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The Haunted Strangler

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recognizes him as the Haymarket Strangler. Alternating between himself and the Strangler persona, Rankin murders other women before finally coming to realize that he was Tennant all along. His wife Barbara confirms this, revealing that she was his nurse and fell in love with him. Believing that Tennant had been misdiagnosed, Barbara absconded with him and helped him build a new life as the writer James Rankin. Distressed by these revelations, Rankin reverts into the Strangler, kills Barbara, and runs off. When he returns home the next day to the news that his wife was murdered, Rankin confesses that he is the killer, but no one believes him and he becomes hysterical.
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abandoned personal effects, which include a journal containing unusually detailed descriptions of the Strangler's victims and a surgeon's kit with a missing knife. At the Judas Hole, Rankin gleans from Cora that she never saw the Strangler's face, and that Tennant was a regular patron who made unwanted advances towards Martha Stuart. Rankin deduces that Tennant was the real Haymarket Strangler, and suspects that his breakdown was precipitated by him disposing of his knife, the symbol of his homicidal compulsion, in Styles' coffin in a lucid moment when he was overwhelmed by guilt.
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Twenty years later, James Rankin, a novelist and social reformer, launches a private investigation to prove that Styles was innocent and would not have been convicted if adequate legal representation had been provided for him at trial. Police official Burk permits Rankin to examine the case evidence.
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wrote: "This ludicrously improbable plot, which peters out into a series of tediously repetitive chases, is used as an excuse for the now familiar ingredients of the current horror trend. Karloff and Jean Kent play with well-intentioned earnestness, and Vera Day is as bright as ever in her brief
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cemetery and surreptitiously exhumes Styles' body. Finding the knife amid the bones, he takes hold of it and undergoes a transformation that contorts his face, paralyzes his left arm, and alters his personality. Rankin returns to the Judas Hole and kills Cora's protege, and as he departs, Cora
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Tennant becomes the focus of Rankin's inquiry. At the hospital where Tennant was brought, Rankin learns the doctor had been diagnosed with a severe nervous breakdown and was going to be institutionalized, but he and his nurse both vanished without a trace. Rankin takes possession of Tennant's
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Strangler, who brutally killed five women by partially strangling them with one hand before stabbing them to death. Styles, who lacks the use of one arm, is tried and executed for these crimes. As his coffin is nailed shut, an unknown onlooker slips a knife into it.
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back to back with a different cast and director. MGM picked up both films for release. Gordon later estimated the cost of the two movies together was approximately £80,000, excluding the costs of imported American stars.
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and was written by Jan Read, a friend of Boris Karloff's. He gave the script to producer Richard Gordon, who was looking to make a horror movie in the UK. Gordon set up
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It was adapted from "Stranglehold", a story which screenwriter Jan Read had written specially for Karloff, and was shot back to back with producer
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together earned $ 350,000 in the U.S. and Canada and $ 300,000 elsewhere, resulting in a profit to the studio of $ 160,000.
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in Surrey. Karloff was paid $ 27,500 for four weeks, with an option to make a second film for Amalgamated.
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The agreement with Eros was conditional on Amalgamated providing a second film, so Gordon arranged to make
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with Charles Vetters and had started providing U.S. funding and talent for eight pictures shot in Britain.
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Of note, the Strangler murdered his fifth victim, a dancer named Martha Stuart, at the sleazy Judas Hole
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Read's script was rewritten by John Croydon, who brought in the idea of making the killer a
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Executive producer Richard Gordon and interviewer Tom Weaver talk about the making of
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rated the film as "average", writing: "Guesome horror film, quite scary."
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In 1860, Edward Styles is accused of being the notorious
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Amalgamated went into partnership with British producer
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Cooper") 24:The Haunted Strangler 969:The Reluctant Heroes 865:First Man into Space 784:Criterion Collection 524:Fiend Without a Face 475:Fiend Without a Face 305:Fiend Without a Face 271:) is a 1958 British 192: (United States) 1122:1950s British films 1097:Films set in London 506:Monsters and Madmen 435:Peggy Anne Clifford 160:Metro-Goldwyn-Mayer 1049:Celebration Family 857:Corridors of Blood 841:Strangers' Meeting 819:Films directed by 769:TCM Movie Database 703:B.T. Batsford Ltd. 1077:1958 horror films 1059: 1058: 993:Black Market Baby 961:In Broad Daylight 780:Maitland McDonagh 643:Jacobs, Stephen, 380:as Barbara Rankin 252: 251: 1144: 913:Operation Snatch 813: 806: 799: 790: 789: 717: 716: 694: 688: 687: 670: 664: 657: 648: 641: 635: 634: 632: 630: 616: 610: 609: 602: 593: 588:Hamilton, John, 586: 202: 200: 191: 189: 171: 164: 33: 21: 20: 1152: 1151: 1147: 1146: 1145: 1143: 1142: 1141: 1062: 1061: 1060: 1055: 889:Two-Way Stretch 823: 817: 758:Rotten Tomatoes 726: 721: 720: 713: 695: 691: 672: 671: 667: 658: 651: 642: 638: 628: 626: 618: 617: 613: 604: 603: 596: 587: 574: 569: 557: 533: 519: 514: 484:Jack the Ripper 444: 426:Desmond Roberts 378:Elizabeth Allan 368:as James Rankin 362: 354:Coldbath Fields 322: 289:Elizabeth Allan 259:(also known as 213: 206: 198: 196: 187: 185: 178: 169: 165: 162: 151: 144: 142: 102: 100:Elizabeth Allan 98: 94: 80: 76: 58: 36: 17: 12: 11: 5: 1150: 1140: 1139: 1134: 1129: 1124: 1119: 1114: 1109: 1104: 1099: 1094: 1089: 1084: 1079: 1074: 1057: 1056: 1054: 1053: 1045: 1037: 1029: 1021: 1017:Peter and Paul 1013: 1005: 997: 989: 981: 973: 965: 957: 953:Ritual of Evil 949: 941: 933: 925: 917: 909: 901: 893: 885: 877: 869: 861: 853: 845: 837: 828: 825: 824: 816: 815: 808: 801: 793: 787: 786: 771: 760: 749: 738: 725: 724:External links 722: 719: 718: 711: 689: 665: 649: 636: 611: 594: 571: 570: 568: 565: 564: 563: 556: 553: 532: 529: 518: 515: 513: 510: 491:Walton Studios 443: 440: 439: 438: 432: 429: 428:as Dr. Johnson 423: 420:Dorothy Gordon 417: 414: 411:Leslie Perrins 408: 402: 399: 393: 387: 384:Anthony Dawson 381: 375: 369: 361: 358: 346:Newgate Prison 321: 318: 310:double feature 300:Richard Gordon 293:Anthony Dawson 268:The Judas Hole 250: 249: 246: 242: 241: 238: 234: 233: 230: 226: 225: 224:United Kingdom 222: 218: 217: 214: 211: 208: 207: 205: 204: 193: 181: 179: 176: 173: 172: 157: 156:Distributed by 153: 152: 147: 145: 140: 137: 136: 131: 127: 126: 121: 117: 116: 111: 110:Cinematography 107: 106: 104:Anthony Dawson 89: 85: 84: 82:Richard Gordon 73: 69: 68: 65: 61: 60: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1149: 1138: 1135: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1115: 1113: 1110: 1108: 1105: 1103: 1100: 1098: 1095: 1093: 1090: 1088: 1085: 1083: 1080: 1078: 1075: 1073: 1070: 1069: 1067: 1051: 1050: 1046: 1043: 1042: 1038: 1035: 1034: 1030: 1027: 1026: 1022: 1019: 1018: 1014: 1011: 1010: 1006: 1003: 1002: 998: 995: 994: 990: 987: 986: 982: 979: 978: 974: 971: 970: 966: 963: 962: 958: 955: 954: 950: 947: 946: 942: 939: 938: 934: 931: 930: 926: 923: 922: 918: 915: 914: 910: 907: 906: 902: 899: 898: 894: 891: 890: 886: 883: 882: 878: 875: 874: 870: 867: 866: 862: 859: 858: 854: 851: 850: 846: 843: 842: 838: 835: 834: 833:The Green Man 830: 829: 826: 822: 814: 809: 807: 802: 800: 795: 794: 791: 785: 781: 777: 776: 772: 770: 766: 765: 761: 759: 755: 754: 750: 748: 744: 743: 739: 737: 733: 732: 728: 727: 714: 712:0-7134-1874-5 708: 705:p. 317. 704: 700: 693: 685: 681: 680: 675: 669: 662: 659:Weaver, Tom, 656: 654: 646: 640: 625: 621: 615: 607: 601: 599: 591: 585: 583: 581: 579: 577: 572: 562: 559: 558: 552: 550: 549:David Quinlan 547: 542: 539: 538: 528: 526: 525: 509: 507: 503: 499: 494: 492: 487: 485: 480: 477: 476: 470: 468: 464: 460: 455: 453: 449: 436: 433: 430: 427: 424: 421: 418: 415: 412: 409: 406: 403: 400: 397: 394: 391: 388: 385: 382: 379: 376: 373: 370: 367: 366:Boris Karloff 364: 363: 357: 355: 350: 347: 342: 338: 336: 330: 327: 317: 315: 311: 307: 306: 301: 296: 294: 290: 286: 282: 281:Boris Karloff 279:and starring 278: 274: 270: 269: 264: 263: 258: 257: 247: 243: 239: 235: 231: 227: 223: 219: 215: 209: 194: 183: 182: 180: 177:Release dates 174: 168: 161: 158: 154: 150: 146: 138: 135: 132: 128: 125: 122: 118: 115: 112: 108: 105: 101: 97: 93: 92:Boris Karloff 90: 86: 83: 79: 74: 70: 66: 62: 56: 53: 49: 46: 43: 39: 32: 27: 22: 19: 1047: 1039: 1031: 1023: 1015: 1007: 999: 991: 983: 977:The Big Game 975: 967: 959: 951: 943: 935: 927: 919: 911: 903: 895: 887: 879: 871: 863: 855: 848: 847: 839: 831: 778:an essay by 774: 763: 752: 741: 730: 698: 692: 683: 677: 668: 660: 644: 639: 627:. Retrieved 623: 614: 605: 589: 545: 543: 541:sequences." 535: 534: 522: 520: 505: 497: 495: 488: 481: 473: 471: 459:John Croydon 456: 448:Stranglehold 447: 445: 405:Max Brimmell 374:as Cora Seth 351: 343: 339: 331: 323: 303: 297: 275:directed by 267: 266: 261: 260: 255: 254: 253: 212:Running time 124:Peter Mayhew 114:Lionel Banes 77: 75:John Croydon 55:John Croydon 18: 273:horror film 72:Produced by 41:Directed by 1072:1958 films 1066:Categories 1033:Love, Mary 821:Robert Day 701:. London: 567:References 517:Box office 463:Eros Films 442:Production 396:Tim Turner 335:music hall 277:Robert Day 245:Box office 216:80 minutes 199:1958-10-11 188:1958-05-11 167:Eros Films 141:Production 134:Buxton Orr 51:Written by 45:Robert Day 905:The Rebel 881:Bobbikins 629:6 January 512:Reception 502:Criterion 422:as Hannah 372:Jean Kent 326:Haymarket 285:Jean Kent 120:Edited by 96:Jean Kent 78:executive 747:AllMovie 555:See also 531:Critical 392:as Pearl 390:Vera Day 229:Language 130:Music by 88:Starring 64:Based on 59:Jan Read 782:at the 767:at the 437:as Kate 240:£80,000 232:English 221:Country 197: ( 186: ( 143:company 1052:(1987) 1044:(1987) 1036:(1985) 1028:(1982) 1020:(1981) 1012:(1980) 1004:(1978) 996:(1977) 988:(1973) 980:(1973) 972:(1971) 964:(1971) 956:(1970) 948:(1967) 940:(1966) 932:(1965) 924:(1963) 916:(1962) 908:(1961) 900:(1960) 892:(1960) 884:(1959) 876:(1959) 868:(1959) 860:(1958) 852:(1958) 844:(1957) 836:(1956) 709:  291:, and 237:Budget 170:(U.K.) 163:(U.S.) 736:IMDb 707:ISBN 631:2024 360:Cast 320:Plot 929:She 756:at 745:at 734:at 544:In 314:MGM 312:by 302:'s 1068:: 684:25 682:. 676:. 652:^ 622:. 597:^ 575:^ 508:. 469:. 316:. 295:. 287:, 283:, 812:e 805:t 798:v 715:. 633:. 201:) 190:)

Index


Robert Day
John Croydon
Richard Gordon
Boris Karloff
Jean Kent
Elizabeth Allan
Anthony Dawson
Lionel Banes
Peter Mayhew
Buxton Orr
Amalgamated Productions
Metro-Goldwyn-Mayer
Eros Films
horror film
Robert Day
Boris Karloff
Jean Kent
Elizabeth Allan
Anthony Dawson
Richard Gordon
Fiend Without a Face
double feature
MGM
Haymarket
music hall
Newgate Prison
Coldbath Fields
Boris Karloff
Jean Kent

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