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The Seller

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22: 489:“An astonishing fusion of stark landscape cinematography and wildly compelling close-ups, especially of Brophy as he delivers hypnotic monologues that seem to be about everything and nothing at once and that lay bare his character's internal processes without demystifying them. Schlattman has rarefied emotion instead of breaking it down – his characters are indelible because they retain their mystery even as they let you inside.” 364:
of Melissa, and Bart's compliance with and embrace of his humiliation motivates Melissa to a surprising, violent, and bittersweet action. The first adult decision of this 12-year-old ensues; a wrenching decision full of the mixed emotions of both characters, and fantasy of what could have been, and what ultimately could never be.
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On a dry lakebed we witness the bonding, friendship, and tragedy of Bart and Melissa's haunting relationship before it builds to a final climax at Aunt Betty's house as Quinton shows up and the terror, beauty, and banality of their journey come to a head. Quinton humiliates and degrades Bart in front
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Stopping in a lounge Bart dances with Melissa again, and as she begins to feel her youth and freedom we watch her through Bart's not so parental eyes. In a seedy small-town motel it becomes apparent Dwight's head wound is too severe to ignore, and Derrick and Dwight leave the group to take Dwight to
328:), as he tries to close them in the sale of the only car he has left on his lot. Despite witnessing this, Melissa refuses to shoot him when he hands her the gun and tells her he would “understand”, then promises to take her cross-country to Texas to live with her only surviving family, Aunt Betty ( 441:
The company went on the road for a two-week trip, sharing motel rooms and shooting in pre-arranged and improvised locations, then basing themselves in Victorville, where cast and crew members came and left as shooting demanded, or went on to previous commitments. All the small town locations were
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Bart and Melissa team up to do a trade to a small town used car salesman (David Alexander) as Melissa comes to Bart's aid for the first time. A small town bartender matches bravado with Derrick with disastrous results for Dwight when he hits him in the head with a beer mug, wounding him severely.
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At a river bed Bart dances a 70's line dance with Melissa in front of the car that contains the bodies of her parents, just before he dumps it into a river. In an accident of fate, the group discovers Melissa's prowess with a gun, and Bart teaches her about life, wearing the white hat, doing the
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impossible, meaning the production was shooting blind. The four dedicated leads spent the full two weeks shooting in the area with the director, and quietly put up with the relative discomfort of being away from home and shooting in an open car, in August, in the desert. With clinging clothes
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which deserves a much larger audience. The meandering discussions they have about life, death, dreams and mortality have all the sizzle and wit you could ever hope to find in a movie. One of my favorite films of the year.”
344:), Bart's sadistic mentor, former friend and creditor, and become an odd family with Derrick serving as a father figure for Bart and Dwight, while Bart becomes father and friend to this tough, intelligent 12-year-old. 458:
Arriving back in the Valley for Aunt Betty's location was bittersweet in its loss of small-town friendliness and driving, but welcome in its more temperate climate. Aunt Betty's
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feel needed for the culminating scenes. Shooting as sequentially as possible was a conscious decision designed to give the actors the kind of emotional fuel needed to drive a
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disappearing between takes, passers-by may have thought it was some strange desert beach movie. The motel pool was put to a thorough use in the evenings just to keep cool.
385: 337: 305: 190: 164: 324:), a used car salesman in the midst of realizing his life is a failure, kills the obnoxious parents of what he believes is an abused 12-year-old brat, Melissa ( 403: 391: 333: 194: 379: 325: 309: 208: 186: 212: 168: 438:. An August shoot made the desert locations beautiful in their peculiar resilience to the elements and the filmmakers, but also incredibly hot. 373: 321: 297: 182: 222: 663: 547:
However, the film was given a very poor distribution by a minor distributor and failed to get to “a much larger audience.”
668: 422:, then continued to the surrounding areas via rental truck and hard-working crew. This intimate team went on location to 86: 58: 105: 65: 459: 43: 673: 332:), in what he believes will be a final act of salvation - one last good deed. With his two salesmen, Dwight ( 72: 470:
full of the complicated emotional and psychological range needed in Aunt Betty's tacky Texas living room.
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location took place over four days and fit perfectly into the suburban small-town
574: 511: 493: 450:, making use of the feel and sparse tone of the areas, but also making viewing 172: 652: 341: 467: 349: 419: 130: 563: 639: 630: 621: 612: 603: 594: 531:“The festival's best bet... Schlattman's precise vision recalls auteur 397: 329: 301: 198: 340:) in tow, they take flight from the murders and one Quinton Bendick ( 21: 532: 582: 482: 451: 418:
tense opening tone was created in a small warehouse location in
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and continued to skirt the city in the desert area around
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feature film written and directed by American director
46:. Unsourced material may be challenged and removed. 650: 502:“The festival’s most gratifying find could be 535:, America's ace seer of Western wastelands.” 129: 106:Learn how and when to remove this message 651: 585:– production company official website 485:to extremely positive reviews, like; 44:adding citations to reliable sources 15: 13: 14: 685: 557: 20: 550: 31:needs additional citations for 1: 410: 352:, whom she comes to idolize. 664:1990s English-language films 473: 7: 10: 690: 669:American independent films 273: 265: 255: 232: 218: 204: 178: 160: 150: 140: 128: 123: 312:in her first film role. 579:– official film website 367: 315: 545: 528: 517: 499: 529: 518: 500: 487: 165:Stephen John Stofflet 674:1990s American films 583:Proletariat Pictures 376:as Bartholomew Trust 40:improve this article 640:Nancy Van Iderstine 404:Nancy Van Iderstine 288:is a 1998 American 135:1998 Release Poster 591:– official website 520:“A stunning film.” 118:1998 American film 540:Chicago Sun Times 491:Lisa Alspector – 348:right thing, and 281: 280: 227:Victor Livingston 116: 115: 108: 90: 681: 631:Stephen Stofflet 509:John Patrakis – 294:Craig Schlattman 248: 246: 155:Craig Schlattman 145:Craig Schlattman 133: 121: 120: 111: 104: 100: 97: 91: 89: 48: 24: 16: 689: 688: 684: 683: 682: 680: 679: 678: 649: 648: 560: 553: 543: 537:Bill Stamets – 536: 526: 521: 515: 512:Chicago Tribune 508: 497: 490: 476: 413: 370: 336:) and Derrick ( 318: 258: 251: 244: 242: 235: 225: 211: 197: 193: 189: 185: 171: 167: 136: 119: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 687: 677: 676: 671: 666: 661: 647: 646: 637: 628: 619: 613:Kathy Morozova 610: 604:Arthur Roberts 601: 592: 586: 580: 572: 559: 558:External links 556: 555: 552: 549: 494:Chicago Reader 475: 472: 412: 409: 408: 407: 401: 395: 389: 386:Arthur Roberts 383: 380:Kathy Morozova 377: 369: 366: 338:Arthur Roberts 326:Kathy Morozova 317: 314: 310:Kathy Morozova 306:Arthur Roberts 279: 278: 275: 271: 270: 267: 263: 262: 259: 256: 253: 252: 250: 249: 238: 236: 233: 230: 229: 220: 216: 215: 209:Bubba Bukowski 206: 205:Cinematography 202: 201: 191:Arthur Roberts 187:Kathy Morozova 180: 176: 175: 173:Juliet Bashore 162: 158: 157: 152: 148: 147: 142: 138: 137: 134: 126: 125: 117: 114: 113: 28: 26: 19: 9: 6: 4: 3: 2: 686: 675: 672: 670: 667: 665: 662: 660: 657: 656: 654: 645: 641: 638: 636: 632: 629: 627: 623: 620: 618: 614: 611: 609: 605: 602: 600: 596: 593: 590: 587: 584: 581: 578: 577: 573: 571: 567: 566: 562: 561: 554: 548: 544: 542: 541: 534: 527: 525:– Los Angeles 524: 516: 514: 513: 505: 498: 496: 495: 486: 484: 480: 471: 469: 465: 461: 456: 453: 449: 445: 439: 437: 433: 429: 425: 421: 417: 405: 402: 400:as Aunt Betty 399: 396: 393: 390: 387: 384: 381: 378: 375: 372: 371: 365: 361: 357: 353: 351: 345: 343: 342:Andre Marquis 339: 335: 331: 327: 323: 313: 311: 307: 303: 299: 295: 291: 287: 286: 276: 272: 269:United States 268: 264: 260: 254: 240: 239: 237: 231: 228: 224: 221: 217: 214: 213:Wes Llewellyn 210: 207: 203: 200: 196: 192: 188: 184: 181: 177: 174: 170: 169:Marcus Burton 166: 163: 159: 156: 153: 149: 146: 143: 139: 132: 127: 122: 110: 107: 99: 96:February 2016 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: â€“  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 595:Brian Brophy 575: 564: 551:Film posters 546: 538: 530: 519: 510: 503: 501: 492: 488: 478: 477: 457: 448:Frazier Park 440: 424:Frazier Park 416:The Seller's 415: 414: 374:Brian Brophy 362: 360:a hospital. 358: 354: 350:Annie Oakley 346: 322:Brian Brophy 319: 298:Brian Brophy 284: 283: 282: 257:Running time 234:Release date 183:Brian Brophy 102: 93: 83: 76: 69: 62: 55:"The Seller" 50: 38:Please help 33:verification 30: 444:Victorville 432:Victorville 420:Los Angeles 296:. It stars 290:Independent 261:117 minutes 223:Lester Fatt 161:Produced by 141:Directed by 659:1998 films 653:Categories 589:Mink Stole 576:The Seller 565:The Seller 504:The Seller 481:opened in 479:The Seller 468:dĂ©nouement 411:Production 398:Mink Stole 388:as Derrick 382:as Melissa 330:Mink Stole 302:Mink Stole 285:The Seller 199:Mink Stole 151:Written by 124:The Seller 66:newspapers 622:Adam Paul 474:Reception 436:Lancaster 428:El Mirage 394:as Dwight 392:Adam Paul 334:Adam Paul 219:Edited by 195:Adam Paul 533:Jon Jost 442:shot in 406:as Carla 274:Language 179:Starring 483:Chicago 452:dailies 277:English 266:Country 243: ( 80:scholar 460:Reseda 320:Bart ( 308:, and 82:  75:  68:  61:  53:  464:Texas 87:JSTOR 73:books 644:IMDb 635:IMDb 626:IMDb 617:IMDb 608:IMDb 599:IMDb 570:IMDb 523:KPFK 434:and 368:Cast 316:Plot 245:1998 241:1998 59:news 642:at 633:at 624:at 615:at 606:at 597:at 568:at 446:or 42:by 655:: 430:, 304:, 300:, 247:) 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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Craig Schlattman
Craig Schlattman
Stephen John Stofflet
Marcus Burton
Juliet Bashore
Brian Brophy
Kathy Morozova
Arthur Roberts
Adam Paul
Mink Stole
Bubba Bukowski
Wes Llewellyn
Lester Fatt
Victor Livingston
Independent
Craig Schlattman
Brian Brophy
Mink Stole

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