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broadcasters at a documentary-pitch event
Ramallah. Shomali's original intention had been to make a short animated film on the story. However, Fichman believed it had the makings of a feature documentary and approached veteran Montreal-based documentary filmmaker Paul Cowan. The project took nearly five years to complete—a lengthy process due to the time involved in creating the animation as well as the fact that Shomali and his Canadian collaborators lived thousands of miles apart.
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187:, hiding a herd of 18 dairy cows from Israeli security forces when the dairy collective was deemed a threat to Israel's national security. The film combines documentary interviews with those involved in the events, archival footage, drawings, black-and-white stop-motion animation as well as re-enactments, and was co-directed by Canadian filmmaker
31:
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Interviewed in the film are Jalal
Oumsieh, a schoolteacher who had purchased the 18 cows, geology professor Jad Ishad, pharmacist Elias Rishmawi and butcher Virginia Saad. The film also interviews two members of the Israeli government: Shaltiel Lavie, then-military governor of the region, and Ehud
218:
and set about teaching themselves how to care for the animals and milk them—even sending a member to the United States to learn dairy farming. The farm was a success, with strong local demand for “Intifada milk.” Despite the fact that the cows posed no serious economic threat to Israel, they were
315:
The film's director Amer
Shomali was unable to attend a screening of the film at the Human Rights Watch International Film Festival in New York City when he was denied entry to Jerusalem by the Israeli government on the grounds that he was a security threat, and was therefore unable to attain a
259:
The idea for the film began in
Shomali's boyhood, spent largely at a Syrian refugee camp where his main escape had been reading comic books, one of which dealt with the story of the Beit Sahour cows. Montreal-based producer Ina Fichman first heard of the story when a group of producers and
250:
feel, even shooting live-action interviews at an angle to replicate the look of comic book panels. The director intended to use the cows point-of-view as a way for audience to sympathize with the subject matter. For
Shomali, laughter is a way of non-violent disobedience.
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In the 1980s, as part of a
Palestinian boycott of Israeli taxation and commodities, residents of Beit Sahour decided to form a collective and stop purchasing milk from Israeli companies, in a quest for greater self-sufficiency. They purchased cows from a sympathetic
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determined to be part of the boycott of
Israeli administration, and hundreds of soldiers as well as military helicopters were used to search for the cows. The popularity of the cows increased support for the tax boycott, causing headaches for occupying forces.
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The film is framed as being told from the point of view of the cows—Rikva, Ruth, Lola and Goldie, who appear in humorous
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and was screened to a capacity crowd in
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804:"The Wanted 18: Israel Blocks Palestinian Filmmaker from Making NYC Film Premiere About Intifada Cows"
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List of
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Academy Awards for Best Foreign Language Film
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Documentary films about the Israeli–Palestinian conflict
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Rencontres internationales du documentaire de Montréal
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Special Mention of the Jury for Creative Documentary
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International Film Festival and Forum on Human Rights
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607:"REVIEW: The Wanted 18"
371:Abu Dhabi Film Festival
297:Abu Dhabi Film Festival
203:but was not nominated.
164:Arabic, English, Hebrew
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829:"The Wanted 18 (2015)"
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305:Carthage Film Festival
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911:thepeninsulaqatar.com
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1012:"2015 Award Winners"
177:animated documentary
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1098:Divine Intervention
201:88th Academy Awards
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530:Hollywood Reporter
524:Felperin, Leslie.
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144:Running time
116:Release date
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1022:10 February
996:10 February
788:20 November
762:23 November
686:20 November
653:20 November
620:20 November
535:20 November
311:Controversy
181:Beit Sahour
72:Ina Fichman
68:Saed Andoni
62:Produced by
41:Directed by
1249:2014 films
1243:Categories
970:9 February
942:9 February
917:9 February
890:9 February
860:Metacritic
782:Collection
555:Arab Press
505:References
461:Nominated
391:Nominated
337:Metacritic
255:Production
248:comic book
246:to have a
240:Claymation
215:kibbutznik
207:Background
189:Paul Cowan
148:75 minutes
127:2014-09-12
53:Paul Cowan
587:31 August
561:28 August
356:Category
343:Accolades
324:Reception
318:U.S. Visa
161:Languages
153:Countries
1162:The Idol
1084:for the
881:"Awards"
736:12 April
488:See also
95:Music by
813:13 June
757:Variety
711:4 March
706:Haaretz
359:Result
287:Release
199:at the
125: (
1229:(2024)
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363:Ref(s)
350:Award
131: (
1170:Wajib
965:FIFDH
961:(PDF)
865:5 May
840:5 May
473:2015
455:2014
437:2015
419:2014
401:2015
375:2014
353:Year
1138:Omar
1046:IMDb
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892:2022
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842:2020
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688:2014
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
