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is connected to the front of each machine's main body. However, the film's war machines are shaped like manta rays, with a bulbous, elongated green window at the front, through which the
Martians observe their surroundings. On top of the machine is the cobra-like head heat-ray attached to a long, narrow, goose-neck extension, which can fire in any direction. They can be mistaken for flying machines, but Forrester states that they are lifted by invisible legs. One scene when the first war machine emerges has faint traces of three "energy legs" beneath that leave three sparking traces where they touch the burning ground, so they are tripods, though they are never so called. Whereas the novel's machines have no protection against the British army and navy cannon fire, the film's war machines have a force field surrounding them, described by Forrester as a "protective blister".
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each side of their mouths and two large "luminous, disk-like eyes". Because of budget constraints, their film counterparts are short, reddish-brown creatures with two long, thin arms with three long, thin fingers with suction-cup tips. The
Martian head is a broad "face" at the top-front of its broad-shouldered upper torso, the only apparent feature of which is a single, large eye with three distinctly colored lenses of red, blue, and green. The Martians' lower extremities are never shown. Some speculative designs suggest three thin legs resembling their fingers, and others show them as
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life, leading to the
Martians' decision to try to make Earth their new home. They land in the same way, by crashing to Earth. The novel's spacecraft, however, are large, cylindrical projectiles fired from the Martian surface from a cannon, instead of the film's meteorite-spaceships; but the Martians emerge from their craft in the same way, by unscrewing a large, round hatch. They appear to have no use for humans in the film. In the novel, however, the invaders are observed "feeding" on humans by fatally transfusing their captives' blood supply directly into Martian bodies through
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from the crash-landing of the
Martian meteorite-ships to their eventual defeat by Earth's microorganisms. Forrester also experiences similar events to the book's narrator, with an ordeal in a destroyed house, observing an actual Martian up close, and eventually reuniting with his love interest at the end of the story. The film has more of a Cold War theme with the atomic bomb against the invading enemy and the mass destruction that such a global war would inflict on humanity.
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while still in the pit made by the first
Martian cylinder after it crash-lands. The film's first heat-ray scene has a projector shaped like a cobra head with a single, red pulsing light, which likely acts as a targeting telescope for the Martians inside their war machine shaped like a manta ray. The novel describes another weapon, the "black smoke" used to kill all life; the war machines fire canisters containing a black smoke-powder through a
1437:(BFI): “t has to do be said that is one of the most dated elements of the special-effects, as they are all too clearly visible in many sequences of the film.... In British showings of the film (when it was re-released in a curious late-1960s US/UK double bill with Hitchcock’s Psycho ), the more sophisticated audiences of the day chuckled at these antediluvian special-effects.” Forshaw, Barry.
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the first machines can be seen rising from the
Martian's landing site. It proved too difficult and dangerous to mark out the invisible legs while smoke and other effects must remain visible beneath the machines, and the effect also created a major fire hazard. In all of the subsequent scenes, however, the three invisible leg beams create small, sparking fires where they touch the ground.
854:'s review commented: " an imaginatively conceived, professionally turned adventure, which makes excellent use of Technicolor, special effects by a crew of experts, and impressively drawn backgrounds ... Director Byron Haskin, working from a tight script by Barré Lyndon, has made this excursion suspenseful, fast and, on occasion, properly chilling". "Brog" in
618:, whom the narrator regards with disgust, with which the reader is invited to concur. In the film, there is instead the sympathetic and heroic Pastor Collins who dies a martyr's death. And then the film's final scene in the church, strongly emphasizing the Divine nature of Humanity's deliverance, has no parallel in the original book."
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Forrester sees one of the aliens die, he reflects, "We were all praying for a miracle." He and other survivors look heavenward. An off-screen narrator explains that the aliens had "no resistance to the bacteria in our atmosphere to which we have long since become immune which God in His wisdom had put upon this earth."
1068:, although an adaptation of the Wells novel, has several references to the 1953 film. Gene Barry and Ann Robinson have cameo appearances near the end, and the invading aliens have three-fingered hands but are reptilian, walking tripods. A long, snaking, alien camera probe is deployed by the invaders. In his 2018 film
1488:: “Wells’ unique walking tripods are replaced by ordinary spaceship-like designs that move on beams of light. This wouldn’t be so bad if the wires holding them up weren’t visible in many scenes.” Henderson, C. J. Encyclopedia of Science Fiction Movies: From 1897 to the Present. New York: Checkmark Books, 2001.
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that resembles, when briefly visible between explosions, the clear jar placed over a mantle clock, or a bell jar with a cylindrical shape and a hemispherical top. This effect was accomplished with simple matte paintings on clear glass, which were then photographed and combined with other effects, and
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The film's
Martians bear no physical resemblance to those of the novel, who are described as bear-sized, roundish creatures with grayish-brown bodies, "merely heads", with quivering beak-like, V-shaped mouths dripping saliva. They have sixteen whip-like tentacles in two groupings of eight arranged on
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Pal's adaptation has many other differences from H. G. Wells's novel. The closest resemblance is probably that of the antagonists. The film's aliens are indeed
Martians and invade Earth for the same reasons as those stated in the novel. The state of Mars suggests that it is becoming unable to support
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of Wells's novel. It was eventually decided to make the
Martian machines appear to float in the air on three invisible legs. To visualize them, subtle special effects of downward lights were to be added directly under the moving war machines; however, in the final film, these only appear when one of
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The film's
Martian war machines are more like those of the book than they first seem. The novel's war machines are 10-story-tall fast-moving tripods made of glittering metal, each with a "brazen hood" atop the body, moving "to and fro" as the machine moves. A heat-ray projector on an articulated arm
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The Martian weaponry is also partially unchanged. The heat-ray has the very same effect as that of the novel. However, the novel's heat-ray mechanism is briefly described as just a rounded hump when its silhouette rises above the landing crater's rim; it fires an invisible energy beam in a wide arc
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explores the house, but Forrester severs the eye with an axe. Later, an alien creature enters and approaches Sylvia but retreats when Forrester wounds it. He collects its blood on a cloth. Then, they escape just before the farmhouse is destroyed by a heat-ray. Forrester takes the electronic eye and
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and its southwestern suburbs while the Martians attack, eventually being reunited with his wife; the film's protagonist is a Californian scientist who falls in love with a former college student after the Martian invasion begins. However, certain points of the film's plot are similar to the novel,
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1938 radio interpretation ... what starring honors there are go strictly to the special effects, which create an atmosphere of soul-chilling apprehension so effectively audiences will actually take alarm at the danger posed in the picture. It can't be recommended for the weak-hearted, but to the
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3-strip Technicolor prints were replaced by the easier-to-use and less expensive Eastman Color stock, the quality of the film's special effects suffered dramatically. This degraded the lighting, timing, and image resolution, causing the original invisible overhead wires suspending the Martian war
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and as a weapon. The electronic eye houses a heat ray, which pulses and fires red sparking beams, all accompanied by thrumming and a high-pitched clattering shriek when the ray was used. The distinctive sound effect of the weapon was created by an orchestra performing a written score, mainly with
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Dr. Forrester's and the other scientists' Pacific Tech (Pacific Institute of Science and Technology, represented by buildings on the Paramount studio lot) has since been part of other films and television episodes when it was decided to include a scientific California university without using the
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A large object crashes near the small town of Linda Rosa, California. At the impact site, Dr. Clayton Forrester, an atomic scientist, investigates. He meets Sylvia Van Buren and her uncle, Pastor Collins. Together, they attend an evening square dance. Back at the crash site, a hatch on the object
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has mild references to the Pal version. The Martian's mouth has three tongues that closely resemble the three Martian fingers in the Pal film. The Asylum film has scenes of power outages after the aliens' arrival via meteorite-ships. As in the Pal film, refugees hide in the mountains, instead of
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Stranded in Los Angeles, Forrester seeks Sylvia. Based on a story she told him earlier, he guesses she has taken refuge in a church. After searching through several, he finds Sylvia among many praying survivors. Just as the invaders attack near the church, their machines lose power and crash. As
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The disintegration effect took 144 separate matte paintings to create. The sound effects of the war machines' heat rays firing were created by mixing the sound of three electric guitars being recorded backwards. The Martian's scream in the farmhouse ruins was created by mixing the sound of a
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The film finally began moving forward after George Pal was assigned to the project in July 1951. Pal originally envisioned a film more faithful to the source material in which a scientist would search for his wife after the invasion destroyed society, but Paramount Pictures production head
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in the United States using the same 4K remaster and restoration. The Blu-ray documentation says the transfer process and careful color and contrast calibrations allowed the special effects to be restored to Technicolor release print quality, without the war machine's supporting wires.
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of the UK called it "the best of the postwar American science-fiction films; the Martian machines have a quality of real terror, their sinister apparitions, prowlings and pulverisings are spectacularly well done, and the scenes of panic and destruction are staged with real flair".
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with them, but they are defeated by Earth microorganisms, as in the novel. However, they die from the effects of the microorganisms within three days of the landing of the first meteorite-ship; in the novel, the Martians die within about three weeks of their invasion of England.
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until late that year. The film was both a critical and box-office success. The film accrued $ 2,000,000 in distributors' domestic (U.S. and Canada) rentals, making the film the year's biggest science fiction hit. ("Rentals" refers to the distributor and studio's share of the
651:-like tube accessory. When dispersed, this black powder is lethal to all life forms who breathe it. This weapon is replaced in the film by a Martian "skeleton beam" of green pulsing energy bursts fired from the wingtips of the manta-ray machines; these bursts break apart the
568:, which stood in for the fictitious town of Linda Rosa. St. Brendan's Catholic Church, at 310 South Van Ness Avenue in Los Angeles, was the setting for the climactic scene in which a large group of desperate people gather to pray. The rolling hills and main thoroughfares of
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sought to have the film's certificate reduced to A, meaning persons under 16 could view the film if accompanied by an adult, but this was rejected. The film was reclassified A in 1981, now meaning that the film may be unsuitable to under 14s. For its 1986 VHS release,
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demanded changes including a romantic subplot in which the scientist would meet and fall in love with a woman. This is the first of two adaptations of Wells's classic science fiction filmed by Pal. It is considered one of the great science fiction films of the 1950s.
587:, were close friends. Pal tried always to include Woody out of friendship and for good luck in his productions. Joe Adamson wrote years later: "Walter had been close friends with Pal ever since Pal had left Europe in advance of the war and arrived in Hollywood".
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optically printed together during post-production. While conventional Earth weapons cannot penetrate the electromagnetic shields, the Martian death ray weapons can fire through the shields against their targets without trouble.
1454:, Vol. 16, No. 9, June 24, 2016: “The movie cost $ 2 million, and its $ 1.4 million worth of special effects remains, despite visible wires, impressive even in an age of CGI.” Time, Inc.’s Special magazine publication,
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The machines also fire a pulsing green ray (referred to in dialog as "a skeleton beam") from their wingtips, generating a distinctive sound and disintegrating their targets. This second weapon is a replacement for the
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The plot of the film is very different from the novel, which tells the story of a 19th-century writer (with additional narration in later chapters by his medical-student younger brother) who journeys through
626:. There is later speculation about the Martians' eventually using trained human slaves to hunt down all remaining survivors after they conquer Earth. In the film, the Martians do not bring their fast-growing
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shape floating above the ground. Three Martian war machine props were made of copper. The same blueprints were used a decade later (without neck and cobra head) to construct the alien spacecraft in the film
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bomber in the 1953 film) and Captain Hiller being based in El Toro, California, which Dr. Forrester mentions as the home of the Marines, which make the first assault on the invading Martians in Pal's film.
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and how it used "the apocalyptic paranoia of the atomic age". The Registry also cited the special effects, which at its release were called "soul-chilling, hackle-raising, and not for the faint of heart".
827:(BBFC) for its alarming and "horrific" content, meaning no one under 16 could see the film. This was unsuccessfully protested by several local authorities, believing the rating should be lower. In 1961,
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machines to become increasingly visible with each succeeding film and video format change. This led many, including respected critics, to mistakenly believe the effects were originally of low quality.
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1369:: “Unfortunately these wires are often visible on the screen, particularly during the sequence when the war machines first emerge from their crater and engage the army in battle.” Brosnan, John.
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blood sample to his team of scientists at a Los Angeles university, hoping to find a way to defeat the invaders. The colleagues examine the sample and discover the visitors' blood is extremely
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was re-rated PG (meaning all audiences can see it but some scenes may be unsuitable for young children). It is an unusual example of a film that has was once rated X but now stands as a PG.
341:. However, it proves ineffective, and the aliens continue their advance on Los Angeles. During the city's chaotic evacuation, Forrester, Sylvia, and the other scientists become separated.
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is a sequel to the Pal film. Ann Robinson reprises her role as Sylvia Van Buren in three episodes. Robinson also reprises her role in two other films, first as Dr. Van Buren in 1988's
1386:: “Not all Jennings’ spectacular special effects work well—on their first appearance the Martian war machines have an obvious network of wires surrounding them.” Hardy, Phil (Ed.).
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Forrester and Sylvia escape in a small plane but later crash land. Hiding in a nearby empty farmhouse, they are nearly buried by yet another crashing cylinder. A long cable with an
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Flying Wing is prominently featured in the atomic-bombing sequence. Pal and Haskin incorporated Northrop color footage of a YB-49 test flight, originally used in Paramount's
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1471:: “The first appearance of the war machines, after an impressive build-up of suspense, is spoilt by the obvious maze of wires supporting each one.” Nicholls, Peter.
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is in a treetop, center screen, when the first large Martian meteorite-ship crashes through the sky, near the beginning of the film. George Pal and Woody's creator,
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Caroline Blake has written that the film is very different from the original novel in its attitude toward religion, as reflected especially in the depiction of
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process to visually enhance the Martians' attack on Los Angeles. The plan was dropped before production began. World War II stock footage was used to produce a
337:. Meanwhile, as the world's capitals fall to the invaders, experts predict total world domination in just weeks. The U.S. government thus authorizes use of the
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retains an unnerving power, updating H. G. Wells's classic sci-fi tale to the Cold War era and featuring some of the best special effects of any 1950s film".
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now emerge from the Linda Rosa cylinder. Pastor Collins attempts contact but is disintegrated. Marines open fire, but are unable to penetrate the invaders'
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as the sound of an overloading hand phaser. Another prominent sound effect is a chattering, synthesized echo, perhaps representing some kind of Martian
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violins and cellos. For many years, it was utilized as a standard ray-gun sound on children's television shows and the science-fiction anthology series
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When the large Marine force opens fire on the Martians with everything in its heavy arsenal, each Martian machine is protected by an impenetrable
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1420:: "While those cables holding up the machines are painfully visible, viewers tend to cut pre-digital fx a good deal of slack." Gerani, Gary.
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1500:: "Kids are likely to smirk at some of the special effects (as when the wires holding up the war machines are visible)." Maltin, Leonard.
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unscrews and falls away. As three men standing guard attempt to make contact waving a white flag, a heat-ray obliterates them.
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hiding underground as in the Wells novel, and the protagonist actively tries to fight the aliens by biological means.
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described in Wells's novel. Its sound effect (created by striking a high tension cable with a hammer) was reused in
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of destruction to show the worldwide invasion, with armies of all nations joining together to fight the invaders.
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for 1954 in the category of Best Dramatic Presentation — Short Form (works running 90 minutes or less).
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and went on to influence other science fiction films. In 2011, it was selected for preservation in the
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bonds that hold matter together. These beams are used off-screen to obliterate several French cities.
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to direct an adaptation of the novel under his contract with the studio but failed to produce a film.
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planned as director, but the project was put into turn-around. Later in the 1930s, Paramount assigned
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1403:: “The wires holding up the machines are too often visible.” Clute, John, and Peter Nicholls (Eds.).
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many who delight in an occasional good scare, it's socko entertainment of hackle-raising quality".
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microphone scraping along dry ice being combined with a woman's recorded scream and then reversed.
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magazine, Volume 5, No. 4, 1977. A comprehensive "making of" retrospective and review of the film.
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1600:"The Screen in Review: New Martian Invasion Is Seen in War of the Worlds, Which Bows at Mayfair."
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was deemed culturally, historically, or aesthetically significant in 2011 by the United States
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gross, which, according to Gebert, is roughly half of the money generated by ticket sales.)
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Each Martian machine is topped with an articulated metal neck and arm, culminating in the
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and the dramatic opening title card and credits. The story begins with a series of color
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Lee Marvin was considered as the protagonist before Gene Barry was cast. Jim Meservy,
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still receives high acclaim from some critics. On the film review aggregator website
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that describes the destructive technological advancements of Earthly warfare from
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Howe, Tom. "Northrop YB-49 Flying Wing." cedmagic.com. Retrieved: 25 August 2012.
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head heat ray projector, housing a single electronic eye that operates both as a
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later surround the site, as reports pour in of more cylinders, presumably from
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Vol I: 1950–1957. Jefferson, North Carolina: McFarland & Company, 1982.
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said, " a socko science-fiction feature, as fearsome as a film as was the
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Pal had planned for the final third of the film to be shot in the new
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The Encyclopedia of Science Fiction Movies: From 1897 to the Present
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An effort was made to avoid the stereotypical flying saucer look of
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theatrical shorts, to show the Flying Wing's takeoff and bomb run.
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may have optioned the rights, but the project did not go forward.
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http://www.thehugoawards.org/hugo-history/1954-retro-hugo-awards/
1441:. London: British Film Institute/Palgrave MacMillan, 2014. p. 152
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also entered discussions about adapting the novel with Wells and
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called it "to put it gently, terrific", and "for my money, the
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when the studio bought the film rights to the novel in 1925.
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the only world worthy of their scrutiny and coming invasion.
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2070:. Jefferson, North Carolina: McFarland & Company, 1977.
2055:. Jefferson, North Carolina: McFarland & Company, 2016.
1811:"2011 National Film Registry More Than a Box of Chocolates."
1340:. Jefferson, North Carolina: McFarland & Company, 2016.
955:. In July 2020, the film was reissued on Blu-ray and DVD by
487:, about which little was known at the time. A narrator (Sir
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The Walter Lantz Story: with Woody Woodpecker and Friends
254:. It is the first of several feature film adaptations of
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Hugo Award for Best Dramatic Presentation winning works
987:
The Martians were ranked the 27th best villains in the
3409:
Travels of a Republican Radical in Search of Hot Water
1676:"The 26th Academy Awards (1954) Nominees and Winners."
1659:(August 21, 1953). "'War of Worlds' A Real Wingding".
803:
was on February 20, 1953, although it did not go into
768:
There were many problems trying to create the walking
2575:
Jeff Wayne's Musical Version of The War of the Worlds
2008:. Metuchen, New Jersey: Scarecrow Press, Inc., 2010.
1094:
named one of its lead characters, the mad scientist
614:
Wells depicted a cowardly and thoroughly uninspiring
4326:
Films that won the Best Visual Effects Academy Award
579:, Robinson and Barry say that the cartoon character
1645:. Vol. 20, no. 232. May 1953. p. 71.
601:
309:, landing all over Earth, destroying cities. Three
3840:
1884:"Ready Player One: The COMPLETE Easter Egg Guide"
1816:, December 28, 2011. Retrieved: January 11, 2015.
1798:, December 27, 2011. Retrieved: January 11, 2015.
325:attack jets follow up, but they are annihilated.
321:weaponry, sending the Marines into full retreat.
4232:
2543:The League of Extraordinary Gentlemen, Volume II
1867:"War of the Worlds: A Post 9/11 Digital Attack."
1856:, October 10, 2012. Retrieved: January 12, 2015.
443:opens with a black-and-white prologue featuring
4107:Retro Hugo Award for Best Dramatic Presentation
2006:Historical Dictionary of Science Fiction Cinema
1607:, August 14, 1953. Retrieved: January 11, 2015.
1456:LIFE—Science Fiction: 100 Years of Great Movies
1452:LIFE—Science Fiction: 100 Years of Great Movies
1388:The Overlook Film Encyclopedia: Science Fiction
1384:The Overlook Film Encyclopedia: Science Fiction
530:also expressed interest in adapting the novel.
3332:Mr. Belloc Objects to "The Outline of History"
1080:, creator of the breakthrough 1978 video game
639:with short, stubby legs with three-toed feet.
4091:
3826:
2888:The Food of the Gods and How It Came to Earth
2768:
2252:
1711:
1407:. New York: St. Martin’s Press, 1993. p. 1300
1390:. Woodstock, NY: Overlook Books, 1994. p. 143
1193:, March 9, 1953. Retrieved: January 11, 2015.
776:
753:sounds like hissing electronic rattlesnakes.
2213:(1953) in 30 seconds, re-enacted by bunnies.
2206:: February 8, 1955. Adaptation of 1953 film.
2127:. New York: Garland Publishing, Inc., 1985.
2040:. New York: A. S. Barnes and Company, 1977.
1872:, July 7, 2005. Retrieved: January 12, 2015.
687:. The Martian war machines were designed by
502:Paramount Pictures first attempted to adapt
388:Housely Stevenson Jr. as General Mann's aide
2066:Parish, James Robert and Michael R. Pitts.
1450:Time, Inc.’s Special magazine publication,
1373:. New York: St. Martin’s Press, 1978. p. 91
1371:Future Tense: The Cinema of Science Fiction
1296:
1009:and then as Dr. Sylvia Van Buren in 2005's
4331:United States National Film Registry films
4276:Films about the United States Marine Corps
4098:
4084:
3833:
3819:
3462:The Country of the Blind and Other Stories
2775:
2761:
2259:
2245:
2125:Variety's Complete Science Fiction Reviews
1918:. No. 3. Live Publishing. p. 35.
1669:
29:
3430:The Work, Wealth and Happiness of Mankind
1932:Academy of Television Arts & Sciences
1475:. New York: Doubleday; 1st edition, 1979)
993:AFI's 100 Years...100 Heroes and Villains
1424:. San Diego: IDW Publishing, 2011 p. 129
1224:
1222:
1220:
1218:
1216:
1214:
1212:
671:
431:
4256:American science fiction thriller films
3655:The Queer Story of Brownlow's Newspaper
3483:The Stolen Bacillus and Other Incidents
2094:. London: Octopus Books Limited, 1976.
2081:Rubin, Steve. "The War of the Worlds".
1742:
1467:Peter Nicholls’ (Ed.) first edition of
1252:
1250:
1248:
1246:
1244:
1242:
1240:
1238:
1236:
1234:
781:For 50 years, from the late 1960s when
225:(also known in promotional material as
4361:English-language science fiction films
4233:
2022:, New York: St. Martin's Press, 1996.
1806:
1804:
1714:"War of the Worlds" On iTunes…For Now"
1507:
1458:, Vol. 16, No. 9, June 24, 2016: p. 16
385:as The Reverend Doctor Matthew Collins
4079:
3814:
2756:
2240:
1922:
1907:
1768:
1209:
1022:has several allusions to Pal's 1953
394:as Radio reporter/pre-titles narrator
282:Academy Award for Best Visual Effects
4291:Films based on The War of the Worlds
2225:- A Radio and Film Score Remembrance
1971:. New York: HarperPaperbacks, 1996.
1901:
1881:
1610:
1524:"The War of the Worlds Case Studies"
1264:
1262:
1231:
1190:British Board of Film Classification
839:
825:British Board of Film Classification
403:Vernon Rich as Colonel Ralph Heffner
4286:Films adapted into television shows
4271:Films about nuclear war and weapons
2464:The War of the Worlds: Next Century
2376:Sherlock Holmes's War of the Worlds
1859:
1801:
1655:
1502:Leonard Maltin’s Family Movie Guide
1405:The Encyclopedia of Science Fiction
1401:The Encyclopedia of Science Fiction
1202:'The Top Box Office Hits of 1953',
1038:bomber (a direct descendant of the
799:The official Hollywood premiere of
13:
4281:Films about the United States Army
3476:Select Conversations with an Uncle
3104:Mr. Blettsworthy on Rampole Island
2678:Jeff Wayne's The War of the Worlds
2557:H. G. Wells' The War of the Worlds
2496:War of the Worlds 2: The Next Wave
2472:H. G. Wells' The War of the Worlds
2168:The War of the Worlds: Sky on Fire
2068:The Great Science Fiction Pictures
1498:Leonard Maltin's Family Film Guide
1026:. The failed attempt of a dropped
667:
379:Sandro Giglio as Doctor Bilderbeck
228:H. G. Wells' The War of the Worlds
14:
4372:
4266:Films about extraterrestrial life
3395:The Story of a Great Schoolmaster
2140:
1967:Aberly, Rachel and Volker Engel.
1712:Jeffrey Wells (October 3, 2018).
1504:. New York: Signet, 1999. p. 803
1399:John Clute’s and Peter Nicholls’
1259:
1160:"The War of the Worlds - Details"
1098:, as an homage to the 1953 film.
1030:is replaced with a nuclear-armed
939:
510:began working on an outline with
3255:An Englishman Looks at the World
2728:The Soul Selects Her Own Society
2020:The Encyclopedia of Movie Awards
1743:Squires, John (April 16, 2020).
1473:The Science Fiction Encyclopedia
1469:The Science Fiction Encyclopedia
602:Differences from the Wells novel
564:Location shooting took place in
317:. The aliens counterattack with
4204:Frankenstein Meets the Wolf Man
3744:The Man Who Could Work Miracles
3627:The Man Who Could Work Miracles
2782:
2621:The Great Martian War 1913–1917
2456:The Night That Panicked America
1960:
1937:
1929:"Mystery Science Theater 3000."
1882:Dyce, Andrew (March 30, 2018).
1875:
1843:
1834:
1819:
1784:
1762:
1736:
1705:
1684:
1649:
1632:
1623:
1589:
1541:
1516:
1491:
1478:
1461:
1444:
1427:
1410:
1393:
1376:
1359:
1330:
1325:Religion in Speculative Fiction
1317:
1308:
944:In 2018, a new, fully restored
720:, particularly in the episode "
479:that depict the planets of our
270:. Earth is suddenly invaded by
4296:Films directed by Byron Haskin
3056:The Secret Places of the Heart
2480:H. G. Wells' War of the Worlds
1969:The Making of Independence Day
1953:. Retrieved February 20, 2018.
1934:. Retrieved: January 12, 2015.
1831:. Retrieved: January 12, 2015.
1769:Bowen, Chuck (July 20, 2020).
1681:. Retrieved: January 11, 2015.
1287:
1196:
1179:
1152:
1134:
1052:H. G. Wells' War of the Worlds
738:Star Trek: The Original Series
572:, were also used in the film.
262:. The setting is changed from
1:
4306:Films scored by Leith Stevens
3469:The Plattner Story and Others
3325:Mind at the End of Its Tether
3088:The World of William Clissold
2053:Mars in the Movies: A History
1840:Aberly and Engel 1996, p. 86.
1338:Mars in the Movies: A History
1127:
741:, accompanying the launch of
722:The Children of Spider County
495:find our lush green and blue
427:
4346:1950s English-language films
4301:Films produced by George Pal
3879:Action in the North Atlantic
3782:Simon Wells (great-grandson)
3388:A Short History of the World
3024:Mr. Britling Sees It Through
2984:The Wife of Sir Isaac Harman
2615:"The Night America Trembled"
1702:). Retrieved: July 10, 2022.
1256:Rubin 1977, pp. 4–16, 34–47.
1165:AFI Catalog of Feature Films
1148:. April 2, 1953. p. 15.
1091:Mystery Science Theater 3000
789:
436:Theatrical re-release poster
7:
4356:1950s science fiction films
4251:Films about alien invasions
4218:The Curse of the Cat People
3690:A Story of the Days to Come
3262:Experiment in Autobiography
3248:The Discovery of the Future
3128:The Shape of Things to Come
3112:The Autocracy of Mr. Parham
2824:The Island of Doctor Moreau
2536:Superman: War of the Worlds
2230:September 24, 2021, at the
1112:
358:as Doctor Clayton Forrester
260:1898 novel of the same name
10:
4377:
4134:The Picture of Dorian Gray
4007:From the Earth to the Moon
3497:Twelve Stories and a Dream
3423:The Way the World Is Going
3192:Babes in the Darkling Wood
3080:Christina Alberta's Father
2475:(2005, Pendragon Pictures)
1691:"'The War of the Worlds'."
1186:"'The War of the Worlds'."
805:general theatrical release
794:
777:Quality of special effects
4187:
4160:
4113:
3849:
3754:
3727:
3704:Triumphs of a Taxidermist
3506:
3453:
3218:
2872:The First Men in the Moon
2799:
2790:
2698:
2654:
2607:
2566:
2522:
2439:
2413:
2369:Edison's Conquest of Mars
2353:
2342:
2326:
2302:
2280:
1826:"Ann Robinson Biography."
1642:The Monthly Film Bulletin
1639:"The War of the Worlds".
1228:Warren 1982, pp. 151–163.
963:
896:Special Achievement Award
868:The Monthly Film Bulletin
210:
202:
194:
186:
176:
161:August 13, 1953
141:
131:
121:
111:
101:
87:
77:
60:
50:
40:
35:Theatrical release poster
28:
23:
16:1953 film by Byron Haskin
4336:Paramount Pictures films
4321:Films shot in California
4311:Films set in Los Angeles
3711:The Truth About Pyecraft
3697:A Story of the Stone Age
3613:Mr. Ledbetter's Vacation
3550:The Country of the Blind
3522:The Argonauts of the Air
3234:Certain Personal Matters
3208:You Can't Be Too Careful
3016:The Research Magnificent
2912:In the Days of the Comet
1908:Staff (April 15, 2004).
1107:Retrospective Hugo Award
975:for preservation in the
957:The Criterion Collection
679:advertisement from 1953.
214:$ 2 million (US rentals)
4055:Robinson Crusoe on Mars
3620:The Lord of the Dynamos
3490:Tales of Space and Time
2944:The History of Mr Polly
2647:(2019–2022, Fox/Canal+)
2631:(1988–1990, syndicated)
2404:The Massacre of Mankind
2217:Angry Alien Productions
2110:Keep Watching The Skies
2038:The Films of George Pal
1718:hollywood-elsewhere.com
1270:"The War of the Worlds"
1119:List of works based on
1007:Midnight Movie Massacre
989:American Film Institute
699:Robinson Crusoe on Mars
475:by astronomical artist
422:as post-titles narrator
348:
295:
150:April 3, 1953
4316:Films set in the 1950s
3592:The Empire of the Ants
3367:The Outline of History
3297:God the Invisible King
3160:The Camford Visitation
3120:The Bulpington of Blup
2976:The Passionate Friends
2856:When the Sleeper Wakes
2721:To Mars and Providence
2092:Science Fiction Movies
1910:"Nishikado-San Speaks"
1049:'s 2005 direct-to-DVD
977:National Film Registry
680:
570:El Sereno, Los Angeles
437:
286:National Film Registry
4212:The Canterville Ghost
4150:The War of the Worlds
4119:The War of the Worlds
4023:Jet Over the Atlantic
3951:The War of the Worlds
3943:Denver and Rio Grande
3777:Joseph Wells (father)
3585:A Dream of Armageddon
3536:The Chronic Argonauts
3444:A Year of Prophesying
3374:Russia in the Shadows
3318:Mankind in the Making
3290:The Future in America
3276:First and Last Things
3200:All Aboard for Ararat
2848:The War of the Worlds
2671:The War of the Worlds
2636:The War of the Worlds
2448:The War of the Worlds
2429:The War of the Worlds
2422:The War of the Worlds
2273:The War of the Worlds
2223:The War of the Worlds
2211:The War of the Worlds
2197:The War of the Worlds
2051:Miller, Thomas Kent.
1439:The War of the Worlds
1435:The War of the Worlds
1422:Top 100 Sci-Fi Movies
1418:Top 100 Sci-Fi Movies
1336:Miller, Thomas Kent.
1121:The War of the Worlds
1105:was presented with a
1096:Dr. Clayton Forrester
969:The War of the Worlds
934:The War of the Worlds
926:The War of the Worlds
914:Sound Department and
892:The War of the Worlds
834:The War of the Worlds
817:The War of the Worlds
815:On its 1953 release,
801:The War of the Worlds
783:The War of the Worlds
675:
504:The War of the Worlds
441:The War of the Worlds
435:
370:as Major General Mann
288:by the United States
278:The War of the Worlds
231:) is a 1953 American
222:The War of the Worlds
66:The War of the Worlds
24:The War of the Worlds
4351:1950s American films
4246:1950s thriller films
3718:A Vision of Judgment
3578:The Door in the Wall
3402:This Misery of Boots
3032:The Soul of a Bishop
2864:Love and Mr Lewisham
2832:The Wheels of Chance
2714:Mars: The Home Front
2177:Criterion Collection
2034:Hickman, Gail Morgan
1949:May 7, 2011, at the
1851:"=Mockbuster video."
1293:Booker 2010, p. 126.
561:name of a real one.
3959:His Majesty O'Keefe
3895:Man-Eater of Kumaon
3787:H. G. Wells Society
3634:The New Accelerator
3564:A Deal in Ostriches
3381:The Science of Life
3360:The Open Conspiracy
3346:The New World Order
2960:The New Machiavelli
2816:The Wonderful Visit
2182:Making of the movie
1814:Library of Congress
1662:The Washington Post
1323:Caroline G. Blake,
1142:"London Amusements"
973:Library of Congress
918:were nominated for
879:The Washington Post
364:as Sylvia Van Buren
290:Library of Congress
268:Southern California
3903:Too Late for Tears
3882:(1943, uncredited)
3841:Films directed by
3772:Anthony West (son)
3648:The Plattner Story
3606:The Land Ironclads
3529:The Beautiful Suit
3416:War and the Future
3353:New Worlds for Old
3304:In the Fourth Year
3168:Apropos of Dolores
3136:The Croquet Player
2992:The World Set Free
2952:The Sleeper Awakes
2920:The War in the Air
2596:The New Generation
2483:(2005, The Asylum)
2459:(1975, television)
2362:Fighters from Mars
2004:Booker, M. Keith.
1991:G.P. Putnam's Sons
1795:The New York Times
1749:Bloody Disgusting!
1604:The New York Times
1206:, January 13, 1954
1078:Tomohiro Nishikado
847:The New York Times
829:Paramount Pictures
681:
566:Corona, California
447:war footage and a
438:
136:Paramount Pictures
4261:Apocalyptic films
4228:
4227:
4073:
4072:
4015:The Little Savage
3983:Conquest of Space
3808:
3807:
3641:The Pearl of Love
3571:The Diamond Maker
2840:The Invisible Man
2750:
2749:
2746:
2745:
2707:Global Dispatches
2663:War of the Worlds
2644:War of the Worlds
2628:War of the Worlds
2491:(2005, Paramount)
2488:War of the Worlds
2383:The Space Machine
2203:Lux Radio Theater
2191:star Ann Robinson
2189:War of the Worlds
2160:War of the Worlds
2148:War of the Worlds
2123:Willis, Don, ed.
2061:978-0-7864-9914-4
2018:Gebert, Michael.
2014:978-0-8108-5570-0
1999:978-0-39913-096-0
1724:on April 17, 2019
1575:External link in
1354:978-0-7864-9914-4
1346:978-0-7864-9914-4
1103:War of the Worlds
1065:War of the Worlds
1062:'s 2005 version,
1024:War of the Worlds
1011:The Naked Monster
1001:War of the Worlds
840:Critical reaction
610:. "The staunchly
577:War of the Worlds
516:Sergei Eisenstein
477:Chesley Bonestell
463:. The image then
218:
217:
4368:
4142:Destination Moon
4100:
4093:
4086:
4077:
4076:
3975:Long John Silver
3967:The Naked Jungle
3835:
3828:
3821:
3812:
3811:
3048:The Undying Fire
2808:The Time Machine
2777:
2770:
2763:
2754:
2753:
2351:
2350:
2310:Fighting machine
2284:Related texts: "
2261:
2254:
2247:
2238:
2237:
2090:Strick, Philip.
1954:
1941:
1935:
1926:
1920:
1919:
1905:
1899:
1898:
1896:
1894:
1879:
1873:
1865:Desowitz, Bill.
1863:
1857:
1847:
1841:
1838:
1832:
1823:
1817:
1808:
1799:
1788:
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1781:
1779:
1777:
1766:
1760:
1759:
1757:
1755:
1740:
1734:
1733:
1731:
1729:
1720:. Archived from
1709:
1703:
1688:
1682:
1673:
1667:
1666:
1653:
1647:
1646:
1636:
1630:
1627:
1621:
1620:, April 6, 1953.
1614:
1608:
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1545:
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1534:
1520:
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1511:
1505:
1495:
1489:
1484:C.J Henderson’s
1482:
1476:
1465:
1459:
1448:
1442:
1433:Barry Forshaw’s
1431:
1425:
1414:
1408:
1397:
1391:
1380:
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1334:
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1200:
1194:
1183:
1177:
1176:
1174:
1172:
1156:
1150:
1149:
1138:
1071:Ready Player One
1060:Steven Spielberg
1019:Independence Day
912:Paramount Studio
743:photon torpedoes
717:The Outer Limits
691:with a sinister
661:Victorian London
581:Woody Woodpecker
520:Alfred Hitchcock
512:Cecil B. DeMille
489:Cedric Hardwicke
420:Cedric Hardwicke
266:England to 1953
168:
166:
157:
155:
33:
21:
20:
4376:
4375:
4371:
4370:
4369:
4367:
4366:
4365:
4231:
4230:
4229:
4224:
4183:
4177:Heaven Can Wait
4156:
4109:
4104:
4074:
4069:
4047:Captain Sindbad
4039:Armored Command
4031:September Storm
3991:The First Texan
3911:Treasure Island
3845:
3839:
3809:
3804:
3798:Time After Time
3762:Political views
3750:
3723:
3683:The Stolen Body
3669:The Sea Raiders
3557:The Crystal Egg
3515:Æpyornis Island
3502:
3449:
3339:The New America
3269:The Fate of Man
3214:
3184:The Holy Terror
2904:A Modern Utopia
2795:
2786:
2781:
2751:
2742:
2694:
2688:1999 video game
2683:1998 video game
2650:
2603:
2562:
2518:
2435:
2409:
2397:The Martian War
2345:
2338:
2322:
2298:
2286:The Crystal Egg
2276:
2265:
2232:Wayback Machine
2187:Interview with
2143:
2138:
2084:Cinefantastique
1963:
1958:
1957:
1951:Wayback Machine
1942:
1938:
1927:
1923:
1906:
1902:
1892:
1890:
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1876:
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1753:
1751:
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1737:
1727:
1725:
1710:
1706:
1695:Rotten Tomatoes
1689:
1685:
1674:
1670:
1657:Coe, Richard L.
1654:
1650:
1638:
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1633:
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1365:John Brosnan’s
1364:
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1140:
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1135:
1130:
1115:
966:
942:
930:Rotten Tomatoes
920:Sound Recording
842:
797:
792:
779:
730:chemical weapon
670:
668:Special effects
604:
596:Popular Science
528:Alexander Korda
524:Gaumont-British
473:matte paintings
430:
425:
409:as Cop at crash
376:as Doctor Pryor
374:Bob Cornthwaite
351:
298:
246:, and starring
233:science fiction
179:
172:
169: (New York)
164:
162:
153:
151:
144:
116:Everett Douglas
94:
69:
36:
17:
12:
11:
5:
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2550:Scarlet Traces
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2141:External links
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1982:Adamson, Joe.
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1829:Film Reference
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1034:launched by a
1032:cruise missile
1016:The 1996 film
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2158:The Complete
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1665:. p. 27.
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3599:In the Abyss
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1722:the original
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1629:Willis 1985
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481:Solar System
461:World War II
440:
439:
415:as Salvatore
383:Lewis Martin
368:Les Tremayne
362:Ann Robinson
343:
327:
311:war machines
303:U.S. Marines
299:
277:
276:
252:Ann Robinson
240:Byron Haskin
238:directed by
227:
226:
221:
220:
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178:Running time
96:Ann Robinson
64:
55:Barré Lyndon
45:Byron Haskin
18:
3935:Silver City
3801:(1979 film)
3767:G. P. Wells
3728:Screenplays
3454:Collections
3437:World Brain
3311:Little Wars
3283:Floor Games
3241:Crux Ansata
2928:Tono-Bungay
2784:H. G. Wells
2655:Video games
2639:(2019, BBC)
2268:H. G. Wells
2173:J. Hoberman
1915:Retro Gamer
1893:November 9,
1776:November 9,
1754:November 9,
1274:AFI Catalog
1028:atomic bomb
758:force field
733:black smoke
544:Dan Dowling
536:Don Hartman
508:Ray Pomeroy
469:Technicolor
457:World War I
398:Bill Phipps
315:force field
256:H. G. Wells
206:$ 2 million
78:Produced by
72:H. G. Wells
41:Directed by
4241:1953 films
4235:Categories
4188:Short Form
3219:Nonfiction
2608:Television
2589:Highlights
2344:Derivative
2327:Characters
1989:New York:
1888:ScreenRant
1679:oscars.org
1553:BBFC.co.uk
1528:BBFC.co.uk
1128:References
1047:The Asylum
1036:B-2 Spirit
910:, and the
819:was rated
810:box-office
653:sub-atomic
612:secularist
465:smash cuts
453:Paul Frees
449:voice-over
428:Production
392:Paul Frees
356:Gene Barry
248:Gene Barry
244:George Pal
211:Box office
182:85 minutes
165:1953-08-13
154:1953-04-03
92:Gene Barry
82:George Pal
4196:Pinocchio
4161:Long Form
4063:The Power
3871:The Siren
3096:Meanwhile
3072:The Dream
2530:Killraven
1728:April 16,
1327:, Ch.2, 5
1279:April 20,
1101:In 2004,
1003:TV series
998:The 1988
898:from the
885:King Kong
790:Reception
747:Star Trek
711:periscope
693:manta ray
608:clergymen
483:, except
467:to vivid
339:atom bomb
323:Air Force
319:death ray
112:Edited by
4169:Fantasia
4121:" (1939)
3999:The Boss
3676:The Star
3543:The Cone
3144:Brynhild
2968:Marriage
2424:" (1938)
2334:Martians
2303:Concepts
2228:Archived
1993:, 1985.
1947:Archived
1870:VFXWorld
1700:Fandango
1568:cite web
1171:July 30,
1113:See also
991:'s list
981:Cold War
902:for its
677:Drive-in
628:red weed
624:pipettes
493:Martians
459:through
445:newsreel
280:won the
272:Martians
195:Language
122:Music by
88:Starring
61:Based on
3927:Warpath
3755:Related
2504:Goliath
2175:at the
2162:Website
1618:Variety
1616:"Brog".
1204:Variety
900:Academy
857:Variety
823:by the
795:Release
770:tripods
649:bazooka
555:montage
198:English
187:Country
163: (
152: (
4221:(1945)
4207:(1944)
4199:(1941)
4180:(1944)
4172:(1941)
4153:(1954)
4145:(1951)
4137:(1946)
4129:(1943)
4066:(1968)
4058:(1964)
4050:(1963)
4042:(1961)
4034:(1960)
4026:(1959)
4018:(1959)
4010:(1958)
4002:(1956)
3994:(1956)
3986:(1955)
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3954:(1953)
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3914:(1950)
3906:(1949)
3898:(1948)
3890:(1947)
3874:(1927)
3866:(1927)
3858:(1927)
3747:(1937)
3739:(1936)
3211:(1941)
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3043:(1918)
3035:(1917)
3027:(1916)
3019:(1915)
3011:(1915)
3003:(1915)
3000:Bealby
2995:(1914)
2987:(1914)
2979:(1913)
2971:(1912)
2963:(1911)
2955:(1910)
2947:(1910)
2939:(1909)
2931:(1909)
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2915:(1906)
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2859:(1899)
2851:(1898)
2843:(1897)
2835:(1896)
2827:(1896)
2819:(1895)
2811:(1895)
2800:Novels
2674:(1984)
2666:(1982)
2523:Comics
2515:(2012)
2507:(2012)
2499:(2008)
2467:(1981)
2451:(1953)
2432:(1968)
2354:Novels
2131:
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964:Legacy
953:iTunes
894:won a
637:bipeds
616:Curate
335:anemic
203:Budget
4126:Bambi
2896:Kipps
2567:Music
2440:Films
2414:Radio
2346:works
1304:1985'
751:sonar
707:cobra
497:Earth
485:Venus
3008:Boon
2315:HMS
2153:IMDb
2129:ISBN
2114:ISBN
2096:ISBN
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2010:ISBN
1995:ISBN
1973:ISBN
1895:2020
1778:2020
1756:2020
1730:2019
1583:help
1560:2024
1535:2024
1350:ISBN
1342:ISBN
1281:2023
1173:2018
685:UFOs
418:Sir
349:Cast
307:Mars
296:Plot
250:and
2270:'s
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