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The Pitchfork Review

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quoted the magazine's creative director as saying that moving into print was "not a nostalgic move, because print has never left our lives," adding that Pitchfork's goal was to "create a permanent object of a moment through music journalism and documentation... a compendium of what we'll remember
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But as impressive as it is, is it a step back in time for a brand more known for looking ahead? Perhaps, but that doesn't mean it's a step backwards; rather, it can be seen as a show of confidence. And there is reason to believe it could turn a profit. Print still has a currency, in terms of
163:, available in print only, that included long-form feature stories, photography, and illustrations, and also included selected recent pieces from Pitchfork's online content. The magazine ended after 11 issues in November 2016. 841: 948: 922: 896: 659: 785: 870: 204:, and printed on glossy, high-quality 8-by-10¼ paper. It was expected that about two-thirds of the content would be original, with the remaining one-third recycled from the Pitchfork website. 682: 1002: 829: 1042: 1062: 704: 936: 1037: 910: 884: 339:
and the Lovetones, "Off with His Tongue!" and "Let's Bury the Hatchet," and a B-side, "Meg's Dreamcatcher," from Philadelphia-based punk band Watery Love.
649: 771: 858: 179:, a quarterly print journal focused on long-form music writing and design-focused content. J.C. Gabel, its first editor, had been the publisher of 566: 498:
Publication of the eighth issue, originally expected by December 15, 2015, was delayed to mid-January 2016. The issue featured a cover story on
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Kurt Vile and the Lovetones & Watery Love (Spring 2014). "Off with His Tongue! & Let's Bury the Hatchet b/w Meg's Dreamcatcher".
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perception and ad revenue, and a well-produced print glossy can still resonate with readers in a way that pixels can't.
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was secured as an exclusive advertising partner for the first four issues, and agreed to sponsor a series of
209: 305: 200:, Pitchfork Media planned a limited-edition quarterly publication of about 10,000 copies of each issue, 619: 397: 243: 675:"Pitchfork Media Takes A Stab At Print With The Pitchfork Review: Can It Save Music Magazines?" 451: 402: 235: 446:
Two collectible covers were printed for issue six, which included interviews with Antony and
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was reprinted from Pitchfork's online content. The issue included a 7-inch split single by
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from the last few months and what's going through our minds as music fans right now."
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Issue Three Available at Pitchfork Music Festival, Features King Tuff/The Lentils 7"
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on the "America underground 1988–93." The issue included a 7-inch split single by
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Issue Five Available Now, Featuring Björk, the B-52s, Jawbreaker, N.W.A, More"
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Issue Seven Available Now, Featuring Grace Jones, Robyn, Jeff Tweedy, Sufjan"
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Issue Six Available Now, Featuring Antony, Young Thug, DJ Rashad, and More"
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The third issue, which went on sale July 18, 2014, featured articles about
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Among its original pieces, the second issue included a feature article by
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included with the 2014 issues of the publication, beginning with No. 2.
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In issue four, articles included a profile of Australian songwriter
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was included with the second issue, with two exclusive tracks by
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Issue Two Available Now, Features Kurt Vile/Watery Love Split 7"
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Issue Four Available Now, Featuring Zola Jesus/The Tea Heads 7"
368: 721:(Spring 2014). "Blaze of Gl—: Scott Miller: An Appreciation". 650:"With Pitchfork Review, a Music Site Plants a Flag in Print" 308:, who died in 2013. Also featured were an appreciation of 697:"Music Site Pitchfork to Launch Quarterly Print Magazine" 803:(Limited edition 7" recording) (2): inside back cover. 434:, and a feature on the origins and "queer legacy" of 1043:Quarterly magazines published in the United States 213:likened the publication's literary aspirations to 1063:Defunct magazines published in the United States 1029: 995:Issue Eight Available, Release Party Announced" 961: 598:"Pitchfork to launch $ 19.96 print publication, 426:Issue five included an extended interview with 1038:Music magazines published in the United States 962:Hopper, Jessica; Pitchfork (19 January 2016). 486:, and a photo spread of San Francisco's 1970s 792: 470:The seventh issue featured a cover story on 88:Ryan Schreiber, Chris Kaskie, Michael Renaud 454:, and articles on the abstraction of rap, 27: 643: 641: 564: 955: 899:from the original on September 15, 2015. 873:from the original on September 19, 2015. 711: 591: 589: 587: 951:from the original on September 6, 2015. 853: 851: 824: 822: 820: 707:from the original on December 10, 2013. 673:Zara, Christopher (November 21, 2013). 647: 1030: 1005:from the original on January 29, 2016. 925:from the original on October 15, 2015. 764: 689: 685:from the original on February 3, 2014. 666: 638: 465: 441: 421: 342: 291: 263: 739: 717: 584: 983: 929: 903: 877: 848: 817: 672: 634:from the original on March 25, 2014. 612: 595: 493: 382: 379:and Vermont-based band The Lentils. 258: 13: 1073:2016 disestablishments in Illinois 648:Sisario, Ben (November 21, 2013). 14: 1084: 1012: 482:, an article by Charles Aaron on 371:, and others. An oral history of 272:included original articles about 1058:Magazines disestablished in 2016 844:from the original on 2014-07-18. 788:from the original on 2014-04-29. 662:from the original on 2013-11-25. 596:Nagy, Evie (November 21, 2013). 401:, an oral history of a New York 391:, a history of the recording of 16:Defunct quarterly music magazine 1068:2013 establishments in Illinois 565:Andy Cush (February 23, 2017). 1053:Magazines published in Chicago 558: 533: 458:and Teklife, and the world of 430:, an oral history of the band 416: 1: 1048:Magazines established in 2013 527: 363:, as well as short pieces on 679:International Business Times 210:International Business Times 7: 304:'s frontman and songwriter 10: 1089: 185:and founding publisher of 159:was an American quarterly 46:J.C. Gabel, Jessica Hopper 284:, and the history of the 253: 207:Covering the launch, the 166: 136: 126: 116: 108: 100: 92: 84: 76: 66: 58: 50: 42: 26: 750:(2): 4–6. Spring 2014. 355:and Margarita Mahfood, 268:The inaugural issue of 701:The Hollywood Reporter 541:"The Pitchfork Review" 452:Lizzy Mercier Descloux 403:electronic dance music 236:The Hollywood Reporter 232: 703:. November 22, 2013. 630:. November 21, 2013. 312:, and articles about 227: 225:, and editorialized: 1001:. January 12, 2016. 993:The Pitchfork Review 965:The Pitchfork Review 939:The Pitchfork Review 913:The Pitchfork Review 887:The Pitchfork Review 869:. October 24, 2014. 861:The Pitchfork Review 832:The Pitchfork Review 801:The Pitchfork Review 774:The Pitchfork Review 748:The Pitchfork Review 723:The Pitchfork Review 622:The Pitchfork Review 600:The Pitchfork Review 545:The Pitchfork Review 270:The Pitchfork Review 177:The Pitchfork Review 156:The Pitchfork Review 35:The Pitchfork Review 21:The Pitchfork Review 466:No. 7 (Summer 2015) 442:No. 6 (Spring 2015) 422:No. 5 (Winter 2015) 413:and The Tea Heads. 343:No. 3 (Summer 2014) 292:No. 2 (Spring 2014) 264:No. 1 (Winter 2013) 144:.thepitchforkreview 23: 969:(pre-order page). 947:. August 4, 2015. 895:. March 25, 2015. 784:. April 28, 2014. 655:The New York Times 474:, interviews with 171:In December 2013, 80:Christopher Kaskie 19: 921:. June 16, 2015. 840:. July 18, 2014. 494:No. 8 (Fall 2015) 460:Branson, Missouri 450:, a biography of 383:No. 4 (Fall 2014) 194:According to the 152: 151: 131:Chicago, Illinois 104:December 14, 2013 72:Limited to 10,000 1080: 1024: 1023: 1021:Official website 1007: 1006: 987: 981: 980: 959: 953: 952: 933: 927: 926: 907: 901: 900: 881: 875: 874: 855: 846: 845: 826: 815: 814: 796: 790: 789: 768: 762: 761: 743: 737: 736: 715: 709: 708: 693: 687: 686: 670: 664: 663: 645: 636: 635: 616: 610: 609: 593: 582: 581: 579: 577: 562: 556: 555: 553: 551: 537: 520:, and life as a 448:Lucinda Williams 407:Michael Galinsky 389:Courtney Barnett 259:2013–2014 issues 148: 145: 143: 31: 24: 18: 1088: 1087: 1083: 1082: 1081: 1079: 1078: 1077: 1028: 1027: 1019: 1018: 1015: 1010: 989: 988: 984: 977: 967:Issue #8 (Fall) 960: 956: 935: 934: 930: 909: 908: 904: 883: 882: 878: 857: 856: 849: 828: 827: 818: 811: 797: 793: 770: 769: 765: 758: 745: 744: 740: 733: 719:Bruno, Franklin 716: 712: 695: 694: 690: 671: 667: 646: 639: 618: 617: 613: 594: 585: 575: 573: 563: 559: 549: 547: 539: 538: 534: 530: 514:TV on the Radio 496: 468: 444: 424: 419: 385: 345: 318:Stanley Kubrick 294: 266: 261: 256: 173:Pitchfork Media 169: 140: 121:Pitchfork Media 38: 17: 12: 11: 5: 1086: 1076: 1075: 1070: 1065: 1060: 1055: 1050: 1045: 1040: 1026: 1025: 1014: 1013:External links 1011: 1009: 1008: 982: 976:978-0991399277 975: 954: 928: 902: 876: 847: 816: 809: 791: 763: 756: 738: 731: 710: 688: 665: 637: 611: 583: 557: 531: 529: 526: 518:Alice Coltrane 495: 492: 480:Sufjan Stevens 467: 464: 443: 440: 423: 420: 418: 415: 384: 381: 344: 341: 298:Franklin Bruno 293: 290: 265: 262: 260: 257: 255: 252: 248:7-inch records 216:The New Yorker 197:New York Times 168: 165: 161:music magazine 150: 149: 138: 134: 133: 128: 124: 123: 118: 114: 113: 110: 106: 105: 102: 98: 97: 94: 90: 89: 86: 82: 81: 78: 74: 73: 70: 64: 63: 60: 56: 55: 54:Music magazine 52: 48: 47: 44: 40: 39: 32: 15: 9: 6: 4: 3: 2: 1085: 1074: 1071: 1069: 1066: 1064: 1061: 1059: 1056: 1054: 1051: 1049: 1046: 1044: 1041: 1039: 1036: 1035: 1033: 1022: 1017: 1016: 1004: 1000: 996: 994: 986: 978: 972: 968: 964: 958: 950: 946: 942: 940: 932: 924: 920: 916: 914: 906: 898: 894: 890: 888: 880: 872: 868: 864: 862: 854: 852: 843: 839: 835: 833: 825: 823: 821: 812: 810:9780991399215 806: 802: 795: 787: 783: 782: 777: 775: 767: 759: 757:9780991399215 753: 749: 742: 734: 732:9780991399215 728: 725:(2): 88–103. 724: 720: 714: 706: 702: 698: 692: 684: 680: 676: 669: 661: 657: 656: 651: 644: 642: 633: 629: 625: 623: 620:"Introducing 615: 607: 603: 601: 592: 590: 588: 572: 568: 561: 546: 542: 536: 532: 525: 523: 519: 515: 511: 507: 506: 501: 491: 489: 485: 481: 477: 473: 463: 461: 457: 453: 449: 439: 437: 433: 429: 414: 412: 408: 404: 400: 399: 394: 390: 380: 378: 374: 373:Elliott Smith 370: 366: 362: 358: 354: 350: 340: 338: 334: 329: 327: 326:Holger Czukay 323: 319: 315: 311: 307: 303: 299: 289: 287: 283: 279: 275: 271: 251: 249: 245: 241: 238: 237: 231: 226: 224: 223: 218: 217: 212: 211: 205: 203: 202:perfect bound 199: 198: 192: 190: 189: 184: 183: 182:The Chicagoan 178: 174: 164: 162: 158: 157: 147: 139: 135: 132: 129: 125: 122: 119: 115: 112:November 2016 111: 107: 103: 99: 95: 91: 87: 83: 79: 75: 71: 69: 65: 61: 57: 53: 49: 45: 41: 36: 30: 25: 22: 998: 992: 985: 966: 963: 957: 944: 938: 931: 918: 912: 905: 892: 886: 879: 866: 860: 837: 831: 800: 794: 779: 773: 766: 747: 746:"Contents". 741: 722: 713: 700: 691: 678: 668: 653: 627: 621: 614: 606:Fast Company 605: 599: 574:. 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Index

Cover of The Pitchfork Review No. 1
Circulation
Pitchfork Media
Chicago, Illinois
www.thepitchforkreview.com
music magazine
Pitchfork Media
The Chicagoan
Stop Smiling
New York Times
perfect bound
International Business Times
The New Yorker
Paris Review
The Hollywood Reporter
Converse
7-inch records
Van Morrison
Otis Redding
Glenn Danzig
jukebox
Franklin Bruno
Game Theory
Scott Miller
Ellen Willis
Kate Bush
Stanley Kubrick
Sun Kil Moon
Holger Czukay
split single

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