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The Fire Engines

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33: 195:. The band's live shows rarely lasted longer than twenty minutes – Henderson said of the early live shows: "We played to our strengths which were minimal, but somehow, as a band, it worked. We never played chords and Russell didn’t use cymbals or hi-hats. It was very violent although no-one got hurt. Pure aggression, attitude and hate was what it was." The band were offered a deal by 180:, while Slade had played in Station Six. The Fire Engines' debut release was the "Get Up And Use Me"/"Everything's Roses" single, released on manager Angus Groovy's Codex Communications label in 1980; The band had recorded their entire set twice in a Fife bungalow with producer Wilf Smarties, at a cost of £46, with these two tracks selected for release. 266:; The seven-inch single contained a Franz Ferdinand cover of the Fire Engines song "Get Up and Use Me" with Fire Engines covering Franz Ferdinand's "Jacqueline". The band continued to play occasional concerts until 2006. On 2 October 2007, the Acute label issued 227:", and a second in November that year. Their most successful single was "Candy Skin", released in 1981, but after the follow-up, "Big Gold Dream" failed to repeat its success, the band split up on 31 December 1981. 273:
Henderson is now leading The Sexual Objects, featuring Ian Holford (drums), Simon Smeeton (guitar) and Douglas McIntyre (bass). Graham Wann later joined as guitarist. The band released a single on the
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with Stoddart in the mid 1980s, the band continuing until 1989. Henderson and Burn then worked together on Burn's Pie Finger project, releasing an album on
707: 697: 118: 702: 224: 692: 207:(subtitled 'Background Music for Action People!'), in 1981, released on Fast subsidiary Pop:Aural. The band recorded two sessions for 682: 152:
both taking their names from Fire Engines songs. In August 2017 the band reformed to play a benefit for Leith Theatre along with
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compilation cassette. Burn formed Everest the Hard Way with bassist Ian Stoddart and guitarist Stephen Lironi (who later joined
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Henderson formed the short-lived Heartbeat with Bob Last's partner Hillary Morrison, the band's only release a track on an
687: 497: 238:), the band releasing a single in April 1982, before Burn rejoined The Dirty Reds. Henderson and Burn went on to form 529: 440:"Neu Reekie! presents: Trainspotting turns 21 wi Irvine Welsh, The Fire Engines & Arthur Baker — Leith Theatre" 270:, a collection of the band's original studio recordings, making them available for the first time on CD in the US. 587: 172:(vocals/guitar), Murray Slade (guitar), Graham Main (bass), and Russell Burn (drums), the band name inspired by a 176:
song. Henderson, Main, and Burn had previously been members of The Dirty Reds, along with Russell Burn's brother
403: 274: 609: 419: 299: 353:"Big Gold Dream" / "New Thing in Cartons" / "Sympathetic Anaesthetic" (1981), Pop:Aural - UK Indie #15 643: 277:
label in 2007, two singles through a German label in 2008 and one more in 2009. Their debut album,
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The Fire Engines were an influence on many bands that followed, including Franz Ferdinand and
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at The Liquid Room in Edinburgh, and released a limited edition collaboration single with
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The history of The Fire Engines from 1979 to 1981 is covered in 2015 documentary film
525: 493: 191: 347:"Get Up and Use Me" / "Everythings Roses" (1980), Codex Communications - UK Indie #9 282: 243: 196: 32: 374: 304: 259: 235: 169: 149: 110: 676: 378:, which takes its name from the band's final release on the Pop:Aural label. 216: 177: 145: 658: 613: 592: 200: 157: 153: 663: 212: 239: 361: 220: 208: 134: 130: 62: 51: 469: 426: 285:(who produced the third single). It was released on vinyl in 2011. 203:
label. Further singles followed and a largely instrumental album,
646:", pennyblackmusic.co.uk, 13 March 2012, retrieved 22 June 2012 350:"Candyskin" / "Meat Whiplash" (1981), Pop:Aural - UK Indie #7 183:"Get Up and Use Me" was given 'Single of the Week' in both 406:", Louder Than War, 6 January 2012, retrieved 22 June 2012 630: 574: 185: 250:, which continued from the early 1990s until 2004. 644:Fire Engines : Interview with Davy Henderson 674: 610:New Band of the Day: The Sexual Objects (No 669) 281:, was released in 2010, partially produced by 258:In 2004, the Fire Engines reformed to support 488:Buckley, Peter (2003) "The Fire Engines", in 215:show, the first in February 1981 featuring a 542: 540: 538: 616:, 13 November 2009, retrieved 22 June 2012 317:Aufgeladen und Bereit fur Action und Spass 31: 604: 602: 596:, 26 January 2004, retrieved 22 June 2012 588:Legendary Beefheart band cast their spell 535: 484: 482: 480: 478: 414: 412: 364:session tracks "Discord" and "Candyskin" 225:(We Don't Need This) Fascist Groove Thang 516: 514: 512: 510: 508: 506: 460: 458: 456: 398: 396: 394: 392: 390: 580: 556:, 16 April 2006, retrieved 22 June 2012 367: 675: 636: 599: 475: 409: 37:Fire Engines Leith Theatre August 2017 708:Musical groups disestablished in 2006 698:Musical groups disestablished in 1981 503: 453: 387: 703:Musical groups reestablished in 2004 619: 13: 693:Musical groups established in 1979 559: 14: 724: 659:The Fire Engines at Acute Records 652: 627:The Sexual Objects – Live Session 404:Post Punk heroes the Fire Engines 683:Scottish post-punk music groups 310: 246:in 1992. Henderson then formed 432: 288: 253: 1: 713:Musical groups from Edinburgh 381: 7: 522:The Great Indie Discography 199:, but opted for Bob Last's 10: 729: 688:Scottish indie rock groups 356:"Discord" (2006), Domino ¹ 341: 300:Lubricate Your Living Room 205:Lubricate Your Living Room 168:The Fire Engines comprise 163: 546:McLaughlin, Milo (2006) " 520:Strong, Martin C. (2003) 421:Codex Teenage Premonition 329:Codex Teenage Premonition 293: 106: 102: 94: 68: 58: 47: 42: 30: 23: 633:, retrieved 22 June 2012 577:, retrieved 22 June 2012 472:, retrieved 22 June 2012 429:, retrieved 22 June 2012 248:The Nectarine No. 9 490:The Rough Guide to Rock 16:Scottish post-punk band 466:Fire Engines Biography 402:Reekie, Innes (2012) " 170:David (Davy) Henderson 43:Background information 608:Lister, Paul (2009) " 642:Rogers, Jon (2012) " 368:Legacy and influence 174:13th Floor Elevators 124: 123: 720: 664:The Fire Engines 647: 640: 634: 623: 617: 606: 597: 584: 578: 563: 557: 544: 533: 518: 501: 492:, Rough Guides, 486: 473: 462: 451: 450: 448: 446: 436: 430: 416: 407: 400: 283:Boards of Canada 244:Creation Records 197:Postcard Records 127:The Fire Engines 89: 87: 81: 79: 71: 35: 21: 20: 728: 727: 723: 722: 721: 719: 718: 717: 673: 672: 655: 650: 641: 637: 624: 620: 607: 600: 585: 581: 571:Keeping It Peel 564: 560: 545: 536: 519: 504: 487: 476: 464:Ankeny, Jason " 463: 454: 444: 442: 438: 437: 433: 418:Kellman, Andy " 417: 410: 401: 388: 384: 370: 344: 313: 296: 291: 264:Franz Ferdinand 256: 166: 117: 115: 113: 85: 83: 77: 75: 69: 38: 26: 17: 12: 11: 5: 726: 716: 715: 710: 705: 700: 695: 690: 685: 671: 670: 661: 654: 653:External links 651: 649: 648: 635: 618: 614:guardian.co.uk 598: 579: 558: 534: 502: 498:978-1843531050 474: 452: 431: 408: 385: 383: 380: 375:Big Gold Dream 369: 366: 358: 357: 354: 351: 348: 343: 340: 339: 338: 332: 326: 320: 312: 309: 295: 292: 290: 287: 260:The Magic Band 255: 252: 236:Altered Images 165: 162: 150:The Candyskins 122: 121: 111:Davy Henderson 108: 104: 103: 100: 99: 96: 92: 91: 72: 66: 65: 60: 56: 55: 49: 45: 44: 40: 39: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 725: 714: 711: 709: 706: 704: 701: 699: 696: 694: 691: 689: 686: 684: 681: 680: 678: 669: 665: 662: 660: 657: 656: 645: 639: 632: 628: 622: 615: 611: 605: 603: 595: 594: 589: 583: 576: 572: 568: 562: 555: 554: 549: 543: 541: 539: 531: 530:1-84195-335-0 527: 524:, Canongate, 523: 517: 515: 513: 511: 509: 507: 499: 495: 491: 485: 483: 481: 479: 471: 467: 461: 459: 457: 441: 435: 428: 424: 422: 415: 413: 405: 399: 397: 395: 393: 391: 386: 379: 377: 376: 365: 363: 355: 352: 349: 346: 345: 336: 333: 330: 327: 324: 321: 318: 315: 314: 308: 306: 302: 301: 286: 284: 280: 276: 275:Creeping Bent 271: 269: 265: 261: 251: 249: 245: 241: 237: 233: 228: 226: 222: 218: 217:cover version 214: 210: 206: 202: 198: 194: 193: 188: 187: 181: 179: 178:Tam Dean Burn 175: 171: 161: 159: 155: 151: 147: 146:Meat Whiplash 143: 138: 136: 132: 128: 120: 112: 109: 105: 101: 97: 93: 73: 67: 64: 61: 57: 53: 50: 46: 41: 34: 29: 22: 19: 638: 621: 593:The Scotsman 591: 582: 570: 567:Fire Engines 561: 551: 548:Fire Engines 521: 489: 443:. Retrieved 434: 420: 373: 371: 359: 334: 328: 322: 316: 311:Compilations 298: 297: 278: 272: 267: 257: 231: 229: 204: 201:Fast Product 190: 184: 182: 167: 158:Ewen Bremner 154:Irvine Welsh 139: 137:, Scotland. 126: 125: 119:Russell Burn 114:Murray Slade 70:Years active 25:Fire Engines 18: 335:Hungry Beat 289:Discography 268:Hungry Beat 254:Reformation 213:BBC Radio 1 142:The Rapture 116:Graham Main 90:, 2004–2006 677:Categories 553:The Skinny 532:, p. 332-3 500:, p. 373-4 382:References 133:band from 54:, Scotland 445:17 August 362:John Peel 303:(1981) - 221:Heaven 17 209:John Peel 135:Edinburgh 131:post-punk 98:Pop:Aural 63:Post-punk 52:Edinburgh 668:AllMusic 470:Allmusic 427:Allmusic 305:UK Indie 279:Cucumber 360:¹ from 342:Singles 164:History 144:, with 129:were a 107:Members 84: ( 76: ( 528:  496:  423:Review 337:(2007) 331:(2005) 325:(1992) 319:(1981) 294:Albums 192:Sounds 95:Labels 59:Genres 48:Origin 82:–1981 526:ISBN 494:ISBN 447:2017 323:Fond 307:#4 223:'s " 189:and 156:and 148:and 86:1981 78:1979 74:1979 666:at 631:BBC 629:", 612:", 590:", 575:BBC 569:", 550:", 468:", 425:", 240:Win 232:NME 219:of 211:'s 186:NME 679:: 601:^ 573:, 537:^ 505:^ 477:^ 455:^ 411:^ 389:^ 160:. 625:" 586:" 565:" 449:. 88:) 80:)

Index


Edinburgh
Post-punk
Davy Henderson
Russell Burn
post-punk
Edinburgh
The Rapture
Meat Whiplash
The Candyskins
Irvine Welsh
Ewen Bremner
David (Davy) Henderson
13th Floor Elevators
Tam Dean Burn
NME
Sounds
Postcard Records
Fast Product
John Peel
BBC Radio 1
cover version
Heaven 17
(We Don't Need This) Fascist Groove Thang
Altered Images
Win
Creation Records
The Nectarine No. 9
The Magic Band
Franz Ferdinand

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