:
1471:
1454:– via
1448:. Retrieved
1446:. p. 16
1443:The Guardian
1441:
1431:
1421:– via
1415:. Retrieved
1408:
1379:– via
1373:. Retrieved
1371:. p. 12
1366:
1341:– via
1335:. Retrieved
1333:. p. 10
1328:
1316:
1304:. Retrieved
1300:
1257:– via
1251:. Retrieved
1249:. p. 17
1244:
1193:Redmond 1987
1188:
1181:Redmond 1987
1159:
1152:Redmond 1987
1134:– via
1128:. Retrieved
1123:Daily Mirror
1121:
1109:
1100:
1078:Redmond 1987
1073:
1061:
1052:
1021:– via
1015:. Retrieved
1013:. p. 35
1008:
996:
989:Hayward 1991
965:– via
959:. Retrieved
952:
915:
913:
906:
902:Western Mail
900:
896:
894:
890:Daily Mirror
889:
885:
880:Sunday World
878:
872:
868:
864:
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858:
830:
824:
820:
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804:
800:
796:
789:
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782:
773:
767:
756:
753:Daily Mirror
752:
746:
740:
737:
733:
727:
724:Daily Mirror
723:
712:Sue Johnston
708:Sheila Grant
702:
700:
694:
690:
678:Daily Record
676:
673:
662:
659:
654:
648:
637:
633:
627:
623:
619:
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583:Daily Mirror
581:
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555:
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543:
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515:
511:
493:
488:
482:
476:
471:
463:
461:
455:The Guardian
453:
450:
447:Sexual abuse
441:
433:
427:
425:
420:
411:Phil Redmond
406:
404:
388:
387:Fisher from
383:
381:
373:
362:John McArdle
355:
350:
346:
334:
330:
328:
318:
307:Sue Johnston
303:Sheila Grant
300:
293:
282:Phil Redmond
277:
274:
270:John McArdle
251:
241:
240:
229:Don Corkhill
195:Julia Brogan
190:Grandmothers
180:Grandfathers
174:Rod Corkhill
164:Sheila Grant
111:
100:Phil Redmond
35:
21:
17:
3144:Tim O'Leary
3114:Leo Johnson
3079:Karen Grant
3074:Damon Grant
3069:Bobby Grant
3064:Barry Grant
3054:Max Farnham
2905:. Boxtree.
2886:. Boxtree.
2867:. Boxtree.
2755:. p. 6
2720:. p. 8
2594:"Mirror TV"
2465:. p. 3
2430:. p. 6
2404:Inside Soap
1970:. p. 9
1642:. p. 6
1413:. p. 3
1126:. p. 3
957:. p. 2
810:Robert Beck
716:Barry Grant
472:Brookside's
396:Development
339:Damon Grant
311:Barry Grant
278:Brookside's
231:Joan Brogan
135:Hairdresser
108:appearances
3246:Categories
3094:Simon Howe
3049:Mike Dixon
2981:Characters
2794:26 January
2759:26 January
2724:25 January
2689:25 January
2654:26 January
2607:26 January
2572:25 January
2537:26 January
2503:25 January
2469:25 January
2434:24 January
2370:26 January
2336:26 January
2301:26 January
2266:25 January
2232:24 January
2200:25 January
2129:26 January
2071:25 January
2007:23 January
1974:25 January
1939:26 January
1894:25 January
1850:26 January
1815:26 January
1780:25 January
1742:24 January
1708:25 January
1678:24 January
1646:25 January
1611:24 January
1492:25 January
1450:23 January
1417:25 January
1375:26 January
1337:26 January
1306:24 January
1253:25 January
1130:25 January
1017:25 January
961:23 January
925:References
886:TV Guide's
720:Paul Usher
484:EastEnders
428:TV Guide's
315:Paul Usher
249:soap opera
160:Stepmother
130:Occupation
3230:Hollyoaks
2972:Brookside
1735:The Stage
855:Reception
821:Brookside
805:Brookside
797:Brookside
774:Brookside
768:In 1990,
757:Brookside
728:Brookside
703:Brookside
655:Brookside
649:In 1988,
638:Brookside
620:Brookside
610:Brookside
606:winnebago
602:Brookside
594:Morrissey
574:Brookside
544:Brookside
540:Channel 4
512:Brookside
489:Brookside
464:Brookside
384:Brookside
351:Brookside
335:Brookside
331:Brookside
319:Brookside
280:producer
253:Brookside
246:Channel 4
40:character
37:Brookside
18:Brookside
2821:(1987).
2391:, p.164.
2174:, p.156.
2162:, p.155.
2150:, p.154.
2040:, p.150.
1101:TV Guide
530:branded
516:pictured
389:TV Guide
170:Brothers
106:Spin-off
62:Duration
3208:Related
2628:, p.12.
2101:, p.96.
1582:, p.61.
1565:, p.60.
1548:, p.41.
1531:, p.40.
1516:, p.77.
1224:, p.48.
1195:, p.95.
1183:, p.75.
1166:, p.49.
1154:, p.73.
1080:, p.94.
1068:, p.51.
991:, p.13.
616:South's
532:condoms
325:Casting
133:Student
3189:Sinbad
2928:
2909:
2890:
2871:
2852:
2833:
749:Rhodes
741:Chat's
366:Doreen
264:) and
200:Uncles
150:Mother
140:Father
116:(1988)
3223:South
634:South
624:South
598:South
578:South
566:South
557:South
528:Durex
295:South
113:South
2926:ISBN
2907:ISBN
2888:ISBN
2869:ISBN
2850:ISBN
2831:ISBN
2796:2023
2761:2023
2726:2023
2691:2023
2656:2023
2609:2023
2574:2023
2539:2023
2505:2023
2471:2023
2436:2023
2372:2023
2338:2023
2303:2023
2268:2023
2234:2023
2202:2023
2131:2023
2073:2023
2009:2023
1976:2023
1941:2023
1896:2023
1852:2023
1817:2023
1782:2023
1744:2023
1710:2023
1680:2023
1648:2023
1613:2023
1494:2023
1452:2023
1419:2023
1377:2023
1339:2023
1308:2023
1255:2023
1132:2023
1053:Chat
1019:2023
963:2023
548:AIDS
481:and
368:and
360:and
347:Chat
1672:NME
437:mod
3248::
2829:.
2825:.
2784:.
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2597:.
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2190:.
2119:.
2106:^
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2061:.
2045:^
2028:^
1997:.
1964:.
1929:.
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1884:.
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1840:.
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1770:.
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1732:.
1698:.
1669:.
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1365:.
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1327:.
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1243:.
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499:.
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2015:.
1982:.
1947:.
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