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is to succeed, she must leave Venice without warning Merton. On their own in Venice, Merton's affection for Milly grows and the two form a strong bond, even as her condition worsens. One day Merton spots Lord Mark at a cafe; alarmed, he goes to visit Milly but is denied entry. Susan visits him and Merton realises that Kate has revealed their secret to Lord Mark to sabotage the whole scheme, knowing that Mark would tell Milly as revenge for her rejecting him. Nonetheless, Milly agrees to see Merton and the two share an intimate moment where she forgives him and says that she still loves both him and Kate, despite their actions. A few days later, Milly dies and Merton and Susan attend her funeral.
366:
the money, and she must marry him without it if they are to be together. They make love and afterwards Kate agrees, with the condition he tells her that he is not still in love with his memory of Milly. He cannot, and Kate leaves him for good, knowing that her conniving has backfired. Merton returns alone to Venice, while in the background we hear Milly's voice repeating her confident assertion that Merton will be coming into his own, and sooner than he thinks.
350:). The cynical Kate is captivated by Milly's beauty, vivaciousness and humour, and the two form a strong friendship. Kate and Merton reconcile and resume their secret meetings; one day they run into Milly, and Kate introduces Merton as a family friend. Soon after, Milly invites Kate to accompany her and Susan to
31:
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During Kate's, Milly's, and Merton's excursions through Venice, Kate gradually becomes jealous of Milly's attraction to Merton, so much so that she lures him away one night to have sex. Milly confronts her the next morning, though Kate denies that Merton is her lover. She realises that, if her scheme
345:
Aunt Maud confronts Kate about her continuing association with Merton and threatens to withdraw her financial support from Kate and her father. Kate reluctantly breaks with Merton and refuses to meet with him anymore. A few months later, at a dinner party given by her aunt, Kate is introduced to the
533:
A notable departure from Henry James’ text is the inclusion of a sex scene late in the film, with Kate and Merton naked on a bed. “We went into that with our eyes open,” Iain
Softley said. “We had no qualms. We felt it was essential in indicating the sort of scene it was, and making it relevant and
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After Merton returns to London, Kate comes to Merton's flat. She asks why he has not come to see her in the weeks he has been back and finds a letter from Milly's lawyers, informing Merton that Milly did indeed bequeath a sizable portion of her estate to him. Merton tells Kate that he will not take
357:
Before leaving, Lord Mark secretly reveals to Kate that Milly is terminally ill and that although he desires Kate he needs to marry Milly and her fortune to avoid losing his estates. Aware that Milly is indifferent to Lord Mark but is smitten with Merton, Kate invites Merton to Venice and persuades
631:
graded the film A and observed it "has a lush yet aching beauty that seems to saturate you as you watch it. I'm not just talking about visual beauty. I'm speaking of dramatic beauty, the exquisite moment-to-moment tension of characters who reveal themselves layer by layer, flowing from thought to
341:
journalist named Merton
Densher (Linus Roache), whom her aunt has forbidden her from pursuing a relationship with because of his humble circumstances. Nonetheless, she has continued to meet with Merton in secret, though he is growing increasingly impatient for her to leave her aunt and marry him.
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called the film a "spellbinding screen adaptation succeeds where virtually every other film translation of a James novel has stumbled...This magnificent film conveys an intimation of what values count the most, of what really matters, but it is also far too intelligent and sympathetic to human
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sought a clear distinction between the outfits the female characters wear in London and Venice, with the London costumes consisting of "chic outfits with the daring feeling of contemporary high fashion, clothes that herald the start of the more provocative "Twenties" fashion". In Venice, Powell
636:
is, I think, a great film ... that confirms the arrival of major screen talents: director
Softley, who works with sublime sensitivity to the intricacies of self-deception; Bonham Carter and Roache, who create a dazzlingly intimate chemistry within the propriety of Jamesian manners; and
676:, noted that "Softley and Amini risk making their film seriously anachronistic by emphasizing the plot's pulpish qualities, but the able cast helps make it work." He also observed that "the immaculate production design makes turn-of-the-century London and Venice seem vibrant and real.
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may be typical of the school of
British literary cinema, but Softley's handling of several key elements, including an unusually frank love scene in the later stages, is always inventive. Production values are of the highest standard."
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329:). The wealthy Maud has taken the penniless Kate in as her ward, intending to marry her to a rich man and save her from the fate which befell her recently deceased mother when she married Kate's own dissolute father, Lionel (
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feeling and back again, until thought and feeling become drama. Director Iain
Softley has made one of the rare movies that evokes not just the essence of a great novel but the experience of it...
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stated the film "gives Helena Bonham Carter one of her best opportunities in a while, one which she seizes with relish, looking vibrant and totally convincing in her pivotal role...
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sourced luxuriant, loose fitting gowns in lighter colors, reflecting a more "ethnic, North
African look". Powell was inspired by the gowns of the early 20th century designer
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The film grossed $ 13,718,385 in the United States and Canada. It grossed ÂŁ2,142,932 ($ 3.6 million) in the United
Kingdom for a worldwide total of over $ 17 million.
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606:, two superior Henry James novels that came across as stiff and deliberate in recent film translations. This is a breakthrough for Softley, whose earlier films
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only hinted at the style and complexity he displays here, and a wonderful showcase for Roache, Elliott and Bonham Carter, who gives her best performance yet."
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wealthy
American orphan and heiress Milly Theale (Allison Elliot), who is on an extended trip through Europe with her travelling companion Susan Stringham (
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518:. The Palazzo Barbaro was where Henry James wrote the original novel and is believed to have inspired Millie's palazzo as it is described in the book.
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patiently explores class divisions in early 20th century Europe through the well-written and beautifully acted travails of star-crossed lovers." On
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him to show Milly affection in an effort to seduce her. Kate expects that the orphaned and lonely Milly will leave him her fortune after her death.
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took place over the summer of 1996, with eight weeks spent in London and six in Venice. London exterior locations include
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is a masterful and deeply haunting film; it adds genuine relevance to a genre that typically leans toward the static."
559:, the film has a rating of 86%, based on 35 reviews, with an average rating of 7.8/10. The website's consensus reads, "
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and five BAFTAs, recognizing Bonham Carter's performance, the screenplay, the costume design, and the cinematography.
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In 1910 London, Kate Croy (Helena Bonham Carter) lives under the careful watch of her domineering Aunt Maud (
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smile, does one of the most difficult things an actress can — she brings goodness itself to life."
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frailty to spell them out. You feel them most of all in the characters' unbridgeable silences."
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in London was used for the wedding reception scene early in the film.
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was a minor literary work that manages on screen to upstage both
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Johnston, Andrew (6–13 November 1997). "The Wings of the Dove".
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1009:
Best
Performance by an Actress in a Motion Picture - Drama
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Best
Performance by a Female Actor in a Supporting Role
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Best Performance by a Female Actor in a Leading Role
643:'s Alison Elliott, who, with her beatific charm and
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966:Dallas-Fort Worth Film Critics Association Award
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1428:"The Wings of the Dove - About The Production"
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534:familiar in the most stark way possible."
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1224:Best Art Direction and Production Design
893:Broadcast Film Critics Association Award
2067:Films with screenplays by Hossein Amini
1999:
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1137:National Society of Film Critics Award
928:Chicago Film Critics Association Award
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1629:Edward Guthmann (14 November 1997).
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1246:Society of Texas Film Critics Awards
1093:Best Sound Editing - Foreign Feature
839:Boston Society of Film Critics Award
2037:Films based on works by Henry James
1656:Owen Gleiberman (7 November 1997).
877:British Society of Cinematographers
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1160:New York Film Critics Circle Award
313:. The film was nominated for four
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2077:American historical romance films
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1526:"British biz at the box office".
1177:Online Film Critics Society Award
2072:British historical romance films
1687:Stratton, David (14 June 2000).
1214:Best Actress in a Motion Picture
2047:Films produced by David Parfitt
2032:Films scored by Edward Shearmur
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451:(Merton's newspaper office);
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2022:British romantic drama films
2012:1990s English-language films
1475:"From 'Hackers' to Highbrow"
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510:Locations in Venice include
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1451:“The City of Falling Angels
1060:British Actress of the Year
1051:Critics' Circle Film Awards
505:Knightsbridge tube stations
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1664:. Ew.com. Archived from
1204:Best Screenplay: Adapted
216:2 January 1998
1633:San Francisco Chronicle
1571:"The Wings of the Dove"
1544:"The Wings of the Dove"
1366:Best Adapted Screenplay
1042:Best Supporting Actress
976:Best Supporting Actress
862:Best Supporting Actress
819:Best Adapted Screenplay
734:Best Adapted Screenplay
587:San Francisco Chronicle
584:Edward Guthmann of the
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2057:Films set in the 1910s
603:The Portrait of a Lady
2097:BAFTA winners (films)
2082:Romantic period films
1984:The Wings of the Dove
1976:The Wings of the Dove
1957:The Wings of the Dove
1949:The Wings of the Dove
1932:The Wings of the Dove
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1503:The Wings of the Dove
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1218:Helena Bonham Carter
1063:Helena Bonham Carter
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942:Helena Bonham Carter
661:The Wings of the Dove
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561:The Wings of the Dove
491:for his London home.
457:National Liberal Club
443:(Aunt Maud's house);
437:Carlton House Terrace
425:The Wings of the Dove
278:The Wings of the Dove
224: (United Kingdom)
66:The Wings of the Dove
24:The Wings of the Dove
2102:1990s American films
1660:Entertainment Weekly
1303:Helena Bonham Carter
1256:Helena Bonham Carter
1151:Helena Bonham Carter
1119:Helena Bonham Carter
907:Helena Bonham Carter
853:Helena Bonham Carter
810:Helena Bonham Carter
793:Best Makeup and Hair
724:Helena Bonham Carter
624:Entertainment Weekly
376:Helena Bonham Carter
301:. The screenplay by
291:Helena Bonham Carter
213: (United States)
104:Helena Bonham Carter
2107:1990s British films
2062:Films set in Venice
2052:Films set in London
1867:Trap for Cinderella
1668:on 11 December 2008
1236:Best Costume Design
884:Best Cinematography
829:Best Costume Design
780:Best Cinematography
758:Best Costume Design
746:Best Cinematography
465:Richmond Fellowship
283:romantic drama film
1805:Films directed by
1607:The New York Times
1505:at TheNumbers.com"
1432:www.filmscouts.com
1403:. 25 November 1997
1329:USC Scripter Award
999:Golden Globe Award
640:The Spitfire Grill
573:The New York Times
551:Critical reception
497:Shepperton Studios
453:Kensington Gardens
449:Great Queen Street
400:Charlotte Rampling
396:as Susan Stringham
394:Elizabeth McGovern
348:Elizabeth McGovern
327:Charlotte Rampling
134:Charlotte Rampling
119:Elizabeth McGovern
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1610:. 7 November 1997
1507:. The-numbers.com
1481:. 2 November 1997
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1086:Golden Reel Award
952:9–19 October 1997
673:Time Out New York
597:Washington Square
570:In his review in
521:Costume designer
512:St. Mark's Square
429:Brompton Cemetery
390:as Merton Densher
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299:Alison Elliott
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714:23 March 1998
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332:
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300:
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251:United States
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198:Release dates
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147:Eduardo Serra
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88:David Parfitt
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55:Hossein Amini
53:
51:Screenplay by
49:
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27:
22:
19:
1987:(1961 opera)
1982:
1974:
1956:
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1930:
1883:The Shepherd
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1834:
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1807:Iain Softley
1764:
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1715:
1709:
1697:. Retrieved
1690:
1682:
1670:. Retrieved
1666:the original
1659:
1651:
1639:. Retrieved
1637:. Sfgate.com
1632:
1624:
1612:. Retrieved
1605:
1599:
1592:
1580:. Retrieved
1574:
1565:
1553:. Retrieved
1547:
1538:
1527:
1521:
1509:. Retrieved
1502:
1495:
1483:. Retrieved
1478:
1469:
1452:
1447:
1435:. Retrieved
1431:
1405:. Retrieved
1398:
1392:
1385:
1333:8 March 1998
1322:Best Actress
1300:Best Actress
1270:8 March 1998
1253:Best Actress
1187:Best Actress
1170:Best Actress
1147:Best Actress
1115:Best Actress
1079:Best Actress
1056:4 March 1999
1034:January 1998
1031:Sierra Award
1023:Best Actress
989:Best Actress
971:January 1998
959:Iain Softley
938:Best Actress
933:1 March 1998
916:Best Picture
903:Best Actress
849:Best Actress
763:Sandy Powell
677:
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523:Sandy Powell
520:
509:
501:Dover Street
424:
423:Filming for
422:
414:as Lord Mark
402:as Aunt Maud
388:Linus Roache
378:as Kate Croy
364:
360:
356:
344:
324:
305:is based on
295:Linus Roache
287:Iain Softley
285:directed by
277:
276:
275:
270:$ 17 million
233:Running time
109:Linus Roache
64:
45:Iain Softley
18:
1979:(1959 play)
1927:Henry James
1582:9 September
1407:16 November
1339:Henry James
1069:LAFCA Award
770:BAFTA Award
441:St. James's
433:Fulham Road
311:Henry James
237:102 minutes
157:Tariq Anwar
78:Produced by
72:Henry James
41:Directed by
2007:1997 films
2001:Categories
1576:Metacritic
1437:20 January
1377:References
1350:Nominated
1312:TFCA Award
1279:Nominated
1229:John Beard
1154:Nominated
1098:Nominated
1013:Nominated
922:Nominated
871:Nominated
813:Nominated
728:Nominated
565:Metacritic
543:Box office
493:Syon House
489:Kensington
467:; and the
419:Production
339:muckraking
267:Box office
220:1998-01-02
209:1997-11-07
174:Production
1699:18 August
1672:18 August
1641:18 August
1614:18 August
1511:18 August
955:Best Film
948:Gold Hugo
684:Accolades
645:Mona Lisa
473:Greenwich
461:Whitehall
242:Countries
153:Edited by
1859:Inkheart
1819:Backbeat
1555:7 August
1342:(author)
697:Category
609:Backbeat
590:wrote, "
514:and the
259:Language
163:Music by
97:Starring
61:Based on
1827:Hackers
1693:review"
1691:Variety
1662:review"
1635:review"
1602:review"
1529:Variety
1485:3 March
703:Result
700:Nominee
656:Variety
615:Hackers
538:Release
528:Fortuny
431:on the
262:English
218: (
207: (
176:company
1960:(1997)
1952:(1981)
1935:(1907)
1886:(2023)
1878:(2015)
1870:(2013)
1862:(2008)
1854:(2005)
1846:(2001)
1838:(1997)
1830:(1995)
1822:(1994)
1460:
463:; the
455:; the
352:Venice
297:, and
1968:Other
1875:Curve
1843:K-PAX
1718:: 83.
1395:(15)"
1106:Award
691:Award
678:Wings
1941:Film
1748:IMDb
1701:2011
1674:2011
1643:2011
1616:2011
1584:2016
1557:2024
1513:2011
1487:2022
1458:ISBN
1439:2020
1409:2016
1306:Won
1259:Won
1122:Won
1026:Won
983:Won
910:Won
856:Won
787:Won
612:and
600:and
503:and
370:Cast
321:Plot
1929:'s
1768:at
1757:at
1746:at
653:of
621:In
555:On
487:in
479:in
471:in
459:in
447:in
439:in
309:by
70:by
2003::
1604:.
1573:.
1546:.
1477:.
1456:,
1430:.
1417:^
1397:.
627:,
576:,
507:.
475:.
435:;
354:.
293:,
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1631:"
1618:.
1598:"
1586:.
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1515:.
1501:"
1489:.
1441:.
1411:.
1391:"
222:)
211:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
