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The Phantom of the Opera (1962 film)

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name, Petrie became enraged and broke into the printers to destroy the plates. While burning the already printed music, Petrie unwittingly started a fire and accidentally splashed acid on his face and hands in an effort to put it out, thinking it was water. In agony, he jumped into the river and was swept by the current into an underground drain, where he was rescued and cared for by the dwarf. The Phantom is dying and wishes to see his opera performed by Christine. Harry and Christine agree to allow him time to complete her coaching.
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Meanwhile, Harry, reinstated as the opera producer, is worried about Christine's disappearance and checks the river where Petrie had last been seen. He then hears the echo of Christine's voice emanating from a storm drain. He follows the voice through a water-filled sewer. The faint sound of the Phantom's organ-playing draws Harry down a tunnel where the dwarf attacks him with a knife. Harry subdues him and finds himself facing the Phantom, who is actually Petrie himself.
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enraptured, the dwarf is discovered in the catwalks by a stage-hand, and in the chase, he jumps onto a chandelier poised high over Christine. As the rope begins to break from the weight, the Phantom rips off his mask, leaps to the stage and pushes Christine safely from harm. The chandelier impales him before the eyes of the horror-stricken audience.
532:. Grant had expressed his interest in doing a Hammer horror film, at a time when it was common for American actors to be featured in British films. Actually, what Hinds said repeatedly in interviews was, "I wrote the script for Cary Grant," which makes it far more likely Grant was to play the title role, not a subordinate leading man. 38: 305:
Intrigued, Harry takes Christine back to the opera house. In her dressing room, the voice tells Harry to leave. Meanwhile, the rat-catcher is murdered by a dwarf. Investigating the murder, Harry leaves Christine, who is then approached by a masked man, The Phantom of the Opera. He says she must come
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Five years before, as a poor and starving composer, Petrie had been forced to sell all of his music, including the opera, to Lord Ambrose for a small fee with the thought that his being published would bring him recognition. After discovering that Lord Ambrose was publishing the music under his own
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The next day Lord Ambrose sends a dismissal to Christine for refusing to come back to his apartment. He chooses a more willing but less talented singer to take Christine's place. Visiting Christine at her boarding house, Harry finds an old draft of the opera he produced. It was written by Professor
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on a modest budget. Lom recalled in one interview how the producers at Hammer expected actors to throw themselves into their work: "For one of my scenes, the Hammer people wanted me to smash my head against a stone pillar, because they said they couldn't afford one made of rubber," Lom reveals. "I
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With the show postponed and Maria refusing to perform again, producer Harry Hunter auditions new singers. He finds a promising star in Christine Charles, one of the chorus girls. Enamored, Lord Ambrose invites Christine to dinner. In her dressing room, Christine is warned against him by a bodiless
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Weeks later, on the eve of a performance of "Saint Joan," the Phantom confronts Lord Ambrose. He rips off The Phantom's mask and runs out screaming into the night after seeing his deformed face. The Phantom then watches Christine sing from Box #5. Her performance brings him to tears. Listening
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Returning home, Christine is confronted by the dwarf and faints from fright. When she wakes, she is in the Phantom's lair deep in the cellars of the opera house. The Phantom tells Christine that he will teach her to sing and rehearses her with insistence until she collapses from exhaustion.
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wrote that the film "still provides a fair measure of goose pimples to combat some potential unwanted yocks. In the shadow of its predecessors the current 'Phantom' seems a reasonable booking for average houses, without doing anything to erase oldtimers' memories of the earlier versions."
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is reconciled to The Phantom as her mentor; but its Gothic elements are rich enough to defy time ... Surprisingly tasteful for a Hammer film, the production is also quite imaginative (The Phantom's rocky, water-lapped lair, complete with organ and double-bed) and careful."
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in London, which was rented for three weeks. Over 100 musicians and chorus people were hired for the shoot. The film had a reported budget initially of £200,000, but it was reported after principal shooting to be £400,000, both figures unusually high for a Hammer film.
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also had American-shot footage added to their television showings. This was a common practice when it was thought that parts of the film were "too intense." These scenes were edited out, and more acceptable scenes replaced them to extend the running time.
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refused to beat my head against stone, of course. This caused a 'big crisis', because it took them half a day to make a rubber pillar that looked like stone. And of course, it cost a few pennies more. Horror indeed!"
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gave the film a grade of "Fair", writing, "The story of creative fakery, revenge and danger is not only loosely woven together, but its believability is weak. Its dénouement is thin and vaporish."
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Many of the exterior sets utilised were on the studio's backlot and had already been used for many Hammer productions previously. Interiors of the "London Opera House" were filmed at the
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ever composed, and one that has become commonly associated with horror films. The trailer uses stock music from Revenge of the Creature due to both of them being released by Universal.
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called the film "a real disappointment ... In the hands of the British, with Herbert Lom as the opera ogre, the result is ornate and pretty dull. Whatever happened, chaps?"
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on 22 August 1962 at the RKO Palace Theater. In person was Sonya Cordeau, who played "Yvonne" in the picture. Cordeau later went on tour with the film for Universal.
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voice. That night, Lord Ambrose attempts to seduce Christine, but Harry saves her. On the ride back home, Christine tells Harry about the voice she heard.
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In the UK, Final Cut Entertainment released the film on Blu-Ray in 2014. Powerhouse Films re-released the film on Blu-Ray in the UK in 2021, along with
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Petrie, a former boarder who was supposedly killed during a fire at the press that was to print his music. Petrie was splashed with
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for Hammer, Universal decided to let the British outfit tackle the project instead and announced the project in February, 1959.
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In North America, the film was released on 6 September 2005 along with seven other Hammer horror films on the 4-DVD set
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seems decidedly half-baked." The author(s) called Terence Fisher's direction "misguided", and noted that distributor
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while trying to extinguish the blaze. According to a policeman, Petrie then ran away in agony and was drowned in the
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When the film had its American TV premiere on NBC, additional footage of Scotland Yard police inspectors (played by
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Production for the film started in November 1961. As with most of the Hammer productions, the film was shot at
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Over the next two years, the project fell on and off the charts. In 1960, the project was connected with
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In common with Hammer's usual practice, when shown in British cinemas in 1962, the film was paired with
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All of the flashback scenes showing how Professor Petrie became the Phantom were filmed with "
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to produce five films a year. On these terms, Hammer's previous arrangements (such as
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Spear, Ivan. "London Report." BoxOffice Magazine, 27 November 1961. Page E-8.
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wrote of the film: "Although distinguished by some fine acting, sets and music,
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Spear, Ivan. "London Report." BoxOffice Magazine, 15 January 1962. Page E-8.
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Spear, Ivan. "London Report." BoxOffice Magazine, 23 October 1961. Page E-4.
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This article is about a film adaptation. For the novel and other uses, see
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Hearn, Marcus; Barnes, Alan (September 2007). "The Phantom of the Opera".
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The film was first released to VHS by Universal's MCA Home Video in 1995.
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wrote: "The absurd, much-filmed story crumbles—at any rate here—once the
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Patricia Clark provided the dubbed-over soprano voice for Heather Sears.
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Hammer Volume Six: Night Shadows Blu-ray Release Date June 21, 2021
864:"Broadway Report." BoxOffice Magazine. 20 August 1962. Page E-5. 797:"Foreign Films Gaining Favor in US." BoxOffice Magazine. Page 50. 450:
Ivor Evans as opera singer (uncredited) – his voice was overdubbed
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Two months later, Hammer Pictures struck a five-year deal with
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The Phantom of the Opera Blu-ray Release Date July 21, 2014
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Box office information for Terence Fisher films in France
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The Hammer Story: The Authorised History of Hammer Films
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The Hammer Story: The Authorised History of Hammer Films
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The Hammer Story: The Authorised History of Hammer Films
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"Phantom of the Opera". 36: 769:British Film Institute Collections Search 517:was among those announced for Universal. 462:Based upon the interest generated by the 21:The Phantom of the Opera (disambiguation) 934: 757: 2845:Films based on The Phantom of the Opera 1906:Sherlock Holmes and the Deadly Necklace 874:christophernguyen726 (26 August 2019). 2812: 2141:Frankenstein and the Monster from Hell 1986:Frankenstein and the Monster from Hell 2002: 1553: 1146: 682: 621: 274:(as John Elder) loosely adapted from 2865:Hammer Film Productions horror films 2780:Hammer House of Mystery and Suspense 1093:The Phantom of the Opera (1962 film) 1081:The Phantom of the Opera (1962 film) 732: 614:, arguably the most famous piece of 286:but was a financial disappointment. 2228:The Legend of the 7 Golden Vampires 1337:Phantom of the Mall: Eric's Revenge 826:Hammer Films: The Bray Studio Years 16:1962 British film by Terence Fisher 13: 14: 2921: 2028: 1068: 1053:(limited ed.). 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The screenplay was by 247:The Phantom of the Opera 73:The Phantom of the Opera 31:The Phantom of the Opera 2695:To the Devil a Daughter 1369:Phantom of the Megaplex 1321:Phantom of the Paradise 989:Hearn & Barnes 2007 473:Man of a Thousand Faces 393:Sonya Cordeau as Yvonne 333: 289: 284:Hammer Film Productions 282:. The film was made by 156:Hammer Film Productions 2890:British monster movies 2773:Hammer House of Horror 2766:Journey to the Unknown 2487:The Abominable Snowman 2368:One Million Years B.C. 2070:Quatermass and the Pit 1466:The Music of the Night 1241:(1986) and its sequel 1079:Quotations related to 880:bootlegcomparisons.com 375:as Lord Ambrose D'Arcy 187:25 June 1962 2830:Films about composers 2607:Rasputin the Mad Monk 2591:The Nanny (1965 film) 2527:The Shadow of the Cat 2405:The Karnstein Trilogy 2172:The Brides of Dracula 1962:Night of the Big Heat 1866:The Brides of Dracula 1538:Return of the Phantom 924:(342): 94. 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Index

The Phantom of the Opera (disambiguation)

Terence Fisher
John Elder
The Phantom of the Opera
Gaston Leroux
Anthony Hinds
Herbert Lom
Heather Sears
Edward de Souza
Michael Gough
Arthur Grant
Edwin Astley
Hammer Film Productions
J. Arthur Rank Film Distributors
Universal Pictures
horror film
Terence Fisher
Herbert Lom
Heather Sears
Edward de Souza
Anthony Hinds
the novel of the same name
Gaston Leroux
Hammer Film Productions
London Opera House
Nitric Acid
Thames
Herbert Lom
The Phantom/Professor Petrie

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