228:, he invades Freud's apartment and refuses to tell him who he is, claiming he would not believe it. After several questions, Freud realizes he is God, but is he really? He bombards Freud with several atheist arguments questioning his own existence, and Freud counterargues saying he must be God, until the Gestapo officer notifies him of a mythomaniac on the loose. He is then referred to as Walter Oberseit, which is the name of the fugitive. Freud then bombards The Visitor with reasons why he cannot be God. However, he isn't Walter Oberseit either. When he is presented to Anna, she sees him as the man that stalks her at the park. Freud, as well as the reader, never knows whether the Visitor is God, or simply a mythomaniac. It is a matter of faith to believe or not.
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174:, living in Vienna before World War I. In the play Freud seems very troubled as a result of several inner conflicts. First, the question of living Vienna or not: if he leaves, he ensures safety for him and his family but leaves his fellowmen and the city that watched him grow behind; if he stays, he puts him and his family in danger, but he shows solidarity to the victims and he stays with the city he loves. Then, The Visitor raises another question: is he really
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Jews. Although he pretends to be strong, he is weak, full of fears and regrets about the person he is. He returns after taking Anna to get more money from Freud, telling him that he knows about the money he has deposited in other countries. But he flees when Freud, with to the help of The
Visitor, notices the great resemblance in his uncle Simon's nose, who was a rabbi, and the officer's.
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Eric
Emmanuel Schmitt received inspiration from this play one day after listening to more bad news on the radio. From his account, he was feeling like Freud (one of the main characters of the play), wondering why God would allow such things to occur. When Schmitt finished writing the play, he read it
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with astounding persuasion powers. Freud desperately wants to believe The
Visitor is God, but his reason tells him not to. He is presented as a loving father that would do anything for his children, as a lonely man that needs love from a father he may hate, and as a soft and fragile individual at the
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and psychoanalyze him. A person without parents, utterly alone in the
Universe. Once hypnotized, Freud asks more questions, including when will he die. At that point, The Visitor comes out of the hypnotic state. Freud realizes The Visitor is God. He cannot believe it. To “prove” it The Visitor tells
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His character represents the cliché Gestapo officer. Presented in a negative light, he is a violent, brute individual. He is perverse and thirsty for money. He is the one that takes Anna for questioning after she challenges his entire persona and the real reasons why he finds pleasure in humiliating
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Anna returns, and Freud is relieved and exhilarated. She reassures him that she is fine and says that when she was questioned, she denied that the
International Association of psychoanalysis had political interests. She also informs Freud about the camps were Jews were taken and criticizes them for
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and The
Visitor replies an atheist is a man in despair. Freud is troubled. He says he is glad the Visitor is Walter Oberseit and not God, because if he were God, he would accuse him of absolute negligence. The Visitor explains, somewhat annoyed, that he created man free. He is not to blame for what
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The
Visitor comes out of his cover and closes the window. Freud is infuriated. He cannot believe he was deceived by a mythomaniac and accuses The Visitor of wasting his time. The Visitor says Walter Oberseit, the runaway, lived for years in a cave in isolation. When he was finally able to speak, he
340:, but Freud told her that was not an option because that is what the Nazis wanted them to do. The vision continues. Anna bites herself to call attention. It works, and she is taken to be interrogated. The Visitor is proud of her, because he knows if she is not interrogated, she will be taken to the
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Freud doubts again. The
Visitor explains that everyone projects in him the image that they want to see. He says he must leave, and he thanks Freud for listening to him. Freud desperately wants a definitive answer and tells him not to go out through the window but to disappear in front of his eyes.
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In a more respectful way than before, the Nazi returns to give Freud his will back. Freud asks where Anna is and he says she is still being questioned but she will be back soon. In addition, he informs Freud that they found Walter
Oberseit. Freud is hopeful because The Visitor may actually be God.
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The Nazi returns. The
Visitor hides behind a curtain. Freud persistently asks about Anna, but his replies are vague and perverse. Freud is worried, and to make matters worse, the Nazi asks Freud for the bank accounts mentioned in his will. He says that if he provides him with that money, then Anna
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The reader is introduced to two characters: Freud and Anna. It is the year 1938, the war is about to begin, and Nazis have already invaded Vienna. Freud, like many other Jews, must leave. In order to do so, he must sign a paper stating he has been treated exceptionally by the Nazi regime. Freud is
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officer and psychoanalyzes him to account for his disrespectful behavior toward Jews. She is taken for questioning, but she shows no fear, unlike Freud. She reassures him that everything will be fine, and that fear is worthless. She is the voice of reason in her father's life, constantly reminding
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A new character is introduced: the Gestapo officer. He has already been to Freud's house before, when he confiscated his books to burn them. Now he has returned to ask for money in exchange of “freedom”. Freud indicates where the money is, and the officer is surprised by its quantity. He insults
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The picture is of Freud's uncle, who was a Rabbi. Interestingly enough, the Nazi's nose is highly similar to that of the uncle. The situation backfires for the Nazi. He leaves, scared that someone may discover his secret. Before leaving, he tells Freud about a man on the run. His name is Walter
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Freud thinks of the paper. Instead of signing it, he calls the US ambassador to Austria to ask for help regarding the taking of Anna. He promises to pull some strings and reminds him to sign the paper. He begins to sign the paper, but he is insulted by what it says and stops.
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to three people, and one of them discouraged him from publishing it. For several years it was kept in a drawer, until upon the insistence of various people, it was performed on stage. From that point on, the play and the author have received great praise from the public.
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were invented simultaneously, and tragedy is, in a way, a version of philosophy that is accessible to the public. As a writer, he says his goal is to present and explore philosophical ideas that are simple enough for everyone to understand, and this can easily be seen in
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staying quiet. Freud tells her it is the best thing to do to prevent any further violence against family members. Then, he insists that she meets the Visitor. She is confused because she sees no one and tells Freud that when she came in, he was sleeping. Anna leaves.
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Freud asks again why the Visitor has come. The Visitor explains how boring it is to be God, because you have already seen it all. Outside, a Jewish couple is persecuted and taken to the camps. Freud tells God to do something, but he says he cannot because he is not
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The Visitor appears, dressed as an opera dandy, out of nowhere. Freud is shocked and demands an explanation. Who is he? Where did he come from? What does he want? How does he know Freud? Because he receives no direct answers to his questions, Freud takes out his
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Freud and all other Jews. Anna is infuriated and psychoanalyzes him to cause embarrassment. As a result, she is taken to the Gestapo for questioning. Before leaving, she reminds her father to sign the paper and reassures him that everything will be alright.
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would tell impossible stories and pretend to be a great figure in history. The Visitor tries to tell Freud he is not Walter Oberseit. Freud still does not believe and says he no longer believes in psychoanalysis. He explains why he is an
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was greatly acclaimed by the public. Many important newspapers in France and elsewhere qualified the piece as brilliant, intelligent, captivating, and much more. Stage Door, a long lived website for theater review in
302:, etc.). Freud is confused because he has not disclosed information about his book with anyone and he is not even sure himself he will leave Vienna. He asks The Visitor again who he is. No response. He attempts to
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The play also refers to something even The Visitor, who spoke as if he were God, considered ultimately beautiful: Mozart's music. In a podcast the author expressed how this music inspired him to write.
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will be returned. He says it will be a secret between them two. Freud does not know what to do, he wants Anna back, but the money mentioned in his will is what he has saved for all his children. A
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is Freud's daughter. Her age is never explicitly revealed on the play, but despite being an adult Freud treats her as a little child. She shows great character strength when she stands up to the
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Anna says The Visitor is the man that stalks her when she goes to the park. The Visitor and Freud seem surprised, while Anna is annoyed by the presence of The Visitor and leaves again.
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Oftentimes, the works by Schmitt do not receive great attention from elite scholars. His books are often dismissed by this group as too traditional, too popular, and such.
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Freud about the time Freud recognized his own existence, which is the same time The Visitor meets Freud for the first time. The latter still does not believe.
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The Visitor excuses himself by saying that he had to go to the bathroom. Freud tells him that he must meet Anna. He is reluctant, but Freud convinces him.
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The Visitor reassures Freud that Anna is okay. He has a vision. She has something in her hand. Freud knows what it is. They had been thinking about
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him to sign the paper that will enable them to leave Vienna and escape the Nazi regime. She proves to be smart and to know how to defend herself.
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follows in which the Nazi insults Jews and blames them for his failures. Then he leaves to give Freud time to think.
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The Visitor has been staged in several European countries as well as other countries. Among the list appear France,
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Freud demands an explanation from The Visitor, but he seems as confused as him and denies knowing Anna.
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The play received three Molières and has been staged in several countries around the world.
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Desperate, Freud reaches for the revolver and shoots, but he misses. The Visitor is gone.
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ill. A commentary is made regarding children and adults: children are naturally born as
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that is primarily philosophical. As he himself noted in a French magazine,
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occurred or is occurring and claims the reason behind all those things is
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The play has also been translated into several languages, including
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Anna returns and acts as if she already knows The Visitor.
397:. He lost his omnipotence when he created man and gave him
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Knapp, Bettina L (2000). "Théâtre Eric-Emmanuel Schmitt".
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Concentration camps where Jews were beginning to be taken.
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Schmitt, Eric-Emmanuel (2012). Roduit, François (ed.).
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Eric-Emmanuel Schmitt Ou La Philosophie de l'ouverture
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Despite Freud's wishes, he leaves through the window.
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Schmitt portrays Sigmund Freud, the Twentieth century
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Some Character-Types Met with in Psycho-Analytic Work
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703:"Eric-Emmanuel Schmitt (Rediffusion du 26/12/2010)"
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71:is a 1993 play written by French-Belgian author
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1044:Leonardo da Vinci, A Memory of His Childhood
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679:"Eric-Emmanuel-Schmitt - Le site officiel"
650:: CS1 maint: location missing publisher (
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732:Flo'N The Go
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1395:The Visitor
1390:(1962 film)
1331:1971 statue
1168:("Wolfman")
1124:(Ida Bauer)
902:(including
638:The Visitor
490:The Visitor
226:opera Dandy
220:The Visitor
180:mythomaniac
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68:The Visitor
1513:1993 plays
1507:Categories
1492:Jofi (dog)
1379:depictions
1244:Anal stage
1239:Oral stage
1217:censorship
883:On Aphasia
786:2018-12-06
762:2018-12-06
738:2018-12-06
713:2018-12-06
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558:References
523:, and the
463:Background
395:omnipotent
142:Characters
113:philosophy
109:literature
1338:Interment
1212:Ego ideal
1161:"Rat Man"
1148:"Anna O."
941:(1916–17)
904:On Dreams
646:cite book
399:free will
318:monologue
304:hypnotize
93:Anschluss
49:Published
1377:Cultural
1316:Archives
1185:concepts
1183:Original
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640:. Paris.
620:40155323
286:revolver
33:Language
1297:Related
1122:"Dora"
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495:Ontario
368:atheist
338:suicide
298:and in
196:Gestapo
87:, when
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544:Greek
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373:greed
361:ACT 8
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324:ACT 6
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279:ACT 4
270:ACT 3
261:ACT 2
248:ACT 1
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652:link
550:and
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