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The Unholy Night

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percent lemon." Film critic and historian Troy Howarth, declared that "If the film is any indication of Barrymore's overall directing talent, it's no surprise that he eventually returned his focus exclusively to acting." and found the film "painfully creaky and melodramatic....unfolding in painfully static medium and long shots".
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Michael R. Pitts discussed in his book on obscure genre films between 1928 and 1936, that the film "consists of talk with little physical action" and that "the film moves at a fairly good pace, contains fine performances and is atmospheric in its London fog scenes and in the old mansion in which the
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The well-to-do Lord Montague is assaulted on a fog enshrouded London street on his way to his club, but manages to escape death. He later learns that some unknown assailant is killing off the members of his old army regiment from the Indian War. A Scotland Yard inspector investigating the homicides
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declared the film "a hopelessly involved script handled by Lionel Barrymroe in a way that would discredit a quickie director. Worse than the worst would-be thriller meller staged on Broadway and impressing as a pointless souffle burlesquing them all" concluding that the film was "a one hundred
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in the role of Abdul, the Hindu lawyer, who "takes advantage of his naturally dark complexion but ... struggles terribly with the thick Indian accent." Leonard Maltin gave the film two stars, calling it a "stagy Ben Hecht melodrama with much hamming, especially by unbilled Karloff".
443:) which was released in France. This French-language version was never released in the US. Dorothy Farnum and Yves Mirande adapted the screenplay. It was Feyder's first sound film, and the first French-language film ever made in Hollywood as well. It was released in France in 1930. 256:
asks Montague to have the nine remaining members of his regiment assemble at his estate, so as to protect them from being murdered one by one, and so that he can hopefully learn the identity of the assassin, assuming the killer may be one of them.
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story takes place". Pitts did note that the film was overlong and "somewhat static and a bit creaky" by contemporary standards, but that "it holds up well and provides several doses of cinematic chills, especially during the climactic seance."
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Critic Roy Kinnard commented "This melodramatic but rather tame detective mystery relied almost entirely on dialogue to advance its plot. Boris Karloff ... is among the supporting players."
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stated that the film was "a bully mystery melodrama and the best of months. You will never guess the real murderer until the denouement" and praised the performances of Dorothy Sebastian.
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found that "the story has been done before in various forms" but that Ben Hecht's "masterly story telling style made it appear better than the theme and plot really are."
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noted that "we have seen this on previous occasions in various forms as far as plot is concerned but treatment and direction lifts it out of the rut." A reviewer from
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declared the film a "Swell mystery story, artistically directed by Lionel Barrymore. Roland Young and Dorothy Sebastian are great." A review in
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Hollywood and the Foreign Touch: A Dictionary of Foreign Filmmakers and Their Films from America, 1910-1995
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Barrymore co-directed (with French director Jacques Feyder) a French-language version of the film called
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was signed to direct the film as his first 100% dialogue feature. The film's screenplay was written by
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was distributed theatrically by Metro-Goldwyn-Mayer Distributing Corp. on 14 September 1929.
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Thrills Untapped: Neglected Horror, Science Fiction and Fantasy Films, 1928-1936
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published on April 20, 1929, the film began production under the working title
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took over as director, which would be his second sound film as a director.
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Kinnard, Roy (1995). "Horror in Silent Films". McFarland and Company Inc.
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Willys Theatre Presenting Ben Hecht's Tales of the City
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and adapted by Dorothy Farnum based on the short story
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(2018). 775: 594:Workman & Howarth 2016 499:Troy Howarth commented on 424: 18: 16:1929 American mystery film 1529:Metro-Goldwyn-Mayer films 1449: 1398: 979: 912: 686:– via Google Books. 641:– via Google Books. 514:Boris Karloff filmography 217: 209: 199: 176: 168: 162:Metro-Goldwyn-Mayer Corp. 152: 142: 132: 111: 86: 76: 66: 56: 41: 36: 1252:The Miracle of the Bells 653:"Le Spectre vert (1930)" 368:as Major 'Mac'. McDougal 275:as Lord 'Monte' Montague 1268:Where the Sidewalk Ends 569:American Film Institute 386:Exhibitors Herald-World 356:as Major David Endicott 326:as Major Arthur Mallory 259: 250: 1514:American mystery films 1148:It's a Wonderful World 344:as Lieutenant Williams 308:as Lee Han, the mystic 1228:Her Husband's Affairs 1092:The Florentine Dagger 1036:Hallelujah, I'm a Bum 921:Crime Without Passion 758:Turner Classic Movies 676:. 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Index

American Horror Story: Asylum
Unholy Night

Lionel Barrymore
Edwin Justus Mayer
Dorothy Farnum
Ben Hecht
Ernest Torrence
Roland Young
Ira Morgan
Grant Whytock
Metro-Goldwyn-Mayer Corp.
pre-Code
mystery film
Lionel Barrymore
Ernest Torrence
Ernest Torrence
Roland Young
Dorothy Sebastian
Natalie Moorhead
Polly Moran
George Cooper
SĹŤjin Kamiyama
Claude Fleming
Clarence Geldart
John Miljan
Richard Tucker
John Loder
Philip Strange
John Roche

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