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Tomaso Antonio Vitali

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234:. The earliest known source for Vitali's Chaconne is a manuscript housed in the Sächsische Landesbibliothek Dresden with the shelfmark Mus. 2037/R/1. It has been identified as being in the hand of Johann Gottfried Grundig or Johann Jacob Lindner, copyists who worked at the Dresden Hofkapelle, and is dated ca.1730-40, which lends credit to its authenticity. The Chaconne was marked by the copyist, at the time of transcription, in the upper margin of the first page of the Dresden manuscript as "Parte del Tomaso Vitalino" (Tomaso Vitalino's part), who may or may not be Vitali. One striking feature of the "Vitali" Chaconne's style is the way it wildly changes key, reaching the far-flung territories of 33: 204:
1 and 2 (1693), sonatas da camera (chamber sonatas), and violin sonatas (including his opus 6) among other works. Among those that have been recorded include all of the op. 1 (on Naxos 8.570182), three of the violin sonatas (on the Swiss label Gallo), and some of the sonatas from the opp. 2 and 4
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have raised speculation that it could not be a genuine Baroque work, while the lack of similarities to other works by Vitali have made modern scholars cast serious doubts on the attribution.
250:. However, precedents exist in violin works of the 17th century. Especially relevant to Tomaso Vitali's Chaconne are the works of his father, Giovanni Battista, most significantly 461: 282: 574: 689: 324: 286: 790: 780: 661: 358: 785: 682: 601: 525: 302:(cello), Gianluca Lastraioli (theorbo and guitar), Andrea Perugi (organ and harpsichord). Released in 2006. Naxos 8.570182 755: 458: 657: 675: 770: 298:
Tomaso Antonio Vitali: Twelve Trio Sonatas Op. 1. Performed by Luigi Cozzolino (violin), Luca Giardini (violin),
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chose it, in a "very much arranged and altered version", with organ accompaniment, to open his American debut in
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is a musical form used as a vehicle for variation on a repeated short harmonic progression over a
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Giovanni Battista Vitali. 1689. "Artificii musicali, Op.13." Modena: Eredi Cassiani, p. 34; p. 28
258:. Striking examples of enharmonic modulation also exist in Georg Muffat's violin sonata of 1677. 174: 261:
Despite musicological doubts, the piece has been ever popular amongst violinists. For example,
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Balletto Ă  due ... che il Violino sona per B. molle, e il Violone sona per diesis
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court orchestra from 1675 to 1742. He was a teacher, whose pupils included
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Portrait of Vitali from the second half of the 18th century by an unknown
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on 7 March 1663; his father was the noted composer and violinist
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Greich, Wolfgang (1965). "Die Chaconne g-Moll: von Vitali?".
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Passagallo che principia per B. molle, e finisce per Diesis
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in 1917. Arrangements of it exist for violin and piano by
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sets (opus 4, no. 12 on Classica CL 101 from Finland.)
277:, for violin and organ, for violin and orchestra by 470: 440: 573: 415: 489:Andrew Manze. "Angels & devils of the violin" 747: 359:"Chaconne for violin & continuo in G minor" 325:Museo internazionale e biblioteca della musica 683: 697: 196:Authentic works by Vitali include a set of 690: 676: 31: 662:International Music Score Library Project 417:"The Curious Case of the Vitali Chaconne" 413: 594:10.1093/gmo/9781561592630.article.29523 518:The Performance Style of Jascha Heifetz 350: 292: 285:(1828-1907) and for cello and piano by 748: 637: 624: 544: 476: 446: 671: 571: 515: 385: 344: 658:Free scores by Tomaso Antonio Vitali 791:18th-century Italian male musicians 356: 13: 618: 520:. Routledge. pp. 67–69, 233. 141:(1867) edited by German violinist 14: 802: 651: 414:Freiberg, Sarah (December 2014). 781:Italian male classical composers 139:Die Hoch Schule des Violinspiels 509: 500: 482: 215: 189:, Girolamo Nicolò Laurenti and 786:18th-century Italian composers 640:Beiträge zur Musikwissenschaft 452: 407: 391: 388:, "(2) Tomaso Antonio Vitali". 313: 16:Italian composer and violinist 1: 627:The Sonata in the Baroque Era 306: 611:UK public library membership 169:. He studied composition in 156: 121:, he is chiefly known for a 7: 625:Newman, William S. (1972). 145:. That work's wide-ranging 135:Sächsische Landesbibliothek 10: 807: 631:W. W. Norton & Company 629:(3rd ed.). New York: 538: 219: 183:Evaristo Felice dall'Abaco 177:, and was employed at the 756:Italian Baroque composers 705: 545:Greich, Wolfgang (1970). 91: 72: 46: 30: 23: 321:"Vitali, Tomaso Antonio" 167:Giovanni Battista Vitali 119:Giovanni Battista Vitali 699:Bologna School of music 586:Oxford University Press 572:Suess, John G. (2001). 494:5 December 2008 at the 246:became typical only in 175:Antonio Maria Pacchioni 117:era. The eldest son of 771:Musicians from Bologna 464:8 October 2015 at the 187:Jean Baptiste SenaillĂ© 735:Tomaso Antonio Vitali 725:Giacomo Antonio Perti 516:Sarlo, Dario (2016). 191:Luca Antonio Predieri 111:Tomaso Antonio Vitali 51:Tomaso Antonio Vitali 25:Tomaso Antonio Vitali 710:Pietro degli Antonii 293:Selected discography 222:Chaconne in G minor 161:Vitali was born in 123:Chaconne in G minor 581:Grove Music Online 552:Die Musikforschung 459:"Baroque Virtuoso" 357:Jameson, Michael. 743: 742: 720:Arcangelo Corelli 609:(subscription or 603:978-1-56159-263-0 527:978-1-317-02164-3 347:, "Introduction". 283:Friedrich Hermann 279:Ottorino Respighi 200:published as his 108: 107: 798: 730:Giuseppe Torelli 715:Maurizio Cazzati 692: 685: 678: 669: 668: 647: 634: 614: 607: 577: 568: 532: 531: 513: 507: 504: 498: 486: 480: 474: 468: 456: 450: 444: 438: 437: 419: 411: 405: 395: 389: 383: 374: 373: 371: 369: 354: 348: 342: 336: 335: 333: 331: 317: 300:Bettina Hoffmann 275:LĂ©opold Charlier 79: 60: 58: 35: 21: 20: 806: 805: 801: 800: 799: 797: 796: 795: 746: 745: 744: 739: 701: 696: 654: 621: 619:Further reading 608: 604: 575:"Vitali family" 541: 536: 535: 528: 514: 510: 505: 501: 496:Wayback Machine 487: 483: 475: 471: 466:Wayback Machine 457: 453: 445: 441: 412: 408: 396: 392: 384: 377: 367: 365: 355: 351: 343: 339: 329: 327: 319: 318: 314: 309: 295: 271:Ferdinand David 224: 218: 212:on 9 May 1745. 159: 143:Ferdinand David 104: 87: 81: 77: 68: 62: 56: 54: 53: 52: 42: 26: 17: 12: 11: 5: 804: 794: 793: 788: 783: 778: 776:Musical hoaxes 773: 768: 763: 758: 741: 740: 738: 737: 732: 727: 722: 717: 712: 706: 703: 702: 695: 694: 687: 680: 672: 666: 665: 653: 652:External links 650: 649: 648: 635: 620: 617: 616: 615: 602: 569: 540: 537: 534: 533: 526: 508: 499: 481: 469: 451: 439: 406: 390: 375: 349: 337: 311: 310: 308: 305: 304: 303: 294: 291: 263:Jascha Heifetz 220:Main article: 217: 214: 158: 155: 137:in Dresden in 106: 105: 103: 102: 99: 95: 93: 89: 88: 82: 80:(aged 82) 74: 70: 69: 63: 50: 48: 44: 43: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 803: 792: 789: 787: 784: 782: 779: 777: 774: 772: 769: 767: 764: 762: 759: 757: 754: 753: 751: 736: 733: 731: 728: 726: 723: 721: 718: 716: 713: 711: 708: 707: 704: 700: 693: 688: 686: 681: 679: 674: 673: 670: 663: 659: 656: 655: 645: 642:(in German). 641: 636: 632: 628: 623: 622: 612: 605: 599: 595: 591: 587: 583: 582: 576: 570: 566: 562: 558: 555:(in German). 554: 553: 548: 543: 542: 529: 523: 519: 512: 503: 497: 493: 490: 485: 479:, p. 40. 478: 473: 467: 463: 460: 455: 449:, p. 39. 448: 443: 435: 431: 427: 423: 418: 410: 403: 399: 394: 387: 382: 380: 364: 360: 353: 346: 341: 326: 322: 316: 312: 301: 297: 296: 290: 288: 284: 280: 276: 272: 268: 267:Carnegie Hall 264: 259: 257: 253: 249: 245: 244:key signature 241: 237: 233: 229: 223: 213: 211: 206: 203: 199: 194: 192: 188: 184: 180: 176: 172: 168: 164: 154: 152: 149:into distant 148: 144: 140: 136: 132: 128: 124: 120: 116: 112: 100: 97: 96: 94: 90: 85: 75: 71: 66: 49: 45: 40: 34: 29: 22: 19: 734: 643: 639: 626: 579: 559:(1): 39–41. 556: 550: 517: 511: 502: 484: 472: 454: 442: 428:(5): 25–26. 425: 421: 409: 393: 368:19 September 366:. Retrieved 352: 340: 330:19 September 328:. Retrieved 315: 260: 255: 251: 240:E-flat minor 236:B-flat minor 225: 216:The chaconne 207: 202:opus numbers 198:trio sonatas 195: 160: 138: 110: 109: 78:(1745-05-09) 61:7 March 1663 18: 766:1745 deaths 761:1663 births 477:Greich 1970 447:Greich 1970 287:Luigi Silva 248:Romanticism 232:ground bass 208:He died at 147:modulations 92:Occupations 750:Categories 646:: 149–152. 584:. Oxford: 434:1648503208 386:Suess 2001 345:Suess 2001 307:References 76:9 May 1745 57:1663-03-07 613:required) 404:Chaconnes 402:212001253 157:Biography 101:violinist 565:41116504 492:Archived 462:Archived 430:ProQuest 363:AllMusic 228:chaconne 131:continuo 98:Composer 664:(IMSLP) 660:at the 539:Sources 422:Strings 273:and by 163:Bologna 115:Baroque 86:, Italy 67:, Italy 65:Bologna 41:painter 39:Emilian 600:  563:  524:  432:  400:  254:, and 210:Modena 171:Modena 127:violin 84:Modena 561:JSTOR 238:and 173:with 598:ISBN 522:ISBN 398:RISM 370:2021 332:2021 179:Este 151:keys 129:and 125:for 73:Died 47:Born 590:doi 752:: 596:. 588:. 578:. 557:23 549:. 426:29 424:. 420:. 378:^ 361:. 323:. 289:. 226:A 193:. 185:, 691:e 684:t 677:v 644:7 633:. 606:. 592:: 567:. 530:. 436:. 372:. 334:. 59:) 55:(

Index


Emilian
Bologna
Modena
Baroque
Giovanni Battista Vitali
Chaconne in G minor
violin
continuo
Sächsische Landesbibliothek
Ferdinand David
modulations
keys
Bologna
Giovanni Battista Vitali
Modena
Antonio Maria Pacchioni
Este
Evaristo Felice dall'Abaco
Jean Baptiste Senaillé
Luca Antonio Predieri
trio sonatas
opus numbers
Modena
Chaconne in G minor
chaconne
ground bass
B-flat minor
E-flat minor
key signature

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