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understand the concept. Daru “...cursed at one and the same time his own people who had sent him this Arab and the Arab too who had dared to kill and not managed to get away.” There are many opportunities for the Arab to escape, but he does not take them. When Daru shows him the route to escape over the desert, he holds the food and money to his chest, as though he doesn’t know what to do with them, and a sort of panic is visible on his face. He stands with his hands by his sides.
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On the other hand the Arab is a most unpleasant character. He has murdered his cousin in a stupid, bloody minor feud, “Daru felt a sudden wrath against the man, against all men with their rotten spite, their tireless hates their blood lust.” He asks the Arab if he is sorry, but the fellow does not
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Contrary to the
Article, Balucci is not an unpleasant man, nor is he cruel to the Arab. He rides slowly so as not to hurt him, and once the journey is over, he does not hesitate to untie his hands. He is never rude to him. Nor does he become angry with Daru; he points out their danger and the need
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It is never explicitly said that the footsteps are a dream of Daru's--he just thinks they are. The story's ending and other incidents preceding it strongly suggest that while Daru assumes them to be a dream, they are the very real footsteps of the Arab's relatives, waiting to see whether Daru will
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Most of this article isn't about the short story in question and really doesn't relate to it. It's a general (bad, superficial) recap of Camus's whole career and philosophy and writings. Occasionally the author tries to bring The Guest back in, but it's always a pretty tenuous connection. I just
477:. In the novel, Meursault kills the Arab, an act that's essentially triggered by randomness and by Meursault's refusal to make any firm decisions in his life. Then he himself ends up getting killed (executed) but for reasons that don't have much to do with the shooting itself. In
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The Arab is not an autonomous decision maker. He is devoid of imagination, intelligence and moral understanding. He is incapable even of saving himself. He makes no moral decision to go to jail, he just does it because he cannot envisage or execute the alternative.
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The real core of the story is that the good people, the colonists are in the wrong; no-one has a right to rule others, and the price to be paid for doing so is moral compromise. The revolting Arab is none of their business. A lesson for today? Kevin
Murrell
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One thing about this story is its method of exploring the relationships between colonists and the colonised. The easy way to write an anti-colonial story is to make the colons baddies and the colonised the goodies. Here Camus takes the opposite tack.
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