435:
Locken to disarm. He explains that he is working for Collis and argues that the shooting of Locken was not personal. He offers to give Locken a cut of the money, warning him that if he fails to kill Chung, more killers will be after them. Locken instead decides to walk away and take on Hansen another time on his own terms. However, Miller shoots Hansen while he is distracted, killing him. Shocked and infuriated that he is unable to exact his revenge on the man who had crippled him, Locken punches Miller in the face.
410:. At the end of their latest assignment, Hansen betrays Locken by killing their client and shooting Locken in the knee and elbow, effectively "retiring" him. After months of painful rehabilitation, Locken wears metal braces, but is able to walk with a cane. Upon being released from the hospital, Locken moves in with his nurse, Amy, to continue his therapy. As months pass, Locken undergoes serious martial-arts training with a cane, becoming adept with it while vowing revenge against Hansen for his betrayal.
448:
short battle, kills Toku. Weyburn arrives with reinforcements and the remaining ninjas scatter. Mac accuses
Weybourne of using them to do his dirty work, saying that he is no different than Cap, and tries once more to convince Locken to leave ComTeg and retire. Weybourne points out that a man like Locken has nothing else but his job. Locken declines Weybourne's job offer but keeps Collis' yacht and the bribe money as payment. He then sails away with Mac.
608:, who believed in Peckinpah's abilities but knew that it was virtually impossible for Peckinpah to obtain a job with any of the studios, as he had alienated many people in Hollywood. When the project came along, Medavoy knew that it was perfect for Peckinpah and gave it to him under the conditions that he work under Medavoy's strict supervision; Peckinpah agreed.
36:
691:
wrote, "Sam
Peckinpah knows how to make movies but perhaps he has forgotten why. At least that is the feeling given by this bag of mixed, often damp fireworks about the alienation of people who do dirty tricks for the Central Intelligence Agency and discover that the tricks as well as the dirt are on
434:
the following day. When Locken tells Chung and Tommie to step in front of a highly visible window with its light illuminated, Mac accuses Locken of using their clients as bait to lure out Hansen, his real target. Later that night, Hansen sneaks into Chung's safehouse and takes Tommie hostage, getting
417:
politician who arrived in the United States with a delegation that includes his daughter, Tommie. Chung has been targeted for assassination, and Hansen has been hired to carry out the assignment. Locken assembles his old team, including driver Mac and marksman Jerome Miller, but they do not know that
447:
The ninjas attack, but Miller mows them down with his machine gun. He is then shot by a gunman, but not before shooting back, taking his killer with him. Tommie and Chung arrive, just as Toku arrives and challenges Chung to a duel. Locken wants to shoot, but Chung accepts the challenge and, after a
443:
and orders Chung and Tommie to stay aboard. Locken, Miller, Mac and a couple of other trusted ComTeg operatives board one of the ships and spot the ninjas crawling overhead. Collis appears and offers Locken a bribe, but Locken shoots him in the arm and kneecap, using the same lines that Hansen gave
749:
saw in the protagonist's rehabilitation "... an almost childishly transparent disguise for
Peckinpah's own determination to show Hollywood that he's not dead yet ... Amazingly, Peckinpah does rehabilitate himself; his technique here is dazzling." Peckinpah's use of violence in the fim, Kael
438:
Locken telephones
Weybourne and tells him about Collis' treachery. Weybourne orders Locken to follow up with the rendezvous plans and tells him that if he provides evidence that Cap is the traitor, he can have Cap's job. The following day, Locken sails the yacht to the empty ships of the
772:, the script is of course a mixture of opportunism and joke—as Peckinpah freely acknowledges with a deliriously absurd (yet splendid) final holocaust in which hordes of sword-carrying Japanese ambush, with highly predictable results, Americans armed to the teeth with machine-guns."
776:
claimed the film "feels like it was made by an exhausted cocaine addict doing it for cash (though Caan has some decent byplay with Robert Duvall at the beginning, demonstrating once more how much he rose when he had someone strong to bounce off)."
702:
gave the film 2.5 stars out of 4 and opened his review by stating, "Sam
Peckinpah's 'The Killer Elite' is directed and acted with a certain nice style, but it puts us through so many convolutions of the plot that finally we just don't care."
738:
praised the film as "... a disarmingly funny and sympathetic action-suspense melodrama" and noted, "Neither the ads nor the opening wave of reviews have given the picture much credit for humor, which happens to be its strongest attribute."
729:
wrote that the film "... wastes the formidable talents of director Sam
Peckinpah and James Caan, who heads a first-rate cast, on a trite and murky formula thriller plot usually relegated to the less ambitious TV movies."
750:
continued, "... isn't gory and yet it's more daring than ever. He has never before made the violence itself so surreally, fluidly abstract; several sequences are edited with a magical speed—a new refinement."
422:
Negato Toku, to eliminate Chung after the first ambush attempt failed, an arrangement that Hansen dislikes but with which he reluctantly complies when Collis gives him the next opportunity to kill Chung.
713:
awarded the same 2.5-star grade and criticized the "moralizing dialog" as well as "half-hearted martial arts battles" that "come off as a sop to the young kung-fu movie audience." Arthur D. Murphy of
666:, who was cast after karate expert Hank Hamilton, an advisor on the film, brought her to the producers' attention. She was a brown belt at the time, and she and her husband, writer
413:
ComTeg director Cap Collis refuses to put Locken back into the field again, assuming that he is only fit for a desk job. O’Leary, a CIA agent, hires ComTeg to protect Yuen Chung, a
418:
Collis is in collaboration with Hansen, hoping to unseat current ComTeg director
Lawrence Weybourne. Collis has hired two separate hit squads, one led by Hansen and one led by
386:
The film received mixed reviews, with some critics perceiving
Peckinpah as having "sold out" to commercial interests, while others criticized the film's use of
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redevelopment project, and
Peckinpah changed the film's shooting schedule to take advantage of the event. Shots of the explosion were filmed from the
340:
as a pair of elite mercenaries who become bitter rivals and are caught on opposite sides of a proxy war over a foreign dignitary in the streets of
795:
In 1977, James Caan said he only made the film because his advisers told him to work with
Peckinpah, and he rated it a zero on a scale to ten.
1203:
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430:, but Locken manages to protect the Chungs and lead their escape unscathed, laying low at a pier where Collis will extract Chung with a
611:
The film was shot in March and April 1974 in San Francisco, with additional filming on location in Los Angeles. Locations included the
674:. One report suggests that Alexandra was only hired after Silliphant insisted that his work on the film was contingent on her hire.
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called the film "... an okay Sam Peckinpah actioner ... Cast performs admirable against the programmer demands of the story."
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Mike Locken and George Hansen are longtime friends and professional partners, agents of Communications Integrity (ComTeg), a
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as one of the greatest films of all time in 2012. He said, "No other movie has taught me as much about human dignity as
837:. The Twilight Time release also features an isolated soundtrack and an excerpt from the Peckinpah film biography
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appear in their film debuts. The film represents the last collaboration between Peckinpah and soundtrack composer
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643:. The building that explodes in the film's opening was an abandoned fire-department station located on the
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590:(later republished under the film's title) by Robert Syd Hopkins under the pseudonym Robert Rostand.
394:, praised Peckinpah's direction and action sequences, and commended the film as a self-aware satire.
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gives it a "fresh" rating from critics, and a "rotten" rating from audiences, based on 15 reviews.
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955:"The Action/Adventure Section: THE KILLER ELITE: Peckinpah + Ninjas = A Gleefully Uneven Viewing…"
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wrote, "Craftily marrying the martial arts fad to the anti-CIA craze to produce a sort of
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Siskel, Gene (December 23, 1975). "'Killer Elite': Murder is such a nasty business".
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by Wild Side (under license from MGM) in 2013 and as a limited-edition Blu-ray by
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Murphy, A.D (January 21, 1976). "United Artists, '75, Domestic $ 85.9 Mil".
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Siskel, Gene (Nov 27, 1977). "James Caan's career hitting tough times".
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Murphy, Arthur D. (December 24, 1975). "'Killer Elite' okay actioner".
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Thomas, Kevin (December 18, 1975). "Talent Wasted in 'Killer Elite'".
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379:. It is considered to be among the first American films to feature
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in the U.S. that includes a rare 1966 television adaptation of
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1007:"'Killer Elite,' or Copping Out of the Universal Sell-Out"
922:"'Killer Elite,' or Copping Out of the Universal Sell-Out"
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Kael, Pauline (January 12, 1976). "The Current Cinema".
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commons:File:Embarcadero & Market (5028667417).jpg
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426:Hansen and his team launch an assault on Chung's
390:tropes and imagery as contrived. Others, such as
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662:, better known as a singer and stage actor, and
647:. It was to be demolished by the city for the
1522:Films with screenplays by Stirling Silliphant
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1069:Milne, Tom (March 1976). "The Killer Elite".
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1422:Bring Me the Head of Alfredo Garcia
1005:Eder, Richard (December 18, 1975).
658:The film marked the film debuts of
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1169:. December 25, 1975. p. H1.
1502:Films directed by Sam Peckinpah
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1507:Films scored by Jerry Fielding
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858:List of American films of 1975
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1527:Japan in non-Japanese culture
1414:Pat Garrett and Billy the Kid
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21:Killer Elite (disambiguation)
1497:American films about revenge
1278:AFI Catalog of Feature Films
920:Eder, Richard (1975-12-18).
891:AFI Catalog of Feature Films
677:
7:
1487:1970s action thriller films
1182:"The Stardom of James Caan"
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653:Hyatt Regency San Francisco
404:private intelligence agency
244:December 17, 1975
10:
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1532:Films set in San Francisco
829:directed by Peckinpah for
444:him when he betrayed him.
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16:1975 film by Sam Peckinpah
1382:The Ballad of Cable Hogue
1344:
1204:"The Greatest Films Poll"
1072:The Monthly Film Bulletin
953:Travis, Ed (2014-10-20).
757:The Monthly Film Bulletin
655:hotel across the street.
539:Hank Hamilton as Hamilton
533:Sondra Blake as Josephine
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217:Persky-Bright Associates
780:Japanese film director
596:was assigned to direct
586:was based on the novel
536:Walter Kelley as Walter
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983:Film at Lincoln Center
1358:Ride the High Country
1350:The Deadly Companions
497:as Lawrence Weybourne
330:Monkey in the Middle.
87:by Robert Syd Hopkins
1542:1970s Japanese films
1537:1970s American films
1512:United Artists films
1454:The Osterman Weekend
1163:"Upbeat Peckinpah".
588:Monkey in the Middle
347:The cast also stars
84:Monkey in the Middle
19:For other uses, see
1166:The Washington Post
735:The Washington Post
670:, were students of
668:Stirling Silliphant
326:Stirling Silliphant
309:is a 1975 American
90:(as Robert Rostand)
71:Stirling Silliphant
1492:American spy films
1336:Films directed by
1243:"The Killer Elite"
1103:"The Killer Elite"
1035:. Section 2, p. 5.
1012:The New York Times
979:"The Killer Elite"
926:The New York Times
839:Passion and Poetry
798:As of April 2024,
688:The New York Times
649:Embarcadero Center
621:Golden Gate Bridge
512:Kate Heflin as Amy
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1209:Sight & Sound
1152:. Part IV, p. 32.
1149:Los Angeles Times
726:Los Angeles Times
699:Chicago Sun-Times
637:Portsmouth Square
552:George Kee Cheung
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261:Running time
237:Release date
177:Garth Craven
107:Arthur Lewis
83:
1406:The Getaway
852:Point Blank
705:Gene Siskel
694:Roger Ebert
645:Embarcadero
471:Arthur Hill
353:Arthur Hill
322:Marc Norman
298:$ 5 million
265:122 minutes
142:Arthur Hill
103:Martin Baum
96:Produced by
66:Marc Norman
49:Directed by
42:film poster
1477:1975 films
1471:Categories
1390:Straw Dogs
1079:(506): 55.
988:2020-10-25
964:2024-08-03
959:cinapse.co
939:2020-06-28
864:References
806:Home video
660:Tom Clancy
579:Production
530:as Vorodny
524:as Wei Chi
501:Tom Clancy
489:Burt Young
483:Bo Hopkins
459:James Caan
369:Tom Clancy
361:Burt Young
357:Bo Hopkins
334:James Caan
248:1975-12-17
204:Production
137:Bo Hopkins
132:Burt Young
122:James Caan
1252:August 3,
934:0362-4331
835:Studio 67
827:Noon Wine
752:Tom Milne
678:Reception
672:Bruce Lee
633:Chinatown
509:as Tommie
495:Gig Young
428:safehouse
415:Taiwanese
365:Gig Young
332:It stars
278:Languages
206:companies
171:Edited by
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845:See also
639:and the
554:as Bruce
287:Mandarin
193:Music by
115:Starring
80:Based on
1275:at the
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1132:Variety
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774:Filmink
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617:Pier 70
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545:as Rita
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1446:Convoy
1441:(1977)
1433:(1975)
1425:(1974)
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1409:(1972)
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