446:, Kirshner's new supergroup of four includes a winsome starlet and a token negro. They appear as incompatible as one would expect, and are required to do little else than try to put conviction into lines like 'Hey! Any of you cats mind a groove? You got it', which crop up throughout. If this antiseptic crew had really dared to set foot on the stage of the Round House during a pop festival, dressed up like canaries and singing their cute songs of love and tears, they would have been booed, quite deservedly, off it again."
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want a love scene, it wasn’t that sort of a picture and “No I can’t.” In fact she burst into tears about it... She was very unhappy about it and finally, we never did the love scene. But all through it was quite obvious that Livy was going places because she was bubbling, bouncy, was quite a looker, it was obvious that she cute as a button, was going places.
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I was very taken with Livy, I thought she had everything going for her in this fresh bubbly way; she was worried about filming, but she got into it pretty soon. Kirshner wanted Livy to have a love scene in it and Harry came to tell me about this and I spoke to Livy and she went berserk! She didn’t
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Don
Kirshner died in January 2011, and in March 2012 the movie was released on DVD in the UK by Pickwick having licensed the film from the estate of writer and director Val Guest. Unfortunately, the DVD release was of low quality: It was sourced from an inferior video element and the audio is of
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to write the first draft, but after 30 pages neither
Saltzman nor Guest felt it was working. Guest conceded that it was "very well written, but a little bit too 'high-faluting'". Saltzman advised Guest to write a new script. However, unbeknownst to Guest, Saltzman never informed Benedictus. Only
405:. Guest waited until after the film's premiere at the London Pavilion to obtain an injunction. The film could not be shown until Guest and the other people who worked on the film were paid. According to Guest in 1994, he still had not been paid and the injunction was still in effect.
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effects) and Don
Kirshner's fixed conception of young people's tastes in entertainment ... combine to produce a glossy and empty-headed pop fantasy, as computerised as the Alphoids' soulless music. To avoid any comparisons with his previous creation,
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Guest had been working on the film for six months beyond the time specified for in his contract and still hadn't been paid, nor had anyone else who worked on the film. Saltzman didn't have the money nor did his company "Sweet Music" which was in
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A group of students pay their way through school by forming a pop band, Toomorrow. Sonic vibrations from a special instrument, a "tonaliser" cause an extra-terrestrial to abduct the group, and have them entertain the
Alphoid population.
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cinemas during 1971 and early 1972 on
British military bases along with a copy in a travelling cinema in Scotland, and one showing in Los Angeles in 2000 (see below),
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marginal quality, and they failed to make it dual-mono: The sound only comes out of one stereo speaker.
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Double
Feature Creature Attack: A Monster Merger of Two More Volumes of Classic Interviews
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Dietz, Lawrence (23 September 1968). "The
Monkees' Man Invades the Kiddie Ghetto".
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751:(432): 190. 1 January 1970 – via ProQuest.
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686:Future Tense: The Cinema of Science Fiction
497:. Unsourced material may be challenged and
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564:British Film Institute Collections Search
517:Learn how and when to remove this message
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367:entered into a three-picture deal with
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1576:Films produced by Harry Saltzman
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1566:Films scored by Hugo Montenegro
1316:On Her Majesty's Secret Service
1198:Confessions of a Window Cleaner
299:Tracey Crisp as Suzanne Gilmore
16:1970 British film by Val Guest
1571:Films shot at Pinewood Studios
1182:When Dinosaurs Ruled the Earth
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611:"Interview with Val Guest"
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886:I'll Be Your Sweetheart
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35:Original UK quad poster
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902:William Comes to Town
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284:Benny Thomas as Benny
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1324:Diamonds Are Forever
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709:Weaver, Tom (2003).
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320:Carl Rigg as Matthew
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1581:Films set in London
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1404:Look Back in Anger
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213:Running time
190:Release date
91:Benny Thomas
66:Don Kirshner
18:
1495:Documentary
1388:Other films
1300:Thunderball
806:movie recap
739:"Toomorrow"
585:"Toomorrow"
560:"Toomorrow"
443:The Monkees
403:Switzerland
373:the Monkees
333:David Lodge
315:Roy Marsden
294:Roy Dotrice
151:Mark Barkan
101:Roy Dotrice
59:Produced by
41:Directed by
1526:1970 films
1520:Categories
1468:Play Dirty
1292:Goldfinger
1030:The Weapon
546:References
459:Home media
361:James Bond
356:Production
339:Diane Keen
329:as compere
311:as Johnson
217:95 minutes
201:1970-08-27
166:Production
94:Vic Cooper
51:Written by
1476:Toomorrow
1174:Toomorrow
850:Val Guest
804:Toomorrow
793:Toomorrow
782:Toomorrow
478:does not
424:Reception
418:Toomorrow
281:as Olivia
253:Val Guest
241:Toomorrow
120:Edited by
114:Dick Bush
54:Val Guest
45:Val Guest
24:Toomorrow
1484:Nijinsky
798:AllMovie
684:(1978).
652:(2007).
631:New York
569:18 March
534:See also
507:May 2024
317:as Alpha
230:Language
139:Music by
80:Starring
499:removed
484:sources
396:Lawsuit
233:English
222:Country
199: (
168:company
1506:(1967)
1487:(1980)
1479:(1970)
1471:(1969)
1463:(1969)
1455:(1966)
1447:(1966)
1439:(1965)
1431:(1963)
1423:(1960)
1415:(1960)
1407:(1959)
1399:(1956)
1380:(1967)
1372:(1966)
1364:(1965)
1343:(1974)
1335:(1973)
1327:(1971)
1319:(1969)
1311:(1967)
1303:(1965)
1295:(1964)
1287:(1963)
1279:(1962)
1276:Dr. No
1217:(1982)
1209:(1976)
1201:(1974)
1193:(1972)
1185:(1970)
1177:(1970)
1169:(1968)
1161:(1967)
1153:(1965)
1145:(1964)
1137:(1963)
1129:(1962)
1126:Jigsaw
1121:(1961)
1113:(1960)
1105:(1960)
1097:(1960)
1089:(1959)
1081:(1959)
1073:(1958)
1065:(1958)
1057:(1958)
1049:(1957)
1041:(1957)
1033:(1957)
1025:(1957)
1017:(1956)
1009:(1955)
1001:(1955)
993:(1955)
985:(1955)
977:(1954)
969:(1954)
961:(1954)
953:(1954)
945:(1954)
937:(1952)
929:(1951)
921:(1949)
913:(1949)
905:(1948)
897:(1947)
889:(1945)
881:(1944)
873:(1944)
865:(1943)
812:Review
721:
692:
664:
305:as Amy
787:IMDb
719:ISBN
690:ISBN
662:ISBN
571:2024
482:any
480:cite
436:2001
272:Cast
263:Plot
796:at
785:at
589:BFI
493:by
452:NME
1522::
749:37
747:.
741:.
656:.
634:.
613:.
601:^
587:.
562:.
1250:e
1243:t
1236:v
841:e
834:t
827:v
727:.
698:.
670:.
636:1
617:.
573:.
520:)
514:(
509:)
505:(
501:.
487:.
203:)
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