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Nick Gill is a writer, illustrator and musician. His bands include
Fireworks Night and The Monroe Transfer. As well as playing frequent gigs, he has performed at the Royal Court Theatre and Trafalgar Studios on the West End for Paines Plough. His plays include
210:, which was produced at the Royal Exchange Theatre as part of the Manchester International Festival. The play won two awards in the inaugural Bruntwood Playwriting Competition and was nominated as Best New Play in the
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between March 2006 and March 2007. The events generated a cult following on the London theatre scene. The collective had a festival of their work at the
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at the
Palexpo in Geneva. In 2006 she won the Smiffie Award for Best New Comedy. She was commissioned to write
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Morgan Lloyd
Malcolm is one third of the comedy group Trippplicate, currently working with the BBC. Her plays
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and MEN Awards. He went on to be the Writer in
Residence at the Royal Exchange, then Pearson Playwright for
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Rachel
Wagstaff is a theatre and television writer. She is the author of
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My Child at Royal Court
Theatre – West End – Theatre – Time Out London
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426:"Shortcuts Festival 2006 » Southwark News Review - 12/10/06"
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have been performed in
Edinburgh and London. Her short play,
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went on to become the
Pearson Playwright in Residence at the
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The
Bruntwood Playwriting Competition for The Royal Exchange
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The Apathists frequently used the same directors, including
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Drowned in Sound – Listings – Artists – The Monroe Transfer
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Simon Vinnicombe is the author of Time Out Critics Choice,
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and the BAC. He is currently developing the screenplay of
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won the Old Vic New Voices Award and was premiered at The
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produced by David Luff and were involved in the 2006
646:"I Wish to Apologise for My Part in the Apocalypse"
46:. Unsourced material may be challenged and removed.
220:I Wish To Apologise For My Part In The Apocalypse
790:
710:"Morgan Lloyd Malcolm - David Higham Associates"
365:and is supported by the Peggy Ramsay Foundation.
347:Cats & Cats & Cats & Cats & Cats
799:Theatrical organisations in the United Kingdom
581:"Manchester International Festival - Homepage"
357:was a finalist for the "Protect The Human"
226:(repeated 14 September 2009) and starred
106:Learn how and when to remove this message
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305:, and featured an all-star cast led by
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451:"Latitude Festival 2008 :: Home"
740:"the monroe transfer // site update"
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44:adding citations to reliable sources
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222:, was broadcast on 17 July 2008 on
176:before a UK tour and a transfer to
128:who staged plays and happenings in
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329:. The performance was in aid of
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634:Manchester Evening News
542:The Royal Court Theatre
486:The Royal Court Theatre
714:www.davidhigham.co.uk
359:Amnesty International
307:Christopher Eccleston
121:were a collective of
390:Performers included
188:for his radio play,
40:improve this article
652:. 14 September 2009
331:Index on Censorship
288:Christopher Malcolm
284:Shakespeare's Globe
264:, was performed by
158:Royal Court Theatre
782:iceandfire theatre
769:2008-06-02 at the
610:2008-06-08 at the
502:2011-06-07 at the
243:Finborough Theatre
218:. His radio play,
180:. He won the 2006
392:Terrence Hardiman
258:The Receptionists
206:is the author of
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748:. Retrieved
744:the original
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677:The Guardian
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656:14 September
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174:Bush Theatre
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160:. His play,
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38:Please help
33:verification
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353:. His play
295:The Soldier
224:BBC Radio 4
190:Not Talking
126:playwrights
750:2008-05-26
724:14 January
591:2008-05-26
475:Theatre503
461:2008-05-26
436:2008-05-26
413:References
228:Bill Nighy
142:Theatre503
66:newspapers
673:"Year 10"
555:"Monster"
370:Directors
355:Fiji Land
299:Night Sky
241:, at the
170:Artefacts
793:Category
767:Archived
679:. London
608:Archived
561:. London
523:. London
500:Archived
282:for the
178:Broadway
162:My Child
96:May 2008
343:Karposi
247:Year 10
239:Year 10
208:Monster
148:Writers
123:British
80:scholar
683:25 May
565:25 May
527:25 May
405:, and
386:Actors
363:Lifted
339:Heaven
279:Emilia
130:London
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87:JSTOR
73:books
726:2022
685:2010
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567:2010
529:2010
349:and
325:and
297:and
272:and
256:and
230:and
196:and
59:news
650:BBC
212:TMA
42:by
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