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Tomb of I'timād-ud-Daulah

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481:(flower bouquet) and such other Iranian motifs, typical of the art of Jehangir, have been emphatically used. Some compositions have been inspired by the plant studies of Ustad Mansur Naqqash, the famous "fauna and flora" painter of Jehangir. Some stylized designs have also been done in exquisite carving, both incised and relief. They look like embroidery work done in ivory. Delicacy is their quality. Stucco and painting have been done in the interior where minute animal and human figures have also been shown. The inspiration has come from the contemporary art of painting. There is no glazed tiling and the decoration is largely by coloured stones which is an indigenous development. By far, it is the most gorgeously ornamented Mughal building. It testifies that "the Mughals began like Titans and finished like jewellers". Chapters 48 and 73 of the 677: 692: 645: 704: 609: 660: 537: 525: 633: 436: 719: 734: 573: 336: 138: 490: 1019: 561: 549: 447:, is planned in the centre of a Char-Bagh (four-quartered garden), with the usual enclosing walls and side buildings. As conditioned by its situation, the main gate is on the eastern side. Ornamental gateways with prominent lawns are built in the middle of north and south sides. A multi-storeyed open pleasure pavilion is there on the western side, overlooking the river impressively. These buildings are of red sandstone with bold inlaid designs in white marble. 232: 585: 513: 621: 25: 597: 450:
Shallow water channels, sunk in the middle of the raised stone paved pathways, with intermittent tanks and cascades, divided the garden into four equal quarters. They are only slightly raised from the parterres which could be converted into flower beds. Space for large plants and trees was reserved
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finials. The interior is composed of a central square hall housing the cenotaphs of Asmat Begum, Mirza Ghiyas, four oblong rooms on the sides and four square rooms on the corners, all interconnected by common doorways. The cenotaph of Asmat Begum occupies the exact centre of the hall. Corner rooms
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The most important aspect of this tomb is its polychrome ornamentation. Beautiful floral, stylized, arabesque and geometrical designs have been depicted on the whole exterior in inlay and mosaic techniques, in various pleasing tints and tones. Wine vase, dish and cup, cypress, honeysuckle,
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in 1611. He held the mansab of 7000/7000 and the title : "I'timad-Ud-Daulah" (The Lord treasurer). He died at Agra in 1622, a few months after his wife's death. Nur Jehan built this tomb for her parents between 1622 and 1628. Her own tomb and that of Jehangir are at Lahore.
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Along with the main building, the structure consists of numerous outbuildings and gardens. The tomb, built between 1622 and 1628, represents a transition between the first phase of monumental Mughal architecture – primarily built from red sandstone with marble decorations, as in
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The main tomb of white marble is marvellously set in the centre of the garden. It stands on a plinth of red stone having in the middle of each side, facing the central arch, a lotus tank with fountain. The tomb is square in plan with octagonal towers, surmounted by
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to the Taj Mahal. It reflects the personality of the polished Iranian who lies buried here, and, more than that, the formal and ornamental character of its builder Nur Jehan who ruled the Mughal Empire from behind the curtain for 16 years (1611–27).
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have been carved on the 64 panels on the external sides of the ground floor. The date of writing A.H. 1037/1627 A.D. is mentioned in the last panel. Chapter 67 of the Quran is inscribed on the 12 internal panels of the upper pavilion.
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having three arched openings on each side which are closed by jalis except in the middle of the north and south sides. It is protected by a chhajja above which is the chaukhandi (pyramidal) roof, crowned by lotus petals and
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The Tomb of I'timad-Ud-Daulah is a masterpiece of the domeless class of Mughal tombs. It is the first building finished in white marble and marks the transitional phase from red stone to white marble, from Akbar's tomb
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screens of intricately carved white marble. The interior decoration is considered by many to have inspired that of the Taj Mahal, which was built by her stepson, Mughal ruler Shah Jahan.
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trees and wine bottles, or more elaborate decorations like cut fruit or vases containing bouquets. Light penetrates to the interior through delicate
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Many of Nūr Jahān's relatives are interred in the mausoleum. The only asymmetrical element of the entire complex is that the
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and his wife Asmat Beghum. He hailed from Iran and served Akbar. He was the father of the famous
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and a jali balustrade above it. There is no dome; instead, the building is roofed by a square
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of her father and mother have been set side-by-side, a formation replicated in the Taj Mahal.
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just adjoining the enclosing walls, leaving the mausoleum fully open to view.
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fame. He was made Vazir (Prime Minister) after Nur Jehan's marriage with
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Pictures of Itmad-Ud-Daulah's Tomb from a backpackers trip around India
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Interior decorated with vases, vegetal and geometric patterns
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The tomb, situated on the eastern bank of the river
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Unsourced material may be challenged and removed. 685:vases in marble wall with geometric floral border 300:inlay, most elegantly realized in the Taj Mahal. 294:– to its second phase, based on white marble and 1852: 473:have tombstones of Nur Jehan's other relations. 354:encrusted with semi-precious stone decorations: 235:Mausoleum of Itmad-ud-Daulah's tomb (front view) 1258: 966: 350:The walls are made up from white marble from 861: 1881:Buildings and structures completed in 1628 1265: 1251: 973: 959: 109:Learn how and when to remove this message 1272: 815: 813: 811: 488: 439:Tomb of Mirza Ghiyas Beg and Asmat Begum 434: 339:Cenotaphs at the tomb of Itmad-ud-Daulah 334: 230: 497:This is protected and conserved by the 1853: 1699:Cities and towns in Firozabad district 906: 900: 897:خورشیدی. نوشته محمدرضا خانی. به فارسی. 1704:Cities and towns in Mainpuri district 1246: 954: 819: 808: 1709:Cities and towns in Mathura district 739:Corner View (under direct sunlight ) 47:adding citations to reliable sources 18: 1206:National Chambal Wildlife Sanctuary 945:Pictures of Etimad-ud-Daulah's Tomb 907:Sharma, Snigdha (20 January 2024). 343:Located on the eastern bank of the 13: 303:The mausoleum was commissioned by 14: 1907: 1484:Krishna Janmasthan Temple Complex 1352:United Provinces of Agra and Oudh 927: 1876:Buildings and structures in Agra 1017: 981:Tourist attractions in and near 732: 717: 702: 690: 675: 658: 643: 638:Exterior wall, detail with niche 631: 626:Exterior wall, detail with niche 619: 607: 595: 583: 571: 559: 547: 535: 523: 511: 136: 23: 430: 34:needs additional citations for 1719:Villages in Firozabad district 883: 836: 499:Archaeological Survey of India 16:Mughal monument in Agra, India 1: 820:Datta, Rangan (5 July 2024). 801: 142:The tomb of I'timād-ud-Daulah 1896:1628 establishments in India 1891:Sandstone buildings in India 1724:Villages in Mathura district 1489:Vrindavan Chandrodaya Mandir 911:. 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"Tomb of I'timād-ud-Daulah"
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27°11′33″N 78°01′55″E / 27.19250°N 78.03194°E / 27.19250; 78.03194
Agra
Uttar Pradesh
India
Mausoleum

Mughal
Agra
Indian
Uttar Pradesh
Taj Mahal
Humayun's Tomb
Delhi
Akbar's
Sikandra
pietra dura
Nur Jahan
Jahangir

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