241:, a foreigner managed to find the exhibition and see the work. Patel then a few days later, got approached by him from a phone call, asking him if he could see more of his work as he was intrigued. Thakor described himself as being nervous as he couldn't speak and understand much English and interacting with an American wouldn't be easy. Also, he lived in a small house where it would've been difficult to bring an American to, so he decided to bring his paintings to his office and show his work there instead. The man adored his paintings and wanted to even purchase one, however he mentioned that he didn't have any money with him but he would pay him abroad from America. Nevertheless, Thakor replied by saying- “I did not ask you for money-if you hang the painting in your bedroom, dining room, kitchen, I will be very happy.” In fact, all Thakor ended up asking for was three tubes of oil colours - vermilion, ultramarine, and lemon yellow. The man then sent two big boxes of paint, one for Thakor and one for his neighbour, who also painted alongside him. At the time, Thakor hadn't managed to get a one-man show, he only managed to get into group shows, and after about six months after, the American man reappeared in India while Thakor was still working in textiles, he invited Thakor to America, and he sent him a ticket. Thakor then went to
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189:. Patel was one of the 25 people who had a chance in the admissions to have a chance in getting into the school and Thakor was chosen as one out of three. Challenges were ahead for him though as they pointed out that he would be unable to paint wall murals due to his disability. However, Thakor proclaimed that he used to play cricket and had no problem climbing a tree to paint murals that were on the wall. This persistence and dedication helped him to stay and succeed at the art school for 5 years, where he passed first-class and then he was awarded a scholarship and a fellowship as he was teaching Fine Art to 5th year diploma students. He also gained a first class in Commercial Art.
308:, where he met Carol Wales-Smith, who gave him an opportunity to display some of his work. Still, there was not much success and it wasn't a popular part of the exhibition, because his work was dark and included skulls. This was unpopular as there was a war that took place recently, and people didn't enjoy being reminded after this by looking at his work. Thakor defended this by claiming where he grew up, much violence had occurred and people were ruthless, this he had to express and not keep inside him, even though it may be negative.
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He ended up becoming a teacher later on nevertheless and succeeded in doing so. Thakor's personal skills took a step up, as he began to sketch more, do more figurative work and started to draw more of nature. Thakor states "I was attached to nature because I used to play music. I was very attached to the night, to the moonlight. It speaks to me." Patel then studied for two years in
Ahmedabad until his friend proclaimed that he could now go the
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across the world visiting many museums and galleries seeing much work which inspired him to do more paintings. He doesn't know if he would have been more successful, living in other countries like
America or India, but definitely says his style would be dramatically different; and he was strongly advised to stay in America.
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His inspiration grew in
Zimbabwe, the birds, trees, wildlife and the people, the culture. It all changed the perspective of Thakor and what he would paint and draw. He says he got inspiration from everything, cracks in floor tiles and he would try to implement it in his work somehow. Thakor travelled
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Thakor now working in a textile business, would do much work where they would export products and Patel would draw alluring and appealing patterns and designs with colour, that foreigners would travel far from France, Britain, America and Japan. Thakor's routine was simple: exhibit, leave, work, and
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pieces, was pivotal to adding beautiful textures that added diversity in his paintings. His objective was to create a broken brick texture which Thakor saw after finishing class. Immediately, he started to experiment with a toothbrush to try and replicate what he saw before in the broken bricks, but
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One of his teachers suggested that he pursue being an art teacher, and he desperately needed money, so he tried to do so. Yet, as he was at the interview he was questioned due to him being handicapped they claimed students might laugh and it would be too difficult to work in that sort of atmosphere.
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Thakor enjoyed living in
Zimbabwe for 35+ years, exhibiting and enjoying his life there, in Harare. His works varied from large oil paintings, to smaller watercolour paintings, and more recently small fine liner drawings, which are still popular with friends he has gained over the years. He and his
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by himself in 1980, initially only planning on staying for a year, maybe even two, but eventually coming to the realization that he quite liked it there. This love for Africa may have been passed down to him from his father, who used to live there and regularly mentioned how much he cherished it.
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Working for an advertising agency was not for him as he claims there were many complications and he was not allowed to show his full creativity and colour work he wanted to do. Thakor says he was sick of being told "no, no, no." So he made his mind up and pursued Fine Art instead. He read in a
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and his friend Jerald Jaksin who would tell him "Thakor, come on. We will go for a landscape.” It could be 2 o’clock at night and they would still go to
Nullaber Hill, where they would sit and paint beautiful paintings of the Bombay moonlight.
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Things changed for Patel though, as one day instead of walking down Moffat Road, asking small shops to sell his small drawings for 50 cents, being rejected, and seen as a beggar looking for cheap money, he walked down Manica Road and saw
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Annual
Zimbabwe Heritage Exhibition. Special mention in recognition of an artist who has made significant individual contribution towards pinnacles of excellence in contemporary Zimbabwean painting.
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1989, Zimbabwe
Heritage Exhibition – National Gallery of Zimbabwe. Award of Merit (oil) works selected for Zimbabwe Heritage Exhibition in Auckland, New Zealand during the
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with several other, more vibrant colours. It took many attempts, however he managed to perfect his technique and now it plays a meaningful part in his paintings.
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that states a
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Heritage Exhibition, National Gallery of Zimbabwe. Awards of Merit.
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and in other public and private art collections all around the world.
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Thakor Patel exhibition (1989) at The
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until the age of 12 where he then transferred to an art school in
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newspaper that a big government department was searching for a
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1969, annual prize of the Davangree Youth Cultural Association
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1966, founding member of We Four group exhibition, Bangalore
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Photo of Thakor Patel, taken by Fabian Kaufmann Harare 2014
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personal reflection, personal essay, or argumentative essay
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1959, fellowship of the Sir J.J. School of Art, Bombay
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paint at home. In his personal time he was painting
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571:1932 births
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449:Zeitz MOCAA
426:3 September
222:mixed media
175:Jeram Patel
137:Gallery in
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565:Categories
540:"Whats On"
417:"Whats On"
398:References
344:Chronology
259:Fort Worth
231:landscapes
239:Bangalore
171:Ahmedabad
139:Cape Town
363:, Bombay
356:, Bombay
287:Zimbabwe
265:Zimbabwe
208:Calcutta
129:and the
119:Zimbabwe
338:Chicago
167:Sojitra
159:Gujarat
41:Please
475:6 July
375:1986,
291:Harare
257:, and
255:Austin
251:Dallas
193:Career
187:Bombay
123:Harare
104:Bombay
204:India
163:India
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502:2020
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