538:
volumes were released covering bargain recordings. From 2001 classical music DVDs were incorporated, initially as an appendix, but, from the 2006 edition, in the main body of the reviews. Although these other volumes added further reviews, the authors acknowledged that attempting to cover all releases was impossible, and they focused on what they regarded as the "cream" of available recordings.
20:
567:
From the outset the authors included an additional annotation – a rosette. "Unlike our general evaluations, in which we have tried to be consistent, a
Rosette is a quite arbitrary compliment by a member of the reviewing team to a recorded performance which he finds shows special illumination, magic,
563:
Later editions included a four-star category for a select few recordings, "chosen to indicate music-making in which artists are inspired to excel even their own highest standards or which are offering something quite revelatory about the music. Usually the collector can expect matching quality from
636:
An indispensable bible of recorded classical music, not exhaustive (what book could be?) but more complete than any other I know. The
British authors favor British orchestras and performers too much, and they sometimes omit recordings that can be bought in the United States but not in Britain. Yet
537:
were added for the first time. By the 1990 revision CDs had come to dominate the market so completely that LPs were omitted altogether from the guide. In some years the main guide was supplemented by yearbooks, adding the latest new recordings and recommended reissues. Several other supplementary
582:, "I owe Penguin a lot: I've discovered a lot of wonderful music through it", but, "If you want to start a flame war on a classical music newsgroup, all you have to do is bring up the allegation of British bias in Penguin (and/or
618:
commented, "It is no secret that, even in the classical field, more compact discs are made than any one person can reasonably expect to be able to listen to. What's a poor collector to do? One answer for years has been
101:. Supplements were published in 1952 and 1953; a new edition of the guide was published in 1955, and a final supplement was issued the following year. Four years later the Long Playing Record Library (LPRL) published
533:
When the guides started it was still possible to include almost all available stereo classical recordings in the coverage. Additional volumes were printed to cover cassettes, and in the 1984 Guide
1229:
599:. Widely regarded as the bible of classical recordings, it has actually been sorting the musical wheat from the chaff for 45 years, having begun life as the
612:
commented that the guide "may be faulted in detail, yet no similar publication matches its consistency and authority in the mainstream classics" In the US,
1448:
637:
they're fair, enthusiastic and (in my experience) trustworthy 90 percent of the time. They also distinguish among price ranges of discs, which is rare.
564:
the recording team or, where a recording is historical, an outstanding transfer that reveals how fine the original sound was for its period."
560:
Brackets round one or more of the stars indicated some reservations about its inclusion and readers were advised to refer to the text.
94:
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Anyone who has taken a moderate interest in recordings of classical music over the last three decades is likely to owe a debt to
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containing 1114 pages and selling for £3.50. From then until 2012, March and his team wrote a succession of
Penguin guides.
98:
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joined the panel of reviewers in 1968 and
Stevens left after that year's two volumes. The LPRL issued two editions of
75:. From 2002, a fourth contributor, Paul Czajkowski, was credited, first as assistant editor and then as co-author.
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a spiritual quality, or even outstanding production values that place it in a very special class."
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Toppman, Lawrence. " Last in a series on building a basic classical music library",
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Sackville-West, Edward; Desmond Shawe-Taylor; William Mann; Andrew Porter (1955).
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by March and his co-authors, in 1966, 1970 and 1972. In 1975 they published
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The early editions of the guides used a one to three star rating system:
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43:) was a widely distributed annual publication from Britain published by
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March, Ivan; Edward
Greenfield; Robert Layton; Paul Czajkowski (2007).
1520:
March, Ivan; Edward
Greenfield; Robert Layton; Paul Czajkowski (2005).
658:
Sackville-West and Shawe-Taylor were assisted in the second edition by
108:
52:
1392:(2007), first (unnumbered) page of Preface; first page of Introduction
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553:** "A good performance and recording of today's normal high standard."
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March, Ivan; Edward
Greenfield; Denis Stevens; Robert Layton (1968).
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55:, a music journalist, consultant and former professional musician;
257:
The New
Penguin Guide to Compact Discs and Cassettes Yearbook
550:*** "An outstanding performance and recording in every way."
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issued a guide to recorded classical music under the title
47:
that reviewed and rated currently available recordings of
704:
Sackville-West, Shawe-Taylor, Porter and Mann, title page
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Opera synopses researched and written by
Katherine March.
556:* "A fair performance, reasonably well or well recorded."
521:
The
Penguin Guide to the 1000 Finest Classical Recordings
281:
The Penguin Guide to Compact Discs and Cassettes Yearbook
293:
The Penguin Guide to Bargain Compact Discs and Cassettes
1511:
March, Ivan; Edward Greenfield; Robert Layton (1972).
684:
Paul Czajkowski is credited from this edition onwards.
586:)". From a British perspective Terry Grimley wrote in
197:
The New Penguin Guide to Bargain Records and Cassettes
119:. Nine editions were published between 1960 and 1974;
233:
The Penguin Guide to Compact Discs, Cassettes and LPs
221:
The Complete Penguin Stereo Record and Cassette Guide
1414:
Cerabona, Ron. "Praying that the Penguin lives on",
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The Penguin Guide to Compact Discs and DVDs Yearbook
449:
The Penguin Guide to Compact Discs and DVDs Yearbook
425:
The Penguin Guide to Compact Discs and DVDs Yearbook
245:
The New Penguin Guide to Compact Discs and Cassettes
623:". In a survey of guides to recorded music in 1997
1466:"Penguin guide to classical CDs better than ever"
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353:The Penguin Guide to Compact Discs and Cassettes
329:The Penguin Guide to Compact Discs and Cassettes
305:The Penguin Guide to Compact Discs and Cassettes
209:The New Penguin Stereo Record and Cassette Guide
1531:The Penguin Guide to Recorded Classical Music
509:The Penguin Guide to Recorded Classical Music
497:The Penguin Guide to Recorded Classical Music
485:The Penguin Guide to Recorded Classical Music
28:The Penguin Guide to Recorded Classical Music
1522:The Penguin Guide to Compact Discs and DVDs
461:The Penguin Guide to Compact Discs and DVDs
437:The Penguin Guide to Compact Discs and DVDs
401:The Penguin Guide to Compact Discs Yearbook
365:The Penguin Guide to Compact Discs Yearbook
341:The Penguin Guide to Compact Discs Yearbook
40:The Penguin Guide to Compact Discs and DVDs
377:The Penguin Guide to Bargain Compact Discs
317:The Penguin Guide to Opera on Compact Disc
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137:The Penguin Guide to the Bargain Classics
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1429:"Musical Penguin just gets fatter"
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37:and, from 2002 to 2006,
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104:The Stereo Record Guide
1587:Encyclopedias of music
1486:The Charlotte Observer
1449:"Music books reviewed"
1418:, 24 April 2011, p. 22
626:The Charlotte Observer
111:and written by March,
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51:. It was written by
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99:Desmond Shawe-Taylor
1597:Penguin Books books
1542:. London: Collins.
1435:, 19 December 2005
1433:The Birmingham Post
601:Stereo Record Guide
589:The Birmingham Post
93:. The authors were
1533:. London: Penguin.
1524:. London: Penguin.
1515:. London: Penguin.
1506:. London: Penguin.
1416:The Canberra Times
840:(1595): 38. 1976.
832:"Books Received".
579:The Canberra Times
59:, music critic of
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1455:, 2 December 2005
834:The Musical Times
606:In the same year
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572:Reputation
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79:Background
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53:Ivan March
31:(formerly
1548:948002674
1359:793685846
1353:WorldCat
1343:776479885
1337:WorldCat
1327:230208915
1321:WorldCat
1311:993173576
1305:WorldCat
1289:WorldCat
1273:WorldCat
1263:439270609
1257:WorldCat
1241:WorldCat
1213:WorldCat
1203:473879658
1197:WorldCat
1187:964858368
1181:WorldCat
1171:475499350
1165:WorldCat
1155:932380316
1149:WorldCat
1133:WorldCat
1117:WorldCat
1101:WorldCat
1085:WorldCat
1069:WorldCat
1056:844171786
1050:WorldCat
1034:WorldCat
1024:896570060
1018:WorldCat
1002:WorldCat
986:WorldCat
976:246691508
970:WorldCat
960:937600553
954:WorldCat
938:WorldCat
928:925166926
922:WorldCat
912:487543345
906:WorldCat
896:471678082
890:WorldCat
880:458761132
874:WorldCat
864:873295384
858:WorldCat
821:925134630
813:383178237
805:645663957
799:WorldCat
789:946472304
775:WorldCat
751:711843885
743:459570468
727:916676657
713:WorldCat
592:in 2005:
1247:52456162
1139:39224688
1107:34279885
992:21038452
944:11530826
781:59015635
737:(1953);
729:(1952);
721:(1951);
603:in 1960.
1496:Sources
735:4794672
542:Ratings
85:Collins
1546:
1401:March
1388:March
1372:March
1357:
1341:
1325:
1309:
1293:
1277:
1261:
1245:
1217:
1201:
1185:
1169:
1153:
1137:
1121:
1105:
1089:
1073:
1054:
1038:
1022:
1006:
990:
974:
958:
942:
926:
910:
894:
878:
862:
846:958931
844:
819:
811:
803:
787:
779:
762:March
753:(1956)
749:
741:
733:
725:
717:
149:Title
1403:et al
1390:et al
1374:et al
842:JSTOR
764:et al
646:Notes
525:2011
513:2010
501:2009
489:2008
477:2006
465:2005
453:2004
441:2003
429:2002
417:2001
405:2000
393:1999
381:1998
369:1997
357:1996
345:1995
333:1994
321:1993
309:1992
297:1992
285:1991
273:1990
261:1989
249:1988
237:1986
225:1984
213:1982
201:1980
189:1979
177:1977
165:1975
152:Date
1544:OCLC
1355:OCLC
1339:OCLC
1323:OCLC
1307:OCLC
1291:OCLC
1275:OCLC
1259:OCLC
1243:OCLC
1215:OCLC
1199:OCLC
1183:OCLC
1167:OCLC
1151:OCLC
1135:OCLC
1119:OCLC
1103:OCLC
1087:OCLC
1071:OCLC
1052:OCLC
1036:OCLC
1020:OCLC
1004:OCLC
988:OCLC
972:OCLC
956:OCLC
940:OCLC
924:OCLC
908:OCLC
892:OCLC
876:OCLC
860:OCLC
817:OCLC
815:and
809:OCLC
801:OCLC
785:OCLC
783:and
777:OCLC
747:OCLC
739:OCLC
731:OCLC
723:OCLC
715:OCLC
662:and
155:Ref
115:and
97:and
65:and
838:117
1573::
1468:,
1451:,
1431:,
1381:^
1365:^
1062:^
836:.
807:;
633::
1550:.
848:.
666:.
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