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174:, written anonymously in 1763), Loudon did not portray the future as her own day with only political changes. She filled her world with foreseeable changes in technology, society, and even fashion. The hero, Edric Montague, lived in a peaceful and Catholic England under the rule of Queen Claudia. Her court ladies wear trousers and hair ornaments of controlled flame. Surgeons and lawyers may be steam-powered
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much-desired object and the immediate arrest for crime and attempt to lie one's way out of it. However, unlike the
Frankenstein monster, the hideous revived Cheops is not shuffling around dealing out horror and death, but giving canny advice on politics and life to those who befriend him. In some ways
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As
Shelley had written of Frankenstein's creation, "A mummy again endued with animation could not be so hideous as that wretch," which may have triggered her later concept. In any case, at many points she deals in greater clarity with elements from the earlier book such as the loathing for the
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on the winding up of his affairs that it would be necessary to do something for my support. I had written a strange, wild novel, called the Mummy, in which I had laid the scene in the twenty-second century, and attempted to predict the state of improvement to which this country might possibly
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rather than incantations—"she embodied ideas of scientific progress and discovery, that now read like prophecies" to those later in the 19th century. Many of the incidents in the book can be seen as satirical or humorous. Her social attitudes have resulted in this book being ranked among
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A Cyclopaedia of Female
Biography; consisting of Sketches of all Women, who have been distinguished by great Talents, Strength of Character, Piety, Benevolence, or moral Virtue of any kind; forming a complete Record of Womanly Excellence or Ability: Edited by H. G.
159:: her mummy specifically says he is allowed life only by divine favour, rather than being indisputably vivified only by mortal science, and so on, as Hopkins' 2003 essay covers in detail.
115:, who is brought back to life in the year 2126. The novel describes a future filled with advanced technology, and was the first English-language story to feature a
178:. Air travel, by balloon, is commonplace. A kind of Internet is predicted in it. Besides trying to account for the revivification of the mummy in scientific terms—
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in three volumes, as was usual in that day so that each small volume could be easily carried around. It drew many favourable reviews, including one in 1829 in
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Lisa
Hopkins, "Jane C. Loudon’s The Mummy!: Mary Shelley Meets George Orwell, and They Go in a Balloon to Egypt", in Cardiff Corvey:
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She may have drawn inspiration from the general fashion for anything pharaonic, inspired by the French researches during the
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After her father's death, making her an orphan at the age of 17, Webb found that:
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332:. W. Niccoll, 1763, Published in 1899, Archive.org. Retrieved on 5 April 2012.
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373:"(Not so) Secret life of a woman naturalist: Mrs. Jane C. Loudon 1807-1858"
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The reign of George VI. 1900–1925; a forecast written in the year 1763
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Shigitatsu
Antiquarian Books. Profile of Jane Webb Loudon (1807–1858)
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on the inventions proposed in it. In 1830, the 46-year-old reviewer,
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162:Unlike many early science fiction works (Shelley's
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243:Freeman, Richard (18 March 2009).
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226:"Jane C. Loudon's 'The Mummy!'"
496:British science fiction novels
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551:Cultural depictions of Khufu
491:1820s science fiction novels
421:Resources in other libraries
133:Napoleonic invasion of Egypt
107:written by Jane Webb (later
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521:Novels set in ancient Egypt
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245:"THE MUMMY in context"
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531:British Gothic novels
516:Fiction about mummies
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232:on 24 December 2013.
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153:The Mummy!
137:Piccadilly
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255:(4–1).
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
