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feathered clothes. On the left, an old matchmaker, with a tooth protruding from her closed mouth, keeps an eye on what is happening. The lute, in this situation, refers to an object of prostitutes and therefore has an erotic meaning. The lute is also a symbol for female genitalia and lust. The painting abounds in contrasts, not only between light and darkness, but also between youth and old age. One end of the young woman's right nipple is barely noticeable.
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The painting presents a young woman with a provocative neckline and a seductive smile; she is accompanied by a man who carries a purse in his hand and an old woman. All of them are in a shallow space. The light from the candle on the table accentuates the young woman's cleavage and her colorful and
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School. From 1610 to 1620 he stayed in Italy, where he specialized in nocturnal paintings with pronounced
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Din
Pieters, et al.: Het Nederlandse Kunst Boek. W-books, Zwolle, 2016, blz. 63.
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Pieters, et al.: Het Nederlandse Kunst Boek. W-books, Zwolle, 2016, blz. 63.
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71 cm × 104 cm (28 in × 41 in)
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A similarly themed painting was made by a colleague of Van
Honthorst,
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Rynck, Patrick de: Gerard van
Honthorst, «La alcahueta», in
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Rynck, Patrick de: Gerard van
Honthorst, «La alcahueta», in
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Smiling Girl, a
Courtesan, Holding an Obscene Image
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16:1625 painting by Gerard van Honthorst
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131:History and description
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174:Cómo leer la pintura
137:Utrecht Caravaggisti
125:Vereniging Rembrandt
113:Gerard van Honthorst
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288:Paintings
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