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demonic creatures. There are also an abundance of exotic animals alongside deformed and mutated figures. There are two other prominent figures on either side of archangel
Michael who are dressed in all white to contrast the dark colors underneath them. These figures are good angels who are assisting in the fight against the rebellious angels. In the upper portion in both corners, there are angelic musicians playing their instruments as if the war between good and evil has already been played out. The action of playing the trumpets foreshadow a successful triumph.
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techniques and concepts they used. Both Bosch and
Bruegel first sketched with a brush, then applied a thin layer of pigment, and later continued to add layers. Their techniques were so similar that in many cases, it was hard to differentiate who painted a piece. The drawing done by Bruegel in 1558 of
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The painting is a split landscape with the top portion being heaven and the bottom portion representing hell. Heaven is illustrated with light blues, vibrant colors, and surrounded by flying angels, while hell is much darker than heaven. This is illustrated through dark tones and demonic creatures to
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There has been a comparison between this art work and cabinets of curiosities. Because this painting is so full and depicted with natural and artificial objects, Tine Luk
Meganck states this is Bruegel's own cabinet of curiosity portrayed as an art piece. Bruegel utilizes natural objects such as a
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Lucifer was designed to be a perfect angel. He fell from heaven because of his pride and rebellion against God's divine plan, which was to appoint Jesus as the people's savior. Lucifer coerced one-third of the angels to follow his lead in the rebellion and to assist in appointing him to be the new
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Due to not finding a signature on the painting, the Royal Museum of Fine Arts first inherited the painting with the idea that the artist of the painting was
Hieronymus Bosch. The signature was found under the frame in 1900 with the name of Pieter Bruegel on it. With this finding, they assumed the
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The central figure is the archangel
Michael depicted with a sword. He is in triumph as he defeats the fallen angels and demonic creatures. Above the archangel, there are figures coming out of what looks like a hole in the sky which is the sun. The figures represent Lucifer, the fallen angels, and
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On the far left part of the triptych, Bosch has his version of the fallen rebel angels falling from the sky. Bruegel enlarges the scene and has the subject of the fallen angels as his main focus. Ultimately, Bruegel was known as a "second Bosch" or an "imitator" of Bosch because of the similar
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consisting of monster heads on human nude bodies which called for a comparison between his and
Bruegel's work. Bruegel made his own images with the same monstrous component of different heads on different figures. Hieronymus Bosch was the main influencer to Bruegel's work. Bosch's
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butterfly, fish, and other known creatures. He also uses artificial objects such as the instruments, armor, and weapons. The incorporation of both natural and artificial objects reflect his stance on how he feels about the new found foreign land of the
Americas.
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by
Bruegel was created in the same year with the same concept of distorted hellish figures. Towards the bottom there is a fish with a human leg coming out of it which is similar to the figure with a human head on an animal's body in
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triptych portrays hybrid creatures and explored the idea of vices and virtues as well as good vs evil. The hybrid creatures are depicted on the far right side of the triptych with the hellish dark scenery. Bosch's
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is theorized to provide an insight on the position of the archangel
Michael as a central figure standing on the dragon with a sword to the body of the dragon. Frans Floris I has created his own
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that have been banished from heaven. Angels are falling from the sun in a stacked manner along with ungodly creatures that
Bruegel created. This piece by Bruegel was previously thought to be by
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was given the duty to drive Lucifer and the fallen angels out of heaven. The conflict of good and evil as well as vice and virtue are constant recurring themes throughout Bruegel's work.
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painting came from Pieter the Younger. Later, after finding a date on the painting, it was clarified that the artist was not Pieter the Younger but Pieter Bruegel the Elder.
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The composition with a central figure placed among many smaller figures was favored by Bruegel during this time. This is not only shown through
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Painted in 1562, Bruegel's depiction of this subject of Lucifer falling with his fallen angels is taken from a passage from
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510:"Pieter Bruegel the Elder, Fall of the Rebel Angels : Art, Knowledge and Politics on the Eve of the Dutch Revolt"
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stops in front of the painting and observes it briefly with a more serious demeanor, at which point the song begins.
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A reproduction of the painting appears at the beginning of the music video for the Korean version of the song
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Pieter Bruegel the Elder. Fall of Rebel Angels. Art, Knowledge, and Politics on the Eve of the Dutch Revolt.
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including Albrecht Dürer, Frans Floris I, Hieronymus Bosch and past works of Bruegel himself. Dürer's
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Orenstein, Nadine. Metropolitan Museum of Art, and Museum Boijmans Van Beuningen.
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and in the series of engravings of the Vices and the Virtues completed for the
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117 cm × 162 cm (46 in × 64 in)
701:. 57. Vol. 57. Princeton, Washington: Princeton University Press, 2016.
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Seidel, Max, Roger H. Marijnissen, Pieter Bruegel, and Max Seidel.
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Silvana Editoriale & Royal Museums of Fine Arts of Belgium.
653:"BTS (방탄소년단) '피 땀 눈물 (Blood Sweat & Tears)' Official MV"
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The painting was also featured in a collaboration between
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132:. Bruegel was influenced by a variety of artists such as
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Bosch & Bruegel From Enemy Painting To Everyday Life
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Kosloski, Phillip. "Why Did Satan Rebel Against God?".
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Bosch and Bruegel from Enemy Painting to Everyday Life
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Bruegel had multiple inspirations for the creation of
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758:The Fall of the Rebel Angels Online Exhibition
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720:Pieter Bruegel the Elder: Drawings and Prints
671:"Supreme Undercover Fall of the Rebel Angels"
465:List of paintings by Pieter Bruegel the Elder
357:and Undercover, a Japanese clothing brand by
21:The Fall of the Rebel Angels (disambiguation)
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592:Kosloski, Phillip (30 October 2020).
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736:. New York: Harry N. Abrams, 1990.
610:Max Seidel, Roger H. Marijnissen.
594:"Why Did Satan Rebel Against God?"
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576:. Princeton University Press.
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102:the Netherlandish Renaissance
878:The Fall of the Rebel Angels
614:. Pt.2, Random House, 1985.
97:The Fall of the Rebel Angels
29:The Fall of the Rebel Angels
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729:. Stuttgart: Belser, 1969.
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316:The Fall of Rebel Angels.
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794:Pieter Bruegel the Elder
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307:The Fall of Rebel Angels
190:The Fall of Rebel Angels
118:The Fall of Rebel Angels
106:Pieter Bruegel the Elder
47:Pieter Bruegel the Elder
1052:The Census at Bethlehem
1021:The Hunters in the Snow
950:The Death of the Virgin
336:Blood Sweat & Tears
1237:The Mill and the Cross
1214:Jan Brueghel the Elder
998:The Return of the Herd
942:Adoration of the Kings
840:Netherlandish Proverbs
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1084:The Land of Cockaigne
572:Koerner, Joseph Leo.
429:The Archangel Michael
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124:along with the other
1226:Breugel, Netherlands
863:The Triumph of Death
816:Parable of the Sower
311:Mad Meg(Dulle Griet)
267:Fall of Rebel Angels
19:For other uses, see
1092:The Peasant Wedding
886:The Suicide of Saul
732:Stechow, Wolfgang.
711:Meganck, Tine Luk.
695:Koerner, Joseph Leo
544:Stechow, Wolfgang.
1076:Conversion of Paul
918:The Tower of Babel
659:. October 6, 2016.
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441:Angelic Musicians
330:In popular culture
303:The Last Judgement
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280:The Last Judgement
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1100:The Peasant Dance
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810:List of paintings
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183:archangel Michael
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1240:(2011 film)
1163: 1569
1115:The Beggars
1108: 1567
1045: 1565
1014: 1565
894:Two Monkeys
871: 1562
827:(1558–1562)
753:(in French)
194:Dulle Griet
144:Description
116:, Belgium.
1269:Categories
1222:(grandson)
686:References
230:Influences
200:publisher
72:Dimensions
902:Dull Gret
802:Paintings
1182:Drawings
748:The Fall
639:Gluttony
459:See also
161:, Vienna
120:depicts
114:Brussels
104:artist,
88:Brussels
80:Location
67:on panel
1315:Lucifer
1201:Related
727:Bruegel
706:Aleteia
675:Grailed
657:YouTube
612:Bruegel
598:Aleteia
546:Bruegel
370:Details
365:Gallery
355:Supreme
256:woodcut
212:Figures
198:Antwerp
122:Lucifer
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1024:(1565)
1016:–1568)
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993:(1565)
985:(1565)
977:(1565)
969:(1565)
961:(1564)
953:(1564)
945:(1564)
929:(1563)
921:(1563)
913:(1563)
905:(1563)
897:(1562)
889:(1562)
881:(1562)
851:(1560)
843:(1559)
835:(1559)
819:(1557)
618:
342:group
181:" The
43:Artist
1216:(son)
1210:(son)
633:Pride
471:Notes
157:, by
636:and
616:ISBN
61:Type
56:1562
53:Year
348:Jin
344:BTS
338:by
243:by
204:.
112:in
65:Oil
1271::
1160:c.
1105:c.
1042:c.
1011:c.
868:c.
697:,
673:.
655:.
596:.
582:^
554:^
518:^
492:^
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866:(
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600:.
512:.
487:"
263:,
23:.
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