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Tonight or Never (1931 film)

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289:, which is acclaimed as the greatest in her entire career. After returning home, she is overcome by joy to learn that she has landed a contract with the Metropolitan Opera, but feels guilty for what she had done the night before. The same day, Jim visits her, returning the necklace that she had left him to pay for his services and demanding that she choose between him and the contract. When she tears apart the contract, he realizes that she is in love with him and he reveals himself to be a nephew of the marchesa and the famous talent scout. Now, Nella can have the successful New York career of her dreams. 270:, accompanied by Rudig, her butler Conrad, her maid Emma and her fiancé Count Albert von Gronac, whom she does not love. She is shocked to discover that the mysterious man is on board as well, with the marchesa as his company. Rudig again suggests that she will never be a great singer if she does not experience love. The next day, Rudig announces that Fletcher, an agent for New York's prestigious 404:
strongly objected to the film and demanded several cuts. The scene thought to be the most vulgar was the love scene between Nella and Jim. A staff member commented: "This scene was one of the most offensive, if not the most offensive—in my recollection." The film was permitted a release in 1931, but
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Furious and upset with her love life, she hires the mysterious man, Jim, hoping to experience love and thereby impress Fletcher. She is attracted to Jim, but is afraid to have her as his admirer. Jim, who is actually Fletcher, soon learns that Nella believes that he is a
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to play the lead role, believing that it would help her recover from a career slump. The film was the only of Swanson's early sound films in which she did not sing, despite playing an opera singer. The film sparked Douglas' screen debut.
259:. When she is criticized for not putting her soul into the song, she gets mad, until she suddenly notices a mysterious man walking on the street. She becomes smitten with the man, until Rudig claims that he is a 31: 372:
was assigned to write the screenplay. A month later, she was replaced with Sheridan Gibney, who was eventually replaced as well. According to a January 1931 news article,
282:. Instead of revealing the truth, he pretends to be a gigolo and forces her to make a decision: spend the night with him or leave within three minutes. 352:
The film is based on the Hungarian play of the same name, which was performed on Broadway between November 18, 1930 and June 1931. In the film,
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Nella decides to spend the night with Jim, but leaves the next morning before he awakes. That night, she again gives a performance of
2052: 274:, is in town to sign European artists. Later that afternoon, she learns that her fiancé is having an affair with one of her enemies. 1335: 2042: 2022: 1397: 405:
as enforcement of the Motion Picture Production Code commenced in 1934, requests for rereleases in 1935 and 1937 were rejected.
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whose latest client is Marchesa Bianca San Giovanni, a former diva with a notorious past.
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and Warburton Gamble recreated their stage roles. In June 1931,
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was initially set to direct, but he was replaced by
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Index


Mervyn LeRoy
Fanny Hatton
Frederic Hatton
Ernest Vajda
Samuel Goldwyn
Gloria Swanson
Melvyn Douglas
Gregg Toland
Grant Whytock
Alfred Newman
Samuel Goldwyn Productions
United Artists
pre-Code
comedy film
Mervyn LeRoy
Gloria Swanson
Melvyn Douglas
Boris Karloff
prima donna
Tosca
Venice
opera
New York City
gigolo
Budapest
Metropolitan Opera
gigolo
Gloria Swanson
Melvyn Douglas

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