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Officers were selected by the council of
Haarlem to serve for three years, and this group had just finished their tenure and celebrated their end of service with a portrait. The man with the orange sash heads the table and the second in command is on his right. The three ensigns stand and the servant
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Given a nearly impossible task, namely to complete his assignment but to add theatrical elements at the same time, Hals must have spent much time judging the politics of the group. He knew these men well as he served in the St. Joris militia himself from 1612–1615. In his painting, he indicates the
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very close to the St. George militia headquarters (St. Jorisdoelen) who commissioned the painting, and managing a canvas of this size would have been a problem in Hals' studio. As an official art restorer employed by the city council, Hals had probably also already worked on paintings there. The
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Hals' painting was a huge success, as he won several additional portrait commissions from the subjects and their relatives, as well as winning the commission to paint a group portrait of this militia again in 1627 and in 1639. In later years the painting was seen by visitors to
Haarlem, as it
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political position of each man in the group as well as managing to give each a characteristic portrait. In
Cornelis van Haarlem's piece the figures seem crammed into a tight space, and the portraits are stiff and formal. In Hals' group, an illusion of space and relaxed conversation is given.
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The entire painting is on one piece of seamless linen 175 Ă— 324 cm, and a full meter wider than its predecessor by
Cornelis van Haarlem, which was painted on oak panels. An impression of space and depth is given by diagonal lines leading the viewer to gaze beyond the flag out the
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and after the old hall was refurbished in 1577 to house the St. Joris militia, a new hall in renaissance style was built at the north end in 1592. The paintings by Hals and
Cornelis van Haarlem hung in the renaissance building at the corner of the
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Hals was in his thirties when he painted this piece, and was far from established as a portrait painter. To be safe, he based most of his design on the painting of his predecessor,
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Frans Hals: Exhibition on the
Occasion of the Centenary of the Municipal Museum at Haarlem, 1862–1962., pp 29–30, publication Frans Hals Museum, 1962
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View of the main buildings of the St. Jorisdoelen; on the left is the north building from 1592, and on the right is the old gate in
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Detail of the 1616 banquet, featuring
Captain Nicolaes Woutersz van der Meer whose large figure fills up the table
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De
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hanging on the wall. It also displays Hals' talents as a painter: portraiture, still life and landscape.
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Engraving of the "Heeren
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A reproduction of this schutterstuk in the garden of the old "St. Joris Doelen", today the
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remained hanging in its original building after it became an inn. The inn is featured on
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Besides portraying the men and the group dynamics, this painting shows off the
Haarlem
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premises had previously been the location of the women's convent called the
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The painting may have been painted on location, as Frans Hals lived in the
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58:"The Banquet of the Officers of the St George Militia Company in 1616"
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The Banquet of the Officers of the St George Militia Company in 1627
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The Banquet of the Officers of the St Adrian Militia Company in 1627
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The Banquet of the Officers of the St George Militia Company in 1616
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The Banquet of the Officers of the St George Militia Company in 1627
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The Banquet of the Officers of the St George Militia Company in 1616
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The Banquet of the Officers of the St George Militia Company in 1616
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Portrait of Stephan Geraedts, Husband of Isabella Coymans
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Marriage Portrait of Isaac Massa and Beatrix van der Laen
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The same militia company in 1599, by Cornelis van Haarlem
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The Officers of the St George Militia Company in 1639
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The Officers of the St Adrian Militia Company in 1633
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The Officers of the St George Militia Company in 1639
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284:, Haarlem. The church tower in the distance is the
49:. Unsourced material may be challenged and removed.
252:tablecloth, brocade pillows on the chairs and the
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201:The men featured are from left to right Provost
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660:Two Singing Boys with a Lute and a Music Book
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426:"The Cook, The Thief, His Wife and Her Lover"
344:The Cook, the Thief, His Wife & Her Lover
852:Portrait of a Man in a Yellowish-Gray Jacket
337:appears on the restaurant wall in the 1989
229:, a servant (standing in the back), Ensign
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804:Willem van Heythuysen Posing with a Sword
109:Learn how and when to remove this message
1175:Marriage pendant portraits by Frans Hals
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884:Portrait of a Man in a Wide-Brimmed Hat
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860:Portrait of Sara Wolphaerts van Diemen
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136:refers to the first of several large
716:Two Laughing Boys with a Mug of Beer
47:adding citations to reliable sources
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1232:Collection of the Frans Hals Museum
209:(wearing the orange sash), Captain
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1046:Regents of the Old Men's Almshouse
708:Portrait of Isaak Abrahamsz. Massa
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160:Influenced by Cornelis van Haarlem
144:for the St. George (or St. Joris)
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457:. London: Royal Academy of Arts.
964:Portrait of a Woman (Marie Larp)
424:Travers, Peter (April 6, 1990).
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357:List of paintings by Frans Hals
34:needs additional citations for
988:Portrait of a Man with a Glove
908:Portrait of Feyntje Steenkiste
868:Portrait of Catharina Brugmans
740:Portrait of a Woman in a Chair
588:Yonker Ramp and His Sweetheart
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239:Nicolaes Woutersz van der Meer
174:Cornelis Cornelisz van Haarlem
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140:painted by the Dutch painter
700:Portrait of Anna van der Aar
556:Portrait of a Woman Standing
532:Portrait of a Woman Standing
217:(holding the flag), Captain
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1012:Family Group in a Landscape
676:Boy with a Glass and a Lute
453:Slive Seymour et al. 1989.
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1004:Portrait of Dorothea Berck
924:Portrait of a Dutch Family
572:Catharina Both-van der Eem
219:Vechter Jansz van Teffelen
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996:Portrait of Mrs. Bodolphe
684:Laughing Boy with a Flute
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940:Claes Duyst van Voorhout
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272:style seen from the back
243:Pieter Adriaensz Verbeek
231:Gerrit Cornelisz Vlasman
207:Hendrick van Berckenrode
188:Large painting on canvas
1227:Militia group portraits
1217:Portraits by Frans Hals
916:Portrait of Hylck Boner
668:Laughing Boy with Flute
235:Boudewijn van Offenberg
223:Cornelis Jacobsz Schout
1133:Théophile Thoré-Bürger
1097:Frans Hals the Younger
972:Maritge Claesdr. Voogt
948:Maria Pietersdr Olycan
836:Cornelia Claesdr Voogt
780:Fisher Boy with Basket
764:Young Man with a Skull
398:Slive 1989, pp. 91–95.
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215:Jacob Cornelisz Schout
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146:civic guard of Haarlem
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16:Painting by Frans Hals
1179:Catalogues raisonnés
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184:is carrying a plate.
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1065:Possible attribution
612:Cunera van Baersdorp
564:The Rommelpot Player
548:Shrovetide Revellers
299:St. Michielsklooster
286:Nieuwe Kerk, Haarlem
227:Hugo Mattheusz Steyn
43:improve this article
1073:The Fingernail Test
788:Man with a Beer Jug
1222:History of Haarlem
796:Smiling Fishergirl
748:Laughing Fisherboy
389:Slive 1989, p. 95.
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1037:Portrait of a Man
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876:Portrait of a Man
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604:Laughing Cavalier
526:List of paintings
241:, and Lieutenant
150:Frans Hals Museum
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99:December 2020
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54:Find sources:
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32:This article
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1242:Flags in art
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41:Please help
36:verification
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1143:Claus Grimm
1091:Harmen Hals
935:(1633–1637)
892:Malle Babbe
823:(1628–1630)
815:(1628–1630)
807:(1625–1630)
767:(1626–1628)
628:St. Matthew
599:(1623–1624)
559:(1618–1620)
435:January 27,
1211:Categories
1195:Frans Hals
1121:Dirck Hals
692:The Smoker
512:Frans Hals
455:Frans Hals
448:References
205:, Colonel
142:Frans Hals
69:newspapers
1129:(teacher)
1123:(brother)
1076:(c. 1626)
1057:(c. 1664)
1041:(c. 1660)
1032:(c. 1660)
927:(c. 1635)
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759:(c. 1628)
719:(c. 1626)
671:(c. 1625)
663:(c. 1625)
655:(c. 1625)
583:(c. 1622)
519:Paintings
473:0927-0728
213:, Ensign
1103:Jan Hals
644:St. Mark
636:St. Luke
620:St. John
351:See also
254:halberds
1168:Related
1152:Museums
1030:(Frick)
197:window.
154:Haarlem
83:scholar
1197:(song)
1084:People
1049:(1664)
1007:(1644)
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408:report
314:Legacy
250:damask
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1117:(son)
1111:(son)
1105:(son)
1099:(son)
1093:(son)
377:Notes
341:film
90:JSTOR
76:books
1188:1989
1183:1974
469:ISSN
459:ISBN
437:2020
62:news
410:on
45:by
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