234:. The earliest known source for Vitali's Chaconne is a manuscript housed in the Sächsische Landesbibliothek Dresden with the shelfmark Mus. 2037/R/1. It has been identified as being in the hand of Johann Gottfried Grundig or Johann Jacob Lindner, copyists who worked at the Dresden Hofkapelle, and is dated ca.1730-40, which lends credit to its authenticity. The Chaconne was marked by the copyist, at the time of transcription, in the upper margin of the first page of the Dresden manuscript as "Parte del Tomaso Vitalino" (Tomaso Vitalino's part), who may or may not be Vitali. One striking feature of the "Vitali" Chaconne's style is the way it wildly changes key, reaching the far-flung territories of
33:
204:
1 and 2 (1693), sonatas da camera (chamber sonatas), and violin sonatas (including his opus 6) among other works. Among those that have been recorded include all of the op. 1 (on Naxos 8.570182), three of the violin sonatas (on the Swiss label Gallo), and some of the sonatas from the opp. 2 and 4
153:
have raised speculation that it could not be a genuine
Baroque work, while the lack of similarities to other works by Vitali have made modern scholars cast serious doubts on the attribution.
250:. However, precedents exist in violin works of the 17th century. Especially relevant to Tomaso Vitali's Chaconne are the works of his father, Giovanni Battista, most significantly
461:
282:
574:
689:
324:
286:
790:
780:
661:
358:
785:
682:
601:
525:
302:(cello), Gianluca Lastraioli (theorbo and guitar), Andrea Perugi (organ and harpsichord). Released in 2006. Naxos 8.570182
755:
458:
657:
675:
770:
298:
Tomaso
Antonio Vitali: Twelve Trio Sonatas Op. 1. Performed by Luigi Cozzolino (violin), Luca Giardini (violin),
265:
chose it, in a "very much arranged and altered version", with organ accompaniment, to open his
American debut in
134:
491:
133:, to which he is traditionally attributed as the composer. The work was published from a manuscript in the
299:
320:
270:
142:
630:
186:
166:
118:
230:
is a musical form used as a vehicle for variation on a repeated short harmonic progression over a
775:
698:
585:
506:
Giovanni
Battista Vitali. 1689. "Artificii musicali, Op.13." Modena: Eredi Cassiani, p. 34; p. 28
258:. Striking examples of enharmonic modulation also exist in Georg Muffat's violin sonata of 1677.
174:
261:
Despite musicological doubts, the piece has been ever popular amongst violinists. For example,
593:
724:
429:
190:
765:
760:
709:
610:
130:
8:
221:
122:
381:
379:
274:
580:
560:
551:
146:
719:
597:
521:
397:
376:
278:
113:(7 March 1663 – 9 May 1745) was an Italian composer and violinist of the mid to late
729:
714:
589:
495:
465:
433:
256:
Balletto Ă due ... che il
Violino sona per B. molle, e il Violone sona per diesis
38:
262:
182:
416:
749:
266:
243:
178:
150:
114:
239:
235:
181:
court orchestra from 1675 to 1742. He was a teacher, whose pupils included
667:
37:
Portrait of Vitali from the second half of the 18th century by an unknown
247:
231:
201:
197:
564:
546:
401:
338:
32:
362:
227:
488:
165:
on 7 March 1663; his father was the noted composer and violinist
162:
64:
242:, modulations uncharacteristic of the Baroque era, as change of
209:
170:
126:
83:
638:
Greich, Wolfgang (1965). "Die
Chaconne g-Moll: von Vitali?".
281:, and there are transcriptions of it for viola and piano by
252:
Passagallo che principia per B. molle, e finisce per Diesis
547:"Sein oder nicht sein? Nochmals zur 'Chaconne von Vitali'"
269:
in 1917. Arrangements of it exist for violin and piano by
205:
sets (opus 4, no. 12 on
Classica CL 101 from Finland.)
277:, for violin and organ, for violin and orchestra by
470:
440:
573:
415:
489:Andrew Manze. "Angels & devils of the violin"
747:
359:"Chaconne for violin & continuo in G minor"
325:Museo internazionale e biblioteca della musica
683:
697:
196:Authentic works by Vitali include a set of
690:
676:
31:
662:International Music Score Library Project
417:"The Curious Case of the Vitali Chaconne"
413:
594:10.1093/gmo/9781561592630.article.29523
518:The Performance Style of Jascha Heifetz
350:
292:
285:(1828-1907) and for cello and piano by
748:
637:
624:
544:
476:
446:
671:
571:
515:
385:
344:
658:Free scores by Tomaso Antonio Vitali
791:18th-century Italian male musicians
356:
13:
618:
520:. Routledge. pp. 67–69, 233.
141:(1867) edited by German violinist
14:
802:
651:
414:Freiberg, Sarah (December 2014).
781:Italian male classical composers
139:Die Hoch Schule des Violinspiels
509:
500:
482:
215:
189:, Girolamo Nicolò Laurenti and
786:18th-century Italian composers
640:Beiträge zur Musikwissenschaft
452:
407:
391:
388:, "(2) Tomaso Antonio Vitali".
313:
16:Italian composer and violinist
1:
627:The Sonata in the Baroque Era
306:
611:UK public library membership
169:. He studied composition in
156:
121:, he is chiefly known for a
7:
625:Newman, William S. (1972).
145:. That work's wide-ranging
135:Sächsische Landesbibliothek
10:
807:
631:W. W. Norton & Company
629:(3rd ed.). New York:
538:
219:
183:Evaristo Felice dall'Abaco
177:, and was employed at the
756:Italian Baroque composers
705:
545:Greich, Wolfgang (1970).
91:
72:
46:
30:
23:
321:"Vitali, Tomaso Antonio"
167:Giovanni Battista Vitali
119:Giovanni Battista Vitali
699:Bologna School of music
586:Oxford University Press
572:Suess, John G. (2001).
494:5 December 2008 at the
246:became typical only in
175:Antonio Maria Pacchioni
117:era. The eldest son of
771:Musicians from Bologna
464:8 October 2015 at the
187:Jean Baptiste Senaillé
735:Tomaso Antonio Vitali
725:Giacomo Antonio Perti
516:Sarlo, Dario (2016).
191:Luca Antonio Predieri
111:Tomaso Antonio Vitali
51:Tomaso Antonio Vitali
25:Tomaso Antonio Vitali
710:Pietro degli Antonii
293:Selected discography
222:Chaconne in G minor
161:Vitali was born in
123:Chaconne in G minor
581:Grove Music Online
552:Die Musikforschung
459:"Baroque Virtuoso"
357:Jameson, Michael.
743:
742:
720:Arcangelo Corelli
609:(subscription or
603:978-1-56159-263-0
527:978-1-317-02164-3
347:, "Introduction".
283:Friedrich Hermann
279:Ottorino Respighi
200:published as his
108:
107:
798:
730:Giuseppe Torelli
715:Maurizio Cazzati
692:
685:
678:
669:
668:
647:
634:
614:
607:
577:
568:
532:
531:
513:
507:
504:
498:
486:
480:
474:
468:
456:
450:
444:
438:
437:
419:
411:
405:
395:
389:
383:
374:
373:
371:
369:
354:
348:
342:
336:
335:
333:
331:
317:
300:Bettina Hoffmann
275:LĂ©opold Charlier
79:
60:
58:
35:
21:
20:
806:
805:
801:
800:
799:
797:
796:
795:
746:
745:
744:
739:
701:
696:
654:
621:
619:Further reading
608:
604:
575:"Vitali family"
541:
536:
535:
528:
514:
510:
505:
501:
496:Wayback Machine
487:
483:
475:
471:
466:Wayback Machine
457:
453:
445:
441:
412:
408:
396:
392:
384:
377:
367:
365:
355:
351:
343:
339:
329:
327:
319:
318:
314:
309:
295:
271:Ferdinand David
224:
218:
212:on 9 May 1745.
159:
143:Ferdinand David
104:
87:
81:
77:
68:
62:
56:
54:
53:
52:
42:
26:
17:
12:
11:
5:
804:
794:
793:
788:
783:
778:
776:Musical hoaxes
773:
768:
763:
758:
741:
740:
738:
737:
732:
727:
722:
717:
712:
706:
703:
702:
695:
694:
687:
680:
672:
666:
665:
653:
652:External links
650:
649:
648:
635:
620:
617:
616:
615:
602:
569:
540:
537:
534:
533:
526:
508:
499:
481:
469:
451:
439:
406:
390:
375:
349:
337:
311:
310:
308:
305:
304:
303:
294:
291:
263:Jascha Heifetz
220:Main article:
217:
214:
158:
155:
137:in Dresden in
106:
105:
103:
102:
99:
95:
93:
89:
88:
82:
80:(aged 82)
74:
70:
69:
63:
50:
48:
44:
43:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
803:
792:
789:
787:
784:
782:
779:
777:
774:
772:
769:
767:
764:
762:
759:
757:
754:
753:
751:
736:
733:
731:
728:
726:
723:
721:
718:
716:
713:
711:
708:
707:
704:
700:
693:
688:
686:
681:
679:
674:
673:
670:
663:
659:
656:
655:
645:
642:(in German).
641:
636:
632:
628:
623:
622:
612:
605:
599:
595:
591:
587:
583:
582:
576:
570:
566:
562:
558:
555:(in German).
554:
553:
548:
543:
542:
529:
523:
519:
512:
503:
497:
493:
490:
485:
479:, p. 40.
478:
473:
467:
463:
460:
455:
449:, p. 39.
448:
443:
435:
431:
427:
423:
418:
410:
403:
399:
394:
387:
382:
380:
364:
360:
353:
346:
341:
326:
322:
316:
312:
301:
297:
296:
290:
288:
284:
280:
276:
272:
268:
267:Carnegie Hall
264:
259:
257:
253:
249:
245:
244:key signature
241:
237:
233:
229:
223:
213:
211:
206:
203:
199:
194:
192:
188:
184:
180:
176:
172:
168:
164:
154:
152:
149:into distant
148:
144:
140:
136:
132:
128:
124:
120:
116:
112:
100:
97:
96:
94:
90:
85:
75:
71:
66:
49:
45:
40:
34:
29:
22:
19:
734:
643:
639:
626:
579:
559:(1): 39–41.
556:
550:
517:
511:
502:
484:
472:
454:
442:
428:(5): 25–26.
425:
421:
409:
393:
368:19 September
366:. Retrieved
352:
340:
330:19 September
328:. Retrieved
315:
260:
255:
251:
240:E-flat minor
236:B-flat minor
225:
216:The chaconne
207:
202:opus numbers
198:trio sonatas
195:
160:
138:
110:
109:
78:(1745-05-09)
61:7 March 1663
18:
766:1745 deaths
761:1663 births
477:Greich 1970
447:Greich 1970
287:Luigi Silva
248:Romanticism
232:ground bass
208:He died at
147:modulations
92:Occupations
750:Categories
646:: 149–152.
584:. Oxford:
434:1648503208
386:Suess 2001
345:Suess 2001
307:References
76:9 May 1745
57:1663-03-07
613:required)
404:Chaconnes
402:212001253
157:Biography
101:violinist
565:41116504
492:Archived
462:Archived
430:ProQuest
363:AllMusic
228:chaconne
131:continuo
98:Composer
664:(IMSLP)
660:at the
539:Sources
422:Strings
273:and by
163:Bologna
115:Baroque
86:, Italy
67:, Italy
65:Bologna
41:painter
39:Emilian
600:
563:
524:
432:
400:
254:, and
210:Modena
171:Modena
127:violin
84:Modena
561:JSTOR
238:and
173:with
598:ISBN
522:ISBN
398:RISM
370:2021
332:2021
179:Este
151:keys
129:and
125:for
73:Died
47:Born
590:doi
752::
596:.
588:.
578:.
557:23
549:.
426:29
424:.
420:.
378:^
361:.
323:.
289:.
226:A
193:.
185:,
691:e
684:t
677:v
644:7
633:.
606:.
592::
567:.
530:.
436:.
372:.
334:.
59:)
55:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.