229:
638:
266:
criticised the book for overemphasising piety out of keeping with the adventurous spirit of the novel. Michelle
Elleray also discussed Ballantyne's overt Christianity and pointed out that he used his novels as a way of providing educational and religious material in an entertaining way. She also points out that Ballantyne's child characters were usually quite self-sufficient and self-directed," having developed their own sense of agency and ability.
658:
225:
a similarity to other stories of the era such as
Robinson Crusoe; that is, the main characters are first placed in an unknown or foreign location, where their safety is threatened, before landing on a seemingly deserted island. There is a serious moral tone, but also an exciting story told in an accessible manner via Ballantyne's well-fashioned prose.
117:
29:
224:
The story is told through an editorial voice that frequently converses with the reader. The story is narrated in the present tense. There is also a lot of conversation, and
Ballantyne advances much of the plot through dialogue. There are strong similarities to earlier Ballantyne novels, and there is
175:
Dominick and
Malines come to blows, which results in Mother Lynch nominating Pauline to be queen. Pauline surprises everyone by naming Joe Binney her prime minister. A few days later, Pauline and Otto are kidnapped by natives and brought aboard their canoe. The colonists give chase and fire a volley
190:
The refugees set sail for their original port, but a storm renders the ship unseaworthy once again and they must pull in to a different port. A ship bound for
England is docked there and the Rigondas soon arrange for their passage home to England. The novel ends as the children are finally reunited
265:
Ballantyne's books contain more details of the local flora and fauna, as well as moralistic dialogue, than is usual in present-day stories. However, his novels were popular with both children and adults. Most critics agree that his books were very well-researched. The London
Quarterly Review
241:
Ballantyne became one of the first adventure novelists to conduct background research to develop more realistic settings and descriptions for his novels." The resulting realism helped account for the popularity of his novels." He depicted situations as closely as possible to reality.
661:
183:
Queen
Pauline surprises the community by pardoning the criminals and offers her hand for them to kiss allegiance. For a time thereafter, there is peace, except for a group of natives hiding in the foliage who are dispatched by the gun-toting colonists.
179:
A few nights later
Malines and his co-conspirators are caught preparing to leave the island without the emigrants. The conspirators are marched back to the camp and put in makeshift jails. Dr. Marsh is appointed as judge over the kangaroo court.
171:
The two parties become acquainted and work together to build suitable housing. The men begin offloading supplies and constructing makeshift shelters. The women are charged with caring for the children and establishing a domicile.
256:
Social hierarchies quickly develop, and the children each play a role in the society which they have devised, based on
British government. A contrast is shown between shipboard and civilian authority and organisation.
206:
Pauline
Rigonda is the pretty youngest sister, and is portrayed as very observant and graceful. She undergoes a transformation as the story progresses, becoming wise and regal and settling disputes sensibly.
164:
After finding shelter they set out to explore the island. They soon find that everything they need seems to grow on trees. They explore, hunt wild boar, and construct a signal flag to attract passing ships.
139:, an annual magazine published in London from 1880 to 1937. It was then published in paperback by J. Nisbet & Co. This novel was Ballantyne's 79th publication, written in the latter half of his career.
250:
Like many of Ballantyne's juvenile adventure novels, a major theme is Christianity. The characters show varying amounts of religious devotion, and Ballantyne uses direct quotes from the bible.
161:
The novel begins with the Rigonda family and two men aboard a castaway ship somewhere in the south Pacific. The family finds a hidden cache of food and they land safely on a nearby island.
146:/ survivalist tale. It tells the story of two brothers and a sister who are stranded on one of the many islands of Oceania. The novel's major themes include 19th century
354:
458:
215:
Dr. Marsh is deathly ill at the beginning of the story and requires a lot of special care. He and Otto become close friends, and the others respect his judgement.
228:
187:
An earthquake strikes suddenly and begins to destroy the colony, and everyone flees in the only intact boat just before the entire island sinks into the sea.
253:
The theme of imperialism, explained by Deborah Anna Logan, arises as the children begin to see themselves as landowners and start to build an empire.
200:
Dominick Rigonda is the oldest of the three children. He is portrayed as a logical and responsible boy, doing his best to help his siblings survive.
168:
During a tremendous storm, an emigrant ship is wrecked on the coral reef just off the island. Otto and Dominick Rigonda run to aid the passengers.
153:
Ballantyne published the novel after having moved from Edinburgh to Harrow, a north London borough, to allow his children to finish school in 1873.
694:
203:
Otto Rigonda is the pert, sometimes overconfident middle child. He uses knowledge that he has gleaned from books to help the family.
212:
Mother Lynch plays the matriarch in the story, dealing with everyday tasks and incidents. She is the nurse and chief caregiver.
780:
209:
Malines is the hardened first mate of an emigrant ship. He is strong and handsome, but surly. He is the villain of the story.
294:
775:
785:
536:
739:
795:
643:
790:
687:
567:
438:
108:
770:
610:
Elleray, Michelle (2011). "Little Builders: Coral Insects, Missionary Culture, and the Victorian Child".
583:
Elleray, Michelle (2011). "Little Builders: Coral Insects, Missionary Culture, and the Victorian Child".
680:
135:
393:
406:
559:
553:
511:
408:
407:
John Douglas Cook; Philip Harwood; Walter Herries Pollock; Frank Harris; Harold Hodge (1885).
284:
484:
8:
723:
147:
387:
428:
563:
532:
434:
424:
314:
290:
103:
715:
703:
619:
592:
126:
The Island Queen: or Dethroned by Fire and Water: a tale of the Southern Hemisphere
35:
The Island Queen: or Dethroned by Fire and Water: a tale of the Southern Hemisphere
747:
130:
46:
332:
623:
596:
764:
318:
191:
with their parents, who are none too eager to hear their tales of adventure.
116:
311:
Young England : an illustrated magazine for recreation and instruction
28:
150:, the value of Christianity, and the development of social hierarchies.
286:
Getting Around: Circulation and the Rise of the Gay and Lesbian Novel
529:
Harriet Martineau, Victorian Imperialism, And The Civilizing Mission
672:
667:
143:
410:
The Saturday Review of Politics, Literature, Science and Art
176:
at the natives, who allow the children to jump overboard.
232:
A terrible outburst from the volcano settled the matter
551:
633:
558:(2nd ed.). Cambridge University Press. p.
430:
Imagined Country: Society, Culture, and Environment
22:The Island Queen, or Dethroned by Fire and Water
762:
459:"Ballantyne, R. M. (Robert Michael), 1825–1894"
400:
282:
688:
129:(1885) is a novel written by Scottish author
555:The Cambridge Guide to Literature in English
303:
385:
381:
379:
377:
375:
133:. The novel first appeared in Volume VI of
695:
681:
236:
27:
506:
504:
502:
276:
516:. H.J.T. Tresidder. 1886. pp. 385–.
372:
227:
115:
609:
582:
763:
499:
456:
452:
450:
413:. J. W. Parker and Son. pp. 590–.
676:
526:
423:
321:– via WorldCat Detailed Record.
260:
702:
482:
447:
13:
531:. Ashgate Publishing. p. 11.
219:
14:
807:
740:The Pirate City: An Algerine Tale
650:
552:Ian Ousby; Doris Lessing (1993).
392:. Hodder and Stoughton. pp.
656:
636:
612:Victorian Literature and Culture
585:Victorian Literature and Culture
355:"Ballantyne, R. M. Bibliography"
603:
576:
545:
520:
357:. Cambridge: Proquest LLC. 2008
313:. London Young England Office.
156:
476:
417:
347:
325:
1:
269:
194:
16:1885 novel by R.M. Ballantyne
644:Children's literature portal
527:Logan, Deborah Anna (2010).
389:The British Quarterly Review
7:
666:public domain audiobook at
513:The London Quarterly Review
10:
812:
776:Novels by R. M. Ballantyne
433:. Routledge. p. 163.
781:British children's novels
710:
624:10.1017/S1060150310000367
597:10.1017/S1060150310000367
245:
120:Robert Michael Ballantyne
102:
94:
86:
76:
68:
60:
52:
42:
26:
796:Fiction about castaways
472:(subscription required)
368:(subscription required)
283:Natasha Hurley (2007).
237:Researching the setting
786:1880s children's books
457:Sutton, Paula (2004).
233:
121:
791:Novels set on islands
231:
119:
386:Henry Allon (1886).
771:1885 British novels
724:The Gorilla Hunters
483:Rahn, Josh (2011).
461:. Literature Online
148:British imperialism
23:
425:Short, John Rennie
261:Critical reception
234:
122:
21:
758:
757:
296:978-0-549-70475-1
114:
113:
87:Publication place
803:
732:The Island Queen
716:The Coral Island
704:R. M. Ballantyne
697:
690:
683:
674:
673:
663:The Island Queen
660:
659:
646:
641:
640:
639:
628:
627:
607:
601:
600:
580:
574:
573:
549:
543:
542:
524:
518:
517:
508:
497:
496:
494:
492:
480:
474:
473:
470:
468:
466:
454:
445:
444:
421:
415:
414:
404:
398:
397:
383:
370:
369:
366:
364:
362:
351:
345:
344:
342:
340:
329:
323:
322:
307:
301:
300:
289:. pp. 76–.
280:
78:Publication date
31:
24:
20:
811:
810:
806:
805:
804:
802:
801:
800:
761:
760:
759:
754:
748:The Eagle Cliff
706:
701:
657:
653:
642:
637:
635:
632:
631:
608:
604:
581:
577:
570:
550:
546:
539:
525:
521:
510:
509:
500:
490:
488:
481:
477:
471:
464:
462:
455:
448:
441:
422:
418:
405:
401:
384:
373:
367:
360:
358:
353:
352:
348:
338:
336:
331:
330:
326:
309:
308:
304:
297:
281:
277:
272:
263:
248:
239:
222:
220:Genre and style
197:
159:
142:The novel is a
131:R.M. Ballantyne
79:
47:R.M. Ballantyne
38:
33:Title page for
17:
12:
11:
5:
809:
799:
798:
793:
788:
783:
778:
773:
756:
755:
753:
752:
744:
736:
728:
720:
711:
708:
707:
700:
699:
692:
685:
677:
671:
670:
652:
651:External links
649:
648:
647:
630:
629:
602:
575:
568:
544:
538:978-0754668312
537:
519:
498:
475:
446:
439:
416:
399:
371:
346:
335:. Open Library
324:
302:
295:
274:
273:
271:
268:
262:
259:
247:
244:
238:
235:
221:
218:
217:
216:
213:
210:
207:
204:
201:
196:
193:
158:
155:
112:
111:
106:
100:
99:
96:
92:
91:
88:
84:
83:
80:
77:
74:
73:
70:
66:
65:
62:
58:
57:
54:
50:
49:
44:
40:
39:
32:
15:
9:
6:
4:
3:
2:
808:
797:
794:
792:
789:
787:
784:
782:
779:
777:
774:
772:
769:
768:
766:
750:
749:
745:
742:
741:
737:
734:
733:
729:
726:
725:
721:
718:
717:
713:
712:
709:
705:
698:
693:
691:
686:
684:
679:
678:
675:
669:
665:
664:
655:
654:
645:
634:
625:
621:
617:
613:
606:
598:
594:
590:
586:
579:
571:
565:
561:
557:
556:
548:
540:
534:
530:
523:
515:
514:
507:
505:
503:
486:
479:
460:
453:
451:
442:
436:
432:
431:
426:
420:
412:
411:
403:
395:
391:
390:
382:
380:
378:
376:
356:
350:
334:
328:
320:
316:
312:
306:
298:
292:
288:
287:
279:
275:
267:
258:
254:
251:
243:
230:
226:
214:
211:
208:
205:
202:
199:
198:
192:
188:
185:
181:
177:
173:
169:
166:
162:
154:
151:
149:
145:
140:
138:
137:
136:Young England
132:
128:
127:
118:
110:
107:
105:
101:
97:
93:
89:
85:
81:
75:
71:
67:
63:
59:
55:
51:
48:
45:
41:
36:
30:
25:
19:
746:
738:
731:
730:
722:
714:
662:
615:
611:
605:
588:
584:
578:
554:
547:
528:
522:
512:
489:. Retrieved
485:"Naturalism"
478:
463:. Retrieved
429:
419:
409:
402:
388:
359:. Retrieved
349:
337:. Retrieved
327:
310:
305:
285:
278:
264:
255:
252:
249:
240:
223:
189:
186:
182:
178:
174:
170:
167:
163:
160:
157:Plot summary
152:
141:
134:
125:
124:
123:
34:
18:
487:. Jalic Inc
333:"J. Nisbet"
765:Categories
569:0521440866
440:0415038545
270:References
195:Characters
109:1606643223
319:222173476
72:J. Nisbet
69:Publisher
668:LibriVox
427:(1991).
144:castaway
53:Language
618:: 235.
591:: 223.
491:1 April
465:1 April
361:1 April
339:1 April
90:England
56:English
751:(1889)
743:(1874)
735:(1885)
727:(1861)
719:(1857)
566:
535:
437:
317:
293:
246:Themes
43:Author
37:(1885)
95:Pages
64:Novel
61:Genre
564:ISBN
533:ISBN
493:2014
467:2014
435:ISBN
363:2014
341:2014
315:OCLC
291:ISBN
104:ISBN
82:1885
620:doi
593:doi
394:230
98:136
767::
616:39
614:.
589:39
587:.
562:.
560:53
501:^
449:^
396:–.
374:^
696:e
689:t
682:v
626:.
622::
599:.
595::
572:.
541:.
495:.
469:.
443:.
365:.
343:.
299:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.png)
_(14761557194).jpg)