474:– but furrow the influences into a style which demands to be taken on its own merits. Comparisons are so limited that I find it hard to avoid the much mistaken and inflexible term 'progressive'. Further to this, their music, whether cautious or dissipated, is always underlined by a devilishly impulsive awareness and wicked streak of unpredictability. They play a serious game of musical hide and seek... In a set that switched with as much consistency as a knackered fluorescent light the Transmitters were always compelling and somehow evaded a possible self-destructive urge."
802:
716:
564:
393:." Meanwhile, Westwood was entertained by the group's ramshackle presentation – "A serious set? That may have been the intent, but one look at John, the vocalist, and a crowd can crack up. He stumbles around, fag in mitt, flanked by a drunken bass player (Simon Wells), a drunken guitarist (Sam Dodson), a workmanlike drummer (Jim Chase), and the strangely sombre on-stage persona of keyboardist, Amanda De Grey."
506:
number to number: "Q-Tips" and "Catholics", "Kill the
Postman" and "Change Gear". There’s even a ska-like destruction of "Sugar Sugar", where everything is so bad but brilliant – guitars out of tune, vocals all over the shop – but the actual point of TPD lies not in their affected clumsiness but in transforming clever and demanding music into a touching, entertaining sort of hobby.”
356:
Review. Writing in the latter, Chris
Westwood said "The Transmitters were, as is their forte, unpredictable, uncalculatedly comic, inspiring and brilliant... The sound is open, free, off-the-cuff, bound together through all the stumbling, fumbling chaos that their approach entails. "The One That Won
505:
pub with people being silly, playing sloppily but with undeniable width, stamina, ingenuity. Mikel (Presumed Dead) sings and dances, spins tinny guitar in the path of writing saxophone (Dave, Presumed Dead) and more jarring, clashing guitar (Sam, presumed drunk) while the conglomorate stagger from
973:
The band performed a reunion gig at The Inn on the Green, Ladbroke Grove, West London on 40 March 2007. The band line-up on this occasion was similar to the final 1980s line-up, consisting of Sam Dodson (guitar), Tim Whelan (vocals), James McQueen (bass), John
Woodley (theremin and keyboards), Jim
500:
Chris
Westwood reviewed the new band's concert at the Trafalgar, Shepherds Bush in Record Mirror, concluding "The ramshackle remnants of The Transmitters and Missing Presumed Dead have assembled in the name of fun, chaos and roo-beat enterprise. The end – and beautifully unrehearsed – result is a
624:
The line-up of The
Transmitters continued to change over the years. Baby, Wells and Treasure all left at various points during the 1980s; Treasure was replaced by the returning Jim Chase, and Whelan also returned to the line-up (replacing Chapman). Several more musicians passed through The
291:, West London in 1977. The original line-up was John Quinn (vocals – also known as "John Clegg", "John Grimes" or "John X"), Sam Dodson (guitar, aka "Sam Dodds"), Simon "Sid" Wells (bass), Amanda de Grey (keyboards), Jim Chase (drums) and Dexter O'Brian (lyrics – real name
546:(In parallel, Mikel Lee (guitar, vocals), Julian Treasure (drums), Tim Whelan (guitar, vocals) and Ian Hawkridge (bass) came together as a reinvented Missing Presumed Dead, gigging and recording their own John Peel Session in the same year which was produced by
625:
Transmitters during this period – including guitarist Vince
Cutcliffe and keyboard player Bob Sargeant (aka "the Hand of Borgus Wheems"). Live performances were augmented by several other "floating" members – Joe Sax and theremin player John Woodley.
683:. He spits forth his topical angst ("there's a hole in the world") while his lanky henchmen beat manifold drums, extract Haitian war chants from keyboard thingies, and scratch shrill guitars like jaguars assaulting sandpaper. They tangle with the
450:
described it as "an obsessive, frustrated record. Consistently effective and annoying, it rummages restlessly out on lunatic fringes. It's difficult, discomforting and oppressively manic, but worth exploring." Morley also drew comparisons to
357:
The War", par example, a personal favourite, damn near falls apart at the seams, with clattering whining guitar thrashes mating with probably the most essential bass phrase this side of any other
Transmitters number you care to name." NME's
455:, noting that "both groups are cynics and critics. Both groups are fronted by hurried, mocking inciters. Both groups deal with instabilities, abnormalities, ambitious truths... and make demented shell-shocked music."
376:
The same reviews paid plenty of attention to the band's stage presence, in particular that of the charismatic John Quinn. Describing Quinn as "inscrutable", Morley also claimed that he had "the comedy timing of a
223:, the band were critical favourites throughout their lifetime and played support slots for a wide variety of underground and mainstream bands, although this did not translate into substantial commercial success.
501:
temporary six piece, sax and flute and guitars and drums, that quite honestly asks questions of all our established and revered leaders. Why is everyone else so sober? We're working on a smale scale here; in a
466:, Nick Tester reflected "The Transmitters were a useful choice for a movement (all about choice) fighting a pitiful and regressive male intrusion. They borrow from a wide source – early psychedelia,
269:(This band should not be confused with the other British indie band called The Transmitters, who are a more conventional indie rock band with an entirely different line-up, and were formed in 2006.)
446:
The second of the
September singles was the four track EP "Still Hunting for the Ugly Man" (on new label Step-Forward Records) which reached Number 2 in the Our Price New Wave Charts. In NME,
295:). Guitarists Steve Walsh (Manicured Noise) and John Guillani (from O'Brian's other band The Decorators) also stood in as live members at various times. Rick Kemp was initially on drums.
648:
The band's final line-up (between 1987 and 1989) was Dodson, Whelan, Chase, James McQueen (bass), Dave "Mud-Demon" Muddyman (keyboards/accordion/sampler, ex-Birdloom) and Whelan's
690:
The
Transmitters released a 12-inch single, "The Mechanic", on yet another label (9CC/Craving Co Productions) in 1989. Writing in Music Week, Dave Henderson described it as "like
671:
Reviewing a gig at
Subterrania, London in 1988, Melody Maker's Chris Roberts claimed "Tim Whelan is the most restless man alive and demonstrates this by dancing like a young
439:
In September 1979, The Transmitters released two singles within the same month. The first was their last release on Ebony Records, "Nowhere Train", of which Lenny Kaye (in
1249:
970:, which included the recordings from their first Peel session in 1979. This album was released on 12 March 2007 on the Dodson-owned record label Elsewhen Records.
950:
band named after a gas cooker and perform Arabic and Middle Eastern pop music standards, oriental classics, Russian polkas, Nigerian brass band favourites and
893:, an electronica-and-vocal project with elements of gospel and jazz. Described as "Portishead with a sense of humour" the project released two albums (2000s
660:). This line-up recorded tracks for a third Transmitters album which was not released during the band's lifetime. This music finally saw the light of day as
954:
tunes. During its existence, the band made regular performances at Club Dog and Waterman's Art Centre (in West London) and also made an appearance at the
520:
519:
Transmitters Presumed Dead soon transformed into the second Transmitters line-up of Sam Dodson (guitar), Sid Wells (bass), Dave Baby (saxophone) and
160:
687:' "Ferryboat Bill" quite swimmingly and, all things assimilated, are a cathartic anglepoise on the heart of darkness. Highly wrecked and mended."
1219:
547:
489:. As the name implied this was a merger between members of Transmitters (Dodson, Wells and Chase) and members of the similarly defunct band
443:) commented "The Transmitters, in an eerie, dronal tune, call up the ghosts of serpent power, a neat bit of seance, just following tracks…”
1229:
1244:
373:' ancestry; deceptively nonchalant, barely controlled, repetitive, erratic and intoxicating, presented with an odd, wry condescension."
1239:
905:(released on the Mechanism label in 2002). Another Transmitters player, theremin player John Woodley, was a frequent contributor.
1234:
17:
912:, another electronica project blending urban trance techno with ancient vocal chants and "tribal rhythms". Thaw released the
934:
In addition to his Loop Guru membership, Dave Muddyman is currently a member of Hoopy Froods, Round Way Wrong and MuudMap.
298:
The band's debut single was "Party", released on Ebony Records in 1978. This was followed in the same year by the album
849:
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described the music as "feverish and jumpy" and stated "The Transmitters are the cheekiest group I've seen since
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never happened, wanton artiness, expressing-yourself tendencies and other such angles are exposed.”
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The Transmitters played a pro-National Abortion Campaign benefit gig at the Hope & Anchor,
370:
243:
120:
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Dodson and Muddyman (under the pseudonyms of "Salman Gita" and "Jamuud") continued with their
401:
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326:
292:
140:
8:
942:
Circa 1991, Whelan and Lee reunited with Julian Treasure, Jim Chase and James McQueen in
664:, which was released as a free download album in 2006 by Portuguese digital record label
317:
at the Nashville Rooms, West London. (Other bands played with during this period include
255:
1203:
played on Pat Duncan radio show on WFMU 91.1FM, 17 May 2007 (retrieved 31 December 2008)
1108:
1072:
by Chris Westwood – hosted on The Transmitters' MySpace page. Retrieved 29 December 2008
1069:
502:
1111:
by Nick Tester – hosted on The Transmitters' MySpace page. Retrieved 29 December 2008
1030:– download-only album containing material originally recorded between 1987 and 1989).
878:
467:
463:
366:
349:
306:
1123:
by Chris Westwood – hosted on The Transmitters' homepage. Retrieved 29 December 2008
369:(and almost as sinister). They were, of course, great. Naturally, their music is of
1179:
by Chris Roberts – hosted on The Transmitters' homepage. Retrieved 29 December 2008
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494:
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68:
1099:
by Paul Morley – hosted on The Transmitters' homepage. Retrieved 29 December 2008
1087:
by Paul Morley – hosted on The Transmitters' homepage. Retrieved 29 December 2008
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471:
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247:
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Record Mirror review of 1980 Transmitters Presumed Dead concert at The Trafalgar
628:
In 1985, a Transmitters song called "Sheep Farming" became the first song to be
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in 1979, following which Dexter O'Brian left the band. (Under his real name of
405:
334:
211:
band active during the late 1970s and throughout the 1980s. Mixing elements of
148:
550:
and included a strong version of the original Transmitters song "0.5 Alive".)
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390:
386:
382:
353:
428:, he would retrain as an actor and spend three years in the BBC soap opera "
1188:
691:
676:
532:
528:
440:
421:
408:. Perry occasionally returned the favour by playing with The Transmitters.
239:
183:
154:
396:
During 1979, Dodson (along with de Grey and Wells) sometimes performed in
966:
The Transmitters reunited in March 2007 to promote the compilation album
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882:
447:
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Record Mirror review of 1979 Transmitters concert at Greenwich Theatre
889:'s Jim Daly (aka "Jym Darling") and jazz singer Liz Fletcher to form
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56:
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436:" between 1987 and 1990, before branching out into screenwriting.)
204:
64:
931:
was released on Warlock Records/Sony Red USA on 19 February 2008.
776:
Whelan and Lee continued to write and play with their other band,
226:
The Transmitters are also notable for featuring future members of
951:
493:(Mikel Lee and Dave Baby). Tim Whelan (one of the two singers of
1177:
Melody Maker review of 1988 Transmitters concert at Subterrania
1109:
Sounds review of 1979 Transmitters concert at Hope & Anchor
791:
288:
45:
1156:"Radio 1 – Keeping It Peel – 06/01/1981 Missing Presumed Dead"
535:
in 1981, as well as releasing the second Transmitters album –
994:"Still Hunting for the Ugly Man" (1979, Step-Forward Records)
629:
485:
Soon after the split a new Ealing-based band emerged, called
342:
1085:
NME review of 1979 Transmitters concert at Greenwich Theatre
937:
514:
640:(which happened to be led by head Transmitter Sam Dodson).
216:
919:
Most recently, Dodson has teamed up with Neil Sparkes (ex-
313:. On 15 February 1979, they supported an early line-up of
523:(drums, ex Fish Turned Human) with Mikel Lee leaving and
251:
553:
462:, London on 28 October 1979. Reviewing the concert in
412:
First Peel Session, further releases and initial split
305:
On 29 December 1978, the band played a concert at the
1134:"Radio 1 – Keeping It Peel – 22/07/1981 Transmitters"
706:
Tim Whelan and Hamilton Lee (Transglobal Underground)
697:
The band split up for the second time later in 1989.
974:
Chase (drums) and Hamilton Lee (drums and sampler).
531:) replacing Tim Whelan. This band recorded a second
1250:
Rock music groups from the London Borough of Ealing
901:, both on Rephlex Records) and a mini-album called
1080:
1078:
997:"The Mechanic" (1989, 9CC/Craving Co Productions)
916:album on Dodson's record label Elsewhen in 2005.
404:, which had evolved out of Perry's previous band
1211:
679:, and hurling himself at the floor like any-age
643:
282:
234:and for sharing two members with cult pop band
1097:NME review of "Still Hunting For The Ugly Man"
1075:
958:as the house band for a variety theatre show.
923:and a current Temple of Sound member) to form
352:on 18 March 1979 was reviewed by both NME and
1065:
1063:
480:
246:. Their sound was compared to (among others)
792:Sam Dodson and Dave Muddyman (Loop Guru etc)
830:. Unsourced material may be challenged and
744:. Unsourced material may be challenged and
592:. Unsourced material may be challenged and
1060:
870:), launching the project in full in 1992.
938:Various members (The Flavel Bambi Septet)
850:Learn how and when to remove this message
764:Learn how and when to remove this message
612:Learn how and when to remove this message
515:Launch of second line-up and second album
416:Gaining the attention and approval of DJ
14:
1212:
1036:(2007, Birdsong, Japan, CD, BIRD-2008)
780:, until 1990. They launched their own
1220:English psychedelic rock music groups
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509:
497:) was recruited to sing lead vocals.
277:
828:adding citations to reliable sources
795:
742:adding citations to reliable sources
709:
590:adding citations to reliable sources
557:
1230:English experimental musical groups
554:Transmitters in transit (1982–1987)
477:The Transmitters broke up in 1980.
24:
1245:Musical groups established in 1977
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908:Dodson and Daly also teamed up as
25:
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1189:Flavel Bambi Septet Myspace page
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1240:English new wave musical groups
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946:, a light-hearted Ealing-based
365:; the wackiest I've seen since
27:British art rock post-punk band
1235:English post-punk music groups
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238:, as well as a guest stint by
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1034:And We Call That Leisure Time
1014:And We Call That Leisure Time
991:"Nowhere Train" (Ebony, 1979)
700:
537:And We Call That Leisure Time
1191:. Retrieved 13 December 2008
1028:You Are Not Stealing Records
666:You Are Not Stealing Records
644:Final line-up and recordings
283:Formation and early releases
7:
873:Dodson also teamed up with
400:– the art rock band led by
10:
1266:
1201:Evidence from live bootleg
487:Transmitters Presumed Dead
481:Transmitters Presumed Dead
432:", playing the character "
272:
1049:(Elsewhere Records, 2007)
1001:
956:Edinburgh Festival Fringe
788:two years later in 1992.
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385:, the amused poise of a
106:Elsewhere (2007–present)
92:Step-Forward (1979–1980)
1225:English art rock groups
944:The Flavel Bambi Septet
921:Transglobal Underground
786:Transglobal Underground
232:Transglobal Underground
18:The Transmitters (band)
1158:. BBC. 14 January 1981
420:, the band recorded a
381:, the detachment of a
1010:(1978, Ebony Records)
988:"Party" (Ebony, 1978)
877:singer Linda Finger,
491:Missing Presumed Dead
398:The Good Missionaries
309:, Camden, supporting
99:9CC/Craving Co (1989)
927:, whose debut album
824:improve this section
738:improve this section
586:improve this section
426:Christopher McHallem
293:Christopher McHallem
141:Christopher McHallem
102:You Are Not Stealing
654:Hamilton "Hami" Lee
543:later in the year.
287:The band formed in
1041:Compilation albums
510:1980s Transmitters
470:, through to even
323:The Birthday Party
278:1970s Transmitters
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350:Greenwich Theatre
348:A concert at the
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90:Ebony (1978–1979)
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76:Years active
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978:Discography
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925:Loungeclash
897:and 2002's
883:Rat Scabies
881:'s drummer
548:Bob Sargent
525:Rob Chapman
448:Paul Morley
359:Paul Morley
244:Rob Chapman
221:psychedelia
164:Steve Walsh
121:Rob Chapman
97:(1981–1988)
61:jazz fusion
1214:Categories
1054:References
887:Psychic TV
701:Post-split
652:colleague
434:Rod Norman
430:EastEnders
402:Mark Perry
387:Mark Smith
379:Dave Allen
363:The Mekons
311:The Police
168:Tim Whelan
152:John Quinn
149:Mark Perry
130:Sam Dodson
80:1977–1988
1018:Heartbeat
875:Loop Guru
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864:worldbeat
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725:does not
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632:by a new
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495:Furniture
468:Beefheart
460:Islington
418:John Peel
331:The Slits
260:This Heat
242:vocalist
236:Furniture
228:Loop Guru
209:post-punk
138:Mikel Lee
124:Jim Chase
118:Dave Baby
95:Heartbeat
57:Post-punk
1008:24 Hours
914:Holy Cat
903:Earworms
866:project
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656:(drums,
453:The Fall
339:The Fall
300:24 Hours
264:Magazine
248:The Fall
205:art rock
184:elsewhen
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1140:29 June
1026:(2006,
1016:(1981,
952:Klezmer
891:Slipper
832:removed
817:sources
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685:Velvets
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658:sampler
630:remixed
594:removed
579:sources
391:Sinatra
371:Velvets
273:History
179:Website
158:Joe Sax
115:Members
1002:Albums
879:Damned
464:Sounds
383:Devoto
289:Ealing
104:(2006)
87:Labels
53:Genres
46:Ealing
42:Origin
1136:. BBC
692:Stump
343:Blurt
192:.html
1164:2014
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910:Thaw
815:any
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