Knowledge

Tine Van Aerschot

Source 📝

330:(The Class of Tine), a series of evenings during which she always talks with another guest "about life and death, about new life and maintaining existing life, about the profane and the human." With the talks she wants to contribute to the cultural life of De Grote Post and the city of Ostend. Her guests include amongst others marine biologist Jan Seys, doula Veerle Peeters and artist Gosie Vervloessem. 159:(de Markten, Brussels, 2006 and Kunstlerhaus Betanien, Berlin, 2007). From 2006, a series of theatre texts and theatre productions followed. They were first produced by Palindroom vzw, a production structure that she shared with film artist Els Van Riel, and subsequently by TREVOR vzw, her own production structure. The theatre productions were co-produced by the Kaaitheater (Brussels) and 228:
The theatre texts of Tine Van Aerschot are published at De Nieuwe Toneelbibliotheek (Amsterdam), which has been working since 2009 on making Dutch-language theatre texts better available, both digitally and in book form. In 2013, De Nieuwe Toneelbibliotheek also published the book
233:, the first result of a research by Tine Van Aerschot on the changing meanings of words and concepts through translations, rephrasings and shifts in time. That theme was later featured in the theatre production 150:
Tine Van Aerschot only began to develop her own work in 2002. It originally revolved around her alter ego Trevor Wells, and began with a series of emails, followed by a multimedia project - all under the title
326:
In 2017, Tine Van Aerschot moved from Brussels to Ostend, where she was artist-in-residence at the cultural centre De Grote Post during the season 2017-2018. During the season 2018-2019, she organises
90:, who she had discovered in New York. She contributed to her international breakthrough. From 1999 to 2004 she was the graphic designer of Damaged Goods, the dance company of Meg Stuart. 219:(2018), a performance with three actresses based on conversations with children and adults about their love experiences, and on remarkable love stories from history and literature. 163:(Ghent). In Belgium she also received support from wpZimmer (Antwerp), Kunstencentrum BUDA (Kortrijk), the Pianofabriek (Sint-Gillis), Workspacebrussels (Brussels), the 167:
of the Brussels-Capital Region and the Flemish government. International support came from Mousonturm (Frankfurt), PACT Zollverein (Essen) and Gessnerallee (Zürich).
213:(2015), a performance featuring two actresses and an actor inspired by the translations, rephrasings and infinite flow of multimedia information that floods society. 694: 737: 663: 509: 622: 589: 573: 557: 541: 525: 793: 783: 294:
In 2015, in full migration crisis, Tine Van Aerschot, with her production structure TREVOR vzw, was also responsible for the re-release of
183:(Glasgow), and in April 2009 she tutored students in a workshop on text and dramaturgy at the invitation of the APT Hogeschool (Utrecht). 798: 788: 493: 201:(2009), a theatre piece with two actresses in the form of a failed diary full of questions and concerns about everything and nothing. 778: 773: 635: 605: 142:(2006). Tine Van Aerschot also designed leaflets, posters and websites for various dance and theatre productions and companies. 126:(2002), a dance performance by the Canadian dancer / choreographer Sara Chase. For the New Zealand dance and performance artist 647: 102:(Meg Stuart, 1991), Tine Van Aerschot was also the production assistant for the American choreographer Dennis O'Connor ( 768: 763: 307: 180: 78:
Tine Van Aerschot started working in theatre in 1987 at the STUK arts centre and the dance festival Klapstuk in
680: 390: 164: 310:), a book from 2004 by her father André Van Aerschot. She received the support of the Kaaitheater and the 402: 374: 346: 725: 122:(2003) by the American performance artist Davis Freeman, and was responsible for the scenography of 738:
The Sunday Scene - Performance Art Podcast live from Veem: #2. With main guest Tine van Aerschot
758: 429: 318:
of the KU Leuven wrote the new preface. The full proceeds go to Vluchtelingenwerk Vlaanderen.
707: 445: 753: 8: 127: 107: 695:
Tine Van Aerschot (theatermaakster): 'Vreemd als werkproces samensmelt met rouwproces'
303: 461: 362: 719: 477: 195:(2006), a monologue in the form of a summary, a worldview built on only denials. 62:) is a Belgian graphic designer, dramatic adviser, writer and theatre director. 747: 731: 87: 130:
she worked as the artistic advisor and graphic designer on her pieces
418: 315: 311: 59: 32: 207:(2012), a monologue about survival and therefore also about dying. 160: 47: 36: 155:. With her visual work she participated in the group exhibition 73: 106:, 1993) and the dramatic adviser for the Belgian choreographer 79: 713: 86:(1991), the debut choreography by the American choreographer 70:
Tine Van Aerschot studied visual arts and computer graphics.
687: 175:
In November 2008, Tine Van Aerschot presented a workshop on
275:(Tine Van Aerschot, 2018, De Nieuwe Toneelbibliotheek #456) 269:(Tine Van Aerschot, 2015, De Nieuwe Toneelbibliotheek #299) 263:(Tine Van Aerschot, 2012, De Nieuwe Toneelbibliotheek #222) 257:(Tine Van Aerschot, 2008, De Nieuwe Toneelbibliotheek #110) 251:(Tine Van Aerschot, 2006, De Nieuwe Toneelbibliotheek #111) 290:(Tine Van Aerschot, 2013, De Nieuwe Toneelbibliotheek#199) 419:
Website about A room of one’s own / Een kamer voor jezelf
623:
Zjefke in de Grote Oorlog' heruitgegeven voor goede doel
321: 391:
Page on Performers on Trial (Simone Aughterlony, 2005)
681:'We are not afraid of the dark' van Tine Van Aerschot 745: 636:Zjefke in de Grote Oorlog: vluchtelingen welkom 82:(Belgium). She was the production assistant on 728:on the website of De Nieuwe Toneelbibliotheek 612:on the website of De Nieuwe Toneelbibliotheek 596:on the website of De Nieuwe Toneelbibliotheek 580:on the website of De Nieuwe Toneelbibliotheek 564:on the website of De Nieuwe Toneelbibliotheek 548:on the website of De Nieuwe Toneelbibliotheek 532:on the website of De Nieuwe Toneelbibliotheek 74:Collaboration with Meg Stuart / Damaged Goods 608:A Partial Exposure of A Half Decent Elephant 288:A Partial Exposure of A Half Decent Elephant 231:A Partial Exposure of A Half Decent Elephant 93: 177:Meaning of Text in Contemporary Performance 138:(2005) and as the co-author and advisor on 528:I have no thoughts and this is one of them 432:I have no thoughts and this is one of them 249:I have no thoughts and this is one of them 193:I have no thoughts and this is one of them 720:Kunstenpunt - Persons - Tine van Aerschot 363:Kunstenpunt - Productions - Private Rooms 181:Royal Scottish Academy of Music and Drama 722:according to the Flanders Arts Institute 118:). She also worked as a photographer on 746: 186: 710:on the website of Kunstencentrum BUDA 625:, in: Het Laatste Nieuws, 06/11/2015 409:on the website of Simone Aughterlony 393:on the website of Simone Aughterlony 381:on the website of Simone Aughterlony 322:De Klas van Tine (The Class of Tine) 170: 145: 794:21st-century Belgian businesspeople 784:20th-century Belgian businesspeople 683:, in: Brussel Deze Week, 25/02/2012 13: 799:21st-century Belgian businesswomen 789:20th-century Belgian businesswomen 673: 544:Triple Trooper Trevor Trompet girl 448:Triple Trooper Trevor Trumpet Girl 255:Triple Trooper Trevor Trompet girl 199:Triple Trooper Trevor Trumpet Girl 112:L'union fait la force fait l'union 14: 810: 701: 654:on the website of the Kaaitheater 714:Interview with Tine Van Aerschot 638:, in: DeWereldMorgen, 23/12/2015 779:Belgian women theatre directors 774:Belgian women graphic designers 666:on the website of De Grote Post 657: 641: 628: 615: 599: 583: 567: 551: 535: 519: 503: 487: 471: 353:on the website of Random Scream 223: 734:on the website of Klein Verzet 708:Biography of Tine Van Aerschot 516:on the website of Klein Verzet 484:on the website of Klein Verzet 468:on the website of Klein Verzet 455: 452:on the website of Klein Verzet 439: 436:on the website of Klein Verzet 423: 412: 396: 384: 368: 356: 340: 153:The Wherebouts of Trevor Wells 1: 560:We are not afraid of the dark 500:on the website of Kaaitheater 464:We are not afraid of the dark 365:on the website of Kunstenpunt 333: 261:We are not afraid of the dark 205:We are not afraid of the dark 732:Page about Tine Van Aerschot 726:Page about Tine Van Aerschot 165:Flemish Community Commission 65: 7: 697:, in: De Morgen, 29/02/2012 690:, in: De Morgen, 14/03/2007 664:Page about De Klas van Tine 10: 815: 652:(André Van Aerschot, 2004) 407:(Simone Aughterlony, 2006) 379:(Simone Aughterlony, 2004) 769:Belgian graphic designers 764:Belgian theatre directors 650:Zjefke in de Grote Oorlog 610:(Tine Van Aerschot, 2013) 594:(Tine Van Aerschot, 2018) 578:(Tine Van Aerschot, 2015) 562:(Tine Van Aerschot, 2012) 546:(Tine Van Aerschot, 2008) 530:(Tine Van Aerschot, 2006) 514:(Tine Van Aerschot, 2018) 498:(Tine Van Aerschot, 2018) 482:(Tine Van Aerschot, 2015) 466:(Tine Van Aerschot, 2012) 450:(Tine Van Aerschot, 2009) 434:(Tine Van Aerschot, 2006) 296:Zjefke in de Grote Oorlog 179:at the invitation of the 94:Collaboration with others 43: 25: 18: 300:Zjefke in the Great War 280:Other book publications 241:Published theatre texts 351:(Davis Freeman, 2003) 716:, Kaaitheater, 2015 592:Het betreft: liefde 576:When in doubt, duck 480:When in doubt, duck 273:Het betreft: liefde 267:When in doubt, duck 235:When in Doubt, Duck 211:When in doubt, duck 187:Theatre productions 157:A room or one's own 136:Performers on Trial 693:Sarah Theerlynck, 512:Het betreft liefde 496:Het betreft liefde 314:; the then rector 217:Het betreft liefde 128:Simone Aughterlony 108:Christine De Smedt 171:Work as a teacher 146:Own artistic work 116:de Hemelschutters 56:Tine Van Aerschot 53: 52: 20:Tine Van Aerschot 806: 686:Pieter T'Jonck, 679:Michaël Bellon, 667: 661: 655: 645: 639: 632: 626: 619: 613: 603: 597: 587: 581: 571: 565: 555: 549: 539: 533: 523: 517: 507: 501: 491: 485: 475: 469: 459: 453: 443: 437: 427: 421: 416: 410: 400: 394: 388: 382: 372: 366: 360: 354: 349:Too Shy to Stare 344: 328:De Klas van Tine 120:Too Shy to Stare 16: 15: 814: 813: 809: 808: 807: 805: 804: 803: 744: 743: 704: 676: 674:Further reading 671: 670: 662: 658: 646: 642: 633: 629: 620: 616: 604: 600: 588: 584: 572: 568: 556: 552: 540: 536: 524: 520: 508: 504: 492: 488: 476: 472: 460: 456: 444: 440: 428: 424: 417: 413: 405:Bare Back Lying 401: 397: 389: 385: 377:Public Property 373: 369: 361: 357: 345: 341: 336: 324: 226: 189: 173: 148: 140:Bare Back Lying 132:Public Property 100:Disfigure Study 96: 84:Disfigure Study 76: 68: 39: 30: 21: 12: 11: 5: 812: 802: 801: 796: 791: 786: 781: 776: 771: 766: 761: 756: 742: 741: 735: 729: 723: 717: 711: 703: 702:External links 700: 699: 698: 691: 684: 675: 672: 669: 668: 656: 640: 627: 614: 598: 582: 566: 550: 534: 518: 502: 486: 470: 454: 438: 422: 411: 395: 383: 367: 355: 338: 337: 335: 332: 323: 320: 292: 291: 284: 283: 281: 277: 276: 270: 264: 258: 252: 245: 244: 242: 225: 222: 221: 220: 214: 208: 202: 196: 188: 185: 172: 169: 147: 144: 95: 92: 75: 72: 67: 64: 51: 50: 45: 41: 40: 31: 27: 23: 22: 19: 9: 6: 4: 3: 2: 811: 800: 797: 795: 792: 790: 787: 785: 782: 780: 777: 775: 772: 770: 767: 765: 762: 760: 759:Living people 757: 755: 752: 751: 749: 739: 736: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 705: 696: 692: 689: 685: 682: 678: 677: 665: 660: 653: 651: 644: 637: 631: 624: 618: 611: 609: 602: 595: 593: 586: 579: 577: 570: 563: 561: 554: 547: 545: 538: 531: 529: 522: 515: 513: 506: 499: 497: 490: 483: 481: 474: 467: 465: 458: 451: 449: 442: 435: 433: 426: 420: 415: 408: 406: 399: 392: 387: 380: 378: 371: 364: 359: 352: 350: 343: 339: 331: 329: 319: 317: 313: 309: 308:9789090183312 305: 301: 297: 289: 286: 285: 282: 279: 278: 274: 271: 268: 265: 262: 259: 256: 253: 250: 247: 246: 243: 240: 239: 238: 236: 232: 218: 215: 212: 209: 206: 203: 200: 197: 194: 191: 190: 184: 182: 178: 168: 166: 162: 158: 154: 143: 141: 137: 133: 129: 125: 124:Private Rooms 121: 117: 113: 109: 105: 101: 91: 89: 85: 81: 71: 63: 61: 57: 49: 46: 42: 38: 34: 28: 24: 17: 740:, 06/12/2015 688:Gedachteloos 659: 649: 643: 634:Ciska Hoet, 630: 617: 607: 601: 591: 585: 575: 569: 559: 553: 543: 537: 527: 521: 511: 505: 495: 489: 479: 473: 463: 457: 447: 441: 431: 425: 414: 404: 398: 386: 376: 370: 358: 348: 342: 327: 325: 299: 295: 293: 287: 272: 266: 260: 254: 248: 234: 230: 227: 224:Publications 216: 210: 204: 198: 192: 176: 174: 156: 152: 149: 139: 135: 131: 123: 119: 115: 111: 103: 99: 97: 83: 77: 69: 58:(born 1961, 55: 54: 754:1961 births 648:Page about 606:Page about 590:Page about 574:Page about 558:Page about 542:Page about 526:Page about 510:Page about 494:Page about 478:Page about 462:Page about 446:Page about 430:Page about 403:Page about 375:Page about 347:Page about 134:(2004) and 114:, 1993 and 44:Nationality 748:Categories 334:References 104:Amor Omnia 88:Meg Stuart 316:Rik Torfs 312:KU Leuven 66:Education 60:Mechelen 33:Mechelen 161:Vooruit 48:Belgian 37:Belgium 306:  98:After 80:Leuven 621:SPK, 304:ISBN 29:1961 26:Born 302:) ( 237:. 750:: 35:, 298:( 110:(

Index

Mechelen
Belgium
Belgian
Mechelen
Leuven
Meg Stuart
Christine De Smedt
Simone Aughterlony
Vooruit
Flemish Community Commission
Royal Scottish Academy of Music and Drama
ISBN
9789090183312
KU Leuven
Rik Torfs
Page about Too Shy to Stare (Davis Freeman, 2003)
Kunstenpunt - Productions - Private Rooms
Page about Public Property (Simone Aughterlony, 2004)
Page on Performers on Trial (Simone Aughterlony, 2005)
Page about Bare Back Lying (Simone Aughterlony, 2006)
Website about A room of one’s own / Een kamer voor jezelf
Page about I have no thoughts and this is one of them (Tine Van Aerschot, 2006)
Page about Triple Trooper Trevor Trumpet Girl (Tine Van Aerschot, 2009)
Page about We are not afraid of the dark (Tine Van Aerschot, 2012)
Page about When in doubt, duck (Tine Van Aerschot, 2015)
Page about Het betreft liefde (Tine Van Aerschot, 2018)
Page about Het betreft liefde (Tine Van Aerschot, 2018)
Page about I have no thoughts and this is one of them (Tine Van Aerschot, 2006)
Page about Triple Trooper Trevor Trompet girl (Tine Van Aerschot, 2008)
Page about We are not afraid of the dark (Tine Van Aerschot, 2012)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.