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Few leads are found, other than the fact that a housemate of the victim remains conspicuous by his absence. All the while notions about the victim's sexuality and personal interests warp the ideals of the officers assigned to the task. Leland tries to remain focused on the case while dealing with the
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marked a move towards — and was billed as — a more "adult" approach to depicting the life and work of a police detective while confronting, for one of the first times in mainstream cinema, previously taboo subjects such as homosexuality. Here, the detective in question is Joe Leland, who is trying to
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Leland and partner Dave
Schoenstein follow leads. A psychiatrist, Dr. Roberts, clearly knows more about the dead man, Colin MacIver, than he is willing to reveal. The therapist also is familiar with Karen Leland, whose infidelity is putting a great strain on the detective's home life and distracting
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MacIver made a taped confession to Dr. Roberts in which he also explains that he used the doctor's name as a front in his real estate scheme. Roberts insists that Leland keep MacIver's confession secret to preserve the detective's professional reputation as well as the powerful interests who do not
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praised his performance and the concept of the film, stating: "It is pretty clear that
Sinatra wanted 'The Detective' to be as good a movie as he could manage. It provides a clear, unsentimental look at a police investigation, and even the language reflects the way cops (and the rest of us) talk."
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Leland soon learns that certain powerful interests in the city do not want him to ask questions about their scheme to inflate the value of real estate. Leland discovers MacIver is at the center of the scheme. The incorruptible detective presses on, at risk to his career and life, as he discovers a
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Eventually, the victim's housemate is identified as Felix Tesla, and he is soon tracked down by Leland and another detective. Leland makes a psychologically disturbed Tesla crack and coaxes a confession out of him. This results in extensive publicity, a promotion for Leland, and the electric chair
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without pictures." As for the movie, he wrote, "Although it makes some valid comments about contemporary society, it exploits its lurid subject matter in a show-offy, heavy-handed way designed as much to tease as to teach compassion." He praised it for being "a film of transition. It deals with
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lurid relationship between the man's suicide and the previous murder. MacIver had met the victim after going to a gay club to "get out of my system." MacIver then proceeded to murder him following the victim's remarks about being able to recognize MacIver as a homosexual.
598:. This was the last straw for Sinatra, who had the divorce papers publicly served on Farrow on her film's set. Their divorce became final in August 1968, putting an end to a short-lived romance of barely two years.
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against its $ 4.49 million budget. According to Fox records, the film required $ 8.8 million in rentals to break even. By 11 December 1970, it had made $ 10.2 million, therefore making a profit for the studio.
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want their crimes exposed. The film ends after Leland has revealed the truth and is happy to let the chips fall where they may, having unburdened himself of his guilt over Tesla's wrongful execution.
704:, in which Leland is trapped in a Klaxon Oil Corporation skyscraper after it is taken by German terrorists and must rescue his daughter and grandchildren. The novel was adapted into the 1988
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Critical reception was mostly positive, with
Sinatra receiving praise for delivering one of his most intense and dedicated acting performances.
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New York City police detective Joe Leland is called to the home of a murder victim who has been beaten to death, head crushed, and has had his
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removed. Puzzled and disgusted, the police on call are left bemused, and Leland holds things together with his direct, no-nonsense approach.
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juggle marital issues with a murder case that seemed to be open-and-shut at first but runs much deeper than he could have imagined.
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917:"The Running Man and Die Hard with Steven de Souza: Live from Alamo Drafthouse, episode #57 of I Was There Too on Earwolf"
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Twentieth
Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series)
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The Fox that got away : the last days of the Zanuck dynasty at
Twentieth Century-Fox
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for Tesla, which distresses Leland because it is clear to him that Tesla is insane.
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cast as Norma MacIver, a role that was eventually taken by
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Joe (Frank
Sinatra) and Karen (Lee Remick) watching a
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Solomon p 230. See also "Big Rental Films of 1968",
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In 1979, Roderick Thorp wrote a sequel to his novel
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774:. Lanham, Maryland: Scarecrow Press, 1989.
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903:"Roger Ebert's Review, July 12th 1968"
16:1968 crime film starring Frank Sinatra
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617:20th highest earning film of the year
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2198:English-language crime drama films
2153:Films about miscarriage of justice
331:. The book's rights were owned by
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2158:Films directed by Gordon Douglas
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859:, loti.com; accessed 4 May 2016.
813:(3rd ed.). Woodstock, New York:
809:; Ward, Elizabeth; eds. (1992).
660:subject matter available to the
2163:Films scored by Jerry Goldsmith
2138:American police detective films
2193:LGBT-related crime drama films
2148:Films about capital punishment
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752:List of American films of 1968
602:Release and critical reception
541:Dixie Marquis as Carol Linjack
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2188:Films set in Queens, New York
2178:1960s police procedural films
1475:The Fiend Who Walked the West
1325:I Was a Communist for the FBI
869:Silverman, Stephen M (1988).
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664:in a style that reflects the
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419:. The scene involved Karen's
2123:1960s English-language films
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989:AFI Catalog of Feature Films
619:with $ 6.5 million taken in
556:James Inman as Teddy Leikman
7:
2143:American LGBT-related films
1375:The Charge at Feather River
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433:Garden State Park Racetrack
187:Arcola Pictures Corporation
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2173:Films set in New York City
2133:American crime drama films
1697:They Call Me Mister Tibbs!
847:Retrieved August 10, 2022.
845:, Wednesday, May 29, 1968.
611:Released on May 28, 1968,
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1988:Die Hard with a Vengeance
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1942:Trilogy 2: Viva Las Vegas
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1526:Gold of the Seven Saints
1114:Gildersleeve on Broadway
797:, 8 January 1969, pg 15.
490:as Det. Dave Schoenstein
2128:American neo-noir films
2113:1968 LGBT-related films
1727:Slaughter's Big Rip-Off
1516:The Sins of Rachel Cade
1305:The Great Missouri Raid
1224:The Doolins of Oklahoma
1154:The Falcon in Hollywood
520:as Det. Robbie Loughlin
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374:(1967), and then later
2118:20th Century Fox films
2108:1968 crime drama films
2002:A Good Day to Die Hard
1874:A Good Day to Die Hard
1365:She's Back on Broadway
1184:Dick Tracy vs. Cueball
1104:Gildersleeve's Bad Day
1094:The Great Gildersleeve
635:The Hollywood Reporter
562:as Officer Jack Harmon
553:as Rachael Schoenstein
538:as Officer Mike Tanner
502:as Dr. Wendell Roberts
472:as Karen Wagner Leland
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298:novel of the same name
211:May 28, 1968
1995:Live Free or Die Hard
1867:Live Free or Die Hard
1817:Nothing Lasts Forever
1566:Robin and the 7 Hoods
1285:Kiss Tomorrow Goodbye
1174:First Yank into Tokyo
877:. L. Stuart. p.
742:that ran until 2013.
726:was also featured in
701:Nothing Lasts Forever
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365:Robin and the 7 Hoods
2183:1960s American films
1134:Gildersleeve's Ghost
1124:A Night of Adventure
738:. The film launched
496:as Capt. Tom Farrell
465:Det. Sgt. Joe Leland
296:, based on the 1966
1415:The McConnell Story
1214:Walk a Crooked Mile
1164:Zombies on Broadway
442:him from his work.
277:is a 1968 American
1720:(1971, uncredited)
1025:Films directed by
977:TCM Movie Database
857:Mia Farrow profile
843:The New York Times
815:The Overlook Press
652:The New York Times
621:box office rentals
545:Sugar Ray Robinson
429:
341:Paramount Pictures
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1546:Follow That Dream
1536:Claudelle Inglish
1495:Yellowstone Kelly
1355:The Iron Mistress
1335:Come Fill the Cup
1204:If You Knew Susie
837:Canby, Vincent. "
780:978-0-8108-4244-1
770:Solomon, Aubrey.
736:Alexander Godunov
734:'s then-partner,
732:Jacqueline Bisset
590:Jacqueline Bisset
476:Jacqueline Bisset
421:marriage proposal
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359:Young at Heart
321:William Windom
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288:, produced by
286:Gordon Douglas
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2023:(comic book)
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317:Jack Klugman
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227:Running time
204:Release date
153:Joseph Biroc
125:Tony Musante
110:Jack Klugman
105:Ralph Meeker
62:
2012:Other media
1966:Soundtracks
1912:Video games
1898:Hans Gruber
1576:Rio Conchos
1255:The Nevadan
1194:San Quentin
1074:Saps at Sea
657:comic strip
640:Roger Ebert
532:as Mercidis
231:114 minutes
78:Produced by
39:Directed by
2103:1968 films
2097:Categories
1981:Die Hard 2
1885:Characters
1853:Die Hard 2
1828:58 Minutes
1606:Stagecoach
1465:Fort Dobbs
758:References
607:Box office
586:Mia Farrow
572:Joe Santos
560:Tom Atkins
470:Lee Remick
436:grandstand
309:Lee Remick
260:Box office
215:1968-05-28
180:Production
100:Lee Remick
68:1966 novel
2038:Fox Plaza
1923:(1990–91)
1903:Al Powell
1717:Skin Game
1646:Tony Rome
1345:Mara Maru
1144:Girl Rush
730:, as was
677:Tony Rome
530:Pat Henry
425:flashback
371:Tony Rome
329:Abby Mann
265:(rentals)
159:Edited by
53:Abby Mann
2168:Die Hard
2081:Category
2052:Ricochet
2020:Year One
1974:Die Hard
1956:Vendetta
1920:Die Hard
1846:Die Hard
1793:Die Hard
1707:Barquero
1435:Santiago
966:AllMovie
841:Opens,"
746:See also
728:Die Hard
711:Die Hard
628:Critical
547:as Kelly
415:game at
380:(1968).
368:(1964),
362:(1954),
279:neo-noir
244:Language
169:Music by
88:Starring
59:Based on
2031:Related
1935:Trilogy
1053:Zenobia
986:at the
975:at the
794:Variety
722:'s son
698:called
580:Casting
339:to run
247:English
236:Country
213: (
182:company
2047:(film)
1928:Arcade
1750:(1977)
1740:(1975)
1730:(1973)
1710:(1970)
1700:(1970)
1690:(1970)
1669:(1968)
1659:(1968)
1649:(1967)
1639:(1967)
1629:(1967)
1619:(1966)
1609:(1966)
1599:(1965)
1596:Harlow
1589:(1965)
1586:Sylvia
1579:(1964)
1569:(1964)
1559:(1963)
1549:(1962)
1539:(1961)
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1519:(1961)
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1107:(1943)
1097:(1942)
1087:(1941)
1077:(1940)
1056:(1939)
1046:(1936)
885:
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782:. p255
778:
690:Legacy
323:, and
252:Budget
1838:Films
1678:1970s
1636:Chuka
1507:1960s
1395:Them!
1246:1950s
1065:1940s
1034:1930s
708:film
390:penis
944:IMDb
883:ISBN
819:ISBN
776:ISBN
724:Hart
680:and
454:Cast
384:Plot
1825:'s
1807:'s
964:at
953:at
942:at
879:327
668:."
666:old
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411:v.
300:by
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343:.
319:,
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304:.
1784:e
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1018:e
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923:.
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427:.
217:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
