243:, Captain Ramsey's freighter finds the ship "Hades" drifting in the ocean, showing no apparent sign of life on board. Ramsey and his crew explore the Hades, while they are being observed by an unseen entity. In the cargo hold, they discover an ancient Aztec treasure, which gives second mate Medina flashbacks to a violent ritual. They also learn from the diary of the Hades' captain, Jameson, that the artefacts were retrieved from
390:, Krista Allen was not enthusiastic about the film's instances of nudity, and Golden acknowledged that the first such scene was not gracefully integrated into the picture. In the finished film, the director was credited as "Daniel Patrick", while effects man Buechler was credited only through the name of his company Magical Media Industries.
434:, Michael Gingold awarded the film one and a half star on a scale of one to five, and dismissed it as "a slackly directed pastiche of genre cliches, stock footage, and dialogue like 'It was like a nightmare, only I wasn't sleeping'", whose creature was reused from a prior film "with an especially new bogus head attached".
29:
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Charles Tatum of eFilmCritic gave the film a single star on a scale of one to five, writing that the special effects "suck", the direction is "pretty bland, something to be expected when you are limited to three sets and reels of 1960s Mexico travelogue footage", and "not a whole lot makes sense".
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derided the "less-than-horrifying monster, which resembles a midget trapped inside a cheap, store-bought dinosaur costume" but acknowledged that "the film is remarkably competent, aided by a relatively strong cast, professional if unremarkable direction by Dan Golden", adding that "it's at least a
341:
installments, was brought onboard after another helmer departed the project. He was hesitant due to the script's poor quality. Corman allowed Golden to work on it with his usual story editor
Frances Dole, but insisted the shoot start within ten days as planned. Filming took place in December 1996.
250:
In the kitchen, Medina discovers
Jameson, traumatized but alive. The Hades' captain hints that he, too, fell under the treasure's evil influence and, while possessed, turned against his crew mates. To escape his predicament, he flees and commits suicide. Eventually, human presence on the Hades is
251:
whittled down to just
Johnson and first mate Bergren. They rig the cursed ship with explosives. The monster kills Bergren, and Johnson jumps overboard just as the Hades is blown apart. She's rescued by the freighter, but is revealed to be possessed herself.
384:. Its mobility was severely limited, including the opening and closing of the mouth. Golden tried to film around it, but Corman insisted that the effects were satisfactory and that the creature should be shown more. Following her appearances as
247:'s temple. Two of Ramsey's men, Delgado and Lane, attempt to plunder some of the treasure, but Delgado becomes possessed as a result. He transforms into a reptilian monster, mauls Lane to death, and sets about killing the rest of the crew.
337:, which included several reimaginings of the B-movie mogul's classics, but had a troubled production. Glamour photographer-turned-director Dan Golden, who was responsible for two prior
351:
be recycled, although Golden felt they were too limited for some scenes. They were later complemented with stock footage for exteriors. To link the sets with the story's supposed
903:
225:, but was rejected by the series' broadcaster and instead premiered on home video on November 11, 1997. It shares part of its title with Corman's 1961 film
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That date coincided with a state of flux at Corman's studios, following the ousting of several staff members by the producer, which did not help matters.
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Although the film takes place at sea, there was no budget to actually shoot the actors in such surroundings. Corman demanded that ship sets from
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lasting testament to the remarkable thrift and monetary ingenuity of the folks over at the New
Horizons stable."
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gave the film two stars on a scale of one to five, and summed up the film as "silliness on the high seas".
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363:, but even that proved too expensive for the thrifty Corman. Since he had planned a holiday in
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from Corman's own New
Horizons Home Video on November 17, 1997. New Horizon re-issued it on
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collection, the channel's executives deemed its quality unacceptable and rejected it.
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520:. Vol. 5, no. 11. Forest Park: Clarke, Frederick S. pp. 16–17.
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reference book, rated it a two on a scale of zero to four.
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camera and captured some establishing shots himself.
562:
The Motion
Picture – 1998 Annual (The Films of 1997)
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559:Gingold, Michael (1998). Grant, Edmond (ed.).
327:, a loose callback to the vintage Corman film
904:English-language science fiction horror films
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710:Martin, Mick; Porter, Marsha (October 2001).
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716:. New York: Ballantine Books. p. 476.
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313:The film was pitched internally as "
460:VideoHound's Golden Movie Retriever
355:setting, the director tried to buy
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859:American supernatural horror films
638:MacLean, Doug; Carver, Michael E.
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687:Tutum, Charles (March 31, 2004).
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323:. It was eventually rebranded as
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864:1990s supernatural horror films
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426:Writing for News Publications'
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512:Scapperotti, Dan (May 1997).
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329:Creature from the Haunted Sea
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228:Creature from the Haunted Sea
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884:1990s English-language films
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737:Craddock, Jim, ed. (2008).
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294:as 1st Mate Bergren
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377:Carnosaur 2
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197:horror film
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36:Directed by
839:1996 films
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471:References
387:Emmanuelle
321:Ghost Ship
309:Production
268:Don Stroud
217:Don Stroud
201:Dan Golden
166:73 minutes
150:1997-11-17
115:Production
109:Eric Wurst
80:Don Stroud
46:Written by
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763:1095-371X
422:Reception
245:Montezuma
239:Near the
94:Edited by
786:AllMovie
619:. Flixer
428:TV Guide
400:Showtime
339:Presents
181:Language
102:Music by
64:Starring
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184:English
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361:Mexico
357:B-roll
369:16 mm
316:Alien
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