51:
398:, Catherine Sloper, a plain and shy young woman, lives with her wealthy father, Dr. Austin Sloper, in the prestigious Washington Square. Catherine's mother, who was charming and talented, died early, and quiet Catherine constantly disappoints her father with her lack of social graces. Catherine's widowed Aunt Lavinia Penniman moves in and suggests she help Catherine improve her social skills.
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cheated her by denying her even the chance to 'buy' a husband who would pretend to love her. If he leaves her his money, she might waste it on Morris or other fortune hunters. Dr. Sloper dies fretting until his last breath on if he should change his will but ultimately cannot bring himself to disinherit his only child.
429:
Shortly afterward, Dr. Sloper reveals he is dying. Because he was initially proud of
Catherine for rejecting Morris, Catherine at last gets her revenge on him by denying him the ability to die peacefully. In a bitter argument, Catherine tells him she planned to elope and was rejected and says he has
421:
Catherine waits with her bags packed, and Aunt
Penniman, who helped facilitate the plans, offers to stay with her, but is dismayed that Catherine stupidly revealed there would be no money from her father. Aunt Penniman believes Morris is Catherine's only chance at marriage, and that it would be best
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wrote that the film "crackles with allusive life and fire in its tender and agonized telling of an extraordinarily characterful tale" and added Wyler "has given this somewhat austere drama an absorbing intimacy and a warming illusion of nearness that it did not have on the stage. He has brought the
405:
When Morris formally requests
Catherine's hand in marriage, Catherine is elated, but Dr. Sloper refuses. Dr. Sloper vows he will disinherit Catherine if she marries Morris without his blessing and arranges to take her on an extended trip to Europe to separate the pair as a 'test'. Catherine is torn
433:
Years later, wealthy, independent, and single, Catherine still lives in the
Washington Square house with her aunt. Aunt Penniman informs Catherine that Morris has returned from California. Initially reluctant, Catherine eventually agrees to see him. Morris, now destitute, attempts to win Catherine
417:
Wounded and angry, Catherine becomes determined to prove her father wrong and elope with Morris. Catherine runs to Morris and begs him to arrange their immediate elopement. Certain Morris loves her and wanting to cut free from her father, Catherine tells Morris about her pending disinheritance as
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found the film "an intensely satisfying drama that holds a high level of interest throughout, building relentlessly to a moving climax." Praise for the principals lauded de
Havilland especially: "the transformation of Catherine Sloper from a pathetically shy girl to a cold, handsome woman" being
413:
Dr. Sloper is disappointed his daughter does not gain any sophistication from the trip and remains devoted to Morris. Upon their return home, he reveals his poor opinion of his child at last and cruelly belittles his daughter's lack of intelligence, beauty, and accomplishment, making it clear he
409:
Morris convinces
Catherine to wait and earn Dr. Sloper's approval during this separation and promises to remain true while she is away. During Catherine and Dr. Sloper's European trip, Morris frequently visits the Sloper home and behaves with proprietary ownership over the property and personal
401:
At a ball, Catherine meets Morris
Townsend, a handsome and charming, but poor, young man. Morris, encouraged by Aunt Penniman, pursues Catherine ardently, and she quickly falls in love with him. Catherine accepts and blossoms under Morris's courtship, but Dr. Sloper suspects Morris is a fortune
332:
on
December 28, 1949. Although a box office failure, grossing $ 2.3 million on a $ 2.6 million budget, the film garnered critical acclaim, with reviewers praising Wyler's direction, its screenplay and the performances of the cast. The film received a leading eight nominations at the
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and
Augustus Goetz) for $ 250,000 and offer them $ 10,000 per week to write the screenplay. The couple were asked to make Morris less of a villain than he was in their play and the original novel in deference to the studio's desire to capitalize on
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back. Catherine proposes they recreate their failed elopement. When Morris returns to take her away, Catherine refuses to let him in, leaving him pounding helplessly on the door as she turns off the lights and goes to bed.
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rates the film five out of a possible five stars and adds, "This powerful and compelling drama...owes its triumph to the deft hand of director
William Wyler and a remarkable lead performance by Olivia de Havilland".
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praised the Goetzes for a skillful transformation of their stage version, finding it "in almost every way...superior." Prospects of an Academy Award for de Havilland were judged "thoroughly reasonable" as well.
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As the appointed time comes and passes without Morris's arrival, Catherine realizes that Morris has abandoned her upon learning she will not inherit her father's wealth and brokenly returns to her room.
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as Catherine Sloper, a naive young woman who falls in love with a handsome young man despite the objections of her emotionally abusive father who suspects the man of being a fortune hunter.
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Channel 4 stated "de Havilland's portrayal...is spine-chilling...Clift brings a subtle ambiguity to one of his least interesting roles, and Richardson is also excellent."
1272:"The Official Marty Watchlist: Martin Scorsese shares the cinematic companions to Killers of the Flower Moon and his wider filmography • Journal • A Letterboxd Magazine"
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full-bodied people very closely and vividly to view, while maintaining the clarity and sharpness of their personalities, their emotions and their styles...
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hunter only interested in his plain daughter's wealth, and investigations into Morris's family relations confirm Dr. Sloper's poor opinion.
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they discuss the details of her sneaking out to meet him, and makes it clear they can expect nothing from her father ever again.
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approached William Wyler about directing her in a screen adaptation of the play. He agreed and encouraged executives at
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Martin, Mildred. " 'The Heiress' at Stanley Is Movie Melodrama." Philadelphia Inquirer, 24 December 1949.
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views her as impossible to be attractive to a man outside of her inheritance.
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premiered in Los Angeles on October 6, 1949, and was theatrically released by
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reprised the role of Austin Sloper in a London production of the play.
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as being "culturally, historically, or aesthetically significant".
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Films whose art director won the Best Art Direction Academy Award
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Films featuring a Best Actress Academy Award-winning performance
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is one of the handsome, intense and adult dramas of the year."
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featured a take-off of the film titled "The Lady Heir", with
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if they got married first and then dealt with the aftermath.
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In 1975, the twenty-first episode of the eighth season of
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received universal critical acclaim. When it premiered at
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Sheaffer, Lew. "De Havilland Excellent as 'Heiress'."
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division, currently handles distribution of the film.
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Films that won the Best Costume Design Academy Award
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Films that won the Best Original Score Academy Award
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Best Art Direction-Set Decoration – Black-and-White
368:was selected for preservation in the United States
1298:"The Carol Burnett Show (1967–1978) Episode #8.21"
30:This article is about the film. For the play, see
27:1949 American drama film directed by William Wyler
1979:
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532:to purchase the rights from the playwrights (
832:Best Scoring of a Dramatic or Comedy Picture
1726:Memphis Belle: A Story of a Flying Fortress
1024:"No Such Thing as Safe Story, Sez Wm Wyler"
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1107:"Complete National Film Registry Listing"
1083:"National Film Registry taps 25 more pix"
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671:The film's Philippine adaptation, titled
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865:Best Supporting Actress – Motion Picture
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2018:Films based on works by Henry James
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1135:"The Heiress: A Cruel Inheritance"
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1081:Stern, Christopher (1996-12-03).
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638:. Specifically, the portrayal of
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1417:The Heiress: A Cruel Inheritance
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852:Best Actress in a Motion Picture
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2013:American films based on plays
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1734:The Best Years of Our Lives
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981:Best Written American Drama
220:December 28, 1949
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273:$ 2.3 million (US rentals)
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1325:"NY Times: The Heiress"
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410:contents of the house.
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32:The Heiress (1947 play)
18:The Heiress (1949 film)
1830:How to Steal a Million
1435:, A&C Black, 2010
1433:National Film Registry
1333:. 2007. Archived from
935:National Film Registry
693:Awards and nominations
657:The Carol Burnett Show
544:The film premiered at
510:David Thursby as Geier
370:National Film Registry
355:Best Production Design
34:. For other uses, see
760:Best Supporting Actor
567:Radio City Music Hall
546:Radio City Music Hall
2093:1940s American films
1422:Criterion Collection
1203:Brooklyn Daily Eagle
1133:Hutchinson, Pamela.
1055:Variety Film Reviews
967:Olivia de Havilland
856:Olivia de Havilland
689:as Adela and David.
679:Armida Siguion-Reyna
459:as Dr. Austin Sloper
345:(for de Havilland),
337:, including for the
1814:The Children's Hour
1790:Friendly Persuasion
1782:The Desperate Hours
1598:Tom Brown of Culver
1518:The Border Cavalier
1176:(October 7, 1949).
1111:Library of Congress
1004:Gothic romance film
847:Golden Globe Awards
750:Olivia de Havilland
526:Olivia de Havilland
492:as Elizabeth Almond
480:as Jefferson Almond
465:as Lavinia Penniman
447:as Catherine Sloper
445:Olivia de Havilland
374:Library of Congress
359:Best Costume Design
347:Best Original Score
335:22nd Academy Awards
312:Olivia de Havilland
284:is a 1949 American
114:Olivia de Havilland
1477:Films directed by
1376:TCM Movie Database
1330:The New York Times
1246:2009-03-16 at the
1182:The New York Times
1044:, January 3, 1951.
650:In popular culture
576:The New York Times
530:Paramount Pictures
453:as Morris Townsend
380:Universal Pictures
330:Paramount Pictures
191:Paramount Pictures
181:Paramount Pictures
92:by Augustus Goetz
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1638:The Gay Deception
1614:Counsellor at Law
1510:Straight Shootin'
1205:, 7 October 1949.
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837:Aaron Copland
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735:Best Director
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725:William Wyler
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304:' 1880 novel
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290:William Wyler
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265:$ 2.6 million
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198:Release dates
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163:Color process
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157:Aaron Copland
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71:Screenplay by
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1718:Mrs. Miniver
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1339:. Retrieved
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963:Best Actress
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784:Harry Horner
745:Best Actress
720:Best Picture
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501:as Mr. Abeel
499:Harry Antrim
490:Selena Royle
484:Mona Freeman
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343:Best Actress
339:Best Picture
325:
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280:
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237:Running time
86:
1965:The Heiress
1930:The Heiress
1908:Henry James
1750:The Heiress
1742:Thunderbolt
1646:These Three
1526:Desert Dust
1428:The Heiress
1404:The Heiress
1393:The Heiress
1382:The Heiress
1371:The Heiress
1360:The Heiress
1157:www.loa.org
822:Gile Steele
780:John Meehan
706:Nominee(s)
668:as Morris.
640:Mollie Kyle
630:The Heiress
582:The Heiress
563:The Heiress
522:The Heiress
505:Russ Conway
478:Ray Collins
366:The Heiress
326:The Heiress
302:Henry James
281:The Heiress
241:115 minutes
216:(Premiere)
99:Produced by
88:The Heiress
61:Directed by
44:The Heiress
1988:1949 films
1982:Categories
1838:Funny Girl
1702:The Letter
1534:Hard Fists
1441:0826429777
1341:2008-12-20
1281:27 October
1276:letterboxd
1116:2020-10-13
1092:2020-10-13
1010:References
991:Nominated
986:Ruth Goetz
957:Nominated
950:Best Actor
914:(also for
908:Best Actor
902:4th Place
887:Nominated
874:Nominated
818:Edith Head
807:Nominated
788:Emile Kuri
769:Nominated
739:Nominated
729:Nominated
628:has cited
516:Production
507:as Quintus
270:Box office
224:1949-12-28
209:1949-10-06
174:Production
94:Ruth Goetz
77:Ruth Goetz
1654:Dodsworth
1582:The Storm
1309:August 3,
1187:August 7,
939:Inducted
803:Leo Tover
703:Category
621:Influence
558:Reception
364:In 1996,
143:Edited by
137:Leo Tover
1938:Victoria
1670:Dead End
1398:AllMovie
1244:Archived
1225:TV Guide
998:See also
605:TV Guide
394:In 1849
254:Language
153:Music by
107:Starring
83:Based on
1857:Related
1806:Ben-Hur
1678:Jezebel
1622:Glamour
1407:at the
1374:at the
1087:Variety
1042:Variety
1028:Variety
709:Result
372:by the
257:English
246:Country
222: (
207: (
176:company
36:Heiress
1968:(play)
1949:(1997)
1941:(1972)
1933:(1949)
1916:(1880)
1849:(1970)
1841:(1968)
1833:(1966)
1825:(1965)
1817:(1961)
1809:(1959)
1801:(1958)
1793:(1956)
1785:(1955)
1777:(1953)
1769:(1952)
1766:Carrie
1761:(1951)
1753:(1949)
1745:(1947)
1737:(1946)
1729:(1944)
1721:(1942)
1713:(1941)
1705:(1940)
1697:(1940)
1689:(1939)
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1657:(1936)
1649:(1936)
1641:(1935)
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1609:(1933)
1601:(1932)
1593:(1931)
1585:(1930)
1577:(1930)
1569:(1929)
1561:(1929)
1553:(1928)
1545:(1928)
1537:(1927)
1529:(1927)
1521:(1927)
1513:(1927)
1505:(1926)
1497:(1926)
1439:
1296:IMDB.
1241:review
1227:review
700:Award
357:, and
262:Budget
1957:Other
1922:Films
1486:Films
1437:ISBN
1365:IMDb
1311:2017
1303:IMDb
1283:2023
1189:2020
970:Won
924:Won
859:Won
841:Won
826:Won
820:and
792:Won
786:and
754:Won
685:and
587:The
534:Ruth
438:Cast
390:Plot
384:EMKA
294:Ruth
1910:'s
1396:at
1385:at
1363:at
573:of
1984::
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