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Three Days of the Condor

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852:, Pollack explained that the film was written solely to be a spy thriller and that production on the film was nearly over by the time the Family Jewels revelations were made, so even if they had wanted to take advantage of them, it was far too late in the filmmaking process to do so. He said that despite both Pollack and Redford being well-known political 31: 861:
movie and really take advantage of the headlines. Central Intelligence Agency, United States of America, Robert Redford, Faye Dunaway. And don't think it wasn't suggested — obviously, that’s what advertising people do. We really put our foot down — Redford and I — to absolutely stop that.
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In the 'real' as in cinema, there was history but there isn't any anymore. Today, the history that is 'given back' to us (precisely because it was taken from us) has no more of a relation to a 'historical real' than neofiguration in painting does to the classical figuration of the real...All, but not
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analyst, codenamed "Condor". He works at the American Literary Historical Society in New York City, which is actually a clandestine CIA office. The staff members examine books, newspapers, and magazines from around the world to compare them to actual operations or to find ideas. Turner files a report
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I didn't want this picture to be judged; it’s a movie. I intended it always as a movie. I never had any pretensions about the picture and it’s making me very angry that I'm getting pretensions stuck on me like tails on a donkey. If I wanted to be pretentious, I'd take the CIA seal and advertise this
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No longer trusting anyone within "the Company", Turner plays a cat-and-mouse game with Higgins, the deputy director of the CIA's New York division. With Hale's help, Turner abducts Higgins, who identifies Joubert as a freelance assassin who has undertaken assignments for the CIA. Back at his office,
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As Atwood confirms this, Joubert enters and unexpectedly kills him, faking a suicide. Atwood's superiors had hired Joubert to eliminate someone who was about to become an embarrassment, overriding Atwood's original contract for Joubert to kill Turner. Joubert suggests that the resourceful Turner
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However, Joubert, a European who led the massacre of Turner's co-workers, discovers Turner's hiding place. Turner visits Sam Barber's apartment and spends some tense moments in the elevator with Joubert once the other passengers have left. Outside the building, Joubert tries to shoot Turner, but
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from a phone booth and is given instructions to meet Wicks, his head of department, who will bring him to safety. Turner insists that Wicks bring somebody familiar, since "Condor" has never met his departmental head. Wicks brings Sam Barber, a college friend of Turner who is also a non-field CIA
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for the Middle East. Confronting Atwood at gunpoint in the latter's mansion near Washington, D.C., Turner suggests that his own original report filed to CIA headquarters had exposed a rogue CIA operation to seize Middle Eastern oil fields; fearful of its disclosure, Atwood had privately ordered
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That the action has been relocated from sleepy Washington to furious New York City, almost all names have been changed, that the plot has been vastly over-complicated, is of lesser interest than a straight genre film, has been overloaded into an elegy of private, political, and finally, cosmic
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employee. The rendezvous is a trap and Wicks attempts to kill Turner, who wounds him before escaping. Wicks kills Barber to eliminate a witness and blames Turner for both shootings. Later, Wicks is killed by an intruder in his hospital room.
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leave the country and even become an assassin himself. Turner rejects the suggestion but heeds Joubert's warning that the CIA will try to eliminate him as another embarrassment, possibly entrapping him through a trusted acquaintance.
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Turner encounters a woman named Kathy Hale and forces her to take him to her apartment. He holds Hale hostage while he attempts to figure out what is happening. Hale slowly comes to trust Turner, and they become lovers.
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researcher who comes back from lunch one day to discover his co-workers murdered, then subsequently tries to avoid his own murder and outwit those responsible and understand their motives. The film was nominated for the
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Turner leaves through a back door to get staff lunches. Armed men enter the office and murder the other staffers there. Turner returns to find his co-workers dead; frightened, he grabs a gun and exits the building.
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in the United States and Canada by the end of the year. It went on to earn rentals of $ 20 million in the United States and Canada from a gross of $ 41.5 million. It earned rentals of $ 32.7 million worldwide.
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compromised the artistic integrity of the original film and that broadcasting the film in a reduced screen version violated Pollack's copyright. However, the case was unsuccessful because the film rights to
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and Higgins is confused, asking Turner, "What did you do?" Turner says he has "told them a story." Higgins then tells Turner that he is about to become a very lonely man, and he questions whether Turner's
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In closing his review, Simon said the lesson he derived from the film was, "we must be grateful to the CIA: it does what our schools no longer do — engage some people to read books."
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Perhaps the most famous line in the film is Turner's challenge to Higgins, “You think not getting caught in a lie is the same thing as telling the truth?” Director
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will really be published. "They'll print it," Turner defiantly replies. However, as "Condor" begins to walk away, Higgins shouts after him "How do you know?"
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Turner manages to blend into a small crowd. The next morning, a hitman disguised as a mailman arrives at Hale's apartment, but Turner manages to kill him.
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Joubert's musings in the penultimate scene (see under Plot above) on how Turner might be killed by the CIA are reprised almost word-for-word in the
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Higgins discovers that the "mailman" who attacked Turner worked with Joubert on a previous operation. Their CIA case officer was Wicks.
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cause a major economic crisis, Americans will demand that their comfortable lives be restored by any means necessary. Turner points to
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is a well-made thriller, tense and involving, and the scary thing, in these months after Watergate, is that it's all too believable."
2185: 1999: 2175: 1945: 856:, they were only interested in making the film because an espionage thriller was a genre neither of them had previously explored. 2265: 2210: 2200: 2160: 871: 1788: 2195: 1266: 2275: 1642: 1061:(2014) was inspired by this film and other sources as well as by the original comic book source material. The directors, the 745:, who wrote that the film "is no match for stories in your local newspaper", but it benefits from good acting and directing. 372: 2260: 2180: 2165: 2190: 1057: 946: 337: 312: 2170: 846:" scandal came to light in December 1974, which exposed a variety of CIA "dirty tricks". However, in an interview with 554: 348: 2270: 2220: 1752: 1738: 1733:. Hilary W. Poole, Laura Lambert, Chris Woodford, Christos J. P. Moschovitis. Santa Barbara, Calif.: ABC-CLIO. 2005. 1538: 826: 1588: 996:
were not actually owned by Pollack. The case is believed to have been the first legal challenge to the practice of
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lists the film as an example of a new genre of "retro cinema" in his essay on history in the now influential book,
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generals to establish an equivalent office in Moscow, the Scientific Research Institute of Intelligence Problems (
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on a thriller novel with strange plot elements; despite poor sales it has been translated into various languages.
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that was planned within the CIA without approval from above. He defends the project, suggesting that when
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mosaic), of large photo-, kino-, historicosynthesis machines, etc., rather than one of veritable films."
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Comrade J: The Untold Secrets of Russia's Master Spy in America After the End of the Cold War
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pessimism, a kind of national, if not metaphysical, guilt film to enchant the disenchanted.
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announced that they would produce a TV series remake of the film. In February 2017,
732:'s taut direction and excellent performances from Robert Redford and Faye Dunaway." 371:
training, he traces a phone call and learns the name and address of Leonard Atwood,
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Cartagena Film Festival: Golden India Catalina; Best Film, Sydney Pollack; 1976.
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Set mainly in New York City and Washington, D.C., the film is about a bookish
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has admitted to using variations of that line in three of his other films:
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only, those historical films whose very perfection is disquieting:
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The film was released in September 1975, earning $ 8,925,000 in
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Jacobsen, Morton (June 1997). "Copyright on Trial in Denmark".
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Awards: Special David, Sydney Pollack, for the direction; 1976.
673:"Goodbye for Kathy (Love Theme from 3 Days of the Condor)" 2:16 1667:
Jacobsen, Morton (May 1997). "Copyright on Trial in Denmark".
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Meanwhile, Turner discovers Joubert's location. Utilizing his
250:$ 41.5 million (US/Canada) (worldwide rentals: $ 32.7 million) 676:"I've Got You Where I Want You" 3:12 (Grusin/Bahler; sung by 1161:, and Ken Robinson. The series premiered on June 6, 2018 on 1157:
This eventually became a series developed by Todd Katzberg,
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Back in New York, Turner has a rendezvous with Higgins near
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sampled the movie's main theme "Condor!" for her 2002 hit "
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that was given a big budget despite its lack of substance.
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When first released, the film was reviewed positively by
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will retaliate for Kramer's refusal to receive his mail.
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widescreen films on screens with a 4:3 aspect ratio.
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In 1997, The Association of Danish Film Directors (
347:He contacts the CIA's New York headquarters in the 1522: 983:), on behalf of the director Sydney Pollack, sued 696:" 2:37 (Livingstone / Evans; sung by Marti McCall) 1198:United States Joint Publications Research Service 2142: 870:According to former Soviet intelligence officer 658:"Condor! (Theme from 3 Days of the Condor)" 3:35 533:as Ben (Kathy's Boyfriend on Phone) (uncredited) 1222:Knoedelseder, William K. Jr (August 30, 1987). 1146:was cast as Joe Turner in the series entitled 838:Some critics described the film as a piece of 1939: 1730:The Internet : a historical encyclopedia 1292: 926:; Best Supporting Actor, Max von Sydow; 1976. 2246:Films with screenplays by Lorenzo Semple Jr. 1221: 874:, the fictional clandestine office shown in 2241:Films about the Central Intelligence Agency 1686:. Vol. 79, no. 6. pp. 22–24. 1671:. Vol. 79, no. 5. pp. 16–20. 1224:"De Laurentiis: Producer's Picture Darkens" 387:. Higgins describes the oilfield plan as a 1946: 1932: 1586: 1582: 1580: 949:, Fredric Steinkamp and Don Guidice; 1976. 29: 1288: 1286: 1284: 1251: 1249: 893: 1681: 1666: 1636:"AFI's 100 Years...100 Thrills Nominees" 1525:Reverse Angle: A Decade of American Film 1516: 1514: 1019:." The speech is used as a warning from 922:Kansas City Film Critics Circle Awards: 1709:from the original on September 14, 2020 1577: 1466:from the original on September 15, 2020 1217: 1215: 1213: 2143: 1696: 1619: 1601:from the original on November 19, 2012 1499:from the original on December 31, 2020 1281: 1246: 1927: 1520: 1511: 1484: 1420:Canby, Vincent (September 25, 1975). 1419: 1401:from the original on December 5, 2013 1319: 1269:from the original on January 27, 2013 842:, as it was released soon after the " 2251:Films produced by Dino De Laurentiis 1801:from the original on January 9, 2020 1454:"Review: 'Three Days of the Condor'" 1413: 1210: 323:for Best Motion Picture Screenplay. 2206:Films adapted into television shows 1234:from the original on March 28, 2021 1058:Captain America: The Winter Soldier 775:, had been rewritten for the film: 313:Academy Award for Best Film Editing 13: 1831:from the original on July 31, 2020 1755:from the original on July 20, 2023 1434:from the original on March 9, 2014 1356:Sydney Pollack (director) (1999). 1349: 1101:nickname after watching the movie. 1003: 14: 2292: 2226:American political thriller films 1846: 1648:from the original on July 6, 2011 1529:. Crown Publishers Inc. pp.  1422:"Three Days of the Condor (1975)" 1337:from the original on May 30, 2013 1295:"Three Days of the Condor (1975)" 686:"Sing Along with the C.I.A." 1:34 549:The film was shot on location in 373:CIA Deputy Director of Operations 315:. Semple and Rayfiel received an 2186:Films directed by Sydney Pollack 1624:. Penguin Books. pp. 37–39. 1566:, 1994, p. 45. French original, 989:cropping the film for television 2176:Films about conspiracy theories 1813: 1781: 1721: 1697:Faraci, Devin (March 7, 2014). 1690: 1675: 1660: 1628: 1613: 1547: 1478: 1370:"All-time Film Rental Champs", 974: 422:as Joseph "Joe" Turner (Condor) 369:United States Army Signal Corps 2266:Films shot in Washington, D.C. 2211:Films based on thriller novels 2201:Films based on American novels 2161:1970s political thriller films 2000:They Shoot Horses, Don't They? 1562:. Trans. Sheila Faria Glaser. 1446: 1377: 1364: 1360:(DVD). Los Angeles: Paramount. 1183:List of American films of 1975 172:Dino De Laurentiis Corporation 1: 2196:Films set in Washington, D.C. 1204: 968:AFI's 100 Years...100 Thrills 588: 544: 376:Turner's section eliminated. 2276:1970s English-language films 1893:AFI Catalog of Feature Films 1589:"Hollywood uncovers the CIA" 1587:McGilligan, Patrick (1976). 1564:University of Michigan Press 1119: 930:Motion Picture Sound Editors 716: 293:was based on the 1974 novel 197:September 25, 1975 7: 2261:Films shot in New York City 2181:Films scored by Dave Grusin 2166:American spy thriller films 1176: 667:"We'll Bring You Home" 2:24 664:"Flight of the Condor" 2:25 16:1975 film by Sydney Pollack 10: 2297: 2191:Films set in New York City 1976:This Property Is Condemned 1487:"Three Days of the Condor" 1327:"Three Days of the Condor" 1257:"Three Days of the Condor" 1123: 703: 683:"Flashback to Terror" 2:24 321:Mystery Writers of America 2171:Edgar Award-winning works 1962: 1568:Simulacres et Simulation, 1113:Why Don't We Fall in Love 887: 636: 621: 613: 600: 595: 246: 238: 230: 222: 212: 188: 178: 162: 152: 137: 127: 96: 88: 71: 50: 40: 35:Theatrical release poster 28: 23: 2271:Films shot in New Jersey 2221:Paramount Pictures films 2032:Three Days of the Condor 1912:Three Days of the Condor 1900:Three Days of the Condor 1887:Three Days of the Condor 1876:Three Days of the Condor 1865:Three Days of the Condor 1854:Three Days of the Condor 1559:Simulacra and Simulation 1387:Three Days of the Condor 1358:Three Days of the Condor 1297:. 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February 6, 2017. 1703:Birth. Movies. Death 1521:Simon, John (1982). 1140:Paramount Television 1134:in partnership with 998:panning and scanning 987:on the grounds that 876:Three Days of Condor 840:political propaganda 769:wrote how the book, 285:. The screenplay by 1307:on October 14, 2013 1188:Conspiracy thriller 1044:) and Karen Sisco ( 1029:U.S. Postal Service 956:Golden Globe Awards 787:French philosopher 670:"Out to Lunch" 2:00 661:"Yellow Panic" 2:15 261:is a 1975 American 2236:Cold War spy films 2231:American spy films 2131:(2018, uncredited) 1968:The Slender Thread 1954:Films directed by 1881:TCM Movie Database 1797:. 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Index


Sydney Pollack
Lorenzo Semple Jr.
David Rayfiel
Six Days of the Condor
James Grady
Robert Redford
Faye Dunaway
Cliff Robertson
Max von Sydow
Owen Roizman
Don Guidice
Fredric Steinkamp
Dave Grusin
Dino De Laurentiis Corporation
Paramount Pictures
political thriller
Sydney Pollack
Robert Redford
Faye Dunaway
Cliff Robertson
Max von Sydow
Lorenzo Semple Jr.
David Rayfiel
Six Days of the Condor
James Grady
CIA
Academy Award for Best Film Editing
Edgar Award
Mystery Writers of America

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