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the local monastery to learn cultural knowledge. He spent years in monastic study and became very clever so was named
Tsuendue Sangpo. Then he came to Lhasa in order to acquire more knowledge. One day in the harbour of Lhasa river he saw a lot of people unable to cross the river because they did not have enough money. He requested the captain to let them cross the river free of charge. Instead, he was beaten by the captain, following which he resolved to build a bridge on the river.
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244:. Lhamo is considered to have both spiritual and non-spiritual roots. The procedure and style in which Ache Lhamo are performed has changed little since the time of inception in the 14th-15th centuries. Today, the same opening rituals are enacted prior to the commencement of every performance, authentic costumes are worn, singing, dance and musical tradition are strictly adhered to.
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with music and dance that has been performed for centuries, whose nearest western equivalent is opera. Performances have a narrative and simple dialogue interspersed with comedy and satire; characters wear colorful masks. The core stories of these theatrical plays are drawn mostly from ancient Indian
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The remnants of some of his iron chain bridges still stand today in places in Tibet and Bhutan. It became customary for
Tibetans to install images and statues of him when occupying a new home. During the opening ritual dance, every lhamo or opera group installs his statue in the middle of the stage
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It is popularly believed that the tradition of performing Ache Lhamo or
Tibetan Opera was started by 14th-century mystic Thang Tong Gyalpo, who was born in the family of a peasant in the Shigatse county of Tibet in 1361. When he was a child, his parents gave him the name Trowobendon and sent him to
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Seeking to construct bridges, he needed labor and resources. Thus, during the construction of the bridge at Chowo Ri, from his labor team he picked seven sisters from Lhoka county of Tibet and taught them some dances and songs. They made up the chorus and adorned them with beautiful costumes; they
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Some notable troupes including Tashi Sholpa, Chongye
Phundun, Shangpa, Gyalkhara, Chungpa and Kyormulung are much sought after and are always a regular part of the official festivals at Norbu Lhingkha, Drepung Monastery and Sera Monastery. The performers are monks and lay people who love lhamo.
259:) were designed by the fifth Dalai Lama, based on his personal dream. By the turn of the 19th century, Ache Lhamo performances were found throughout Tibet, each major district having a permanent amateur troupe performing for the local community at various formal occasions throughout the year.
255:(1617-1682 A.D). There are murals of lhamo stories on the walls of the Potala Palace that are believed to have been painted between 1695 and 1705. According to some oral narratives, the costumes and mask of Hunter or Fisherman (Tibetan:
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Tibetan opera is considered to be one example of the crystallization of the cultural wisdom of
Tibetan people for thousands of years. It is regarded as the "living fossil" of Tibetan culture, and was included as a 2009
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traveled around towns and villages performing dances to raise resources. The yogi beat drums and cymbal while the girls danced and sang. Audiences, impressed, hailed the performers as "goddesses" (Tibetan:
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Buddhist folk tales, lives of important people and historical events from
Tibetan civilization. However the ceremonial, dance and ritual spectacles strongly reflects the Tibetan Royal Dynastic period.
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Over a period of years, Thang Tong Gyalpo was able to build 58 iron bridges and 60 wooden bridges across towns and villages. He died at an advanced age in Toe
Riwoche in 1485.
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for themselves or for entertainment at social gatherings. All styles of the lhamo tradition fundamentally rely on the drum and cymbal.
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Dorjee, Lobsang; Josayma, C. B.; Tsering, Migmar (Summer 1984).
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368:"Tibetan Folk Opera: "Lhamo" in Contemporary Cultural Politics"
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232:: Kyimulunga, Gyangara, and Chungba.
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996:Categories
932:Sutartinės
927:Sosso Bala
907:Shashmaqam
902:Seto Leelo
792:Kumi odori
602:Baul music
434:(1): 271.
353:References
310:Ache Lhamo
249:Dalai Lama
210:Ache Lhamo
110:April 2021
80:newspapers
952:Vallenato
807:Long song
767:Kgal Laox
481:(2): 21.
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280:lha-mo-ba
140:tshechu,
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842:Nhã nhạc
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572:Angklung
507:13 April
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335:See also
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862:Pirekua
857:Pansori
817:Meshrep
772:Khuumii
612:Bigwala
607:Bećarac
587:Arirang
552:: Music
407:7 April
394:4137092
270:In the
236:History
160:, at a
144:, 2007.
94:scholar
69:"Lhamo"
882:Reggae
847:Nongak
837:Nanyin
827:Mugham
812:Maloya
742:Hua'er
707:Gagaku
702:Fujara
687:Eshuva
667:Ca trù
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289:UNESCO
257:Ngonpa
222:Bhutan
208:), or
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162:tsechu
158:Bhutan
142:Bhutan
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832:Muqam
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732:Guqin
712:Gagok
697:Frevo
682:Duduk
677:Doina
483:JSTOR
452:S2CID
444:JSTOR
398:S2CID
390:JSTOR
306:Lhamo
230:Lhamo
214:Tibet
197:ལྷ་མོ
189:Lhamo
101:JSTOR
87:books
892:Sama
692:Fado
577:Aqyn
509:2021
409:2021
154:Paro
73:news
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