245:. The earliest known source for Vitali's Chaconne is a manuscript housed in the Sächsische Landesbibliothek Dresden with the shelfmark Mus. 2037/R/1. It has been identified as being in the hand of Johann Gottfried Grundig or Johann Jacob Lindner, copyists who worked at the Dresden Hofkapelle, and is dated ca.1730-40, which lends credit to its authenticity. The Chaconne was marked by the copyist, at the time of transcription, in the upper margin of the first page of the Dresden manuscript as "Parte del Tomaso Vitalino" (Tomaso Vitalino's part), who may or may not be Vitali. One striking feature of the "Vitali" Chaconne's style is the way it wildly changes key, reaching the far-flung territories of
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1 and 2 (1693), sonatas da camera (chamber sonatas), and violin sonatas (including his opus 6) among other works. Among those that have been recorded include all of the op. 1 (on Naxos 8.570182), three of the violin sonatas (on the Swiss label Gallo), and some of the sonatas from the opp. 2 and 4
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have raised speculation that it could not be a genuine
Baroque work, while the lack of similarities to other works by Vitali have made modern scholars cast serious doubts on the attribution.
261:. However, precedents exist in violin works of the 17th century. Especially relevant to Tomaso Vitali's Chaconne are the works of his father, Giovanni Battista, most significantly
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313:(cello), Gianluca Lastraioli (theorbo and guitar), Andrea Perugi (organ and harpsichord). Released in 2006. Naxos 8.570182
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Tomaso
Antonio Vitali: Twelve Trio Sonatas Op. 1. Performed by Luigi Cozzolino (violin), Luca Giardini (violin),
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chose it, in a "very much arranged and altered version", with organ accompaniment, to open his
American debut in
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is a musical form used as a vehicle for variation on a repeated short harmonic progression over a
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Giovanni
Battista Vitali. 1689. "Artificii musicali, Op.13." Modena: Eredi Cassiani, p. 34; p. 28
269:. Striking examples of enharmonic modulation also exist in Georg Muffat's violin sonata of 1677.
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Despite musicological doubts, the piece has been ever popular amongst violinists. For example,
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124:(7 March 1663 – 9 May 1745) was an Italian composer and violinist of the mid to late
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Balletto Ă due ... che il
Violino sona per B. molle, e il Violone sona per diesis
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court orchestra from 1675 to 1742. He was a teacher, whose pupils included
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Portrait of Vitali from the second half of the 18th century by an unknown
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on 7 March 1663; his father was the noted composer and violinist
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Greich, Wolfgang (1965). "Die
Chaconne g-Moll: von Vitali?".
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Passagallo che principia per B. molle, e finisce per Diesis
558:"Sein oder nicht sein? Nochmals zur 'Chaconne von Vitali'"
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in 1917. Arrangements of it exist for violin and piano by
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sets (opus 4, no. 12 on
Classica CL 101 from Finland.)
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500:Andrew Manze. "Angels & devils of the violin"
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370:"Chaconne for violin & continuo in G minor"
336:Museo internazionale e biblioteca della musica
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207:Authentic works by Vitali include a set of
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673:International Music Score Library Project
428:"The Curious Case of the Vitali Chaconne"
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605:10.1093/gmo/9781561592630.article.29523
529:The Performance Style of Jascha Heifetz
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296:(1828-1907) and for cello and piano by
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669:Free scores by Tomaso Antonio Vitali
802:18th-century Italian male musicians
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531:. Routledge. pp. 67–69, 233.
152:(1867) edited by German violinist
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425:Freiberg, Sarah (December 2014).
792:Italian male classical composers
150:Die Hoch Schule des Violinspiels
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200:, Girolamo Nicolò Laurenti and
797:18th-century Italian composers
651:Beiträge zur Musikwissenschaft
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399:, "(2) Tomaso Antonio Vitali".
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27:Italian composer and violinist
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638:The Sonata in the Baroque Era
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622:UK public library membership
180:. He studied composition in
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132:, he is chiefly known for a
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636:Newman, William S. (1972).
156:. That work's wide-ranging
146:Sächsische Landesbibliothek
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642:W. W. Norton & Company
640:(3rd ed.). New York:
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194:Evaristo Felice dall'Abaco
188:, and was employed at the
767:Italian Baroque composers
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556:Greich, Wolfgang (1970).
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332:"Vitali, Tomaso Antonio"
178:Giovanni Battista Vitali
130:Giovanni Battista Vitali
710:Bologna School of music
597:Oxford University Press
583:Suess, John G. (2001).
505:5 December 2008 at the
257:became typical only in
186:Antonio Maria Pacchioni
128:era. The eldest son of
782:Musicians from Bologna
475:8 October 2015 at the
198:Jean Baptiste Senaillé
18:Tommaso Antonio Vitali
746:Tomaso Antonio Vitali
736:Giacomo Antonio Perti
527:Sarlo, Dario (2016).
202:Luca Antonio Predieri
122:Tomaso Antonio Vitali
62:Tomaso Antonio Vitali
36:Tomaso Antonio Vitali
721:Pietro degli Antonii
304:Selected discography
233:Chaconne in G minor
172:Vitali was born in
134:Chaconne in G minor
592:Grove Music Online
563:Die Musikforschung
470:"Baroque Virtuoso"
368:Jameson, Michael.
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731:Arcangelo Corelli
620:(subscription or
614:978-1-56159-263-0
538:978-1-317-02164-3
358:, "Introduction".
294:Friedrich Hermann
290:Ottorino Respighi
211:published as his
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379:19 September
377:. Retrieved
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341:19 September
339:. Retrieved
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251:E-flat minor
247:B-flat minor
236:
227:The chaconne
218:
213:opus numbers
209:trio sonatas
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89:(1745-05-09)
72:7 March 1663
29:
777:1745 deaths
772:1663 births
488:Greich 1970
458:Greich 1970
298:Luigi Silva
259:Romanticism
243:ground bass
219:He died at
158:modulations
103:Occupations
761:Categories
657:: 149–152.
595:. Oxford:
445:1648503208
397:Suess 2001
356:Suess 2001
318:References
87:9 May 1745
68:1663-03-07
624:required)
415:Chaconnes
413:212001253
168:Biography
112:violinist
576:41116504
503:Archived
473:Archived
441:ProQuest
374:AllMusic
239:chaconne
142:continuo
109:Composer
675:(IMSLP)
671:at the
550:Sources
433:Strings
284:and by
174:Bologna
126:Baroque
97:, Italy
78:, Italy
76:Bologna
52:painter
50:Emilian
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265:, and
221:Modena
182:Modena
138:violin
95:Modena
572:JSTOR
249:and
184:with
609:ISBN
533:ISBN
409:RISM
381:2021
343:2021
190:Este
162:keys
140:and
136:for
84:Died
58:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
