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Briar Grace-Smith joined To Ohu
Whakaari when she was seventeen and says this about Te Ohu Whakaari: "We did explore a lot of issues that were affecting us as young people and we were able to see a result of that when we presented these stories to, in particular, a Māori audience because at that
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and promotes a national tour (poster designed by Chris McBride). The poster says: "New
Zealand Students Arts Council presents Te Ohu Whakaari, Young Maoris in Performance, National Tour 1986, Aotearoa – Te Waipounamu, With the Assistance of, Post Office Savings Bank QEII, Arts Council".
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Te Ohu
Whakaari has lasting influence in New Zealand. Their theatrical practice combined western theatre traditions and Māori customs with story telling and movement in a unique style. Much of their work was cooperatively devised and has not been published.
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Te Ohu
Whakaari had a theatre-in-education programme which toured New Zealand. One of the Te Ohu Whakaari posters from 1986 is held in the collection of
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Rangimoana Taylor was inspired to form Te Ohu
Whakaari by his experiences in an Auckland-based theatre company called Statement Theatre alongside
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who was running the
Wellington Arts Centre that was funded at the time by the Department of Labour. The Depot Theatre (that became
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Members of Te Ohu
Whakaari included Maringikura Campbell, Himiona Grace, Michael Grace,
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Performing
Aotearoa : New Zealand theatre and drama in an age of transition
370:"Māori theatre – te whare tapere hōu – First Māori theatre companies, 1970–1990"
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Performing
Aotearoa : New Zealand theatre and drama in an age of transition
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424:. Maufort, Marc., O'Donnell, David. Bruxelles: P.I.E. Peter Lang. p. 270.
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point they had never seen anything like it so their reactions were strong."
314:. Christchurch, N.Z.: Christchurch College of Education. pp. 25, 57.
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Background about Māori theatre at Te Ara – the New
Zealand Encyclopedia
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273:. Conolly, L. W. (2nd ed.). Hoboken: Routledge. p. 396.
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https://teara.govt.nz/en/maori-theatre-te-whare-tapere-hou/page-2
344:"Collections Online – Museum of New Zealand Te Papa Tongarewa"
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Playmarket 40 : 40 years of playwriting in New Zealand
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in the early 1980s that created and performed plays across
195:"No time to sleep for honoured Hutt artist Darcy Nicholas"
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History of Bicultural Theatre : Mapping the Terrain
395:"Eastbourne – An Anthology of Writing | Mākaro Press"
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The Continuum companion to twentieth century theatre
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Encyclopedia of Post-Colonial Literatures in English
368:Derby, Mark; Grace-Smith, Briar (22 October 2014).
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160:Halba, Hilary (2007). "Let Me Feel The Magic".
420:O'Donnell, David (2007). "Calming the Ocean".
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455:"Play readings of Kohanga and Whaea Kairau"
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113:(date unknown) by Apirana Taylor.
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137:(date unknown) by Haina Stewart.
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219:Atkinson, Laurie, ed. (2013).
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131:(date unknown) by Riwia Brown.
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348:collections.tepapa.govt.nz
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111:Te Whanau a Tainui Jones
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269:Benson, Eugene (2004).
453:Auckland Live (2019).
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101:is a play about the
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