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with dusty, decaying books, furniture, clothing, and more. John endeavors to visit the town in search of employment, only to encounter an elderly couple who are lamenting about the rat infestation in the area. Prompted by this, he proceeds to inspect the house for rats and discovers a few beneath its foundation. At night, Charlotte begins to go to the attic to write as the interesting wallpaper sparks ideas. John awakes one night to find a man in the house. He attempts to find the man in the house but fails. The next night, Charlotte, John, and Jennie hear a man stomping on the roof. John goes outside to shoot him but instead finds a little girl on the roof. He tells Jennie and
Charlotte that the fog got in his way and does not mention the girl. John tells his friend Jack about the fire and how he was feeling, Jack then tells both him and Charlotte that they should make another child. Charlotte begins to hear the voice of her daughter Sarah in the house, she runs inside to find her, and the doors shut John out. When John tries to open them, they shut on their own. Jennie says that they should move houses, but both John and Charlotte believe that Sarah is somehow in the house. After Jennie has dreams about the same little girl John had seen on the roof, she digs a hole in the ground where the dream happened and discovers two coffins. Jennie moves back East and leaves Charlotte and John alone in the house. John and Charlotte begin to make their house a home, becoming closer to each other and spending more time together. They do activities together such as walking and dancing. Charlotte begins to write more. She writes The Yellow Wallpaper, a story about someone living in the yellow wallpaper in the attic. Jennie returns with Catherine, a psychic. Charlotte and John are upset because they are finally happy with their situation. Catherine says that there are spirits behind the wallpaper, including Sarah and many others. Charlotte asks if she can speak to Sarah and Catherine says it's a bad idea. Catherine states that there's a spirit under the house calling for John. John goes under the house and his lantern goes out. John returns with Sarah in his arms. They bring Sarah inside and she states that she has been burning in Hell this entire time. The man that John had seen in the beginning appears and says that they will all burn in Hell and then both he and Sarah disappear. Charlotte breaks down and wants to find Sarah again, then suddenly becomes severely sick. Jennie, Charlotte, and John all leave the house. John tells the ladies to not go back into the house, then heads to town to get a carriage so they can all leave the house. John runs into a man who tells him to turn around. Charlotte and Jennie find a body in the previously opened coffins and feral dogs surround them as they look inside, and they run into the house for safety. When John returns to the house, he cannot find his wife or Jennie. He sees the spirits in the house, and they tell him he should've left a long time ago. After being struck by one of the spirits, he finds his dead wife. His friend Jack returns and tells John that Charlotte has now turned into a spirit. He tells John that the diseased house will keep her spirit alive as long as he can bring her souls that she can feed upon. If she is fed, she will live at night and be able to manipulate and control animals. John takes Charlotte and places her in the grave outside. The film cuts to modern time, the house is now slightly updated, and a vaguely older John is showing the house to a couple for rent, so he can continue the cycle of feeding his love.
509:.'" and "The idea of male dominance and male-dominated culture is a favorite issue of Gilman’s, as well as the idea of there being no escape. That issue runs through most of her works, and “The Yellow Wallpaper” is no different. The movie version may be tamer, but the underlying theme is indeed still there. And while there are definitely similarities and differences between the two, when it comes down to it, in the end both women end up becoming the woman behind the wallpaper." Cushing commented in the introduction to his book Lost Essays, the film was both loved and loathed. The director Logan Thomas's comments on the film after the release were, "we never thought of it as a horror movie, more of a gothic mind bender" and, commenting on his new feature film
522:
Gilman’s short story “The Yellow
Wallpaper” in his 2012 film of the same name. While the film is a clear departure from Gilman’s text, acting as the origin story of the author’s experience in writing the story, Thomas’ reliance on the viewers’ familiarity with Gilman is necessary to his larger trans-genre project. Thomas expects that his viewers will expect Gilman’s gothic setting, tone, and language and delivers those expectations for much of the film. This palimpsest of genre expectation however becomes a perfect way for him to enhance audience fear when the film turns out to be a horror."
29:
409:, in and around an isolated Civil War-era house. The farmhouse's location is undisclosed, meant to represent, as the director puts it, ' a space outside of space'. Jessi Case recalled being frightened of the house where the film was shot. 'The stairs leading to the attic, where we filmed a lot of the scenes, were very narrow and it was very hot. They didn't want me to go outside because my hair would poof up'.
212:
Charlotte, a writer, and her husband John, a doctor, retreat to a countryside house with
Charlotte's well-educated sister, Jennie, in an attempt to start their lives over after a devastating fire claims the life of their daughter Sarah, along with all their money and possessions. The house is replete
504:
Upon the film's release, reviewers were polarized with such statements as "'Even as straight horror without any implications of living up to an established narrative, “Wallpaper” plays against some traditional horror conventions – and not in a good way.'" and "the film is atmospheric but feels at
521:
An article analysing gender and thematic expectations in the film states: "Media makers can play on audiences’ expectations, creating a “palimpsestuous” relationship between the original and adaptive texts. Director Logan Thomas depends on his audience’s prior engagement with
Charlotte Perkins
505:
times that it is too languid in its approach." While other reviews commented, "'Luckily, the cliches are kept to a minimum, and as it turns out it's actually a rather unique take on the material, deftly blending psychological terror into the mix in a manner not unlike
1205:
500:
said of the release of the film: "In the 1990s the trend in acquisition, as well as public consumption, was independent films. You could write, produce, and distribute a movie and make money. Redbox and Amazon has now killed that almost completely."
474:, by Aric Cushing. The book features two stories previously unpublished since their inception, and seemingly lost. The essay in the beginning of the book was written by Cushing entitled "Is the Yellow Wallpaper a Gothic Story?"
466:
Director Thomas used the
Digital Sony 950, and the film is the first period feature film to be shot with this digital format. Thomas is becoming known as a "visualist" director in the tradition of David Lynch and Ridley Scott.
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1406:"Gender, Genre, and Thematic Expectation in Logan Thomas' The Yellow Wallpaper: How Filmmakers Can Use Palimpsest against the Audience"
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The script was written in three months by Logan Thomas and Aric
Cushing. Cushing's intention was to popularize Gilman's work.
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story, drawing from the original short story and a number of Gilman's other gothic works such as
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1380:"Interview: Director Logan Thomas on There's No Such Thing as Vampires (Frightfest 2020)"
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1354:"Five Frightfest Facts from Logan Thomas director of There's No Such Thing as Vampires"
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Chartrand, Harvey (Spring 2007). "The Yellow
Wallpaper: A Horror Movie for Grownups".
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Chartrand, Harvey (Spring 2007). "The Yellow
Wallpaper: A Horror Movie for Grownups".
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1289:"The American Gothic: Comparing Today's Hits with Yesterday's Favorites"
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952:"A look back at 2012's spooky suspense/thriller 'The Yellow Wallpaper'"
775:"A Look back at 2012's spooky suspense/thriller 'The Yellow Wallpaper'"
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The Yellow
Wallpaper and Other Stories: The Complete Gothic Collection
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1206:"How The Yellow Wallpaper Fails in the Translation to the Screen"
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1028:. United States: Grand & Archer Publishing. pp. i–ii.
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728:"The Pedagogical Possibilities of Covering Gilman's Wallpaper"
637:"Psychotronic Netflix: Volume 58: All the Colors of the Dark"
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The Yellow
Wallpaper: The Official Motion Picture Screenplay
1317:. United States: Grand & Archer Publishing. pp. i.
886:"The Writing of "The Yellow Wallpaper": A Double Palimpsest"
482:
After the film's release, the film was made available by
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retired from acting. It was his last feature film role.
1131:"The Yellow Wallpaper: The Complete Gothic Collection"
601:. Boston, MA: Wadswoth Cengage Learning. p. 239.
562:. Boston, MA: Wadswoth Cengage Learning. p. 620.
656:"Ultra-Creative LA Fear & Fantasy Film Festival"
196:directed by Logan Thomas. It is based on the 1892
1313:Cushing, Aric, Gilman, Charlotte Perkins (2014).
1090:Cushing, Aric, Gilman, Charlotte Perkins (2011).
678:"Gilman, Charlotte Perkins: The Yellow Wallpaper"
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975:"Rising Starr student hopes to be a rising star"
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862:
1003:. United States: McFarland. pp. 277–278.
1451:Gilman, Charlotte Perkins and Cushing, Aric.
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472:The Yellow Wallpaper and Other Gothic Stories
1358:Love Horror: The Horror Movie Review Website
1337:: CS1 maint: multiple names: authors list (
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797:"The Yellow Wallpaper: Are We Already Dead?"
621:: CS1 maint: multiple names: authors list (
582:: CS1 maint: multiple names: authors list (
448:, during an interview, compared her role to
1262:"Horror Movie a Day: The Yellow Wallpaper"
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470:A companion book to the film was written,
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684:, Stuttgart: J.B. Metzler, pp. 1–2,
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1001:American Literature on Stage and Screen
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933:"Whatever Happened to Michael Moriarty"
819:Gilman, Charlotte Perkins (July 2011).
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1092:The Yellow Wallpaper and Other Stories
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818:
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539:Hadden, Christine (15 December 2011).
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1555:Films based on American short stories
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1178:Brittany, Michele (25 October 2018).
1049:Gencarelli, Mike (3 September 2011).
597:Glenn, Cheryl, Gray, Loretta (2013).
558:Glenn, Cheryl, Gray, Loretta (2013).
378:The film is a free adaptation of the
671:
669:
545:www.fascinationwithfear.blogspot.com
1204:Herring, Marcia (22 January 2013).
1180:"Interview Spotlight: Aric Cushing"
931:Chartrand, Harvey (7 August 2011).
288:Joseph Williamson as Travis Preston
13:
1560:Films shot in Georgia (U.S. state)
1352:Humphrey, Alex (August 25, 2020).
956:The Tolucan Times and Canyon Crier
779:The Tolucan Times and Canyon Crier
660:The Tolucan Times and Canyon Crier
14:
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1481:
1466:Cushing, Aric and Thomas, Logan.
1293:www.gothicthenandnow.blogspot.com
1287:Kelley, Caitlin (30 March 2013).
950:Rodriguez, Sal (April 24, 2019).
835:Advances in Psychiatric Treatment
773:Rodriguez, Sal (April 24, 2019).
666:
511:There's No Such Thing as Vampires
1378:Hughes, Kate (August 26, 2020).
1266:horror-movie-a-day.blogspot.com/
1129:Donovan, Diane (February 2014).
690:10.1007/978-3-476-05728-0_5369-1
682:Kindlers Literatur Lexikon (KLL)
412:After the shooting of the film,
369:as Man in Field (Scenes Deleted)
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1237:"The Yellow Wallpaper - review"
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973:Boylan, Michael (6 June 2012).
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726:Murphy, Karla J. (2004-04-01).
490:, and subsequently released on
463:'s first role at the age of 3.
1404:Stern, Jennifer (2021-08-01).
1051:"Interview with Juliet Landau"
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599:The Writer's Harbrace Handbook
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1:
1094:. United States: AReleasing.
654:Barron, Margie (8 May 2013).
525:
396:
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312:as Mrs. Daygeron at Tea Party
300:as Mrs. Tremayne at Tea Party
294:as Mrs. Foucoult at Tea Party
1550:2010s English-language films
1235:Taliesin (3 February 2013).
1154:"All the Colors of the Dark"
1152:Abrams, Jon (19 July 2013).
560:The Hodges Harbrace Handbook
516:
198:short story of the same name
7:
1436:Hischak, Thomas S. (2012).
999:Hischak, Thomas S. (2012).
890:Studies in American Fiction
306:as Mrs. Steele at Tea Party
10:
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1241:taliesinttlg.blogspot.com/
884:Golden, Catherine (1989).
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351:as Mysterious Man in House
339:as Sarah Weiland at age 3
279:as Sarah Weiland at age 8
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744:10.1215/15314200-4-2-337
380:Charlotte Perkins Gilman
327:as Eckhart Van Wakefield
202:Charlotte Perkins Gilman
65:Charlotte Perkins Gilman
1158:www.dailygrindhouse.com
676:Rzadtki, Beate (2020),
641:www.dailygrindhouse.com
541:"Fascination with Fear"
419:The cast also includes
216:
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1024:Cushing, Aric (2014).
401:Most of the scenes in
255:as Mr. Isaac Hendricks
902:10.1353/saf.1989.0022
829:The Yellow Wallpaper?
427:as her husband John,
345:as 17th Century Woman
1526:The Yellow Wallpaper
1517:The Yellow Wallpaper
1508:The Yellow Wallpaper
1499:The Yellow Wallpaper
1489:The Yellow Wallpaper
1216:on 15 September 2019
847:10.1192/apt.17.4.265
403:The Yellow Wallpaper
243:as Dr. Jack Everland
231:as Charlotte Weiland
185:The Yellow Wallpaper
60:The Yellow Wallpaper
22:The Yellow Wallpaper
1210:www.bitchflicks.com
1135:Midwest Book Review
1077:Pennyblood Magazine
937:www.cinemaretro.com
871:Pennyblood Magazine
429:Veronica Cartwright
333:as Burn in Hell Man
321:Bob King as Rat Man
247:Veronica Cartwright
225:as Dr. John Weiland
99:Veronica Cartwright
1384:The Hollywood News
1055:www.mediamikes.com
388:The Unwatched Door
384:The Giant Wisteria
363:as Carriage Driver
357:as William at Duel
285:as Colleen Preston
249:as Catherine Sayer
16:2011 American film
1461:978-0-6155-6839-3
1446:978-0-7864-6842-3
1324:978-1-929730-00-1
1101:978-0-615-56839-3
1035:978-1-929730-00-1
1010:978-0-7864-6842-3
699:978-3-476-05728-0
608:978-1-111-35429-9
569:978-1-111-34670-6
423:as Charlotte and
407:Eatonton, Georgia
181:
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141:January 2011
119:Joseph Williamson
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1476:978-0-6157-69639
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1026:Lost Essays
979:The Citizen
507:The Shining
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331:Earl Maddox
316:Margie Mack
273:as Duellist
267:as Duellist
235:Dale Dickey
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161:115 minutes
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