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Talk:Rad Hourani

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4513:• Rad Hourani Book. MYKRO, 2011. By Mykrobook. Limited edition of 500. ISBN : 978-0-9950453-8-5 • Rad Hourani 5 YEARS OF UNISEX. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 300. ISBN : 0-262-68106-4 • Rad Hourani QUOTES. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-5-4 • Rad Hourani ANATOMY. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-6-1 • Rad Hourani PORTRAITS. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-7-8 • VISONNARY WOMEN. Assouline, 2015. By Angella M Nazarian. ISBN-13: 9781614284550 • BEAUTY. Cooper Hewitt, Smithsonian Design Museum, 2015. By Andrea Lipps, Ellen Lupton. ISBN : 9781942303114 • Rad Hourani NEUTRALITY. Arsenal art contemporary, 2015. By Jean François Bélisle. ISBN : 9780995045323 • SELF-TITLING. Auto-publishing, 2019. By Rad Hourani. ISBN : 9780995045330 • Rad Hourani CLASSROOM OF LANGUAGE. Éditions Artexte, 2023. By Manon Tourigny, Mojeanne Behzadi. ISBN : 9782923045597 2758:• Rad Hourani Book. MYKRO, 2011. By Mykrobook. Limited edition of 500. ISBN : 978-0-9950453-8-5 • Rad Hourani 5 YEARS OF UNISEX. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 300. ISBN : 0-262-68106-4 • Rad Hourani QUOTES. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-5-4 • Rad Hourani ANATOMY. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-6-1 • Rad Hourani PORTRAITS. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-7-8 • VISONNARY WOMEN. Assouline, 2015. By Angella M Nazarian. ISBN-13: 9781614284550 • BEAUTY. Cooper Hewitt, Smithsonian Design Museum, 2015. By Andrea Lipps, Ellen Lupton. ISBN : 9781942303114 • Rad Hourani NEUTRALITY. Arsenal art contemporary, 2015. By Jean François Bélisle. ISBN : 9780995045323 • SELF-TITLING. Auto-publishing, 2019. By Rad Hourani. ISBN : 9780995045330 • Rad Hourani CLASSROOM OF LANGUAGE. Éditions Artexte, 2023. By Manon Tourigny, Mojeanne Behzadi. ISBN : 9782923045597 4106:
ensuring that marginalized communities are represented in his work through a unifying prism. His work has been presented in partnership with the Graham Foundation, the Canadian Center for Architecture (CCA), the City of Chicago, the Department of Cultural Affairs (DCASE), the Joan W. and Irving B. Harris Theater, Université de Sherbrooke, Wesleyan University, and endorsed by Sidney Toledano of Christian Dior Couture, Franca Sozzani and Anna Wintour of Palazzo Morando di Milano, Phoebe Greenberg of Fondation Phi pour l'art contemporain, Pierre Bergé, and François-Henri Pinault, supported by the New York City Department of Cultural Affairs and the New York State Council on the Arts, Fonderie Darling, and Musée des Beaux Arts de Bordeaux. Rad was an artist-in-residence at Artexte and is a grant recipient of the Conseil des arts et des lettres du Québec and the Canada Council of the Arts. Through his diverse and innovative projects, he’s a cultural icon that contributes to Montréal, Québec and Canada's cultural and intellectual heritage.
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ensuring that marginalized communities are represented in his work through a unifying prism. His work has been presented in partnership with the Graham Foundation, the Canadian Center for Architecture (CCA), the City of Chicago, the Department of Cultural Affairs (DCASE), the Joan W. and Irving B. Harris Theater, Université de Sherbrooke, Wesleyan University, and endorsed by Sidney Toledano of Christian Dior Couture, Franca Sozzani and Anna Wintour of Palazzo Morando di Milano, Phoebe Greenberg of Fondation Phi pour l'art contemporain, Pierre Bergé, and François-Henri Pinault, supported by the New York City Department of Cultural Affairs and the New York State Council on the Arts, Fonderie Darling, and Musée des Beaux Arts de Bordeaux. Rad was an artist-in-residence at Artexte and is a grant recipient of the Conseil des arts et des lettres du Québec and the Canada Council of the Arts. Through his diverse and innovative projects, he’s a cultural icon that contributes to Montréal, Québec and Canada's cultural and intellectual heritage.
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creations have been shown in hundreds of venues and presented at many events around the world, despite the economic crisis of 2008 and the absence of current social media. His work revolutionizes our reality and is often credited as a major influence and inspiration for artists, architects, musicians, and designers. His influence stretches to creatives in various mediums, including Nick Cave, Thundercat, Balenciaga, Gucci, Givenchy, Prada, Giorgio Armani, and Karl Lagerfeld, who invited him personally to the Chanel shows in Paris and kept one of Rad’s books (published in 2011) on his desk for 7 years until his death in 2018. Rad Hourani's large knowledge and creative expertise have been implemented in private consulting, mentoring, and art direction for countless clients.
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creations have been shown in hundreds of venues and presented at many events around the world, despite the economic crisis of 2008 and the absence of current social media. His work revolutionizes our reality and is often credited as a major influence and inspiration for artists, architects, musicians, and designers. His influence stretches to creatives in various mediums, including Nick Cave, Thundercat, Balenciaga, Gucci, Givenchy, Prada, Giorgio Armani, and Karl Lagerfeld, who invited him personally to the Chanel shows in Paris and kept one of Rad’s books (published in 2011) on his desk for 7 years until his death in 2018. Rad Hourani's large knowledge and creative expertise have been implemented in private consulting, mentoring, and art direction for countless clients.
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performance in October 2007. At the age of 30, he was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member” with the endorsement of Sidney Toledano at “Christian Dior Couture” in 2012. At the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture” in January 2013. His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for future creations that challenge boundaries, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
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performance in October 2007. At the age of 30, he was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member” with the endorsement of Sidney Toledano at “Christian Dior Couture” in 2012. At the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture” in January 2013. His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for future creations that challenge boundaries, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
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Museum of Fine Arts, UQÀM, and École du Louvre. He was a member of the jury of numerous art and film festivals and programmed a "carte blanche” at The International Festival of Films on Art (Le FIFA). He has is a curator of solo and group exhibitions by many artists in public art establishments. Rad has made contributions through collaborations with the LGBTQIA2S+ community and events on feminism and diversity. Some of his books have been published by the Fondation Phi pour l'art contemporain by Phoebe Greenberg. He is of the “personnalité de la semaine” of La Presse, a guest on Radio-Canada's "Tout le monde en parle", and one of the Montreal visionaries of the McCord Stewart Museum exhibition.
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Museum of Fine Arts, UQÀM, and École du Louvre. He was a member of the jury of numerous art and film festivals and programmed a "carte blanche” at The International Festival of Films on Art (Le FIFA). He has is a curator of solo and group exhibitions by many artists in public art establishments. Rad has made contributions through collaborations with the LGBTQIA2S+ community and events on feminism and diversity. Some of his books have been published by the Fondation Phi pour l'art contemporain by Phoebe Greenberg. He is of the “personnalité de la semaine” of La Presse, a guest on Radio-Canada's "Tout le monde en parle", and one of the Montreal visionaries of the McCord Stewart Museum exhibition.
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runway performance. In 2012, he was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member” as the first Canadian. In January 2013, at the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture". His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for boundary-pushing creations of the future, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
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runway performance. In 2012, he was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member” as the first Canadian. In January 2013, at the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture". His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for boundary-pushing creations of the future, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
772: 994: 888: 4902:"I STARTED CREATING WITH A SENSE OF CURIOSITY AND INNOCENCE DRIVEN BY MY 'NO-BACKGROUND' BACKGROUND. NO SCHOOL. NO TELLY. NO BOUNDARIES. NO FORMATTING. I LIKE THE IDEA OF A WORLD THAT WE COULD LIVE AND SHAPE BY OURSELVES, ONLY BY OBSERVING. EACH OUR OWN. MY AESTHETICS HAVE ERUPTED FROM THIS WORLD OF MINE. THEY ARE GENDERLESS, AGELESS, AND LIMITLESS. THEY COME FROM NO NATION, NO RACE, NO RELIGION, YET THEY COULD BE HOME ANYWHERE, ANYTIME. THEY EXUDE THE ESSENCE OF TIMELESSNESS FOR ANTI-CONFORMIST INDIVIDUALS." Rad Hourani This statement sourced since 2007: www.radhourani.com 3147:"I STARTED CREATING WITH A SENSE OF CURIOSITY AND INNOCENCE DRIVEN BY MY 'NO-BACKGROUND' BACKGROUND. NO SCHOOL. NO TELLY. NO BOUNDARIES. NO FORMATTING. I LIKE THE IDEA OF A WORLD THAT WE COULD LIVE AND SHAPE BY OURSELVES, ONLY BY OBSERVING. EACH OUR OWN. MY AESTHETICS HAVE ERUPTED FROM THIS WORLD OF MINE. THEY ARE GENDERLESS, AGELESS, AND LIMITLESS. THEY COME FROM NO NATION, NO RACE, NO RELIGION, YET THEY COULD BE HOME ANYWHERE, ANYTIME. THEY EXUDE THE ESSENCE OF TIMELESSNESS FOR ANTI-CONFORMIST INDIVIDUALS." Rad Hourani This statement sourced since 2007: www.radhourani.com 3549:
architecture and geometry as a tool to construct alternative garments. The collections, conceived as transformable silhouettes, articulate flexibility in the expression of one's identity, which allows the wearer to express their own multiplicities. His innovative concept challenges the strict duality of gendered patterns that are the basis of clothing construction, from the manufacturing industries to formulaic design schools. Rad Hourani has no formal degree or training in fashion or design; this allowed him to avoid any influences from academic structures.
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architecture and geometry as a tool to construct alternative garments. The collections, conceived as transformable silhouettes, articulate flexibility in the expression of one's identity, which allows the wearer to express their own multiplicities. His innovative concept challenges the strict duality of gendered patterns that are the basis of clothing construction, from the manufacturing industries to formulaic design schools. Rad Hourani has no formal degree or training in fashion or design; this allowed him to avoid any influences from academic structures.
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his artistic creations in Canada, which have been exported from Montreal to over 30 countries. He is a key player in Canada's cultural and intellectual heritage and ecosystem. Rad Hourani attracts a global audience with his divisive events, bringing about evolving dialogues and public change. He has been welcomed internationally by cities, politicians, and institutions, including the Centre Culturel Canadien in Paris, and by Canadian ambassadors in Paris, who have opened their homes to him to present and honor his work.
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his artistic creations in Canada, which have been exported from Montreal to over 30 countries. He is a key player in Canada's cultural and intellectual heritage and ecosystem. Rad Hourani attracts a global audience with his divisive events, bringing about evolving dialogues and public change. He has been welcomed internationally by cities, politicians, and institutions, including the Centre Culturel Canadien in Paris, and by Canadian ambassadors in Paris, who have opened their homes to him to present and honor his work.
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curation, text, sound, and video to highlight the labels that are used to code and categorize human beings. His hybrid artistic approach revolves around the foundations and contexts of geopolitical, religious, sexual, and economic social systems. Questioning established boundaries and hierarchies by assuming a decompartmentalization between disciplines, Rad practice in the visual arts seeks to revolutionize these structures into evolving manifestations of activism.
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curation, text, sound, and video to highlight the labels that are used to code and categorize human beings. His hybrid artistic approach revolves around the foundations and contexts of geopolitical, religious, sexual, and economic social systems. Questioning established boundaries and hierarchies by assuming a decompartmentalization between disciplines, Rad practice in the visual arts seeks to revolutionize these structures into evolving manifestations of activism.
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societal conformity. The transformative nature of his geometrically neutral proportions demonstrates an unlimited language of silhouettes, rejecting the binaries of costume. The work is groundbreaking in the context of historical trends, like the garconne look of the 1920s and the peacock revolution of the 1960s. The depiction, which appears on the runway, proposes non-gendered definitions of cuts and forms and causes deliberation to empower new narratives.
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societal conformity. The transformative nature of his geometrically neutral proportions demonstrates an unlimited language of silhouettes, rejecting the binaries of costume. The work is groundbreaking in the context of historical trends, like the garconne look of the 1920s and the peacock revolution of the 1960s. The depiction, which appears on the runway, proposes non-gendered definitions of cuts and forms and causes deliberation to empower new narratives.
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https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://aestheticamagazine.com/448411-2/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
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https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://aestheticamagazine.com/448411-2/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
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York (2014), the Centre Cuturel Canadien in Paris (2015), the Herning Museum of Contemporary Art in Herning (2015), Arsenal Contemporary Art in Montréal (2015), the Cooper Hewitt Museum in New York (2016), the Guggenheim Museum Bilbao (2017), the Museum of Fine Arts in Boston (2019), the Ezra and Cecile Zilkha Gallery in Middletown (2019), the Noguchi Museum in New York (2019), the A.K.T; in Pforzheim (2021), and Artexte in Montréal (2023).
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York (2014), the Centre Cuturel Canadien in Paris (2015), the Herning Museum of Contemporary Art in Herning (2015), Arsenal Contemporary Art in Montréal (2015), the Cooper Hewitt Museum in New York (2016), the Guggenheim Museum Bilbao (2017), the Museum of Fine Arts in Boston (2019), the Ezra and Cecile Zilkha Gallery in Middletown (2019), the Noguchi Museum in New York (2019), the A.K.T; in Pforzheim (2021), and Artexte in Montréal (2023).
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gestures to conjure symbolic meaning. The articulation of the body contextually projects confidence and self-celebration as an aesthetic disruption of social barriers. Persisting in challenging stereotypical narratives of labels, he questions the strict separations of men's and women's wear collections that are the basis of the fashion industry.
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gestures to conjure symbolic meaning. The articulation of the body contextually projects confidence and self-celebration as an aesthetic disruption of social barriers. Persisting in challenging stereotypical narratives of labels, he questions the strict separations of men's and women's wear collections that are the basis of the fashion industry.
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https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
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https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
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https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
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https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
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body without the interference of gender association. Initially, clothing served the practical function of protecting the body from natural elements. In time, attachments to wealth, nobility, patriotism, and religious identity were asserted, and conceptions of gendered codes of dressing were adopted, remaining to this day.
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body without the interference of gender association. Initially, clothing served the practical function of protecting the body from natural elements. In time, attachments to wealth, nobility, patriotism, and religious identity were asserted, and conceptions of gendered codes of dressing were adopted, remaining to this day.
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methodology differentiates from the role and functions of uniforms or androgyny, as these terms still cater to classified concepts. Before this time, although "one size fits all" or unisex pieces like t-shirts and hats had existed, there was never entirely a ready-to-wear collection with a sizing system specific to all.
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methodology differentiates from the role and functions of uniforms or androgyny, as these terms still cater to classified concepts. Before this time, although "one size fits all" or unisex pieces like t-shirts and hats had existed, there was never entirely a ready-to-wear collection with a sizing system specific to all.
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role in the fight against inequality. It explores how language can be constantly reinvented to include people with neurodiversity as well as the deaf. The shapes and textures of his works enable blind and partially-sighted people to access them through touch. Such an approach can help advance social movements.
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role in the fight against inequality. It explores how language can be constantly reinvented to include people with neurodiversity as well as the deaf. The shapes and textures of his works enable blind and partially-sighted people to access them through touch. Such an approach can help advance social movements.
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geared towards producing timeless pieces that are simultaneously available online to order as they are being shown. Repeatedly, he states "genderless, raceless, ageless, nationless, limitless" for changing the systematic conventions of the catwalk when interviewed by the media about the theme of each season.
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geared towards producing timeless pieces that are simultaneously available online to order as they are being shown. Repeatedly, he states "genderless, raceless, ageless, nationless, limitless" for changing the systematic conventions of the catwalk when interviewed by the media about the theme of each season.
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In October 2023, Rad Hourani's exhibition at Artexte in Montréal questions the education system and highlights issues of exclusion in language policies. His sculptural installation aims to open a dialogue on invisible handicaps and issues related to written language. His body of work plays a critical
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The creations were later exhibited through the discipline of runway performances in New York from 2008 to 2012 at the “Yvon Lambert Gallery” and others. His dedication to worldwide communications, with an ongoing presence in media and press interviews, acts as a form of activism. The critique via his
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INVENTION OF NON-GENDERED COLLECTION In 2007, Rad Hourani created the first entirely gender-neutral ready-to-wear collection in the history of fashion by inventing patterns with a specific non-gendered sizing system. In this way, the agency of costume envisions an existence free from limitations and
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RESEARCH In pioneering a non-binary dressing narrative within consumer industries and artistic platforms, Rad Hourani's process involves challenging the validity of conditioned standards for male and female clothing. He reflects on the first garments, originating with the sole purpose of clothing the
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By using the medium of costume to comment on this bone of contention, Rad Hourani explores ways of breaking down conceptual divisions. Through his art practice, he challenges the media and mass society, which uphold limitations through aesthetic conformity. His perspective aims to use this discipline
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Rad Hourani, born in 1982 in Jordan, navigated a diverse heritage from a Jordanian-Canadian Catholic father, who pursued Agricultural and Environmental Sciences at McGill University in Montréal (Canada, 1970), and a Syrian Orthodox Christian mother, whose father served as a priest in Syria. Rad faced
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In October 2023, Rad Hourani's exhibition at Artexte in Montréal questions the education system and highlights issues of exclusion in language policies. His sculptural installation aims to open a dialogue on invisible handicaps and issues related to written language. His body of work plays a critical
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The creations were later exhibited through the discipline of runway performances in New York from 2008 to 2012 at the “Yvon Lambert Gallery” and others. His dedication to worldwide communications, with an ongoing presence in media and press interviews, acts as a form of activism. The critique via his
1797:
INVENTION OF NON-GENDERED COLLECTION In 2007, Rad Hourani created the first entirely gender-neutral ready-to-wear collection in the history of fashion by inventing patterns with a specific non-gendered sizing system. In this way, the agency of costume envisions an existence free from limitations and
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RESEARCH In pioneering a non-binary dressing narrative within consumer industries and artistic platforms, Rad Hourani's process involves challenging the validity of conditioned standards for male and female clothing. He reflects on the first garments, originating with the sole purpose of clothing the
1781:
By using the medium of costume to comment on this bone of contention, Rad Hourani explores ways of breaking down conceptual divisions. Through his art practice, he challenges the media and mass society, which uphold limitations through aesthetic conformity. His perspective aims to use this discipline
1716:
Rad Hourani, born in 1982 in Jordan, navigated a diverse heritage from a Jordanian-Canadian Catholic father, who pursued Agricultural and Environmental Sciences at McGill University in Montréal (Canada, 1970), and a Syrian Orthodox Christian mother, whose father served as a priest in Syria. Rad faced
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His walking art shows are presented at ground level, unlike the typical raised runways at the time, and the format of his catwalk was situated between the rows of seatings with no separations between the guests and the models. To add to the sense of an equitable environment in his settings, he added
3999:
Rad Hourani applies principles of architecture to the visceral premise of how each garment will react with the movements of the human body. Therefore, the works were crafted with movement in mind and attended to these dynamics. His runway performances incorporated movement of the body, parading with
3556:
The result is groundbreaking in the context of counterculture or historical trends in costume. The creation was exhibited at the Dominique Fiat Gallery in Paris via an installation of a runway performance. The ensembles depict a composition of ageless forms with neutral lines, timeless textures, and
3504:
Rad Hourani perceives humanity as an interconnected ecosystem of diverse cultures and emphasizes nonconformity as integral to individuality. His critique encompasses the discriminatory foundations of nationalism, racism, sexism, ageism, ableism, and authoritarianism, offering a pluralist perspective
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His walking art shows are presented at ground level, unlike the typical raised runways at the time, and the format of his catwalk was situated between the rows of seatings with no separations between the guests and the models. To add to the sense of an equitable environment in his settings, he added
2244:
Rad Hourani applies principles of architecture to the visceral premise of how each garment will react with the movements of the human body. Therefore, the works were crafted with movement in mind and attended to these dynamics. His runway performances incorporated movement of the body, parading with
1801:
The result is groundbreaking in the context of counterculture or historical trends in costume. The creation was exhibited at the Dominique Fiat Gallery in Paris via an installation of a runway performance. The ensembles depict a composition of ageless forms with neutral lines, timeless textures, and
1749:
Rad Hourani perceives humanity as an interconnected ecosystem of diverse cultures and emphasizes nonconformity as integral to individuality. His critique encompasses the discriminatory foundations of nationalism, racism, sexism, ageism, ableism, and authoritarianism, offering a pluralist perspective
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This pioneer is the first Canadian to be awarded the great honor of becoming a haute couture "invited member" (the highest distinction in fine arts) of the Chambre Syndicale de la Haute Couture in Paris, among the world's leading designers. Rad Hourani is internationally recognized and has produced
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Rad Hourani was invited to teach and lecture to spread his knowledge in artistic and academic communities in Seoul, Dubai, Beijing, Paris, Berlin, Tbilisi, New York, Amsterdam, Hong Kong, London, and other cities, as well as at various institutions, including the Centre Pompidou, FIT Museum, Boston
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Rad Hourani is known for inventing the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe, between 2005 and 2007. At the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a runway
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This pioneer is the first Canadian to be awarded the great honor of becoming a haute couture "invited member" (the highest distinction in fine arts) of the Chambre Syndicale de la Haute Couture in Paris, among the world's leading designers. Rad Hourani is internationally recognized and has produced
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Rad Hourani was invited to teach and lecture to spread his knowledge in artistic and academic communities in Seoul, Dubai, Beijing, Paris, Berlin, Tbilisi, New York, Amsterdam, Hong Kong, London, and other cities, as well as at various institutions, including the Centre Pompidou, FIT Museum, Boston
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Rad Hourani is known for inventing the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe, between 2005 and 2007. At the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a runway
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All I'm suggesting to you is that to increase the chances a volunteer will want to invest the time needed to review.your requests, that you start much smaller and roll out one or two small changes at a time. As one edit request is accepted, you can then make another. Make sure your proposals use a
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ACTIVISM Rad Hourani's years of diligence between world-wide institutions were dotted with frequent international press events, exhibitions, lectures, conferences, and livestreams. His creations were carried by 250 locations in 30 countries and presented at several events around the globe, despite
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SOCIAL IMPACT Rad Hourani's attracted a global audience with the use of costume as a medium to introduce a new sizing system specific to entirely unisex wardrobes, generated from his invention of gender-neutral patterns. The unprecedented unisex concept of his ready-to-wear and couture collections
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metaphorical understanding of certain traits, like determination and perseverance. Further yet, they suggest a symbolism of pureness through their delivery as living sculptures. As the choreography progresses, we begin to notice the models coming all together at the end, a metaphor of human union.
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UNISEX COUTURE INVENTION In 2012, Rad Hourani was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member" as the first Canadian, with the endorsement of Sidney Toledano at "Christian Dior Couture.” Embodying an innovative spirit, Rad Hourani then became the
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INFLUENCE ON ARTISTS AND INDUSTRY This revelation eradicates binary conditions and objects to the coercion of dressing according to society's superimposed idiosyncrasy. Upholding a baseline of equality, the unisex work paved the way for boundary-pushing creations of the future, applying non-binary
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His global perspective, shaped by a diverse upbringing—born in the Levant region to a Syrian Melkite Greek Catholic mother and a Jordanian-Canadian Orthodox Christian father and growing up in Canada—instigated a continual exploration of identity connotations. The recurring question, "Where are you
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Rad Hourani's work has been exhibited at the Jardin du Palais-Royal in Paris (2009), the Yvon Lambert Gallery in New York (2010), the Centre Pompidou in Paris (2012), Tate Modern in London (2013), the Phi Centre in Montréal (2013), the MU Hybrid Art House in Eindhoven (2014), the FIT Museum in New
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ACTIVISM Rad Hourani's years of diligence between world-wide institutions were dotted with frequent international press events, exhibitions, lectures, conferences, and livestreams. His creations were carried by 250 locations in 30 countries and presented at several events around the globe, despite
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SOCIAL IMPACT Rad Hourani's attracted a global audience with the use of costume as a medium to introduce a new sizing system specific to entirely unisex wardrobes, generated from his invention of gender-neutral patterns. The unprecedented unisex concept of his ready-to-wear and couture collections
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metaphorical understanding of certain traits, like determination and perseverance. Further yet, they suggest a symbolism of pureness through their delivery as living sculptures. As the choreography progresses, we begin to notice the models coming all together at the end, a metaphor of human union.
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UNISEX COUTURE INVENTION In 2012, Rad Hourani was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member" as the first Canadian, with the endorsement of Sidney Toledano at "Christian Dior Couture.” Embodying an innovative spirit, Rad Hourani then became the
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INFLUENCE ON ARTISTS AND INDUSTRY This revelation eradicates binary conditions and objects to the coercion of dressing according to society's superimposed idiosyncrasy. Upholding a baseline of equality, the unisex work paved the way for boundary-pushing creations of the future, applying non-binary
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His global perspective, shaped by a diverse upbringing—born in the Levant region to a Syrian Melkite Greek Catholic mother and a Jordanian-Canadian Orthodox Christian father and growing up in Canada—instigated a continual exploration of identity connotations. The recurring question, "Where are you
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Rad Hourani's work has been exhibited at the Jardin du Palais-Royal in Paris (2009), the Yvon Lambert Gallery in New York (2010), the Centre Pompidou in Paris (2012), Tate Modern in London (2013), the Phi Centre in Montréal (2013), the MU Hybrid Art House in Eindhoven (2014), the FIT Museum in New
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I have done many research on Rad hourani, his title is "interdisciplinary artist", he refuse to be called "fashion designer", he mentioned it in many interviews, he also explain how he use the medium of costume/ clothing to express a point on gender for unisex collections. There's also no place on
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I have done many research on Rad hourani, his title is "interdisciplinary artist", he refuse to be called "fashion designer", he mentioned it in many interviews, he also explain how he use the medium of costume/ clothing to express a point on gender for unisex collections. There's also no place on
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The link to the COIN discussion clarifies some details. I think it might have been better if it was linked on this talk page to begin with, since it strongly pertains to this article's development. But it's understandable if this was missed, because it's not monumentally important, and it's also a
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The ensembles were revealed through choreographed performances, where the forms evolved in motion. This allows for expression to manifest in the performer with the given instructions: to walk slowly to the beat, sharply turn, march forward without stopping, and others. Their attitudes carry out a
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The work has been exhibited at various institutions, including the "Herning Museum of Contemporary Art," "Cooper Hewitt" museum, “Arsenal art contemporain," "MU Hybrid Art House," "FIT Museum," "Tate Modern," and others. His one-of-a-kind ensembles are preserved by private collectors and museums,
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Rad Hourani is a pioneer who invites the public to think outside the box and to change ways of doing and being through innovative artistic projects. His years of diligence between institutions worldwide have been punctuated by frequent international press events, exhibitions, and conferences. His
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The ensembles were revealed through choreographed performances, where the forms evolved in motion. This allows for expression to manifest in the performer with the given instructions: to walk slowly to the beat, sharply turn, march forward without stopping, and others. Their attitudes carry out a
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The work has been exhibited at various institutions, including the "Herning Museum of Contemporary Art," "Cooper Hewitt" museum, “Arsenal art contemporain," "MU Hybrid Art House," "FIT Museum," "Tate Modern," and others. His one-of-a-kind ensembles are preserved by private collectors and museums,
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Rad Hourani is a pioneer who invites the public to think outside the box and to change ways of doing and being through innovative artistic projects. His years of diligence between institutions worldwide have been punctuated by frequent international press events, exhibitions, and conferences. His
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VF (2012): Directed by Rad Hourani, VF features Viviane Fauny's narratives of working as a Supermodel in the 1970s with renowned photographers Richard Avedon, Irving Penn, and Helmut Newton. The film reflects the convictions of the Rad Hourani movement and was presented at the Centre Pompidou in
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Rad Hourani forges a space for niche discussion around societal and institutional biases by way of evolutionary activism concerning the impact of fundamental normative codes. Through his art practice, he demonstrated the impact of physical expression, from the runways to the streets, on upending
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VF (2012): Directed by Rad Hourani, VF features Viviane Fauny's narratives of working as a Supermodel in the 1970s with renowned photographers Richard Avedon, Irving Penn, and Helmut Newton. The film reflects the convictions of the Rad Hourani movement and was presented at the Centre Pompidou in
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Rad Hourani forges a space for niche discussion around societal and institutional biases by way of evolutionary activism concerning the impact of fundamental normative codes. Through his art practice, he demonstrated the impact of physical expression, from the runways to the streets, on upending
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But I can respect these differences; my earliest editing was 2015, and I definitely lack the experience to have complete confidence in my opinions regarding the handling of user behavior (though I feel POV editing requires additional careful article communication consideration in addition to the
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Between 2005 and 2007, Rad Hourani invented the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe. In October 2007, at the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a
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As the conventional catwalk is historically conceived to showcase the latest trends, it is designed to perpetuate a form of consumer anticipation through the release of seasonal collections, made available in stores six months later. Rad Hourani rethinks a sustainable anti-trend strategy and is
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Rad Hourani collaborates with contemporary artists such as Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Chinawoman, Jared Leto, Nick Cave, Shirine Neshat, and Édouard Lock. Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ,
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As an artist classified as BIPOC, queer, and neurodivergent, Rad Hourani's multidisciplinary art practice confronts societal preconceptions related to identity and established hierarchies. His exploration extends to the origins of categorization, engaging in anthropological studies that involve
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Between 2005 and 2007, Rad Hourani invented the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe. In October 2007, at the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a
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As the conventional catwalk is historically conceived to showcase the latest trends, it is designed to perpetuate a form of consumer anticipation through the release of seasonal collections, made available in stores six months later. Rad Hourani rethinks a sustainable anti-trend strategy and is
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Rad Hourani collaborates with contemporary artists such as Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Chinawoman, Jared Leto, Nick Cave, Shirine Neshat, and Édouard Lock. Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ,
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As an artist classified as BIPOC, queer, and neurodivergent, Rad Hourani's multidisciplinary art practice confronts societal preconceptions related to identity and established hierarchies. His exploration extends to the origins of categorization, engaging in anthropological studies that involve
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Hello, this is a message from Rad Hourani studio, as he refuses to be called a fashion designer, and we kindly ask you to remove this title. Rad Hourani is an activist artist. He express Neutrality through different disciplines, including unisex clothes for gender equality. But he refuses to be
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The predetermined societal declaration of gender enacts expectations to dress according to certain gender-specific codes. Society often neglects the inequalities caused by the containment of human expression through the body. Rad Hourani asks the question of how consumerism and art must become
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The oeuvre crafted by Rad honors art's capacity to engage human senses, acting as a bridge between concepts. His work, a radical de-compartmentalization of narratives, invites contemplation on how societal functions can be questioned and envisions an existence free from imposed limitations and
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The predetermined societal declaration of gender enacts expectations to dress according to certain gender-specific codes. Society often neglects the inequalities caused by the containment of human expression through the body. Rad Hourani asks the question of how consumerism and art must become
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The oeuvre crafted by Rad honors art's capacity to engage human senses, acting as a bridge between concepts. His work, a radical de-compartmentalization of narratives, invites contemplation on how societal functions can be questioned and envisions an existence free from imposed limitations and
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Born 1982 Nationality Canadian Education High school Occupation(s) interdisciplinary artist, inventor, pioneer (remove : designer ) Years active 2002–present Known for Gender-Neutral / Unisex genderless artworks,
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This nonconformist artist (innovator, sculptor, researcher, architect, teacher, philosopher, activist, etc.) seeks to propose, transmit, collaborate, and nurture even further the idea we might have of the arts through his activism. The ideas he puts forward are universal and inclusive, always
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Rad Hourani's "Unisex Couture" live performances make use of the medium of performative installations at the "Centre Culturel Canadien" in Paris as continuous manifestations of his vision to break the stereotypical narrative found in the dressing codes of society. The reveal is beyond typical
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His vision of an entire gender-neutral wardrobe diverges from the typical association of cross-dressing, where flamboyant clothing and theatrical motifs still carry boundaries of gendered connotations. Specifically, with the application of a flared outline, tailored cuts, and accessories. His
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THE MEDIUM OF COSTUME Rad Hourani is perpetually aware of the power of aesthetics at large and how a person’s ensemble of outer garments has the capability of evoking nuanced characteristics. In using his own reflections, he examines the restrictive narrative around gender normative tropes of
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This nonconformist artist (innovator, sculptor, researcher, architect, teacher, philosopher, activist, etc.) seeks to propose, transmit, collaborate, and nurture even further the idea we might have of the arts through his activism. The ideas he puts forward are universal and inclusive, always
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Rad Hourani's "Unisex Couture" live performances make use of the medium of performative installations at the "Centre Culturel Canadien" in Paris as continuous manifestations of his vision to break the stereotypical narrative found in the dressing codes of society. The reveal is beyond typical
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His vision of an entire gender-neutral wardrobe diverges from the typical association of cross-dressing, where flamboyant clothing and theatrical motifs still carry boundaries of gendered connotations. Specifically, with the application of a flared outline, tailored cuts, and accessories. His
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THE MEDIUM OF COSTUME Rad Hourani is perpetually aware of the power of aesthetics at large and how a person’s ensemble of outer garments has the capability of evoking nuanced characteristics. In using his own reflections, he examines the restrictive narrative around gender normative tropes of
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At the core of the artist’s philosophy is the belief that all individuals are multi-faceted and unique. His ideas are presented as universal and inclusive, consistently ensuring that marginalized communities are represented in his work. Rad's transdisciplinary vision challenges institutional
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Moving to Montréal (Québec) at 16, Rad grappled with an educational system unsuitable for his ADD and dyslexia. High school became a platform for his early engagement with the visual arts, focusing on aesthetics. After graduation, he entered the professional realm as an art director. Despite
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Rad Hourani is recognized as a pioneer visionary in the cultural landscape with a career spanning nearly 20 years. Rad is an interdisciplinary artist who uses the mediums of sculpture, painting, architecture, photography, costume, instruction, performance, architecture, textile, printmaking,
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At the core of the artist’s philosophy is the belief that all individuals are multi-faceted and unique. His ideas are presented as universal and inclusive, consistently ensuring that marginalized communities are represented in his work. Rad's transdisciplinary vision challenges institutional
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Moving to Montréal (Québec) at 16, Rad grappled with an educational system unsuitable for his ADD and dyslexia. High school became a platform for his early engagement with the visual arts, focusing on aesthetics. After graduation, he entered the professional realm as an art director. Despite
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Rad Hourani is recognized as a pioneer visionary in the cultural landscape with a career spanning nearly 20 years. Rad is an interdisciplinary artist who uses the mediums of sculpture, painting, architecture, photography, costume, instruction, performance, architecture, textile, printmaking,
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From 2007 to 2014, Rad Hourani used the discipline of runway as a manifestation of breaking through the divisions that occur in mainstream consumerism. Using this art practice as a method of expression served as a zone of activism for emerging dialogues for public shifts. In this manner, he
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From 2007 to 2014, Rad Hourani used the discipline of runway as a manifestation of breaking through the divisions that occur in mainstream consumerism. Using this art practice as a method of expression served as a zone of activism for emerging dialogues for public shifts. In this manner, he
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Actually, extended confirmed isn't the immediate next step after autoconfirmed — it's a rarefied level of protection that can be used only if there's a long-term pattern of autoconfirmed failing to control editing problems, not a step that can be jumped to immediately. The protection wasn't
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CONCEPTION In order to create a complete genderless wardrobe with a chart of sizes generated from his iterations of non-gendered patterns, Rad Hourani studied the varying human anatomy for two years. He dissects the body with precision to understand human morphology and uses the medium of
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CONCEPTION In order to create a complete genderless wardrobe with a chart of sizes generated from his iterations of non-gendered patterns, Rad Hourani studied the varying human anatomy for two years. He dissects the body with precision to understand human morphology and uses the medium of
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I will note I arrived here randomly, and do not have any specific edits that I was currently planning to make (I've never heard of the subject of this article before reading this article). However, I think at the very least, it should be downgraded to extended confirmed protection, as per
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Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ, Aesthetica, Elle, Time, V, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, The Guardian, Forbes, and Nowness.
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This multifaceted journey laid the foundation for Rad Hourani's distinctive artistic voice, reflecting a convergence of diverse influences and a commitment to challenging various forms of oppression and societal norms through his work. ——————————————————————————————————————————————————
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Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ, Aesthetica, Elle, Time, V, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, The Guardian, Forbes, and Nowness.
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This multifaceted journey laid the foundation for Rad Hourani's distinctive artistic voice, reflecting a convergence of diverse influences and a commitment to challenging various forms of oppression and societal norms through his work. ——————————————————————————————————————————————————
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His artistic inclinations emerged at the age of 12 in Jordan when he began using cameras to capture landscapes and friends, as well as during his mother's dressmaker fittings. Rad’s early exposure to aesthetics became a foundational aspect of his neurodivergent artistic expression.
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His artistic inclinations emerged at the age of 12 in Jordan when he began using cameras to capture landscapes and friends, as well as during his mother's dressmaker fittings. Rad’s early exposure to aesthetics became a foundational aspect of his neurodivergent artistic expression.
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normal behavioral considerations). Ultimately, the article is only protected for five days, the protection is completely allowed by policy, and I am not personally hindered by this protection. I do not regret expressing concerns, but I will wish you well on your Knowledge editing.
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At 23, Rad relocated to Paris, utilizing medium-format techniques to further his contemporary art practice. Describing his background as a "No-background background," Rad derived inspiration from personal experiences and observations, bypassing formal education.
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At 23, Rad relocated to Paris, utilizing medium-format techniques to further his contemporary art practice. Describing his background as a "No-background background," Rad derived inspiration from personal experiences and observations, bypassing formal education.
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His vision is centred on the theme of neutrality, exposing different perspectives using the mediums of paint, sculpture, photography, costume, curation, sound and video, his artworks propose neutrality to be universal. He created the first unisex gender neutral
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formalism and aesthetics by advocating for the dissolution of disciplinary boundaries and promoting a unified approach. Notably, his journey is marked by a lack of post-secondary academic background, with his learning inherently defying systematic constraints.
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formalism and aesthetics by advocating for the dissolution of disciplinary boundaries and promoting a unified approach. Notably, his journey is marked by a lack of post-secondary academic background, with his learning inherently defying systematic constraints.
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Why is no one taking the time to check the Rad Hourani page on Knowledge? He is a cultural icon and a very important figure who revolutionized our world with his work. It seems to me that the volunteers are not giving any time to BIPOC innovators of the 21st
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really from?" propelled Rad's examination of societal categorizations and generalizations, encompassing gender, age, race, and class. Even as a non-religious adult living in cities like Paris and New York, he continued to feel a sense of non-belonging.
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really from?" propelled Rad's examination of societal categorizations and generalizations, encompassing gender, age, race, and class. Even as a non-religious adult living in cities like Paris and New York, he continued to feel a sense of non-belonging.
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extensive research to stimulate debates on prejudices and open dialogues about inclusion and inequality. Through these explorations, Rad aims to reveal the structures shaped by the historical and evolutionary connotations associated with a subject.
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extensive research to stimulate debates on prejudices and open dialogues about inclusion and inequality. Through these explorations, Rad aims to reveal the structures shaped by the historical and evolutionary connotations associated with a subject.
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Rad Hourani is Canadian, he speaks english and french. The reliable sources I provided describes him as an "interdisciplinary artist" and not as a fashion designer. It is astonishing that the wikipedia impose a public identity on him that creates
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Hello! I left a note on your talk page about your username, which is not allowed. Regarding the request, if I look at these sources, he is very frequently called a fashion designer. Knowledge relies on independent reporting to determine article
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I agree admin only protection is not the way to go. However Bearcat reversed that and I have chopped the article down. The "newbie" user mentioned above is likely the article subject, based on image that was in the article (see
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a dichromatic color palette of black and white. The minimalist schemes establish the neutrality of the artworks and initiate a dialogue of new possibilities by using symbolic vocabulary and propagating the meaning of dressing.
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a dichromatic color palette of black and white. The minimalist schemes establish the neutrality of the artworks and initiate a dialogue of new possibilities by using symbolic vocabulary and propagating the meaning of dressing.
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Why do you categorize him as a "fashion designer" when Rad Hourani mentioned several times in interviews that he refuses to be categorized as a fashion or designer? This is creating confusion and harming his art practice.
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https://fr.linkedin.com/in/rad-hourani-0385a71b?challengeId=AQHhTG8fq2UYtgAAAXxQ__w1F3J6MBZGNPpEMBLFNWmARX4QGQ85tNb2lb3Yzpjz1MK2DLeSloczqcZ-A88-LYf-jrJPoHcJ7w&submissionId=665377f7-f52a-ab16-fc11-288dbcdc5b31
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https://fr.linkedin.com/in/rad-hourani-0385a71b?challengeId=AQHhTG8fq2UYtgAAAXxQ__w1F3J6MBZGNPpEMBLFNWmARX4QGQ85tNb2lb3Yzpjz1MK2DLeSloczqcZ-A88-LYf-jrJPoHcJ7w&submissionId=665377f7-f52a-ab16-fc11-288dbcdc5b31
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is a new editor, and is probably inexperienced with Knowledge's policies and guidelines. I think it would be better to begin a talk page discussion to discuss content issues before escalating protection levels.
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his social media or web that it mentions "fashion designer", his title is always "interdisciplinary artist". It is wrong to impose a title on someone that he mention publicly that he refuse to be called by it.
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his social media or web that it mentions "fashion designer", his title is always "interdisciplinary artist". It is wrong to impose a title on someone that he mention publicly that he refuse to be called by it.
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I disagree with your characterization of extended-confirmed protection. It is true extended-confirmed was originally created to handle a specific arbitration case, but it has evolved to broader use since then.
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time to look into the issue I raised there — but extended confirmed isn't so much "the next step after autoconfirmed" as it is "the nuclear option step, applicable only if all other options have failed".
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THE SMELL OF US (2013): Rad Hourani collaborated with film director Larry Clark on the feature film THE SMELL OF US, which was filmed during the Rad Hourani Unisex Couture #12 performance in Paris.
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collaborated with politicians and other creatives, involved live musicians during his biannual installations in New York and Paris, and was hosted internationally by various cities and institutions.
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first to both create and introduce a unisex collection in the history of "Haute Couture" in January of 2013. This moment confirms the necessity of genderless status within a historical institution.
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THE SMELL OF US (2013): Rad Hourani collaborated with film director Larry Clark on the feature film THE SMELL OF US, which was filmed during the Rad Hourani Unisex Couture #12 performance in Paris.
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collaborated with politicians and other creatives, involved live musicians during his biannual installations in New York and Paris, and was hosted internationally by various cities and institutions.
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first to both create and introduce a unisex collection in the history of "Haute Couture" in January of 2013. This moment confirms the necessity of genderless status within a historical institution.
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androgyny or any countercultural movement and becomes an elevated craftsmanship of the arts, proposing an urgency for the acknowledgement of gender-neutral presence in institutionalized spaces.
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androgyny or any countercultural movement and becomes an elevated craftsmanship of the arts, proposing an urgency for the acknowledgement of gender-neutral presence in institutionalized spaces.
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2014; Musician Chinawoman performed live at the Rad Hourani Unisex Couture #13 performance in Paris. Rad Hourani has also photographed and interviewed Michelle Gurevich in Crush Fanzine.
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UNISXE (2013): Rad Hourani directed a short film, UNISEX, in collaboration with choreographer Édouard Lock and composer Nico Muhly. The film was presented at the Guggenheim Museum Bilbao.
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2014; Musician Chinawoman performed live at the Rad Hourani Unisex Couture #13 performance in Paris. Rad Hourani has also photographed and interviewed Michelle Gurevich in Crush Fanzine.
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UNISXE (2013): Rad Hourani directed a short film, UNISEX, in collaboration with choreographer Édouard Lock and composer Nico Muhly. The film was presented at the Guggenheim Museum Bilbao.
330:. I am concerned that article was upgraded from semi-protection to full-protection on the same day after only one edit. While this edit was clearly outside of Knowledge article standards, 4217: 4055: 3573:
Aesthetica, Elle, Time, V, CR book, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, WWD, Vice, The Guardian, Forbes, and Nowness.
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Aesthetica, Elle, Time, V, CR book, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, WWD, Vice, The Guardian, Forbes, and Nowness.
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This is a volunteer project where people do what they can when they can. The fact that this man is not English or French speaking is immaterial to whether or not he merits an article.
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You seem to be proposing a wholesale rewrite, but this is highly promotional and sourced only to Knowledge. Knowledge articles cannot be used to source other Knowledge articles, see
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
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https://www.thestar.com/life/beauty-and-fashion/paris-fashion-week-rad-hourani-on-reaching-the-top-as-an-haute-couture-designer/article_9451860d-973a-5d4c-9f1b-7a9e9f74102a.html
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https://www.thestar.com/life/beauty-and-fashion/paris-fashion-week-rad-hourani-on-reaching-the-top-as-an-haute-couture-designer/article_9451860d-973a-5d4c-9f1b-7a9e9f74102a.html
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describe them, not how a person describes themselves. That can certainly be mentioned in the article if cited, but this won't just describe him as he wants to be described.
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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https://www.thestar.com/life/beauty-and-fashion/rad-hourani-s-unisex-ultra-modern-design-marks-a-new-age-for-haute-couture/article_68459168-3b87-597c-b19c-84a40664dae3.html
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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https://www.thestar.com/life/beauty-and-fashion/rad-hourani-s-unisex-ultra-modern-design-marks-a-new-age-for-haute-couture/article_68459168-3b87-597c-b19c-84a40664dae3.html
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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Why not have all the details on his page? Why diminish his work and innovations? Does his name need to be anglophone or francophone for the wikipedia community to care ?
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2013: Musician Chris Garneau performed live at the Rad Hourani Unisex Couture #12 performance in Paris. The soundtrack was used in Larry Clark's THE SMELL OF US movie.
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2013: Musician Chris Garneau performed live at the Rad Hourani Unisex Couture #12 performance in Paris. The soundtrack was used in Larry Clark's THE SMELL OF US movie.
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Public collections —————————————————————————————————————————————————— Works by Rad Hourani are held in in private collections and in permanent collections, such as :
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Public collections —————————————————————————————————————————————————— Works by Rad Hourani are held in in private collections and in permanent collections, such as :
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art practice reminds the audience that the limiting preconceptions in the present ethos and rules of costume history are deeply intertwined with social inequality.
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art practice reminds the audience that the limiting preconceptions in the present ethos and rules of costume history are deeply intertwined with social inequality.
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the economic crisis in 2008 and the absence of present-day social media. His vision evokes radical change throughout the world and revolutionizes our reality.
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the economic crisis in 2008 and the absence of present-day social media. His vision evokes radical change throughout the world and revolutionizes our reality.
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https://www.thestar.com/business/gender-neutral-clothing-goes-mainstream-with-new-department-store-campaign/article_797ef3eb-0f38-53e1-ba2d-9e3ee03dd7a2.html
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https://www.thestar.com/business/gender-neutral-clothing-goes-mainstream-with-new-department-store-campaign/article_797ef3eb-0f38-53e1-ba2d-9e3ee03dd7a2.html
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I can provide a shorter text if you want, but the page is blocked and no edits can be done... can someone unblock his page for others to contribute to it ?
4627: 3882: 3652: 2872: 2127: 1897: 764: 31:) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or 5143:
A public identity is considered in the same context as that of people with non-binary identities, who use the term "they" instead of she or he, and so on.
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https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
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https://style.time.com/2013/07/05/from-paris-with-love-haute-couture-fashion-week-in-30-pictures/photo/alternative-view-haute-couture-pfw-fw-2013-2014-29/
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https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
2792:
https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
2298:
https://style.time.com/2013/07/05/from-paris-with-love-haute-couture-fashion-week-in-30-pictures/photo/alternative-view-haute-couture-pfw-fw-2013-2014-29/
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https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
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https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
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https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
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https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
2301:
https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
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clothing. These have an impact on our daily lives through heteronormativity, gender privilege, homophobia, cissexism, and other forms of prejudice.
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clothing. These have an impact on our daily lives through heteronormativity, gender privilege, homophobia, cissexism, and other forms of prejudice.
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in Paris, making him both the first Canadian to show during Couture Week, as well as the first designer to show a unisex collection at this event.
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https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
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https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
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https://celebrity.nine.com.au/latest/eau-lady-gaga-releasing-perfume-that-smells-like-bodily-fluids/c7dcfe8e-457f-44ce-8fd6-0b43534758c4
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https://celebrity.nine.com.au/latest/eau-lady-gaga-releasing-perfume-that-smells-like-bodily-fluids/c7dcfe8e-457f-44ce-8fd6-0b43534758c4
1866: 5183:). Propose your changes one paragraph at a time, or at least direct people to the condensed version above if you want it reconsidered. 4155: 3328: 2400: 944: 587: 406:
Where semi-protection has proven to be ineffective, administrators may use extended confirmed protection to combat disruption (such as
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Hello, after doing a long research on Rad Hourani, here's what I suggest as his wikipedia page as the current page is misleading :
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https://www.nytimes.com/2011/10/16/fashion/some-men-are-dressed-to-the-nines-the-height-of-their-pumps.html?searchResultPosition=14
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https://www.nytimes.com/2011/10/16/fashion/some-men-are-dressed-to-the-nines-the-height-of-their-pumps.html?searchResultPosition=14
1429: 147:, a collaborative effort to create, develop and organize Knowledge's articles about people. All interested editors are invited to 3858: 3818: 2103: 2063: 1556: 5228: 1207: 755:
please add to Career: "In 2016, Rad Hourani collaborated with VAVA Eyewear and launched a limited edition of 200 sunglasses."
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it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a
894:
it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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Design Museum in New York. His most recent multidisciplinary exhibitions were presented at Arsenal Contemporary Art Center in
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https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
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https://somethingcurated.com/2022/10/26/ivorian-canadian-artist-ramata-cisses-decolonial-dinner-takes-over-fonderie-darling/
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https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
2945:
https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
2444:
https://somethingcurated.com/2022/10/26/ivorian-canadian-artist-ramata-cisses-decolonial-dinner-takes-over-fonderie-darling/
1939:
https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
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Early life —————————————————————————————————————————————————— Source: 2669: 2440: 2422: 2025: 1944: 1704:—————————————————————————————————————————————————— 
Early life —————————————————————————————————————————————————— Source: 1276: 4669: 4628:
https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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Publications —————————————————————————————————————————————————— Rad Hourani work has been published in books, such as :
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https://www.forbes.com/sites/katiebaron/2018/08/21/fine-tuning-gender-free-the-phluid-project-flagship-hits-6-months-old/
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https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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Publications —————————————————————————————————————————————————— Rad Hourani work has been published in books, such as :
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https://www.forbes.com/sites/katiebaron/2018/08/21/fine-tuning-gender-free-the-phluid-project-flagship-hits-6-months-old/
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https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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https://www.nytimes.com/2015/10/28/business/sweeping-away-gender-specific-toys-and-labels.html?searchResultPosition=17
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https://www.nytimes.com/2015/10/28/business/sweeping-away-gender-specific-toys-and-labels.html?searchResultPosition=17
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self-reflective in areas of codifying masculinity or femininity through cuts, colors, shades, motifs, and textiles.
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self-reflective in areas of codifying masculinity or femininity through cuts, colors, shades, motifs, and textiles.
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://archive.nytimes.com/runway.blogs.nytimes.com/2010/08/26/burberry-runway-to-checkout/?searchResultPosition=7
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gives voice to issues of gender identity and inequality and highlights their ties to mainstream codes of dressing.
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://archive.nytimes.com/runway.blogs.nytimes.com/2010/08/26/burberry-runway-to-checkout/?searchResultPosition=7
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gives voice to issues of gender identity and inequality and highlights their ties to mainstream codes of dressing.
1900: 1258: 940: 583: 4552: 3850: 3592: 2797: 2095: 1837: 4858:"Walk straight ahead, look straight ahead, don't stop, don't pose sharp turns, be confident, and love yourself.” 4706:
https://www.thenationalnews.com/arts-culture/fashion-designer-rad-hourani-s-style-on-display-in-montreal-1.472664
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https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/?searchResultPosition=1
3103:"Walk straight ahead, look straight ahead, don't stop, don't pose sharp turns, be confident, and love yourself.” 2951:
https://www.thenationalnews.com/arts-culture/fashion-designer-rad-hourani-s-style-on-display-in-montreal-1.472664
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https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/?searchResultPosition=1
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://www.artsy.net/show/savina-museum-of-contemporary-art-na-na-land-its-my-world?sort=partner_show_position
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https://www.artsy.net/show/savina-museum-of-contemporary-art-na-na-land-its-my-world?sort=partner_show_position
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Rad Hourani collaborations extend to artists like Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Jared Leto.
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Rad Hourani collaborations extend to artists like Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Jared Leto.
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https://www.forbes.com/sites/deborahljacobs/2013/07/01/made-to-order-fashion-goes-mainstream/?sh=5aa354e3195d
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https://www.rollingstone.com/culture/culture-news/fashion-week-highlight-survivalism-with-rad-hourani-194902/
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https://www.forbes.com/sites/deborahljacobs/2013/07/01/made-to-order-fashion-goes-mainstream/?sh=5aa354e3195d
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https://www.rollingstone.com/culture/culture-news/fashion-week-highlight-survivalism-with-rad-hourani-194902/
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https://wwd.com/fashion-news/fashion-scoops/vava-rad-hourani-turn-shared-vision-into-eyewear-collab-10480467/
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https://www.nytimes.com/2016/02/11/fashion/cooper-hewitts-triennial-asks-what-makes-something-beautiful.html
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https://www.nytimes.com/2015/08/20/fashion/in-fashion-gender-lines-are-blurring.html?searchResultPosition=16
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https://www.nytimes.com/2016/02/11/fashion/cooper-hewitts-triennial-asks-what-makes-something-beautiful.html
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https://www.nytimes.com/2015/08/20/fashion/in-fashion-gender-lines-are-blurring.html?searchResultPosition=16
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
2009: 1574: 75: 4175:
https://montrealgazette.com/entertainment/arts/visual-arts-rad-hourani-explores-what-divides-and-unites-us
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https://www.lapresse.ca/arts/arts-visuels/201511/06/01-4918139-rad-hourani-universaliser-la-neutralite.php
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terms such as genderless, agender, genderfluid, non-gendered, all genders, ungendered, human, and others.
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https://montrealgazette.com/entertainment/arts/visual-arts-rad-hourani-explores-what-divides-and-unites-us
2417:
https://www.lapresse.ca/arts/arts-visuels/201511/06/01-4918139-rad-hourani-universaliser-la-neutralite.php
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terms such as genderless, agender, genderfluid, non-gendered, all genders, ungendered, human, and others.
1593:"Montreal's Rad Hourani first Canadian invited to present collection of haute couture in Paris - The Star" 4888: 4866:
https://montrealgazette.com/life/fashion%20&%20beauty/planet-rad-call-me-a-visualist-rad-hourani-says
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https://www.bbc.com/worklife/article/20171010-a-genderless-style-of-dress-for-the-workplace-of-the-future
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https://montrealgazette.com/life/fashion%20&%20beauty/planet-rad-call-me-a-visualist-rad-hourani-says
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https://www.bbc.com/worklife/article/20171010-a-genderless-style-of-dress-for-the-workplace-of-the-future
1982: 1850: 1834: 1437: 1412:
in Paris and continues exhibiting his photographic work around the world, including a film projection at
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https://www.lapresse.ca/actualites/regional/personnalites-la-presse/201302/18/01-4622691-rad-hourani.php
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https://www.vice.com/en/article/jmbw84/fashion-designer-rad-hourani-is-dismantling-the-gender-binary-456
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https://www.lapresse.ca/actualites/regional/personnalites-la-presse/201302/18/01-4622691-rad-hourani.php
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https://www.vice.com/en/article/jmbw84/fashion-designer-rad-hourani-is-dismantling-the-gender-binary-456
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https://www.nationalgeographic.com/culture/article/gender-bending-fashion-rewrites-rules-who-wears-what
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https://www.lesinrocks.com/actu/gender-neutral-gender-fluid-agenre-la-mode-plurielle-144837-03-03-2020/
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https://www.nationalgeographic.com/culture/article/gender-bending-fashion-rewrites-rules-who-wears-what
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https://www.lesinrocks.com/actu/gender-neutral-gender-fluid-agenre-la-mode-plurielle-144837-03-03-2020/
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
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The medium of Runway ( Performance Art ) —————————————————————————————————————————————————— source :
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
2238:
The medium of Runway ( Performance Art ) —————————————————————————————————————————————————— source :
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
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https://www.reddit.com/r/rupaulsdragrace/comments/cjlq0z/the_exhibition_on_gender_bending_fashion_at/
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https://i-d.vice.com/en/article/qv8ja3/could-genderless-fashion-be-going-from-utopia-to-daily-reality
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https://www.reddit.com/r/rupaulsdragrace/comments/cjlq0z/the_exhibition_on_gender_bending_fashion_at/
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https://i-d.vice.com/en/article/qv8ja3/could-genderless-fashion-be-going-from-utopia-to-daily-reality
1847: 640: 42:. If such material is repeatedly inserted, or if you have other concerns, please report the issue to 4156:
https://www.musee-mccord-stewart.ca/en/exhibitions/visionaries-portraits-montreal-tribute-to-notman/
2401:
https://www.musee-mccord-stewart.ca/en/exhibitions/visionaries-portraits-montreal-tribute-to-notman/
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Known for Gender-Neutral / Unisex genderless artworks, sculpture, architecture (remove : fashion )
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https://www.theguardian.com/lifeandstyle/2017/sep/04/joy-unisex-gender-neutral-clothing-john-lewis
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https://www.scmp.com/magazines/style/article/1030636/unisex-appeal-genderless-dressing-rad-hourani
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Gender-Neutral Patterns ( Invention ) —————————————————————————————————————————————————— Source:
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https://www.theguardian.com/lifeandstyle/2017/sep/04/joy-unisex-gender-neutral-clothing-john-lewis
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https://www.scmp.com/magazines/style/article/1030636/unisex-appeal-genderless-dressing-rad-hourani
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Gender-Neutral Patterns ( Invention ) —————————————————————————————————————————————————— Source:
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His work is included in the permanent collection of the Cooper Hewitt, Smithsonian Design Museum.
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on Knowledge. If you would like to participate, please visit the project page, where you can join
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https://artsandculture.google.com/asset/rad-hourani-unisex-boots-rad-hourani/JgH6aOwdz-hpQQ?hl=en
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https://offbinary.com/blogs/articles/non-binary-clothing-brands-transforming-the-fashion-industry
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https://artsandculture.google.com/asset/rad-hourani-unisex-boots-rad-hourani/JgH6aOwdz-hpQQ?hl=en
1823:
https://offbinary.com/blogs/articles/non-binary-clothing-brands-transforming-the-fashion-industry
1413: 1216: 1150: 970: 839: 734: 613: 46:.If you are a subject of this article, or acting on behalf of one, and you need help, please see 32: 4847: 4502: 4165:
https://www.cbc.ca/cinqasix/fashion/2013/02/15/rad-hourani-brings-his-own-philosophy-to-fashion/
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https://www.cbc.ca/cinqasix/fashion/2013/02/15/rad-hourani-brings-his-own-philosophy-to-fashion/
1993: 1388:(born 1982) is a Canadian interdisciplinary artist known for his neutral, genderless creations. 685:
As the lede section calls him a fashion designer and artist, it sounds pretty accurate as it is.
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https://www.harpersbazaar.com/uk/fashion/fashion-news/news/a31123/the-history-of-haute-couture/
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https://www.vanityfair.com/news/2009/08/trendspotting-sharing-your-wardrobe-with-your-boyfriend
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https://www.harpersbazaar.com/uk/fashion/fashion-news/news/a31123/the-history-of-haute-couture/
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https://www.vanityfair.com/news/2009/08/trendspotting-sharing-your-wardrobe-with-your-boyfriend
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https://wwd.com/fashion-news/fashion-features/gender-neutral-the-new-fashion-norm-1203408272/
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https://wwd.com/fashion-news/fashion-features/gender-neutral-the-new-fashion-norm-1203408272/
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https://suitesculturelles.wordpress.com/2014/12/28/rad-hourani-montreals-innovator-in-paris/
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https://www.ellecanada.com/fashion/you-could-be-part-of-an-exhibition-curated-by-rad-hourani
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https://www.chicagomag.com/chicago-magazine/november-2012/artist-nick-caves-favorite-things/
3615: 2404:
https://suitesculturelles.wordpress.com/2014/12/28/rad-hourani-montreals-innovator-in-paris/
2376: 2138: 2032:
https://www.ellecanada.com/fashion/you-could-be-part-of-an-exhibition-curated-by-rad-hourani
1974: 1953:
https://www.chicagomag.com/chicago-magazine/november-2012/artist-nick-caves-favorite-things/
1860: 1611:"Rad Hourani becomes the first Canadian member of the Chambre Syndicale de la Haute Couture" 4687: 4008:
elements of live music and specific lighting, creating an inclusive ambience of belonging.
3671: 3316: 2932: 2253:
elements of live music and specific lighting, creating an inclusive ambience of belonging.
1916: 1575:"Search results for "rad hourani" - Collection of Cooper Hewitt, Smithsonian Design Museum" 932: 575: 5179:
You twice again put massive rewrites that no one will want to invest the time to read(see
4201: 3741:
https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/
2446: 1986:
https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/
8: 4442: 4406: 4358: 4084:
Activism and advocacy work —————————————————————————————————————————————————— sources ;
3901:
Unisex Couture ( Invention ) —————————————————————————————————————————————————— Source:
3783: 2687: 2651: 2603: 2329:
Activism and advocacy work —————————————————————————————————————————————————— sources ;
2146:
Unisex Couture ( Invention ) —————————————————————————————————————————————————— Source:
2028: 1270: 783: 686: 536: 479: 464: 4801:
2015 “A Gender” Concept Ambassador Lecture, hosted by Lou Stoppard, Selfridges, London
4681: 4673:
https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
4534: 4211: 4189: 3794: 3756: 3663: 3639:
https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
3618: 3046:
2015 “A Gender” Concept Ambassador Lecture, hosted by Lou Stoppard, Selfridges, London
2926: 2918:
https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
2779: 2456: 2434: 2039: 2001: 1908: 1884:
https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
1863: 1663:
sculpture, architecture (remove : fashion ) Website radhourani.com
5077: 4425:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
4196:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
4178:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
3781:
https://www.elle.com/culture/celebrities/g1783/jessica-alba-cover-shoot-360574/?slide=1
3700:
https://models.com/work/various-editorials-rad-hourani-for-dress-to-kill-magazine/90983
2670:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
2441:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
2423:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
2026:
https://www.elle.com/culture/celebrities/g1783/jessica-alba-cover-shoot-360574/?slide=1
1945:
https://models.com/work/various-editorials-rad-hourani-for-dress-to-kill-magazine/90983
1457: 760: 4808: 4757: 4670:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
4485: 4434:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
4228:
Selected Exhibitions  : —————————————————————————————————————————————————— sources ;
4184:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
4040: 3941: 3636:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
3053: 3002: 2915:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
2730: 2679:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
2473:
Selected Exhibitions  : —————————————————————————————————————————————————— sources ;
2429:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
2285: 2186: 1881:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
703:
Unfortunately, Knowledge is only concerned with how independent sources describe him.
4703:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
3697:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
3610:
https://www.menswearstyle.co.uk/2019/05/08/the-increasingly-blurred-gender-lines/8578
3499: 3450: 2948:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
1942:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
1855:
https://www.menswearstyle.co.uk/2019/05/08/the-increasingly-blurred-gender-lines/8578
1744: 1695: 1441: 1408:
Two years later, he presented his first photo and video exhibition at the Jardins du
779: 379: 4822:
2018 “Gender” Lecture hosted by curator Michelle Finamore, Fine Arts Museum, Boston
4772: 4498:
https://www.artsy.net/artwork/rad-hourani-ensemble-from-couture-collection-number-12
4301: 3067:
2018 “Gender” Lecture hosted by curator Michelle Finamore, Fine Arts Museum, Boston
3017: 2743:
https://www.artsy.net/artwork/rad-hourani-ensemble-from-couture-collection-number-12
2546: 1416:
in Paris, a solo show in Montreal at the PHI Centre, an interactive installation at
1153:
or has been extensively edited by the subject or by someone connected to the subject
5188: 5170: 5130: 5085: 4750:
2012 "Genderless” Lecture hosted by Historian Valerie Steele, Fit Museum, New York
4693: 4604: 4146: 4046: 3687: 2995:
2012 "Genderless” Lecture hosted by Historian Valerie Steele, Fit Museum, New York
2938: 2849: 2391: 2291: 1932: 708: 664:
to be admitted to the La Chambre Syndicale de La Haute Couture for unisex clothing.
135: 5036: 4938: 4778: 4491: 4364: 3930: 3810: 3625:
https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
3281: 3183: 3023: 2736: 2609: 2175: 2055: 1870:
https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
671:
In just a few short years, Hourani established himself designer of unisex clothing
4830:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
4561:
Film and music collaborations ——————————————————————————————————————————————————
4377:
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
4316: 4193:
https://www.crash.fr/25th-andam-fashion-award-announces-their-finalists-for-2014/
4135:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
3949: 3075:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
2806:
Film and music collaborations ——————————————————————————————————————————————————
2622:
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
2561: 2438:
https://www.crash.fr/25th-andam-fashion-award-announces-their-finalists-for-2014/
2380:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
2194: 1238: 1098:
It may require cleanup to comply with Knowledge's content policies, particularly
39: 4988: 4765:
2013 “Gender Neutral” Lecture, hosted by Phoebe Greenberg, Centre Phi, Montreal
3656:
https://www.imdb.com/title/tt2176690/fullcredits/?mode=desktop&ref_=m_ft_dsk
3411:
Occupation(s) interdisciplinary artist, inventor, pioneer (remove : designer )
3233: 3010:
2013 “Gender Neutral” Lecture, hosted by Phoebe Greenberg, Centre Phi, Montreal
1901:
https://www.imdb.com/title/tt2176690/fullcredits/?mode=desktop&ref_=m_ft_dsk
5180: 5162: 5033: 4553:
https://www.cooperhewitt.org/exhibitions/beauty-cooper-hewitt-design-triennial/
3851:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
3593:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
3278: 2798:
https://www.cooperhewitt.org/exhibitions/beauty-cooper-hewitt-design-triennial/
2096:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
1838:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
411: 370: 257: 202: 194: 5042: 4330:
2015 “Rad Hourani : Couture Unisexe #14”, Canadian Cultural Centre CCC, Paris
4325: 3957: 3608:
Rad Hourani paved the way roughly 10 years ago, but over the past few years :
3505:
that scrutinizes our existence and operational modes, aiming to foster unity.
3287: 2575:
2015 “Rad Hourani : Couture Unisexe #14”, Canadian Cultural Centre CCC, Paris
2570: 2202: 1853:
Rad Hourani paved the way roughly 10 years ago, but over the past few years :
1750:
that scrutinizes our existence and operational modes, aiming to foster unity.
5207: 4761:
https://www.flickr.com/photos/museumatfit/8247345993/in/set-72157629801637559
4141:
https://queerguru.com/gender-bending-fashions-at-bostons-museum-of-fine-arts/
3495:
Art ( practice ) —————————————————————————————————————————————————— Source:
3006:
https://www.flickr.com/photos/museumatfit/8247345993/in/set-72157629801637559
2386:
https://queerguru.com/gender-bending-fashions-at-bostons-museum-of-fine-arts/
1740:
Art ( practice ) —————————————————————————————————————————————————— Source:
1398: 415: 5024: 4550:
https://shop.cooperhewitt.org/products/beauty-cooper-hewitt-design-triennial
4340: 3922: 3269: 2795:
https://shop.cooperhewitt.org/products/beauty-cooper-hewitt-design-triennial
2585: 2167: 5119: 4708: 4355: 4304: 4205:
https://www.ledevoir.com/societe/368752/le-petit-prince-de-la-haute-couture
4187:
https://www.thedailybeast.com/rad-hourani-the-first-unisex-couture-designer
3772: 3722:
https://www.amazon.com/Visionary-Women-Icons-Angella-Nazarian/dp/1614284555
3453: 2953: 2600: 2549: 2450:
https://www.ledevoir.com/societe/368752/le-petit-prince-de-la-haute-couture
2432:
https://www.thedailybeast.com/rad-hourani-the-first-unisex-couture-designer
2017: 1967:
https://www.amazon.com/Visionary-Women-Icons-Angella-Nazarian/dp/1614284555
1698: 1505:"Rad Hourani has found success in the niche concept of genderless dressing" 1409: 407: 390: 375: 343:
this is supposed to be the next level of protection after semi-protection.
327: 4675: 4543: 4240:
2007 “Rad Hourani : Gender-Neutral - UC#0”, Dominique Fiat Gallery, Paris
3827:
https://www.dazeddigital.com/fashion/article/8759/1/rad-hourani-s-s11-film
3715: 3641: 2920: 2788: 2485:
2007 “Rad Hourani : Gender-Neutral - UC#0”, Dominique Fiat Gallery, Paris
2072:
https://www.dazeddigital.com/fashion/article/8759/1/rad-hourani-s-s11-film
1960: 1886: 5184: 5166: 5126: 5081: 4982: 4944: 4872:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
4751: 4658: 4322: 4035:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
3954: 3679: 3587:
https://fault-magazine.com/2014/02/meet-unisex-fashion-maker-rad-hourani/
3227: 3189: 3117:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
2996: 2903: 2567: 2280:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
2199: 1924: 1832:
https://fault-magazine.com/2014/02/meet-unisex-fashion-maker-rad-hourani/
1417: 917: 704: 560: 4895:
https://www.askmen.com/fashion/trends_400/491_rad-hourani-interview.html
4859: 4853: 4852:"Masculinity and femininity are just styles. They are interpretations.” 4720: 4717: 4529: 4526: 4523: 4520: 4495:
https://collection.cooperhewitt.org/search/collection/?query=rad+hourani
4451: 4352: 4235: 4232: 4229: 4088: 4085: 3994: 3905: 3902: 3765:
https://www.wsj.com/articles/SB10001424052748703856504575600822799316604
3522: 3496: 3466: 3463: 3460: 3431: 3428: 3425: 3140:
https://www.askmen.com/fashion/trends_400/491_rad-hourani-interview.html
3104: 3098: 3097:"Masculinity and femininity are just styles. They are interpretations.” 2965: 2962: 2774: 2771: 2768: 2765: 2740:
https://collection.cooperhewitt.org/search/collection/?query=rad+hourani
2696: 2597: 2480: 2477: 2474: 2333: 2330: 2239: 2150: 2147: 2010:
https://www.wsj.com/articles/SB10001424052748703856504575600822799316604
1767: 1741: 1711: 1708: 1705: 1676: 1673: 1670: 4846:"I’m not really interested in the fashion, but more in the aesthetic." 4716:
Lectures —————————————————————————————————————————————————— sources ;
4647: 4624: 3472:
early challenges, being born with dysphonia, dysgraphia, and dyslexia.
3091:"I’m not really interested in the fashion, but more in the aesthetic." 2961:
Lectures —————————————————————————————————————————————————— sources ;
2892: 2869: 1717:
early challenges, being born with dysphonia, dysgraphia, and dyslexia.
4889:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
4268: 4062:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
3919:
such as "The Fine Arts Museum" in Boston and others around the world.
3738:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
3606:
https://medium.com/sartorial-poetry/the-great-gender-blur-257ad9855624
3590:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
3134:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
2513: 2307:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
2164:
such as "The Fine Arts Museum" in Boston and others around the world.
1983:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
1851:
https://medium.com/sartorial-poetry/the-great-gender-blur-257ad9855624
1835:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
5000: 4881:
https://www.interviewmagazine.com/fashion/rad-hourani-nightime-person
4823: 4464: 4403: 4386:
https://sjmusart.org/exhibition/beauty-cooper-hewitt-design-triennial
4349: 4331: 4215:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
4071:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
3970: 3938: 3245: 3126:
https://www.interviewmagazine.com/fashion/rad-hourani-nightime-person
3068: 2709: 2648: 2631:
https://sjmusart.org/exhibition/beauty-cooper-hewitt-design-triennial
2594: 2576: 2460:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
2316:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
2215: 2183: 5030: 5012: 4611:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
4448: 4398:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
4348:
2015 “Rad Hourani : Neutrality”, Arsenal Contemporary Art, Montreal
3424:
Article —————————————————————————————————————————————————— Source:
3275: 3257: 2856:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
2693: 2643:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
2593:
2015 “Rad Hourani : Neutrality”, Arsenal Contemporary Art, Montreal
1669:
Article —————————————————————————————————————————————————— Source:
5018: 4273:
2011 “Rad Hourani : Transformable UC#8”, Mannerheim Gallery, Paris
3263: 2518:
2011 “Rad Hourani : Transformable UC#8”, Mannerheim Gallery, Paris
1433: 678:
this show is happening,” said the Paris-based designer Rad Hourani,
241: 223: 155:. For instructions on how to use this banner, please refer to the 119: 94: 4950: 4921:
External links ——————————————————————————————————————————————————
4607: 4394: 4308:
https://ici.radio-canada.ca/nouvelle/639643/rad-hourani-centre-phi
4296:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
4138:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
3966:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
3603:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
3195: 3166:
External links ——————————————————————————————————————————————————
2852: 2639: 2553:
https://ici.radio-canada.ca/nouvelle/639643/rad-hourani-centre-phi
2541:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
2383:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
2211:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
1848:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
181: 5037:
https://en.wikipedia.org/Events_of_National_Historic_Significance
4939:
https://en.wikipedia.org/Category:21st-century_Canadian_inventors
4492:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
4365:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
3931:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
3761: 3517:
conditioning. ——————————————————————————————————————————————————
3480:
completing high school studies, he has no formal arts education.
3282:
https://en.wikipedia.org/Events_of_National_Historic_Significance
3184:
https://en.wikipedia.org/Category:21st-century_Canadian_inventors
2737:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
2610:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
2176:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
2006: 1762:
conditioning. ——————————————————————————————————————————————————
1725:
completing high school studies, he has no formal arts education.
1557:"31-Year-Old Designer Rad Hourani Opens Solo Exhibit in Montreal" 927: 570: 270: 4928:
Categories: ——————————————————————————————————————————————————
4773:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
4482: 4388: 4335:
https://canada-culture.org/event/rad-hourani-couture-unisexe-14/
4313: 4302:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
4249:
2009 “Rad Hourani : Tranclassic”, Jardin du Palais-Royal, Paris
4241: 4168:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
4144:
https://www.legenerateur.com/spectacle/vertical-feminist-strike/
4125:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
3986:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
3946: 3815: 3173:
Categories: ——————————————————————————————————————————————————
3018:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
2727: 2633: 2580:
https://canada-culture.org/event/rad-hourani-couture-unisexe-14/
2558: 2547:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
2494:
2009 “Rad Hourani : Tranclassic”, Jardin du Palais-Royal, Paris
2486: 2413:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
2389:
https://www.legenerateur.com/spectacle/vertical-feminist-strike/
2370:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
2231:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
2191: 2060: 5054: 4989:
https://en.wikipedia.org/Category:21st-century_Canadian_artists
4746:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
4588:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
4447:
2023 “Rad Hourani : Classroom of Language”, Artexte, Montréal
4181:
https://classicchicagomagazine.com/tag/costumes-by-rad-hourani/
3388:
After a long research on Rad Hourani, here's what I suggest :
3299: 3234:
https://en.wikipedia.org/Category:21st-century_Canadian_artists
2991:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
2833:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
2692:
2023 “Rad Hourani : Classroom of Language”, Artexte, Montréal
2426:
https://classicchicagomagazine.com/tag/costumes-by-rad-hourani/
5034:
https://en.wikipedia.org/Wikipedia:Contents/History_and_events
4994: 4956: 4259: 3745: 3342: 3279:
https://en.wikipedia.org/Wikipedia:Contents/History_and_events
3239: 3201: 2504: 1990: 1237:
from the article and its talk page, especially if potentially
958: 827: 824:
Extended-confirmed-protected edit request on 22 September 2021
722: 601: 205:. Please ensure the assessment is correct before removing the 38:
from the article and its talk page, especially if potentially
5043:
https://en.wikipedia.org/Category:Intelligent_design_movement
4967: 4962: 4848:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
4503:
https://www.mutualart.com/Artist/Rad-Hourani/A67086A7CF8276C1
4430: 4420:
2019 “Noguchi: Body-Space Devices”, Noguchi Museum, New York
3799: 3749:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
3288:
https://en.wikipedia.org/Category:Intelligent_design_movement
3212: 3207: 3093:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
2748:
https://www.mutualart.com/Artist/Rad-Hourani/A67086A7CF8276C1
2675: 2665:
2019 “Noguchi: Body-Space Devices”, Noguchi Museum, New York
2044: 1994:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
1538:"Fashion designer Rad Hourani's style on display in Montreal" 369:
indefinite, but was applied for just long enough to give the
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https://rain-mag.com/an-interview-with-designer-rad-hourani/
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2019 “Inaction”, Ezra and Cecile Zilkha Gallery, Middletown
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https://www.imdb.com/title/tt10152780/?ref_=nm_flmg_eps_tt_1
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http://youstrikemyfancy.com/rad-hourani-unisex-couture-show/
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2019 “Inaction”, Ezra and Cecile Zilkha Gallery, Middletown
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to support an embodiment of liberation through the wearer.
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to support an embodiment of liberation through the wearer.
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https://collections.mfa.org/search/objects/*/rad%20hourani
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2010 "Rad Hourani : UC#5”, Yvon Lambert Gallery, New York
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2010 "Rad Hourani : UC#5”, Yvon Lambert Gallery, New York
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1998: 1524:"Rad Hourani presents the first unisex couture collection" 5048: 5006: 4742: 4641: 4621: 4584: 4363:
2016 “Beauty”, The Cooper Hewitt Design Museum, New York
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https://lefifa.com/en/catalog/carte-blanche-a-rad-hourani
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https://twitter.com/RADHOURANI/status/1114241035251658753
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2016 “Beauty”, The Cooper Hewitt Design Museum, New York
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In January 2013, Hourani became an invited member of the
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2012 “Process of film” Lecture, Centre Pompidou, Paris
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2019 “Na Na Land: It’s My World”, Savina Museum, Seoul
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2015 “Resistance”, Museum of Contemporary Art, Herning
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2011 “Rad Hourani : Unframed”, Arnhem Biennale, Arnhem
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https://lactualite.com/culture/la-lecon-de-rad-hourani/
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2012 “Process of film” Lecture, Centre Pompidou, Paris
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2019 “Na Na Land: It’s My World”, Savina Museum, Seoul
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2015 “Resistance”, Museum of Contemporary Art, Herning
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2011 “Rad Hourani : Unframed”, Arnhem Biennale, Arnhem
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A major contributor to this article appears to have a
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called a Fashion designer. PLease correct, thank you.
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https://www.vogue.it/talents/news/2011/06/rad-hourani
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2014 “Genderblender”, MU Hybrid Art House, Eindhoven
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https://www.vogue.it/talents/news/2012/06/rad-hourani
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2014 “Genderblender”, MU Hybrid Art House, Eindhoven
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in London, as well as different installations at the
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https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
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2013 “Rad Hourani : Seamless”, Centre Phi, Montréal
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2013 “Rad Hourani : Seamless”, Centre Phi, Montréal
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in New York, MU Art Center in the Netherlands, the
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There may be relevant discussion on the 4905: 4885:“To have a revolution, you need an evolution.” 4784: 4779:https://m.facebook.com/events/1428647087348323/ 4739: 4727: 4389:https://en.wikipedia.org/San_Jose_Museum_of_Art 4274: 4253: 4244: 4242:https://en.wikipedia.org/Galerie_Dominique_Fiat 3823: 3816:https://en.wikipedia.org/Vanity_Fair_(magazine) 3811:https://www.thecut.com/2010/02/rad_hourani.html 3150: 3130:“To have a revolution, you need an evolution.” 3029: 3024:https://m.facebook.com/events/1428647087348323/ 2984: 2972: 2634:https://en.wikipedia.org/San_Jose_Museum_of_Art 2519: 2498: 2489: 2487:https://en.wikipedia.org/Galerie_Dominique_Fiat 2068: 2061:https://en.wikipedia.org/Vanity_Fair_(magazine) 2056:https://www.thecut.com/2010/02/rad_hourani.html 5055:https://en.wikipedia.org/Category:LGBT_artists 4736: 4375:2016 “Rad Hourani : Eye”, L40 Gallery, Berlin 4317:https://www.mu.nl/nl/exhibitions/genderblender 3950:https://www.mu.nl/nl/exhibitions/genderblender 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3105:https://www.azquotes.com/quote/931340 3099:https://www.azquotes.com/quote/931338 2971:2011 “Unisex” Lecture, Public, Seoul 2966:https://e-artexte.ca/id/eprint/35184/ 2963:https://e-artexte.ca/id/eprint/35186/ 2775:https://e-artexte.ca/id/eprint/35210/ 2772:https://e-artexte.ca/id/eprint/35182/ 2769:https://e-artexte.ca/id/eprint/35184/ 2766:https://e-artexte.ca/id/eprint/35186/ 2697:https://e-artexte.ca/id/eprint/35210/ 2598:https://e-artexte.ca/id/eprint/35184/ 2496:https://en.wikipedia.org/Palais-Royal 2481:https://e-artexte.ca/id/eprint/35184/ 2478:https://e-artexte.ca/id/eprint/35186/ 2475:https://e-artexte.ca/id/eprint/35210/ 2334:https://e-artexte.ca/id/eprint/35184/ 2331:https://e-artexte.ca/id/eprint/35186/ 2240:https://e-artexte.ca/id/eprint/35186/ 2151:https://e-artexte.ca/id/eprint/35184/ 2148:https://e-artexte.ca/id/eprint/35186/ 2117:https://en.wikipedia.org/The_Guardian 1768:https://e-artexte.ca/id/eprint/35186/ 1742:https://e-artexte.ca/id/eprint/35210/ 1712:https://e-artexte.ca/id/eprint/35210/ 1709:https://e-artexte.ca/id/eprint/35184/ 1706:https://e-artexte.ca/id/eprint/35186/ 1677:https://e-artexte.ca/id/eprint/35184/ 1674:https://e-artexte.ca/id/eprint/35186/ 1671:https://e-artexte.ca/id/eprint/35210/ 1452:Chambre Syndicale de la Haute Couture 4648:https://www.imdb.com/name/nm6108509/ 4645:https://en.wikipedia.org/Larry_Clark 4625:https://www.imdb.com/name/nm6108509/ 4619:https://en.wikipedia.org/Larry_Clark 4579:https://en.wikipedia.org/Irving_Penn 4293:https://en.wikipedia.org/Tate_Modern 3963:https://en.wikipedia.org/Tate_Modern 3650:https://en.wikipedia.org/Larry_Clark 2893:https://www.imdb.com/name/nm6108509/ 2890:https://en.wikipedia.org/Larry_Clark 2870:https://www.imdb.com/name/nm6108509/ 2864:https://en.wikipedia.org/Larry_Clark 2824:https://en.wikipedia.org/Irving_Penn 2538:https://en.wikipedia.org/Tate_Modern 2208:https://en.wikipedia.org/Tate_Modern 1895:https://en.wikipedia.org/Larry_Clark 1522:Cochrane, Lauren (30 January 2014). 1192: 1133: 1076: 1035: 863:Canadian fashion designer and artist 263:This article is within the scope of 141:This article is within the scope of 57: 15: 5239:Unknown-importance fashion articles 5214:Biography articles of living people 4803:https://en.wikipedia.org/Selfridges 4691:https://en.wikipedia.org/Jared_Leto 4596:https://en.wikipedia.org/Nico_Muhly 4573:https://en.wikipedia.org/Supermodel 4463:Fine Arts Museum of Boston, Boston 3770:https://en.wikipedia.org/Aesthetica 3685:https://en.wikipedia.org/Jared_Leto 3048:https://en.wikipedia.org/Selfridges 2936:https://en.wikipedia.org/Jared_Leto 2841:https://en.wikipedia.org/Nico_Muhly 2818:https://en.wikipedia.org/Supermodel 2708:Fine Arts Museum of Boston, Boston 2015:https://en.wikipedia.org/Aesthetica 1930:https://en.wikipedia.org/Jared_Leto 484:By the way, you can like to images 396:matter of discretion where to post. 80:It is of interest to the following 13: 4788:https://en.wikipedia.org/Art_Dubai 4667:https://en.wikipedia.org/Lady_Gaga 4440:https://en.wikipedia.org/Pforzheim 4281:https://en.wikipedia.org/Hong_Kong 3633:https://en.wikipedia.org/Lady_Gaga 3033:https://en.wikipedia.org/Art_Dubai 2912:https://en.wikipedia.org/Lady_Gaga 2685:https://en.wikipedia.org/Pforzheim 2526:https://en.wikipedia.org/Hong_Kong 1878:https://en.wikipedia.org/Lady_Gaga 1426:Herning Museum of Contemporary Art 180: 14: 5250: 4776:https://en.wikipedia.org/Montreal 3021:https://en.wikipedia.org/Montreal 1623: 1051:This article has multiple issues. 4937:21st-century Canadian inventors 4815:https://en.wikipedia.org/Tbilisi 4797:https://en.wikipedia.org/Beijing 4794:https://en.wikipedia.org/Anatomy 4679:https://en.wikipedia.org/Rihanna 4602:https://en.wikipedia.org/Nowness 3891:https://en.wikipedia.org/Nowness 3808:https://en.wikipedia.org/The_Cut 3661:https://en.wikipedia.org/Rihanna 3346: 3182:21st-century Canadian inventors 3060:https://en.wikipedia.org/Tbilisi 3042:https://en.wikipedia.org/Beijing 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Please discuss further on the 1081: 1040: 992: 962: 886: 831: 770: 726: 605: 371:conflict of interest noticeboard 250: 240: 222: 128: 118: 104: 93: 62: 21:This article must adhere to the 5165:without embellishing language. 4827:https://en.wikipedia.org/Boston 4806:https://en.wikipedia.org/London 4731:https://en.wikipedia.org/Unisex 4380:https://en.wikipedia.org/Berlin 3880:https://en.wikipedia.org/Forbes 3418:( add ) Website radhourani.com 3072:https://en.wikipedia.org/Boston 3051:https://en.wikipedia.org/London 2976:https://en.wikipedia.org/Unisex 2625:https://en.wikipedia.org/Berlin 2125:https://en.wikipedia.org/Forbes 1617: 1603: 1059:or discuss these issues on the 496: 489: 165:Knowledge:WikiProject Biography 5229:WikiProject Biography articles 4987:21st-century Canadian artists 4906:https://en.wikipedia.org/Quote 4785:https://en.wikipedia.org/Dubai 4740:https://en.wikipedia.org/Paris 4728:https://en.wikipedia.org/Seoul 4275:https://en.wikipedia.org/Paris 4254:https://en.wikipedia.org/Paris 4245:https://en.wikipedia.org/Paris 3824:https://en.wikipedia.org/Dazed 3232:21st-century Canadian artists 3151:https://en.wikipedia.org/Quote 3030:https://en.wikipedia.org/Dubai 2985:https://en.wikipedia.org/Paris 2973:https://en.wikipedia.org/Seoul 2520:https://en.wikipedia.org/Paris 2499:https://en.wikipedia.org/Paris 2490:https://en.wikipedia.org/Paris 2069:https://en.wikipedia.org/Dazed 1585: 1567: 1548: 1530: 1515: 1497: 1491:"Rad Hourani: Nightime Person" 1483: 1468: 928:https://twitter.com/radhourani 908:16:38, 22 September 2021 (UTC) 881:16:32, 22 September 2021 (UTC) 807: 571:https://twitter.com/radhourani 168:Template:WikiProject Biography 1: 5219:Stub-Class biography articles 4737:https://en.wikipedia.org/Film 2982:https://en.wikipedia.org/Film 1440:, a film installation at the 660:Rad Hourani became the first 283:Knowledge:WikiProject Fashion 277:and see a list of open tasks. 24:biographies of living persons 5193:16:29, 3 February 2024 (UTC) 5175:01:29, 3 February 2024 (UTC) 5156:01:20, 3 February 2024 (UTC) 5135:00:07, 2 February 2024 (UTC) 5114:23:09, 1 February 2024 (UTC) 5090:19:43, 1 February 2024 (UTC) 5041:Intelligent design movement 4864:"everything is an illusion" 3840:https://en.wikipedia.org/BBC 3384:19:19, 1 February 2024 (UTC) 3333:19:00, 1 February 2024 (UTC) 3286:Intelligent design movement 3109:"everything is an illusion" 2085:https://en.wikipedia.org/BBC 1479:– via www.thedailybeast.com. 1208:biography of a living person 796:15:41, 24 January 2021 (UTC) 765:22:42, 12 January 2021 (UTC) 286:Template:WikiProject Fashion 153:contribute to the discussion 7: 5234:Stub-Class fashion articles 5029:Timelines of world history 3848:https://en.wikipedia.org/GQ 3369:to reactivate your request. 3357:has been answered. 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Set the 592:15:13, 5 October 2021 (UTC) 402:Knowledge:Protection policy 36:must be removed immediately 10: 5255: 5023:Art collectors from Paris 4893:“I am allergic to trends” 4472:Bata Shoe Museum, Toronto 3553:conditioning of the self. 3268:Art collectors from Paris 3138:“I am allergic to trends” 2717:Bata Shoe Museum, Toronto 1798:conditioning of the self. 1526:– via www.theguardian.com. 486:instead of displaying them 473:15:10, 28 April 2019 (UTC) 450:01:41, 28 April 2019 (UTC) 384:23:13, 27 April 2019 (UTC) 363:23:08, 27 April 2019 (UTC) 305:project's importance scale 1375: 1367: 1359: 1351: 1343: 1335: 1328: 302: 235: 188: 113: 88: 4879:"Gender is irrelevant.” 3402:Please do not modify it. 3124:"Gender is irrelevant.” 1509:South China Morning Post 1363:interdisciplinary artist 1031:interdisciplinary artist 869:Interdisciplinary artist 713:17:22, 16 May 2019 (UTC) 695:16:27, 16 May 2019 (UTC) 645:15:32, 16 May 2019 (UTC) 4981:Portrait photographers 4943:Contemporary sculptors 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mine : 1613:. 16 January 2013. 778:This is a case of 201:because it uses a 186: 171:biography articles 76:content assessment 5073: 5072: 5017:Contemporary art 4114:extra sources : 3576:extra sources : 3449:extra sources : 3373: 3372: 3335: 3319:comment added by 3262:Contemporary art 2359:extra sources : 1821:extra sources : 1694:extra sources : 1643: 1642: 1442:Guggenheim Museum 1383: 1382: 1324: 1323: 1316: 1306: 1305: 1298: 1280: 1211:needs additional 1191: 1190: 1183: 1132: 1131: 1124: 1095:with its subject. 1074: 989: 988: 935:comment added by 858: 857: 753: 752: 632: 631: 578:comment added by 319: 318: 315: 314: 311: 310: 217: 216: 213: 212: 197:or other tool as 56: 55: 5246: 5120:reliable sources 5005:Modern painters 4949:Social sciences 4031:extra sources : 3404: 3391: 3390: 3364: 3360: 3350: 3349: 3343: 3314: 3250:Modern painters 3194:Social sciences 2276:extra sources : 1634: 1633: 1621: 1615: 1614: 1607: 1601: 1600: 1589: 1583: 1582: 1571: 1565: 1564: 1552: 1546: 1545: 1534: 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3434: 3433: 3430: 3427: 3422: 3419: 3416: 3412: 3408: 3407: 3403: 3398: 3397: 3393: 3392: 3389: 3385: 3381: 3377: 3368: 3365:parameter to 3356: 3352: 3345: 3344: 3336: 3334: 3330: 3326: 3322: 3318: 3313: 3308: 3307: 3302: 3301: 3298:LGBT artists 3296: 3295: 3290: 3289: 3284: 3283: 3280: 3277: 3272: 3271: 3266: 3265: 3260: 3259: 3254: 3253: 3248: 3247: 3242: 3241: 3236: 3235: 3230: 3229: 3224: 3223: 3218: 3217: 3214: 3210: 3209: 3204: 3203: 3198: 3197: 3192: 3191: 3186: 3185: 3180: 3179: 3174: 3170: 3167: 3163: 3159: 3156: 3153: 3152: 3148: 3145: 3144: 3141: 3135: 3131: 3128: 3127: 3122: 3121: 3118: 3113: 3112: 3107: 3106: 3101: 3100: 3095: 3094: 3089: 3088: 3083: 3080: 3077: 3076: 3073: 3070: 3065: 3064: 3061: 3056: 3055: 3052: 3049: 3044: 3043: 3040: 3035: 3034: 3031: 3026: 3025: 3022: 3019: 3016: 3013: 3008: 3007: 3004: 3001: 2998: 2993: 2992: 2989: 2986: 2983: 2978: 2977: 2974: 2968: 2967: 2964: 2959: 2956: 2955: 2952: 2949: 2946: 2943: 2940: 2937: 2934: 2931: 2928: 2925: 2922: 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2424: 2421: 2418: 2414: 2411: 2408: 2405: 2402: 2399: 2396: 2393: 2390: 2387: 2384: 2381: 2378: 2374: 2371: 2368: 2365: 2362: 2356: 2352: 2348: 2344: 2340: 2336: 2335: 2332: 2327: 2324: 2323: 2320: 2317: 2314: 2311: 2308: 2305: 2302: 2299: 2296: 2293: 2290: 2287: 2284: 2281: 2277: 2274: 2270: 2266: 2262: 2258: 2254: 2250: 2246: 2242: 2241: 2236: 2233: 2232: 2229: 2226: 2221: 2220: 2217: 2213: 2212: 2209: 2205: 2204: 2201: 2197: 2196: 2193: 2189: 2188: 2185: 2181: 2180: 2177: 2173: 2172: 2169: 2165: 2161: 2157: 2153: 2152: 2149: 2144: 2141: 2140: 2137: 2133: 2132: 2129: 2126: 2122: 2121: 2118: 2114: 2113: 2110: 2106: 2105: 2102: 2098: 2097: 2094: 2090: 2089: 2086: 2082: 2081: 2078: 2074: 2073: 2070: 2066: 2065: 2062: 2058: 2057: 2054: 2050: 2049: 2046: 2042: 2041: 2038: 2034: 2033: 2030: 2027: 2024: 2020: 2019: 2016: 2012: 2011: 2008: 2004: 2003: 2000: 1996: 1995: 1992: 1988: 1987: 1984: 1981: 1977: 1976: 1973: 1969: 1968: 1965: 1962: 1959: 1955: 1954: 1951: 1947: 1946: 1943: 1940: 1937: 1934: 1931: 1927: 1926: 1923: 1919: 1918: 1915: 1911: 1910: 1907: 1903: 1902: 1899: 1896: 1892: 1891: 1888: 1885: 1882: 1879: 1875: 1874: 1871: 1868: 1865: 1862: 1859: 1856: 1852: 1849: 1845: 1842: 1839: 1836: 1833: 1830: 1827: 1824: 1819: 1815: 1811: 1807: 1803: 1799: 1795: 1791: 1787: 1783: 1779: 1775: 1770: 1769: 1763: 1759: 1755: 1751: 1747: 1746: 1743: 1738: 1734: 1730: 1726: 1722: 1718: 1714: 1713: 1710: 1707: 1703: 1700: 1697: 1692: 1688: 1684: 1679: 1678: 1675: 1672: 1667: 1664: 1660: 1657: 1656: 1652: 1648: 1631: 1627: 1624:Mayer, Erin. 1620: 1612: 1606: 1598: 1594: 1588: 1580: 1576: 1570: 1562: 1558: 1551: 1543: 1539: 1533: 1525: 1518: 1510: 1506: 1500: 1492: 1486: 1478: 1471: 1467: 1464: 1455: 1453: 1448: 1445: 1443: 1439: 1435: 1431: 1430:Cooper Hewitt 1427: 1423: 1419: 1415: 1411: 1406: 1404: 1400: 1399:ready-to-wear 1389: 1387: 1378: 1374: 1370: 1366: 1362: 1358: 1354: 1350: 1346: 1342: 1338: 1334: 1327: 1318: 1315: 1300: 1297: 1289: 1278: 1275: 1272: 1269: 1266: 1263: 1260: 1257: 1254: 1250: 1249:"Rad Hourani" 1247: 1246:Find sources: 1240: 1236: 1233: 1229: 1225: 1219: 1218: 1214: 1209: 1204: 1195: 1194: 1185: 1182: 1174: 1164: 1160: 1154: 1152: 1151:autobiography 1147:This article 1145: 1136: 1135: 1126: 1123: 1115: 1105: 1101: 1096: 1094: 1088: 1079: 1078: 1073: 1071: 1064: 1063: 1058: 1057: 1052: 1047: 1038: 1037: 1034: 1029: 1028: 1022: 1021: 1015: 1011: 1007: 1003: 999: 991: 990: 984: 981:parameter to 972: 968: 961: 960: 952: 950: 946: 942: 938: 934: 929: 925: 924: 920: 919: 915: 909: 905: 901: 897: 893: 885: 884: 883: 882: 878: 874: 867: 861: 853: 850:parameter to 841: 837: 830: 829: 815: 810: 806: 803: 797: 793: 789: 785: 781: 777: 769: 768: 767: 766: 762: 758: 748: 745:parameter to 736: 732: 725: 724: 714: 710: 706: 702: 701: 696: 692: 688: 684: 683: 679: 675: 672: 668: 665: 663: 657: 656: 651: 650: 649: 648: 647: 646: 642: 638: 627: 624:parameter to 615: 611: 604: 603: 595: 593: 589: 585: 581: 577: 572: 568: 567: 563: 562: 557: 546: 542: 538: 534: 533: 532: 531: 530: 529: 524: 520: 514: 508: 502: 495:For example, 494: 487: 481: 476: 475: 474: 470: 466: 462: 457: 456: 451: 447: 441: 435: 428: 424: 419: 417: 413: 409: 403: 398: 392: 387: 386: 385: 381: 377: 372: 367: 366: 365: 364: 360: 354: 348: 342: 336: 333: 329: 306: 300: 297: 296: 293: 276: 272: 268: 267: 259: 248: 246: 243: 239: 238: 234: 231: 228: 225: 221: 220: 204: 203:stub template 200: 196: 192: 183: 179: 178: 175: 158: 157:documentation 154: 150: 146: 145: 137: 126: 124: 121: 117: 116: 112: 102: 99: 96: 92: 91: 87: 83: 77: 69: 65: 60: 59: 51: 50: 45: 41: 37: 34: 30: 26: 25: 20: 18: 17: 5064: 5058: 5052: 5046: 5040: 5028: 5022: 5016: 5010: 5004: 4998: 4993:1982 births 4992: 4986: 4980: 4974: 4966: 4960: 4955:Art history 4954: 4948: 4942: 4936: 4930: 4926: 4923: 4919: 4915: 4912: 4909: 4904: 4901: 4892: 4884: 4878: 4869: 4863: 4857: 4851: 4845: 4839: 4836: 4833: 4821: 4812: 4800: 4791: 4782: 4764: 4749: 4734: 4724: 4715: 4712: 4665: 4662: 4654: 4651: 4637: 4634: 4631: 4617: 4614: 4594: 4591: 4568: 4563: 4559: 4556: 4533: 4519: 4515: 4512: 4509: 4506: 4501: 4489: 4480: 4471: 4462: 4459: 4455: 4446: 4437: 4428: 4419: 4410: 4401: 4392: 4383: 4374: 4362: 4347: 4338: 4329: 4320: 4311: 4299: 4290: 4284: 4278: 4272: 4266: 4257: 4248: 4239: 4227: 4224: 4112: 4108: 4104: 4100: 4096: 4092: 4083: 4080: 4033: 4030: 4026: 4022: 4018: 4014: 4010: 4006: 4002: 3998: 3992: 3989: 3977: 3969: 3961: 3953: 3945: 3937: 3929: 3921: 3917: 3913: 3909: 3900: 3897: 3889: 3878: 3870: 3862: 3854: 3846: 3838: 3830: 3822: 3814: 3806: 3798: 3790: 3776: 3768: 3760: 3752: 3744: 3733: 3725: 3711: 3703: 3683: 3675: 3667: 3659: 3648: 3631: 3575: 3571: 3567: 3563: 3559: 3555: 3551: 3547: 3543: 3539: 3535: 3531: 3526: 3519: 3515: 3511: 3507: 3503: 3494: 3490: 3486: 3482: 3478: 3474: 3470: 3448: 3444: 3440: 3435: 3423: 3420: 3417: 3413: 3409: 3401: 3387: 3366: 3355:edit request 3315:— Preceding 3309: 3303: 3297: 3291: 3285: 3273: 3267: 3261: 3255: 3249: 3243: 3238:1982 births 3237: 3231: 3225: 3219: 3211: 3205: 3200:Art history 3199: 3193: 3187: 3181: 3175: 3171: 3168: 3164: 3160: 3157: 3154: 3149: 3146: 3137: 3129: 3123: 3114: 3108: 3102: 3096: 3090: 3084: 3081: 3078: 3066: 3057: 3045: 3036: 3027: 3009: 2994: 2979: 2969: 2960: 2957: 2910: 2907: 2899: 2896: 2882: 2879: 2876: 2862: 2859: 2839: 2836: 2813: 2808: 2804: 2801: 2778: 2764: 2760: 2757: 2754: 2751: 2746: 2734: 2725: 2716: 2707: 2704: 2700: 2691: 2682: 2673: 2664: 2655: 2646: 2637: 2628: 2619: 2607: 2592: 2583: 2574: 2565: 2556: 2544: 2535: 2529: 2523: 2517: 2511: 2502: 2493: 2484: 2472: 2469: 2357: 2353: 2349: 2345: 2341: 2337: 2328: 2325: 2278: 2275: 2271: 2267: 2263: 2259: 2255: 2251: 2247: 2243: 2237: 2234: 2222: 2214: 2206: 2198: 2190: 2182: 2174: 2166: 2162: 2158: 2154: 2145: 2142: 2134: 2123: 2115: 2107: 2099: 2091: 2083: 2075: 2067: 2059: 2051: 2043: 2035: 2021: 2013: 2005: 1997: 1989: 1978: 1970: 1956: 1948: 1928: 1920: 1912: 1904: 1893: 1876: 1820: 1816: 1812: 1808: 1804: 1800: 1796: 1792: 1788: 1784: 1780: 1776: 1771: 1764: 1760: 1756: 1752: 1748: 1739: 1735: 1731: 1727: 1723: 1719: 1715: 1693: 1689: 1685: 1680: 1668: 1665: 1661: 1658: 1645: 1629: 1619: 1605: 1596: 1587: 1578: 1569: 1560: 1550: 1542:The National 1541: 1532: 1517: 1508: 1499: 1485: 1470: 1462: 1449: 1446: 1410:Palais-Royal 1407: 1402: 1395: 1385: 1384: 1371:2002–present 1368:Years active 1310: 1292: 1283: 1273: 1267: 1261: 1255: 1245: 1234: 1217:verification 1210: 1177: 1168: 1148: 1118: 1109: 1103: 1090: 1067: 1061: 1060: 1054: 1053:Please help 1050: 1033: 997: 982: 971:edit request 931:— Preceding 926: 921: 916: 912: 891: 871: 865: 859: 851: 840:edit request 809: 801: 775: 754: 746: 735:edit request 661: 633: 625: 614:edit request 574:— Preceding 569: 564: 558: 553: 412:sockpuppetry 405: 337: 325: 264: 198: 142: 82:WikiProjects 47: 35: 28: 22: 5078:WP:CIRCULAR 4961:Revolution 4913:References 3206:Revolution 3158:References 1597:thestar.com 1561:Fashionista 1444:in Bilbao. 1418:Tate Modern 1403:Rad Hourani 1401:collection 1386:Rad Hourani 1355:High school 1344:Nationality 1330:Rad Hourani 423:the EP logs 5208:Categories 5140:confusion. 5059:Celebrity 4975:Activists 3359:|answered= 3304:Celebrity 3220:Activists 1463:References 1458:References 1422:FIT Museum 1405:in 2007. 1360:Occupation 1286:April 2019 1259:newspapers 1171:April 2019 1112:April 2019 1056:improve it 975:|answered= 844:|answered= 802:References 780:WP:NOTNEWS 739:|answered= 618:|answered= 420:Reviewing 410:, abusive 332:Floquirion 209:parameter. 199:Stub-class 72:Stub-class 1436:, at the 1376:Known for 1352:Education 1213:citations 1163:talk page 1104:talk page 1062:talk page 998:Not done: 892:Not done: 776:Not done: 499:produces 416:edit wars 408:vandalism 162:Biography 101:Biography 40:libellous 5097:century. 5065:History 3329:contribs 3317:unsigned 3310:History 1434:Montreal 1347:Canadian 1239:libelous 945:contribs 933:unsigned 792:contribs 757:Semyorka 653:content: 588:contribs 576:unsigned 518:contribs 445:contribs 358:contribs 5181:WP:TLDR 5047:Levant 4566:Paris. 3292:Levant 2811:Paris. 1271:scholar 860:change 391:Bearcat 376:Bearcat 328:Bearcat 280:Fashion 271:Fashion 230:Fashion 5185:331dot 5167:331dot 5127:331dot 5082:331dot 1630:Bustle 1392:Career 1149:is an 705:331dot 207:|auto= 78:scale. 3363:|ans= 3353:This 1277:JSTOR 1265:books 1206:This 979:|ans= 969:This 848:|ans= 838:This 743:|ans= 733:This 622:|ans= 612:This 193:by a 5189:talk 5171:talk 5152:talk 5131:talk 5110:talk 5086:talk 3380:talk 3325:talk 1651:talk 1339:1982 1336:Born 1253:news 1215:for 1010:talk 941:talk 904:talk 877:talk 788:talk 761:talk 709:talk 691:talk 641:talk 584:talk 541:talk 512:talk 469:talk 439:talk 380:talk 352:talk 151:and 3361:or 977:or 866:to 846:or 794:) 741:or 620:or 463:) . 326:Hi 299:??? 195:bot 29:BLP 5210:: 5191:) 5173:) 5154:) 5133:) 5112:) 5088:) 4207:? 4170:. 4130:? 3382:) 3367:no 3331:) 3327:• 2452:? 2415:. 2375:? 1653:) 1628:. 1595:. 1577:. 1559:. 1540:. 1507:. 1251:– 1226:. 1065:. 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Index

biographies of living persons
poorly sourced
libellous
this noticeboard
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content assessment
WikiProjects
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Biography
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Biography portal
WikiProject Biography
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Fashion
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