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truth!" The crowd mocks
Pilgrim, who denounces them as followers of Beelzebub. Lord Hate-good then appears, before whom the crowd brings Pilgrim to trial. Witnesses, including Superstition, Envy, Pickthank and Malice, as well as Madam Bubble and Madam Wanton denounce Pilgrim. Lord Hate-good asks for the crowd's verdict, and they demand death. Lord Hate-good orders Pilgrim to be imprisoned.
408:
approach. Mister By-Ends announces that he has become a "gentleman of quality". He offers to keep the
Pilgrim company on his journey, but Pilgrim replies that those who would travel with him must be willing to stand "against the wind and tide". Mister and Madam By-Ends refuse, preferring creature comforts and their "old principles" to poverty. They leave, and Pilgrim resumes his journey.
422:
Celestial
Messenger appears and tells Pilgrim that "the Master" summons him that day. The Messenger ceremonially pierces Pilgrim's heart with an arrow "with the point sharpened with love". The Shepherds anoint Pilgrim. The Messenger directs Pilgrim on the path to the Celestial City, to which he must first cross the River of Death. The Shepherds pray for Pilgrim.
370:
In the Valley of
Humiliation, a chorus of Doleful Creatures, howling, surrounds Pilgrim as he enters. Apollyon enters and challenges Pilgrim in single combat, but Pilgrim prevails. The fight has exhausted Pilgrim, but two Heavenly Beings, Branch Bearer and Cup Bearer, restore Pilgrim with leaves from
421:
At the
Delectable Mountains, three Shepherds are at evening prayer. Pilgrim approaches them and asks if he is on the path to the Celestial City. They reply yes, and after asking why he wishes to journey there, invite Pilgrim to rest with them momentarily. The voice of a bird sings praises to God. A
340:
Outside of the House
Beautiful, Pilgrim "stumbles up to the Cross" and kneels before it. From off-stage, the voices of Three Shining Ones are heard. They then greet Pilgrim and relieve him of his burden. After Pilgrim knocks on the door of the House Beautiful, the Interpreter bids him welcome, as a
384:
At the fair in the town of Vanity, "all the pleasures of man" are for sale. Pilgrim enters, and averts his eyes from Vanity Fair as the crowd surrounds him and offers their wares, from Lord
Lechery to Madam Bubble and Madam Wanton. The crowd asks what Pilgrim will buy, and he replies: "I buy the
108:. The composer himself described the work as a 'Morality' rather than an opera. Nonetheless, he intended the work to be performed on stage, rather than in a church or cathedral. Vaughan Williams himself prepared the libretto, with interpolations from the Bible and also text from his second wife,
407:
The
Woodcutter's Boy is chopping firewood at the edge of a forest when Pilgrim enters, asking how far there is to go to the Celestial City. The Boy replies "not far", and points out that one can see the Delectable Mountains on a clear day. The Boy then notices Mister and Madam By-Ends as they
242:, a collaborative effort of the College of Fine Arts and Communications, Music Department, Opera Workshop and Symphony Orchestra. It was so well received that an encore production was mounted in 1970. In 1972, the year of the centenary of the composer's birth, the work was staged at
258:
directing, Igor
Kennaway conducting, and Richard Whitehouse singing the role of Pilgrim. Brian Bell directed the opera's Australian premiere in July 1980 performed by the Canberra Opera Society. Three semi-staged productions were performed between 1997 and 2008, conducted by
123:
also made use of themes originally conceived for his John Bunyan project. In 1940 he wrote a motet on Mr. Valiant-for-Truth's speech for mixed chorus. The BBC commissioned
Vaughan Williams for incidental music for a 1942 radio dramatisation of
393:
Pilgrim laments that God has forsaken him. In his despair, he clutches at his chest and feels the Key of Promise; after he has put it in the lock, he is instantly freed from prison and his bonds are gone. He resumes his journey.
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the Tree of Life and water from the Water of Life. Evangelist then returns and gives Pilgrim the Staff of Salvation, the Roll of the Word and the Key of Promise. He also warns Pilgrim to take care at town of Vanity.
332:
Evangelist directs Pilgrim towards the Wicket Gate. Four neighbours, Pliable, Obstinate, Mistrust and Timorous, appear to warn Pilgrim away from his journey. But Pilgrim dismisses them and continues.
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The Herald asks who will go forth on the King's highway. Pilgrim volunteers, and a scribe notes his name in a book. Pilgrim then receives "armour of proof", and begins his journey.
132:
has characterised the opera as "summarizing in three hours virtually the whole creative output of a great composer". The opera contains forty-one individual singing roles.
115:
The musical gestation of this opera was protracted, and was reflected in a number of musical projects in Vaughan Williams' life. For example, his earlier one-act opera
430:
In darkness, a trumpet sounds in the distance. The scene brightens, and voices from Heaven welcome Pilgrim to the Celestial City, at the completion of his journey.
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112:. His changes to the story included altering the name of the central character from 'Christian' to 'Pilgrim', so as to universalise the spiritual message.
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The Covent Garden performances were not a success, and the company dropped the opera from its repertoire in 1952. However, a student production at the
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1992 Royal Northern College of Music (RNCM PP1–2 DDD): Marsden/Griffiths/Whitehouse/Neale/Waddington, recorded 5, 8, and 25 March, conductor Kennaway
315:. He stands, faces the audience, and begins to read from the opening of the book. As he does so, a vision of Pilgrim appears, carrying his burden. A
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on 26 April 1951. The conductor was Leonard Hancock, whom Vaughan Williams had personally chosen to conduct the premiere, and the director
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Back in Bedford Gaol, again to the strains of the 'York' psalm tune, Bunyan addresses the audience, holding out his book as an offering.
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chorus greets him. The Interpreter marks Pilgrim's forehead in blessing, and after receiving a white robe, Pilgrim enters the House.
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552:, semi-staged: Charlotte Corderoy, cond.; Lydia Shariff, Madam By-Ends; Emyr Lloyd Jones, Bunyan; Ross Cumming, Pilgrim
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Watchful, the house porter, prays for the safety of the house's denizens and for them to enjoy the blessings of sleep.
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The opera opens to the chords of the psalm tune 'York'. John Bunyan is in Bedford Gaol, completing his book
246:, where the composer was educated, conducted by William Llewellyn and produced by Geoffrey Ford, again with
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falls to conceal Bunyan, and Pilgrim is alone on stage, reading and in a state of lamentation.
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1971 HMV SLS 959 (later EMI Classics CMS 7 64212 2 CD release): John Noble (Pilgrim);
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Stephen Connock, The Pilgrim's Progress in Performance, programme of ENO revival 2012
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in 1954 met with greater approval from the composer, notably for the performance of
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455:(Evangelist), Wynford Evans, Christopher Keyte, Geoffrey Shaw, Bernard Dickerson,
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as Pilgrim. John Noble later recorded the role in the recording conducted by Sir
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716:(Sir Adrian Boult, conductor). EMI Classics, CMS 7 64212 2 (1992 CD release).
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from 1921 was incorporated into Act 4, Scene 2 of the later opera. His
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1997 Chandos studio recording (following 1996 stage production):
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29:
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A new production was performed in the Spring of 2019 at the
521:(John Bunyan), Jeremy White (Evangelist), Richard Coxon,
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and directed by Yoshi Oida, with Roland Wood as Pilgrim.
675:"Music, maestro, please" (Obituary for Leonard Hancock)
238:
The North American premiere was on 28 April 1969, at
569:Hugh Ottaway, "Vaughan Williams: Symphony in D and
426:
Scene 3: The Pilgrim reaches the End of his Journey
417:Scene 2: The Shepherds of the Delectable Mountains
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631:Herbert Murrill, "Vaughan Williams's Pilgrim".
596:"The Pilgrim's Progress. Ralph Vaughan Williams"
263:, who also conducted a concert performance for
250:as Pilgrim. It was staged again in 1992 at the
1705:Opera world premieres at the Royal Opera House
548:2023 RVW Society recording and filming at the
525:. Gidon Saks, Francis Egerton, Rebecca Evans,
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794:
487:, John Elwes, Delia Wallis, Wendy Eathorne,
712:, Notes to CD reissue of Vaughan Williams'
695:Alan Blyth, Obituary for Monica Sinclair.
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270:A major staged production was produced by
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403:Scene 1: The Pilgrim meets Mister By-Ends
117:The Shepherds of the Delectable Mountains
1635:The Third Part of the Pilgrim's Progress
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171:(The Interpreter; A Celestial Messenger)
1428:Vaughan Williams and English folk music
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1416:Society for the Promotion of New Music
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214:
1581:Pilgrim's Progress: Journey to Heaven
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1034:Concerto for Two Pianos and Orchestra
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328:Scene 1: The Pilgrim meets Evangelist
969:Fantasia on a Theme by Thomas Tallis
1397:English Folk Dance and Song Society
366:Scene 2: The Pilgrim meets Apollyon
13:
976:Five Variants of Dives and Lazarus
358:Scene 1: The Arming of the Pilgrim
14:
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1366:Vaughan Williams Memorial Library
293:and directed by Jonathan Cocker.
135:The first performance was at the
1685:Operas by Ralph Vaughan Williams
1440:
1439:
1060:Six Studies in English Folk Song
760:Ottaway, Hugh, "Record Reviews:
491:, Doreen Price, Jean Temperley,
1521:The Life and Death of Mr Badman
754:
451:(John Bunyan, Lord Hate-Good),
287:Royal Northern College of Music
278:in November 2012, conducted by
252:Royal Northern College of Music
232:
16:Opera by Ralph Vaughan Williams
1150:Folk Songs of the Four Seasons
735:Beale, Robert (4 April 2019).
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389:Scene 2: The Pilgrim in Prison
1:
1024:Suite for Viola and Orchestra
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501:London Philharmonic Orchestra
441:
1302:(1946 historical drama film)
1091:Fantasia on Christmas Carols
336:Scene 2: The House Beautiful
289:in Manchester, conducted by
7:
1055:Romance for viola and piano
983:The Story of a Flemish Farm
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296:
204:Jean Watson (Madam By-Ends)
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1612:Road with Cypress and Star
1299:The Loves of Joanna Godden
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944:Symphony No. 8 in D minor
931:Symphony No. 6 in E minor
926:Symphony No. 5 in D major
921:Symphony No. 4 in F minor
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880:Job: A Masque for Dancing
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497:London Philharmonic Choir
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1514:The Enchanted Duplicator
1323:The England of Elizabeth
737:"The Pilgrim's Progress"
573:. A Comparative Note".
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240:Brigham Young University
1690:English-language operas
1342:English Folk Song Suite
1157:Three Shakespeare Songs
741:theatrereviewsnorth.com
649:Hubert Foss, Review of
594:Graeme, Roland (2000).
221:University of Cambridge
151:Roles and first singers
68:26 April 1951
1710:Operas based on novels
1588:The Pilgrim's Progress
1546:The Pilgrim's Progress
1528:The Land of Far-Beyond
1507:The Celestial Railroad
1491:The Pilgrim's Progress
1307:Scott of the Antarctic
1294:(1945 propaganda film)
862:The Pilgrim's Progress
810:Ralph Vaughan Williams
762:The Pilgrim's Progress
714:The Pilgrim's Progress
662:17 August 2007 at the
651:The Pilgrim's Progress
571:The Pilgrim's Progress
313:The Pilgrim's Progress
272:English National Opera
177:(Watchful, the porter)
126:The Pilgrim's Progress
105:The Pilgrim's Progress
96:Ralph Vaughan Williams
91:The Pilgrim's Progress
34:Ralph Vaughan Williams
24:The Pilgrim's Progress
1649:The Pilgrim's Regress
1382:Anglican church music
1196:Whither Must I Wander
550:Three Choirs Festival
345:Nocturne (Intermezzo)
1122:Five Tudor Portraits
819:List of compositions
772:(1551): pp. 469–470.
531:Pamela Helen Stephen
519:Peter Coleman-Wright
380:Scene 1: Vanity Fair
195:(A Woodcutter's Boy)
1084:Five Mystical Songs
633:Music & Letters
612:10.1093/oq/16.4.702
479:, Alfreda Hodgson,
463:, Gloria Jennings,
244:Charterhouse School
215:Performance history
1565:(Vaughan Williams)
1403:The English Hymnal
1392:Curse of the ninth
1334:Other compositions
1326:(1955 documentary)
1291:Stricken Peninsula
1006:The Lark Ascending
962:Norfolk Rhapsodies
955:In the Fen Country
937:Sinfonia antartica
575:The Musical Times
471:, Terence Sharpe,
469:John Shirley-Quirk
210:(A Heavenly Being)
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1452:
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1270:(1940 drama film)
1136:Serenade to Music
1098:O clap your hands
914:Pastoral Symphony
906:A London Symphony
855:Riders to the Sea
848:The Poisoned Kiss
766:The Musical Times
639:, 324–327 (1951).
581:, 456–458 (1953).
523:Roderick Williams
137:Royal Opera House
102:'s 1678 allegory
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79:Royal Opera House
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1656:Beves of Hamtoun
1606:Mellor's Gardens
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1375:Related articles
1283:The Flemish Farm
1249:The First Nowell
1234:Incidental music
1129:Dona nobis pacem
1077:A Cambridge Mass
940:(Symphony No. 7)
917:(Symphony No. 3)
909:(Symphony No. 2)
901:(Symphony No. 1)
890:Orchestral works
841:Sir John in Love
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307:Bunyan in Prison
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1048:Chamber music
1046:
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1039:Tuba Concerto
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1029:Oboe Concerto
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764:(May 1972).
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655:Musical Times
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527:Susan Gritton
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485:Richard Angas
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465:Ian Partridge
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461:Marie Hayward
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181:Norman Walker
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165:(John Bunyan)
164:
163:Inia Te Wiata
161:
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141:Covent Garden
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22:
19:
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1647:
1642:Little Women
1640:
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1069:Choral music
1011:
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769:
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744:. Retrieved
740:
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697:The Guardian
696:
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683:The Guardian
682:
670:
657:, June 1951.
654:
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615:. Retrieved
603:
599:
578:
574:
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539:Mark Padmore
505:Adrian Boult
473:Robert Lloyd
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237:
229:Adrian Boult
218:
183:(Evangelist)
134:
125:
116:
114:
103:
90:
89:
88:
18:
1695:1951 operas
1486:John Bunyan
1318:(1950 film)
1310:(1948 film)
1278:(1942 film)
1259:Film scores
1181:Vocal music
998:Concertante
545:, conductor
517:(Pilgrim);
507:, conductor
481:Joseph Ward
291:David Parry
256:Joseph Ward
199:Parry Jones
175:Bryan Drake
169:Edgar Evans
110:Ursula Wood
100:John Bunyan
98:, based on
40:Description
1679:Categories
1499:Literature
1211:Four Hymns
1116:Magnificat
1013:Flos Campi
679:Alan Blyth
557:References
442:Recordings
248:John Noble
233:Recordings
225:John Noble
193:Iris Kells
189:(Apollyon)
72:1951-04-26
48:Librettist
1359:Namesakes
1349:Sea Songs
1242:The Wasps
746:4 January
412:Entr'acte
267:in 2008.
159:(Pilgrim)
1445:Category
660:Archived
579:94(1328)
434:Epilogue
302:Prologue
297:Synopsis
235:below).
81:, London
64:Premiere
56:Language
43:Morality
1627:Related
317:curtain
274:at the
254:, with
70: (
59:English
1700:Operas
1590:(film)
1538:Operas
872:Ballet
503:; Sir
1599:Other
1573:Films
1556:Music
1171:Hodie
826:Opera
637:32(4)
617:1 May
398:Act 4
375:Act 3
353:Act 2
323:Act 1
30:Opera
748:2020
619:2008
1488:'s
770:113
653:.
608:doi
32:by
1681::
768:,
739:.
681:,
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604:16
602:.
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586:^
577:,
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499:;
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610::
74:)
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