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The Kill-Off

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is compellingly perverse, and Greenwald and the actors get the seedy tone just right." Critic Dennis Schwartz felt though the film "wasn’t psychologically deep, nor was it morally arresting", it succeeds at "showing a feeling of deep noir malaise", noting "It’s rare that a woman directs a noir film
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In the book, the author never reveals the identity of the murderer, in contrast to the film. The film also spares one of the characters that the book does not, and turns the character into a moral center.
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shot the film with low lighting; at times, footage of characters more than a few feet from the camera can be difficult to see. This was done to mirror the stylistic photography of the
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wrote, " is tossed away by Ms. Greenwald's flaccid script and scenes so badly paced that the actors seem to be holding their breath between lines, waiting for their next cues."
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Filming took place over a twenty-one-day schedule in January 1989 on a budget of less than $ 1 million. Exterior shots were filmed in the New Jersey seaside town of
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on his mind, she starts spreading more ugly rumors that have just enough basis in fact to stick. Soon things spin out of control and a wave of violence begins.
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Danny Lee's act soon turns the head of Ralph, which is not good news for his bed-ridden wife Luanne. Luanne's nasty talent is her gift for
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and Maggie Greenwald was nominated for the Dramatic Grand Jury Prize. In the UK, the film opened at the
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revival in the late 1980s and early 1990s. The other Jim Thompson novels to be adapted into films were
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in London on February 9, 1990, grossing $ 8,775 in its opening week. The film was given a
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Groves, Don (February 21, 1990). "'Magnolias' not quite blooming; 'Business' booming".
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The film was not released onto videocassette in the United States until 1996, when
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on May 17, 1989. It went on to screen at the Women in Film Festival and the
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The producers used the following tagline when marketing the film:
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so in an effort to bring in more business, he hires a sultry
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called The Pavilion. The owner, Pete, can barely make the
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for a week on December 14, 1990 in order to qualify for
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released the film on a manufactured on demand DVD-R.
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by Cabriolet Films beginning on October 19, 1990 in
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Critic 800: 519:: Critics Award, Maggie Greenwald, 1989. 19:For the 1957 novel by Jim Thompson, see 745: 721:"The kill-off [videorecording]" 1079: 779:Baumgarten, Marjorie (July 12, 1991). 677: 630:from the original on December 22, 2022 615: 967: 826: 796: 794: 1127:Films based on American crime novels 880:"The Kill-Off - Miscellaneous Notes" 673: 671: 586: 584: 582: 580: 578: 576: 574: 443: 746:Travers, Peter (October 19, 1990). 616:Benson, Sheila (October 18, 1989). 292:Andrew Lee Barrett as Bobbie Ashton 137:Filmworld International Productions 13: 1162:English-language crime drama films 1157:English-language independent films 1137:Films directed by Maggie Greenwald 1132:Films based on Jim Thompson novels 791: 14: 1173: 903: 827:James, Caryn (October 19, 1990). 668: 571: 801:Schwartz, Dennis (May 5, 2000). 253:In a small coastal community in 872: 847: 820: 431:released it onto VHS. 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Index

The Kill-Off (novel)

Maggie Greenwald
The Kill-Off
Jim Thompson
Declan Quinn
Evan Lurie
Cannes Film Market
crime
drama
Maggie Greenwald
novel of the same name
Jim Thompson
Declan Quinn
New Jersey
nightclub
payroll
stripper
gossip
adultery
Jorja Fox
Jim Thompson
The Grifters
After Dark, My Sweet
Declan Quinn
film noirs
Keansburg
Cannes Film Market
Toronto Festival of Festivals
Sundance Film Festival

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