4513:• Rad Hourani Book. MYKRO, 2011. By Mykrobook. Limited edition of 500. ISBN : 978-0-9950453-8-5 • Rad Hourani 5 YEARS OF UNISEX. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 300. ISBN : 0-262-68106-4 • Rad Hourani QUOTES. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-5-4 • Rad Hourani ANATOMY. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-6-1 • Rad Hourani PORTRAITS. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-7-8 • VISONNARY WOMEN. Assouline, 2015. By Angella M Nazarian. ISBN-13: 9781614284550 • BEAUTY. Cooper Hewitt, Smithsonian Design Museum, 2015. By Andrea Lipps, Ellen Lupton. ISBN : 9781942303114 • Rad Hourani NEUTRALITY. Arsenal art contemporary, 2015. By Jean François Bélisle. ISBN : 9780995045323 • SELF-TITLING. Auto-publishing, 2019. By Rad Hourani. ISBN : 9780995045330 • Rad Hourani CLASSROOM OF LANGUAGE. Éditions Artexte, 2023. By Manon Tourigny, Mojeanne Behzadi. ISBN : 9782923045597
2758:• Rad Hourani Book. MYKRO, 2011. By Mykrobook. Limited edition of 500. ISBN : 978-0-9950453-8-5 • Rad Hourani 5 YEARS OF UNISEX. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 300. ISBN : 0-262-68106-4 • Rad Hourani QUOTES. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-5-4 • Rad Hourani ANATOMY. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-6-1 • Rad Hourani PORTRAITS. PHI Foundation for Contemporary Art, 2013. By Phoebe Greenberg. Limited edition of 100. ISBN : 978-0-9950453-7-8 • VISONNARY WOMEN. Assouline, 2015. By Angella M Nazarian. ISBN-13: 9781614284550 • BEAUTY. Cooper Hewitt, Smithsonian Design Museum, 2015. By Andrea Lipps, Ellen Lupton. ISBN : 9781942303114 • Rad Hourani NEUTRALITY. Arsenal art contemporary, 2015. By Jean François Bélisle. ISBN : 9780995045323 • SELF-TITLING. Auto-publishing, 2019. By Rad Hourani. ISBN : 9780995045330 • Rad Hourani CLASSROOM OF LANGUAGE. Éditions Artexte, 2023. By Manon Tourigny, Mojeanne Behzadi. ISBN : 9782923045597
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ensuring that marginalized communities are represented in his work through a unifying prism. His work has been presented in partnership with the Graham
Foundation, the Canadian Center for Architecture (CCA), the City of Chicago, the Department of Cultural Affairs (DCASE), the Joan W. and Irving B. Harris Theater, Université de Sherbrooke, Wesleyan University, and endorsed by Sidney Toledano of Christian Dior Couture, Franca Sozzani and Anna Wintour of Palazzo Morando di Milano, Phoebe Greenberg of Fondation Phi pour l'art contemporain, Pierre Bergé, and François-Henri Pinault, supported by the New York City Department of Cultural Affairs and the New York State Council on the Arts, Fonderie Darling, and Musée des Beaux Arts de Bordeaux. Rad was an artist-in-residence at Artexte and is a grant recipient of the Conseil des arts et des lettres du Québec and the Canada Council of the Arts. Through his diverse and innovative projects, he’s a cultural icon that contributes to Montréal, Québec and Canada's cultural and intellectual heritage.
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ensuring that marginalized communities are represented in his work through a unifying prism. His work has been presented in partnership with the Graham
Foundation, the Canadian Center for Architecture (CCA), the City of Chicago, the Department of Cultural Affairs (DCASE), the Joan W. and Irving B. Harris Theater, Université de Sherbrooke, Wesleyan University, and endorsed by Sidney Toledano of Christian Dior Couture, Franca Sozzani and Anna Wintour of Palazzo Morando di Milano, Phoebe Greenberg of Fondation Phi pour l'art contemporain, Pierre Bergé, and François-Henri Pinault, supported by the New York City Department of Cultural Affairs and the New York State Council on the Arts, Fonderie Darling, and Musée des Beaux Arts de Bordeaux. Rad was an artist-in-residence at Artexte and is a grant recipient of the Conseil des arts et des lettres du Québec and the Canada Council of the Arts. Through his diverse and innovative projects, he’s a cultural icon that contributes to Montréal, Québec and Canada's cultural and intellectual heritage.
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creations have been shown in hundreds of venues and presented at many events around the world, despite the economic crisis of 2008 and the absence of current social media. His work revolutionizes our reality and is often credited as a major influence and inspiration for artists, architects, musicians, and designers. His influence stretches to creatives in various mediums, including Nick Cave, Thundercat, Balenciaga, Gucci, Givenchy, Prada, Giorgio Armani, and Karl
Lagerfeld, who invited him personally to the Chanel shows in Paris and kept one of Rad’s books (published in 2011) on his desk for 7 years until his death in 2018. Rad Hourani's large knowledge and creative expertise have been implemented in private consulting, mentoring, and art direction for countless clients.
1814:
creations have been shown in hundreds of venues and presented at many events around the world, despite the economic crisis of 2008 and the absence of current social media. His work revolutionizes our reality and is often credited as a major influence and inspiration for artists, architects, musicians, and designers. His influence stretches to creatives in various mediums, including Nick Cave, Thundercat, Balenciaga, Gucci, Givenchy, Prada, Giorgio Armani, and Karl
Lagerfeld, who invited him personally to the Chanel shows in Paris and kept one of Rad’s books (published in 2011) on his desk for 7 years until his death in 2018. Rad Hourani's large knowledge and creative expertise have been implemented in private consulting, mentoring, and art direction for countless clients.
3442:
performance in
October 2007. At the age of 30, he was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member” with the endorsement of Sidney Toledano at “Christian Dior Couture” in 2012. At the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture” in January 2013. His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for future creations that challenge boundaries, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
1687:
performance in
October 2007. At the age of 30, he was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member” with the endorsement of Sidney Toledano at “Christian Dior Couture” in 2012. At the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture” in January 2013. His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for future creations that challenge boundaries, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
4098:
Museum of Fine Arts, UQÀM, and École du Louvre. He was a member of the jury of numerous art and film festivals and programmed a "carte blanche” at The
International Festival of Films on Art (Le FIFA). He has is a curator of solo and group exhibitions by many artists in public art establishments. Rad has made contributions through collaborations with the LGBTQIA2S+ community and events on feminism and diversity. Some of his books have been published by the Fondation Phi pour l'art contemporain by Phoebe Greenberg. He is of the “personnalité de la semaine” of La Presse, a guest on Radio-Canada's "Tout le monde en parle", and one of the Montreal visionaries of the McCord Stewart Museum exhibition.
2343:
Museum of Fine Arts, UQÀM, and École du Louvre. He was a member of the jury of numerous art and film festivals and programmed a "carte blanche” at The
International Festival of Films on Art (Le FIFA). He has is a curator of solo and group exhibitions by many artists in public art establishments. Rad has made contributions through collaborations with the LGBTQIA2S+ community and events on feminism and diversity. Some of his books have been published by the Fondation Phi pour l'art contemporain by Phoebe Greenberg. He is of the “personnalité de la semaine” of La Presse, a guest on Radio-Canada's "Tout le monde en parle", and one of the Montreal visionaries of the McCord Stewart Museum exhibition.
4094:
runway performance. In 2012, he was approached by the "Chambre
Syndicale de la Haute Couture" in Paris to become an "invited member” as the first Canadian. In January 2013, at the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture". His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for boundary-pushing creations of the future, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
2339:
runway performance. In 2012, he was approached by the "Chambre
Syndicale de la Haute Couture" in Paris to become an "invited member” as the first Canadian. In January 2013, at the age of 30, Rad Hourani became the first to both create and present a unisex couture collection in the history of "Haute Couture". His revolutionary concept of gender-neutral collections aims to initiate a dialogue on non-binarity through the medium of costume. Defending a baseline of equality, Rad Hourani's work has paved the way for boundary-pushing creations of the future, using non-binary terms such as genderless, agender, genderfluid, non-gendered, all-gender, human, and others.
772:
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4902:"I STARTED CREATING WITH A SENSE OF CURIOSITY AND INNOCENCE DRIVEN BY MY 'NO-BACKGROUND' BACKGROUND. NO SCHOOL. NO TELLY. NO BOUNDARIES. NO FORMATTING. I LIKE THE IDEA OF A WORLD THAT WE COULD LIVE AND SHAPE BY OURSELVES, ONLY BY OBSERVING. EACH OUR OWN. MY AESTHETICS HAVE ERUPTED FROM THIS WORLD OF MINE. THEY ARE GENDERLESS, AGELESS, AND LIMITLESS. THEY COME FROM NO NATION, NO RACE, NO RELIGION, YET THEY COULD BE HOME ANYWHERE, ANYTIME. THEY EXUDE THE ESSENCE OF TIMELESSNESS FOR ANTI-CONFORMIST INDIVIDUALS." Rad Hourani This statement sourced since 2007: www.radhourani.com
3147:"I STARTED CREATING WITH A SENSE OF CURIOSITY AND INNOCENCE DRIVEN BY MY 'NO-BACKGROUND' BACKGROUND. NO SCHOOL. NO TELLY. NO BOUNDARIES. NO FORMATTING. I LIKE THE IDEA OF A WORLD THAT WE COULD LIVE AND SHAPE BY OURSELVES, ONLY BY OBSERVING. EACH OUR OWN. MY AESTHETICS HAVE ERUPTED FROM THIS WORLD OF MINE. THEY ARE GENDERLESS, AGELESS, AND LIMITLESS. THEY COME FROM NO NATION, NO RACE, NO RELIGION, YET THEY COULD BE HOME ANYWHERE, ANYTIME. THEY EXUDE THE ESSENCE OF TIMELESSNESS FOR ANTI-CONFORMIST INDIVIDUALS." Rad Hourani This statement sourced since 2007: www.radhourani.com
3549:
architecture and geometry as a tool to construct alternative garments. The collections, conceived as transformable silhouettes, articulate flexibility in the expression of one's identity, which allows the wearer to express their own multiplicities. His innovative concept challenges the strict duality of gendered patterns that are the basis of clothing construction, from the manufacturing industries to formulaic design schools. Rad Hourani has no formal degree or training in fashion or design; this allowed him to avoid any influences from academic structures.
1794:
architecture and geometry as a tool to construct alternative garments. The collections, conceived as transformable silhouettes, articulate flexibility in the expression of one's identity, which allows the wearer to express their own multiplicities. His innovative concept challenges the strict duality of gendered patterns that are the basis of clothing construction, from the manufacturing industries to formulaic design schools. Rad Hourani has no formal degree or training in fashion or design; this allowed him to avoid any influences from academic structures.
4110:
his artistic creations in Canada, which have been exported from Montreal to over 30 countries. He is a key player in Canada's cultural and intellectual heritage and ecosystem. Rad Hourani attracts a global audience with his divisive events, bringing about evolving dialogues and public change. He has been welcomed internationally by cities, politicians, and institutions, including the Centre Culturel Canadien in Paris, and by Canadian ambassadors in Paris, who have opened their homes to him to present and honor his work.
2355:
his artistic creations in Canada, which have been exported from Montreal to over 30 countries. He is a key player in Canada's cultural and intellectual heritage and ecosystem. Rad Hourani attracts a global audience with his divisive events, bringing about evolving dialogues and public change. He has been welcomed internationally by cities, politicians, and institutions, including the Centre Culturel Canadien in Paris, and by Canadian ambassadors in Paris, who have opened their homes to him to present and honor his work.
4115:
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3438:
curation, text, sound, and video to highlight the labels that are used to code and categorize human beings. His hybrid artistic approach revolves around the foundations and contexts of geopolitical, religious, sexual, and economic social systems. Questioning established boundaries and hierarchies by assuming a decompartmentalization between disciplines, Rad practice in the visual arts seeks to revolutionize these structures into evolving manifestations of activism.
1683:
curation, text, sound, and video to highlight the labels that are used to code and categorize human beings. His hybrid artistic approach revolves around the foundations and contexts of geopolitical, religious, sexual, and economic social systems. Questioning established boundaries and hierarchies by assuming a decompartmentalization between disciplines, Rad practice in the visual arts seeks to revolutionize these structures into evolving manifestations of activism.
4028:
societal conformity. The transformative nature of his geometrically neutral proportions demonstrates an unlimited language of silhouettes, rejecting the binaries of costume. The work is groundbreaking in the context of historical trends, like the garconne look of the 1920s and the peacock revolution of the 1960s. The depiction, which appears on the runway, proposes non-gendered definitions of cuts and forms and causes deliberation to empower new narratives.
2273:
societal conformity. The transformative nature of his geometrically neutral proportions demonstrates an unlimited language of silhouettes, rejecting the binaries of costume. The work is groundbreaking in the context of historical trends, like the garconne look of the 1920s and the peacock revolution of the 1960s. The depiction, which appears on the runway, proposes non-gendered definitions of cuts and forms and causes deliberation to empower new narratives.
242:
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4116:
https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://aestheticamagazine.com/448411-2/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
2361:
https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://aestheticamagazine.com/448411-2/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
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York (2014), the Centre Cuturel Canadien in Paris (2015), the Herning Museum of Contemporary Art in Herning (2015), Arsenal Contemporary Art in Montréal (2015), the Cooper Hewitt Museum in New York (2016), the Guggenheim Museum Bilbao (2017), the Museum of Fine Arts in Boston (2019), the Ezra and Cecile Zilkha Gallery in Middletown (2019), the Noguchi Museum in New York (2019), the A.K.T; in Pforzheim (2021), and Artexte in Montréal (2023).
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York (2014), the Centre Cuturel Canadien in Paris (2015), the Herning Museum of Contemporary Art in Herning (2015), Arsenal Contemporary Art in Montréal (2015), the Cooper Hewitt Museum in New York (2016), the Guggenheim Museum Bilbao (2017), the Museum of Fine Arts in Boston (2019), the Ezra and Cecile Zilkha Gallery in Middletown (2019), the Noguchi Museum in New York (2019), the A.K.T; in Pforzheim (2021), and Artexte in Montréal (2023).
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gestures to conjure symbolic meaning. The articulation of the body contextually projects confidence and self-celebration as an aesthetic disruption of social barriers. Persisting in challenging stereotypical narratives of labels, he questions the strict separations of men's and women's wear collections that are the basis of the fashion industry.
2245:
gestures to conjure symbolic meaning. The articulation of the body contextually projects confidence and self-celebration as an aesthetic disruption of social barriers. Persisting in challenging stereotypical narratives of labels, he questions the strict separations of men's and women's wear collections that are the basis of the fashion industry.
4209:
https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
4065:
https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
2454:
https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
2310:
https://sg.news.yahoo.com/paris-haute-couture-highlights-rad-hourani-164238893.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAIwT4Sxc-LUJJmV1aLcEa9zeg84AZ8fnOQpLQNrIzV2PZKoqLLhtysgAPxolretchQ05VkUyQTtPfYkMR3XbVb6v77hiq2ZS2q6d2ix2U8Kt6P2OhufEBaBr5EYwqMijsJ5JNyx-sb_IiqPdZbJsVJvl6xnXH26ULsCb281ivdES
3541:
body without the interference of gender association. Initially, clothing served the practical function of protecting the body from natural elements. In time, attachments to wealth, nobility, patriotism, and religious identity were asserted, and conceptions of gendered codes of dressing were adopted, remaining to this day.
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body without the interference of gender association. Initially, clothing served the practical function of protecting the body from natural elements. In time, attachments to wealth, nobility, patriotism, and religious identity were asserted, and conceptions of gendered codes of dressing were adopted, remaining to this day.
3545:
methodology differentiates from the role and functions of uniforms or androgyny, as these terms still cater to classified concepts. Before this time, although "one size fits all" or unisex pieces like t-shirts and hats had existed, there was never entirely a ready-to-wear collection with a sizing system specific to all.
1790:
methodology differentiates from the role and functions of uniforms or androgyny, as these terms still cater to classified concepts. Before this time, although "one size fits all" or unisex pieces like t-shirts and hats had existed, there was never entirely a ready-to-wear collection with a sizing system specific to all.
4102:
role in the fight against inequality. It explores how language can be constantly reinvented to include people with neurodiversity as well as the deaf. The shapes and textures of his works enable blind and partially-sighted people to access them through touch. Such an approach can help advance social movements.
2347:
role in the fight against inequality. It explores how language can be constantly reinvented to include people with neurodiversity as well as the deaf. The shapes and textures of his works enable blind and partially-sighted people to access them through touch. Such an approach can help advance social movements.
4004:
geared towards producing timeless pieces that are simultaneously available online to order as they are being shown. Repeatedly, he states "genderless, raceless, ageless, nationless, limitless" for changing the systematic conventions of the catwalk when interviewed by the media about the theme of each season.
2249:
geared towards producing timeless pieces that are simultaneously available online to order as they are being shown. Repeatedly, he states "genderless, raceless, ageless, nationless, limitless" for changing the systematic conventions of the catwalk when interviewed by the media about the theme of each season.
4101:
In October 2023, Rad Hourani's exhibition at Artexte in Montréal questions the education system and highlights issues of exclusion in language policies. His sculptural installation aims to open a dialogue on invisible handicaps and issues related to written language. His body of work plays a critical
3560:
The creations were later exhibited through the discipline of runway performances in New York from 2008 to 2012 at the “Yvon Lambert Gallery” and others. His dedication to worldwide communications, with an ongoing presence in media and press interviews, acts as a form of activism. The critique via his
3552:
INVENTION OF NON-GENDERED COLLECTION In 2007, Rad Hourani created the first entirely gender-neutral ready-to-wear collection in the history of fashion by inventing patterns with a specific non-gendered sizing system. In this way, the agency of costume envisions an existence free from limitations and
3540:
RESEARCH In pioneering a non-binary dressing narrative within consumer industries and artistic platforms, Rad Hourani's process involves challenging the validity of conditioned standards for male and female clothing. He reflects on the first garments, originating with the sole purpose of clothing the
3536:
By using the medium of costume to comment on this bone of contention, Rad Hourani explores ways of breaking down conceptual divisions. Through his art practice, he challenges the media and mass society, which uphold limitations through aesthetic conformity. His perspective aims to use this discipline
3471:
Rad Hourani, born in 1982 in Jordan, navigated a diverse heritage from a Jordanian-Canadian Catholic father, who pursued Agricultural and Environmental Sciences at McGill University in Montréal (Canada, 1970), and a Syrian Orthodox Christian mother, whose father served as a priest in Syria. Rad faced
2346:
In October 2023, Rad Hourani's exhibition at Artexte in Montréal questions the education system and highlights issues of exclusion in language policies. His sculptural installation aims to open a dialogue on invisible handicaps and issues related to written language. His body of work plays a critical
1805:
The creations were later exhibited through the discipline of runway performances in New York from 2008 to 2012 at the “Yvon Lambert Gallery” and others. His dedication to worldwide communications, with an ongoing presence in media and press interviews, acts as a form of activism. The critique via his
1797:
INVENTION OF NON-GENDERED COLLECTION In 2007, Rad Hourani created the first entirely gender-neutral ready-to-wear collection in the history of fashion by inventing patterns with a specific non-gendered sizing system. In this way, the agency of costume envisions an existence free from limitations and
1785:
RESEARCH In pioneering a non-binary dressing narrative within consumer industries and artistic platforms, Rad Hourani's process involves challenging the validity of conditioned standards for male and female clothing. He reflects on the first garments, originating with the sole purpose of clothing the
1781:
By using the medium of costume to comment on this bone of contention, Rad Hourani explores ways of breaking down conceptual divisions. Through his art practice, he challenges the media and mass society, which uphold limitations through aesthetic conformity. His perspective aims to use this discipline
1716:
Rad Hourani, born in 1982 in Jordan, navigated a diverse heritage from a Jordanian-Canadian Catholic father, who pursued Agricultural and Environmental Sciences at McGill University in Montréal (Canada, 1970), and a Syrian Orthodox Christian mother, whose father served as a priest in Syria. Rad faced
4007:
His walking art shows are presented at ground level, unlike the typical raised runways at the time, and the format of his catwalk was situated between the rows of seatings with no separations between the guests and the models. To add to the sense of an equitable environment in his settings, he added
3999:
Rad Hourani applies principles of architecture to the visceral premise of how each garment will react with the movements of the human body. Therefore, the works were crafted with movement in mind and attended to these dynamics. His runway performances incorporated movement of the body, parading with
3556:
The result is groundbreaking in the context of counterculture or historical trends in costume. The creation was exhibited at the Dominique Fiat Gallery in Paris via an installation of a runway performance. The ensembles depict a composition of ageless forms with neutral lines, timeless textures, and
3504:
Rad Hourani perceives humanity as an interconnected ecosystem of diverse cultures and emphasizes nonconformity as integral to individuality. His critique encompasses the discriminatory foundations of nationalism, racism, sexism, ageism, ableism, and authoritarianism, offering a pluralist perspective
2252:
His walking art shows are presented at ground level, unlike the typical raised runways at the time, and the format of his catwalk was situated between the rows of seatings with no separations between the guests and the models. To add to the sense of an equitable environment in his settings, he added
2244:
Rad Hourani applies principles of architecture to the visceral premise of how each garment will react with the movements of the human body. Therefore, the works were crafted with movement in mind and attended to these dynamics. His runway performances incorporated movement of the body, parading with
1801:
The result is groundbreaking in the context of counterculture or historical trends in costume. The creation was exhibited at the Dominique Fiat Gallery in Paris via an installation of a runway performance. The ensembles depict a composition of ageless forms with neutral lines, timeless textures, and
1749:
Rad Hourani perceives humanity as an interconnected ecosystem of diverse cultures and emphasizes nonconformity as integral to individuality. His critique encompasses the discriminatory foundations of nationalism, racism, sexism, ageism, ableism, and authoritarianism, offering a pluralist perspective
4109:
This pioneer is the first Canadian to be awarded the great honor of becoming a haute couture "invited member" (the highest distinction in fine arts) of the Chambre Syndicale de la Haute Couture in Paris, among the world's leading designers. Rad Hourani is internationally recognized and has produced
4097:
Rad Hourani was invited to teach and lecture to spread his knowledge in artistic and academic communities in Seoul, Dubai, Beijing, Paris, Berlin, Tbilisi, New York, Amsterdam, Hong Kong, London, and other cities, as well as at various institutions, including the Centre Pompidou, FIT Museum, Boston
3441:
Rad Hourani is known for inventing the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe, between 2005 and 2007. At the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a runway
2354:
This pioneer is the first Canadian to be awarded the great honor of becoming a haute couture "invited member" (the highest distinction in fine arts) of the Chambre Syndicale de la Haute Couture in Paris, among the world's leading designers. Rad Hourani is internationally recognized and has produced
2342:
Rad Hourani was invited to teach and lecture to spread his knowledge in artistic and academic communities in Seoul, Dubai, Beijing, Paris, Berlin, Tbilisi, New York, Amsterdam, Hong Kong, London, and other cities, as well as at various institutions, including the Centre Pompidou, FIT Museum, Boston
1686:
Rad Hourani is known for inventing the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe, between 2005 and 2007. At the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a runway
5160:
All I'm suggesting to you is that to increase the chances a volunteer will want to invest the time needed to review.your requests, that you start much smaller and roll out one or two small changes at a time. As one edit request is accepted, you can then make another. Make sure your proposals use a
4023:
ACTIVISM Rad Hourani's years of diligence between world-wide institutions were dotted with frequent international press events, exhibitions, lectures, conferences, and livestreams. His creations were carried by 250 locations in 30 countries and presented at several events around the globe, despite
4015:
SOCIAL IMPACT Rad Hourani's attracted a global audience with the use of costume as a medium to introduce a new sizing system specific to entirely unisex wardrobes, generated from his invention of gender-neutral patterns. The unprecedented unisex concept of his ready-to-wear and couture collections
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metaphorical understanding of certain traits, like determination and perseverance. Further yet, they suggest a symbolism of pureness through their delivery as living sculptures. As the choreography progresses, we begin to notice the models coming all together at the end, a metaphor of human union.
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UNISEX COUTURE INVENTION In 2012, Rad Hourani was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member" as the first Canadian, with the endorsement of Sidney Toledano at "Christian Dior Couture.” Embodying an innovative spirit, Rad Hourani then became the
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INFLUENCE ON ARTISTS AND INDUSTRY This revelation eradicates binary conditions and objects to the coercion of dressing according to society's superimposed idiosyncrasy. Upholding a baseline of equality, the unisex work paved the way for boundary-pushing creations of the future, applying non-binary
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His global perspective, shaped by a diverse upbringing—born in the Levant region to a Syrian Melkite Greek Catholic mother and a Jordanian-Canadian Orthodox Christian father and growing up in Canada—instigated a continual exploration of identity connotations. The recurring question, "Where are you
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Rad Hourani's work has been exhibited at the Jardin du Palais-Royal in Paris (2009), the Yvon Lambert Gallery in New York (2010), the Centre Pompidou in Paris (2012), Tate Modern in London (2013), the Phi Centre in Montréal (2013), the MU Hybrid Art House in Eindhoven (2014), the FIT Museum in New
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ACTIVISM Rad Hourani's years of diligence between world-wide institutions were dotted with frequent international press events, exhibitions, lectures, conferences, and livestreams. His creations were carried by 250 locations in 30 countries and presented at several events around the globe, despite
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SOCIAL IMPACT Rad Hourani's attracted a global audience with the use of costume as a medium to introduce a new sizing system specific to entirely unisex wardrobes, generated from his invention of gender-neutral patterns. The unprecedented unisex concept of his ready-to-wear and couture collections
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metaphorical understanding of certain traits, like determination and perseverance. Further yet, they suggest a symbolism of pureness through their delivery as living sculptures. As the choreography progresses, we begin to notice the models coming all together at the end, a metaphor of human union.
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UNISEX COUTURE INVENTION In 2012, Rad Hourani was approached by the "Chambre Syndicale de la Haute Couture" in Paris to become an "invited member" as the first Canadian, with the endorsement of Sidney Toledano at "Christian Dior Couture.” Embodying an innovative spirit, Rad Hourani then became the
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INFLUENCE ON ARTISTS AND INDUSTRY This revelation eradicates binary conditions and objects to the coercion of dressing according to society's superimposed idiosyncrasy. Upholding a baseline of equality, the unisex work paved the way for boundary-pushing creations of the future, applying non-binary
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His global perspective, shaped by a diverse upbringing—born in the Levant region to a Syrian Melkite Greek Catholic mother and a Jordanian-Canadian Orthodox Christian father and growing up in Canada—instigated a continual exploration of identity connotations. The recurring question, "Where are you
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Rad Hourani's work has been exhibited at the Jardin du Palais-Royal in Paris (2009), the Yvon Lambert Gallery in New York (2010), the Centre Pompidou in Paris (2012), Tate Modern in London (2013), the Phi Centre in Montréal (2013), the MU Hybrid Art House in Eindhoven (2014), the FIT Museum in New
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I have done many research on Rad hourani, his title is "interdisciplinary artist", he refuse to be called "fashion designer", he mentioned it in many interviews, he also explain how he use the medium of costume/ clothing to express a point on gender for unisex collections. There's also no place on
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I have done many research on Rad hourani, his title is "interdisciplinary artist", he refuse to be called "fashion designer", he mentioned it in many interviews, he also explain how he use the medium of costume/ clothing to express a point on gender for unisex collections. There's also no place on
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The link to the COIN discussion clarifies some details. I think it might have been better if it was linked on this talk page to begin with, since it strongly pertains to this article's development. But it's understandable if this was missed, because it's not monumentally important, and it's also a
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The ensembles were revealed through choreographed performances, where the forms evolved in motion. This allows for expression to manifest in the performer with the given instructions: to walk slowly to the beat, sharply turn, march forward without stopping, and others. Their attitudes carry out a
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The work has been exhibited at various institutions, including the "Herning Museum of Contemporary Art," "Cooper Hewitt" museum, “Arsenal art contemporain," "MU Hybrid Art House," "FIT Museum," "Tate Modern," and others. His one-of-a-kind ensembles are preserved by private collectors and museums,
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Rad Hourani is a pioneer who invites the public to think outside the box and to change ways of doing and being through innovative artistic projects. His years of diligence between institutions worldwide have been punctuated by frequent international press events, exhibitions, and conferences. His
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The ensembles were revealed through choreographed performances, where the forms evolved in motion. This allows for expression to manifest in the performer with the given instructions: to walk slowly to the beat, sharply turn, march forward without stopping, and others. Their attitudes carry out a
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The work has been exhibited at various institutions, including the "Herning Museum of Contemporary Art," "Cooper Hewitt" museum, “Arsenal art contemporain," "MU Hybrid Art House," "FIT Museum," "Tate Modern," and others. His one-of-a-kind ensembles are preserved by private collectors and museums,
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Rad Hourani is a pioneer who invites the public to think outside the box and to change ways of doing and being through innovative artistic projects. His years of diligence between institutions worldwide have been punctuated by frequent international press events, exhibitions, and conferences. His
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VF (2012): Directed by Rad Hourani, VF features Viviane Fauny's narratives of working as a Supermodel in the 1970s with renowned photographers Richard Avedon, Irving Penn, and Helmut Newton. The film reflects the convictions of the Rad Hourani movement and was presented at the Centre Pompidou in
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Rad Hourani forges a space for niche discussion around societal and institutional biases by way of evolutionary activism concerning the impact of fundamental normative codes. Through his art practice, he demonstrated the impact of physical expression, from the runways to the streets, on upending
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VF (2012): Directed by Rad Hourani, VF features Viviane Fauny's narratives of working as a Supermodel in the 1970s with renowned photographers Richard Avedon, Irving Penn, and Helmut Newton. The film reflects the convictions of the Rad Hourani movement and was presented at the Centre Pompidou in
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Rad Hourani forges a space for niche discussion around societal and institutional biases by way of evolutionary activism concerning the impact of fundamental normative codes. Through his art practice, he demonstrated the impact of physical expression, from the runways to the streets, on upending
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But I can respect these differences; my earliest editing was 2015, and I definitely lack the experience to have complete confidence in my opinions regarding the handling of user behavior (though I feel POV editing requires additional careful article communication consideration in addition to the
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Between 2005 and 2007, Rad Hourani invented the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe. In October 2007, at the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a
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As the conventional catwalk is historically conceived to showcase the latest trends, it is designed to perpetuate a form of consumer anticipation through the release of seasonal collections, made available in stores six months later. Rad Hourani rethinks a sustainable anti-trend strategy and is
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Rad Hourani collaborates with contemporary artists such as Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Chinawoman, Jared Leto, Nick Cave, Shirine Neshat, and Édouard Lock. Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ,
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As an artist classified as BIPOC, queer, and neurodivergent, Rad Hourani's multidisciplinary art practice confronts societal preconceptions related to identity and established hierarchies. His exploration extends to the origins of categorization, engaging in anthropological studies that involve
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Between 2005 and 2007, Rad Hourani invented the first gender-neutral patterns, in addition to a non-gendered sizing system specific to a complete unisex wardrobe. In October 2007, at the age of 25, he introduced the first entirely gender-neutral ready-to-wear collection in fashion history via a
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As the conventional catwalk is historically conceived to showcase the latest trends, it is designed to perpetuate a form of consumer anticipation through the release of seasonal collections, made available in stores six months later. Rad Hourani rethinks a sustainable anti-trend strategy and is
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Rad Hourani collaborates with contemporary artists such as Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Chinawoman, Jared Leto, Nick Cave, Shirine Neshat, and Édouard Lock. Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ,
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As an artist classified as BIPOC, queer, and neurodivergent, Rad Hourani's multidisciplinary art practice confronts societal preconceptions related to identity and established hierarchies. His exploration extends to the origins of categorization, engaging in anthropological studies that involve
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Hello, this is a message from Rad Hourani studio, as he refuses to be called a fashion designer, and we kindly ask you to remove this title. Rad Hourani is an activist artist. He express Neutrality through different disciplines, including unisex clothes for gender equality. But he refuses to be
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The predetermined societal declaration of gender enacts expectations to dress according to certain gender-specific codes. Society often neglects the inequalities caused by the containment of human expression through the body. Rad Hourani asks the question of how consumerism and art must become
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The oeuvre crafted by Rad honors art's capacity to engage human senses, acting as a bridge between concepts. His work, a radical de-compartmentalization of narratives, invites contemplation on how societal functions can be questioned and envisions an existence free from imposed limitations and
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The predetermined societal declaration of gender enacts expectations to dress according to certain gender-specific codes. Society often neglects the inequalities caused by the containment of human expression through the body. Rad Hourani asks the question of how consumerism and art must become
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The oeuvre crafted by Rad honors art's capacity to engage human senses, acting as a bridge between concepts. His work, a radical de-compartmentalization of narratives, invites contemplation on how societal functions can be questioned and envisions an existence free from imposed limitations and
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Born 1982 Nationality Canadian Education High school Occupation(s) interdisciplinary artist, inventor, pioneer (remove : designer ) Years active 2002–present Known for Gender-Neutral / Unisex genderless artworks,
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This nonconformist artist (innovator, sculptor, researcher, architect, teacher, philosopher, activist, etc.) seeks to propose, transmit, collaborate, and nurture even further the idea we might have of the arts through his activism. The ideas he puts forward are universal and inclusive, always
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Rad Hourani's "Unisex Couture" live performances make use of the medium of performative installations at the "Centre Culturel Canadien" in Paris as continuous manifestations of his vision to break the stereotypical narrative found in the dressing codes of society. The reveal is beyond typical
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His vision of an entire gender-neutral wardrobe diverges from the typical association of cross-dressing, where flamboyant clothing and theatrical motifs still carry boundaries of gendered connotations. Specifically, with the application of a flared outline, tailored cuts, and accessories. His
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THE MEDIUM OF COSTUME Rad Hourani is perpetually aware of the power of aesthetics at large and how a person’s ensemble of outer garments has the capability of evoking nuanced characteristics. In using his own reflections, he examines the restrictive narrative around gender normative tropes of
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This nonconformist artist (innovator, sculptor, researcher, architect, teacher, philosopher, activist, etc.) seeks to propose, transmit, collaborate, and nurture even further the idea we might have of the arts through his activism. The ideas he puts forward are universal and inclusive, always
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Rad Hourani's "Unisex Couture" live performances make use of the medium of performative installations at the "Centre Culturel Canadien" in Paris as continuous manifestations of his vision to break the stereotypical narrative found in the dressing codes of society. The reveal is beyond typical
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His vision of an entire gender-neutral wardrobe diverges from the typical association of cross-dressing, where flamboyant clothing and theatrical motifs still carry boundaries of gendered connotations. Specifically, with the application of a flared outline, tailored cuts, and accessories. His
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THE MEDIUM OF COSTUME Rad Hourani is perpetually aware of the power of aesthetics at large and how a person’s ensemble of outer garments has the capability of evoking nuanced characteristics. In using his own reflections, he examines the restrictive narrative around gender normative tropes of
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At the core of the artist’s philosophy is the belief that all individuals are multi-faceted and unique. His ideas are presented as universal and inclusive, consistently ensuring that marginalized communities are represented in his work. Rad's transdisciplinary vision challenges institutional
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Moving to Montréal (Québec) at 16, Rad grappled with an educational system unsuitable for his ADD and dyslexia. High school became a platform for his early engagement with the visual arts, focusing on aesthetics. After graduation, he entered the professional realm as an art director. Despite
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Rad Hourani is recognized as a pioneer visionary in the cultural landscape with a career spanning nearly 20 years. Rad is an interdisciplinary artist who uses the mediums of sculpture, painting, architecture, photography, costume, instruction, performance, architecture, textile, printmaking,
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At the core of the artist’s philosophy is the belief that all individuals are multi-faceted and unique. His ideas are presented as universal and inclusive, consistently ensuring that marginalized communities are represented in his work. Rad's transdisciplinary vision challenges institutional
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Moving to Montréal (Québec) at 16, Rad grappled with an educational system unsuitable for his ADD and dyslexia. High school became a platform for his early engagement with the visual arts, focusing on aesthetics. After graduation, he entered the professional realm as an art director. Despite
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Rad Hourani is recognized as a pioneer visionary in the cultural landscape with a career spanning nearly 20 years. Rad is an interdisciplinary artist who uses the mediums of sculpture, painting, architecture, photography, costume, instruction, performance, architecture, textile, printmaking,
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From 2007 to 2014, Rad Hourani used the discipline of runway as a manifestation of breaking through the divisions that occur in mainstream consumerism. Using this art practice as a method of expression served as a zone of activism for emerging dialogues for public shifts. In this manner, he
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From 2007 to 2014, Rad Hourani used the discipline of runway as a manifestation of breaking through the divisions that occur in mainstream consumerism. Using this art practice as a method of expression served as a zone of activism for emerging dialogues for public shifts. In this manner, he
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Actually, extended confirmed isn't the immediate next step after autoconfirmed — it's a rarefied level of protection that can be used only if there's a long-term pattern of autoconfirmed failing to control editing problems, not a step that can be jumped to immediately. The protection wasn't
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CONCEPTION In order to create a complete genderless wardrobe with a chart of sizes generated from his iterations of non-gendered patterns, Rad Hourani studied the varying human anatomy for two years. He dissects the body with precision to understand human morphology and uses the medium of
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CONCEPTION In order to create a complete genderless wardrobe with a chart of sizes generated from his iterations of non-gendered patterns, Rad Hourani studied the varying human anatomy for two years. He dissects the body with precision to understand human morphology and uses the medium of
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I will note I arrived here randomly, and do not have any specific edits that I was currently planning to make (I've never heard of the subject of this article before reading this article). However, I think at the very least, it should be downgraded to extended confirmed protection, as per
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Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ, Aesthetica, Elle, Time, V, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, The Guardian, Forbes, and Nowness.
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This multifaceted journey laid the foundation for Rad Hourani's distinctive artistic voice, reflecting a convergence of diverse influences and a commitment to challenging various forms of oppression and societal norms through his work. ——————————————————————————————————————————————————
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Rad Hourani's work has been featured internationally in publications such as the New York Times, Interview, Vogue, WSJ, Aesthetica, Elle, Time, V, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, The Guardian, Forbes, and Nowness.
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This multifaceted journey laid the foundation for Rad Hourani's distinctive artistic voice, reflecting a convergence of diverse influences and a commitment to challenging various forms of oppression and societal norms through his work. ——————————————————————————————————————————————————
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His artistic inclinations emerged at the age of 12 in Jordan when he began using cameras to capture landscapes and friends, as well as during his mother's dressmaker fittings. Rad’s early exposure to aesthetics became a foundational aspect of his neurodivergent artistic expression.
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His artistic inclinations emerged at the age of 12 in Jordan when he began using cameras to capture landscapes and friends, as well as during his mother's dressmaker fittings. Rad’s early exposure to aesthetics became a foundational aspect of his neurodivergent artistic expression.
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normal behavioral considerations). Ultimately, the article is only protected for five days, the protection is completely allowed by policy, and I am not personally hindered by this protection. I do not regret expressing concerns, but I will wish you well on your Knowledge editing.
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At 23, Rad relocated to Paris, utilizing medium-format techniques to further his contemporary art practice. Describing his background as a "No-background background," Rad derived inspiration from personal experiences and observations, bypassing formal education.
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At 23, Rad relocated to Paris, utilizing medium-format techniques to further his contemporary art practice. Describing his background as a "No-background background," Rad derived inspiration from personal experiences and observations, bypassing formal education.
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His vision is centred on the theme of neutrality, exposing different perspectives using the mediums of paint, sculpture, photography, costume, curation, sound and video, his artworks propose neutrality to be universal. He created the first unisex gender neutral
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formalism and aesthetics by advocating for the dissolution of disciplinary boundaries and promoting a unified approach. Notably, his journey is marked by a lack of post-secondary academic background, with his learning inherently defying systematic constraints.
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formalism and aesthetics by advocating for the dissolution of disciplinary boundaries and promoting a unified approach. Notably, his journey is marked by a lack of post-secondary academic background, with his learning inherently defying systematic constraints.
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Why is no one taking the time to check the Rad Hourani page on Knowledge? He is a cultural icon and a very important figure who revolutionized our world with his work. It seems to me that the volunteers are not giving any time to BIPOC innovators of the 21st
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really from?" propelled Rad's examination of societal categorizations and generalizations, encompassing gender, age, race, and class. Even as a non-religious adult living in cities like Paris and New York, he continued to feel a sense of non-belonging.
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really from?" propelled Rad's examination of societal categorizations and generalizations, encompassing gender, age, race, and class. Even as a non-religious adult living in cities like Paris and New York, he continued to feel a sense of non-belonging.
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extensive research to stimulate debates on prejudices and open dialogues about inclusion and inequality. Through these explorations, Rad aims to reveal the structures shaped by the historical and evolutionary connotations associated with a subject.
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extensive research to stimulate debates on prejudices and open dialogues about inclusion and inequality. Through these explorations, Rad aims to reveal the structures shaped by the historical and evolutionary connotations associated with a subject.
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Rad Hourani is Canadian, he speaks english and french. The reliable sources I provided describes him as an "interdisciplinary artist" and not as a fashion designer. It is astonishing that the wikipedia impose a public identity on him that creates
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Hello! I left a note on your talk page about your username, which is not allowed. Regarding the request, if I look at these sources, he is very frequently called a fashion designer. Knowledge relies on independent reporting to determine article
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I agree admin only protection is not the way to go. However Bearcat reversed that and I have chopped the article down. The "newbie" user mentioned above is likely the article subject, based on image that was in the article (see
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a dichromatic color palette of black and white. The minimalist schemes establish the neutrality of the artworks and initiate a dialogue of new possibilities by using symbolic vocabulary and propagating the meaning of dressing.
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a dichromatic color palette of black and white. The minimalist schemes establish the neutrality of the artworks and initiate a dialogue of new possibilities by using symbolic vocabulary and propagating the meaning of dressing.
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Why do you categorize him as a "fashion designer" when Rad Hourani mentioned several times in interviews that he refuses to be categorized as a fashion or designer? This is creating confusion and harming his art practice.
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https://fr.linkedin.com/in/rad-hourani-0385a71b?challengeId=AQHhTG8fq2UYtgAAAXxQ__w1F3J6MBZGNPpEMBLFNWmARX4QGQ85tNb2lb3Yzpjz1MK2DLeSloczqcZ-A88-LYf-jrJPoHcJ7w&submissionId=665377f7-f52a-ab16-fc11-288dbcdc5b31
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https://fr.linkedin.com/in/rad-hourani-0385a71b?challengeId=AQHhTG8fq2UYtgAAAXxQ__w1F3J6MBZGNPpEMBLFNWmARX4QGQ85tNb2lb3Yzpjz1MK2DLeSloczqcZ-A88-LYf-jrJPoHcJ7w&submissionId=665377f7-f52a-ab16-fc11-288dbcdc5b31
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is a new editor, and is probably inexperienced with Knowledge's policies and guidelines. I think it would be better to begin a talk page discussion to discuss content issues before escalating protection levels.
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his social media or web that it mentions "fashion designer", his title is always "interdisciplinary artist". It is wrong to impose a title on someone that he mention publicly that he refuse to be called by it.
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his social media or web that it mentions "fashion designer", his title is always "interdisciplinary artist". It is wrong to impose a title on someone that he mention publicly that he refuse to be called by it.
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I disagree with your characterization of extended-confirmed protection. It is true extended-confirmed was originally created to handle a specific arbitration case, but it has evolved to broader use since then.
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time to look into the issue I raised there — but extended confirmed isn't so much "the next step after autoconfirmed" as it is "the nuclear option step, applicable only if all other options have failed".
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THE SMELL OF US (2013): Rad Hourani collaborated with film director Larry Clark on the feature film THE SMELL OF US, which was filmed during the Rad Hourani Unisex Couture #12 performance in Paris.
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collaborated with politicians and other creatives, involved live musicians during his biannual installations in New York and Paris, and was hosted internationally by various cities and institutions.
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first to both create and introduce a unisex collection in the history of "Haute Couture" in January of 2013. This moment confirms the necessity of genderless status within a historical institution.
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THE SMELL OF US (2013): Rad Hourani collaborated with film director Larry Clark on the feature film THE SMELL OF US, which was filmed during the Rad Hourani Unisex Couture #12 performance in Paris.
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collaborated with politicians and other creatives, involved live musicians during his biannual installations in New York and Paris, and was hosted internationally by various cities and institutions.
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first to both create and introduce a unisex collection in the history of "Haute Couture" in January of 2013. This moment confirms the necessity of genderless status within a historical institution.
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androgyny or any countercultural movement and becomes an elevated craftsmanship of the arts, proposing an urgency for the acknowledgement of gender-neutral presence in institutionalized spaces.
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androgyny or any countercultural movement and becomes an elevated craftsmanship of the arts, proposing an urgency for the acknowledgement of gender-neutral presence in institutionalized spaces.
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2014; Musician Chinawoman performed live at the Rad Hourani Unisex Couture #13 performance in Paris. Rad Hourani has also photographed and interviewed Michelle Gurevich in Crush Fanzine.
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UNISXE (2013): Rad Hourani directed a short film, UNISEX, in collaboration with choreographer Édouard Lock and composer Nico Muhly. The film was presented at the Guggenheim Museum Bilbao.
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2014; Musician Chinawoman performed live at the Rad Hourani Unisex Couture #13 performance in Paris. Rad Hourani has also photographed and interviewed Michelle Gurevich in Crush Fanzine.
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UNISXE (2013): Rad Hourani directed a short film, UNISEX, in collaboration with choreographer Édouard Lock and composer Nico Muhly. The film was presented at the Guggenheim Museum Bilbao.
330:. I am concerned that article was upgraded from semi-protection to full-protection on the same day after only one edit. While this edit was clearly outside of Knowledge article standards,
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Aesthetica, Elle, Time, V, CR book, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, WWD, Vice, The Guardian, Forbes, and Nowness.
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Aesthetica, Elle, Time, V, CR book, National Geographic, i-D, The Cut, Vanity Fair, Dazed, Rolling Stone, BBC, Surface, GQ, Harper's Bazaar, WWD, Vice, The Guardian, Forbes, and Nowness.
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This is a volunteer project where people do what they can when they can. The fact that this man is not English or French speaking is immaterial to whether or not he merits an article.
5080:. You would be better off starting smaller and proposing one or two changes at a time, to increase the chances a volunteer will want to invest the time needed to review the request.
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You seem to be proposing a wholesale rewrite, but this is highly promotional and sourced only to Knowledge. Knowledge articles cannot be used to source other Knowledge articles, see
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
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https://www.thestar.com/life/beauty-and-fashion/paris-fashion-week-rad-hourani-on-reaching-the-top-as-an-haute-couture-designer/article_9451860d-973a-5d4c-9f1b-7a9e9f74102a.html
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https://www.thestar.com/life/beauty-and-fashion/paris-fashion-week-rad-hourani-on-reaching-the-top-as-an-haute-couture-designer/article_9451860d-973a-5d4c-9f1b-7a9e9f74102a.html
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describe them, not how a person describes themselves. That can certainly be mentioned in the article if cited, but this won't just describe him as he wants to be described.
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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https://www.thestar.com/life/beauty-and-fashion/rad-hourani-s-unisex-ultra-modern-design-marks-a-new-age-for-haute-couture/article_68459168-3b87-597c-b19c-84a40664dae3.html
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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https://www.thestar.com/life/beauty-and-fashion/rad-hourani-s-unisex-ultra-modern-design-marks-a-new-age-for-haute-couture/article_68459168-3b87-597c-b19c-84a40664dae3.html
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https://www.thestar.com/life/montreal-s-rad-hourani-first-canadian-invited-to-present-collection-of-haute-couture-in-paris/article_a89fa6f3-a9e4-5eb5-86db-bf893059a91f.html
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426:, one will see many cases of temporary protections. Even with the COIN discussion, it still seems EP may be better, but I guess it's a matter of philosophical differences.
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Why not have all the details on his page? Why diminish his work and innovations? Does his name need to be anglophone or francophone for the wikipedia community to care ?
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2013: Musician Chris Garneau performed live at the Rad Hourani Unisex Couture #12 performance in Paris. The soundtrack was used in Larry Clark's THE SMELL OF US movie.
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2013: Musician Chris Garneau performed live at the Rad Hourani Unisex Couture #12 performance in Paris. The soundtrack was used in Larry Clark's THE SMELL OF US movie.
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Public collections —————————————————————————————————————————————————— Works by Rad Hourani are held in in private collections and in permanent collections, such as :
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Public collections —————————————————————————————————————————————————— Works by Rad Hourani are held in in private collections and in permanent collections, such as :
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art practice reminds the audience that the limiting preconceptions in the present ethos and rules of costume history are deeply intertwined with social inequality.
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art practice reminds the audience that the limiting preconceptions in the present ethos and rules of costume history are deeply intertwined with social inequality.
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the economic crisis in 2008 and the absence of present-day social media. His vision evokes radical change throughout the world and revolutionizes our reality.
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the economic crisis in 2008 and the absence of present-day social media. His vision evokes radical change throughout the world and revolutionizes our reality.
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https://www.thestar.com/business/gender-neutral-clothing-goes-mainstream-with-new-department-store-campaign/article_797ef3eb-0f38-53e1-ba2d-9e3ee03dd7a2.html
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https://www.thestar.com/business/gender-neutral-clothing-goes-mainstream-with-new-department-store-campaign/article_797ef3eb-0f38-53e1-ba2d-9e3ee03dd7a2.html
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I can provide a shorter text if you want, but the page is blocked and no edits can be done... can someone unblock his page for others to contribute to it ?
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31:) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or
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A public identity is considered in the same context as that of people with non-binary identities, who use the term "they" instead of she or he, and so on.
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https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
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https://style.time.com/2013/07/05/from-paris-with-love-haute-couture-fashion-week-in-30-pictures/photo/alternative-view-haute-couture-pfw-fw-2013-2014-29/
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https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
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https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
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https://style.time.com/2013/07/05/from-paris-with-love-haute-couture-fashion-week-in-30-pictures/photo/alternative-view-haute-couture-pfw-fw-2013-2014-29/
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https://www.forbes.com/sites/yolarobert1/2023/05/09/why-visionary-women-built-an-intergenerational-community-around-impact-and-mentorship/?sh=52b428334eac
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https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
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https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
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https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
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https://www.theglobeandmail.com/life/fashion-and-beauty/fashion/canadian-designer-based-in-paris-redefines-couture-with-unisex-garments/article22908896/
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clothing. These have an impact on our daily lives through heteronormativity, gender privilege, homophobia, cissexism, and other forms of prejudice.
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clothing. These have an impact on our daily lives through heteronormativity, gender privilege, homophobia, cissexism, and other forms of prejudice.
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in Paris, making him both the first Canadian to show during Couture Week, as well as the first designer to show a unisex collection at this event.
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https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
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https://rain-mag.com/an-interview-with-designer-rad-hourani/
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
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https://celebrity.nine.com.au/latest/eau-lady-gaga-releasing-perfume-that-smells-like-bodily-fluids/c7dcfe8e-457f-44ce-8fd6-0b43534758c4
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https://celebrity.nine.com.au/latest/eau-lady-gaga-releasing-perfume-that-smells-like-bodily-fluids/c7dcfe8e-457f-44ce-8fd6-0b43534758c4
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5183:). Propose your changes one paragraph at a time, or at least direct people to the condensed version above if you want it reconsidered.
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Where semi-protection has proven to be ineffective, administrators may use extended confirmed protection to combat disruption (such as
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Hello, after doing a long research on Rad Hourani, here's what I suggest as his wikipedia page as the current page is misleading :
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https://www.nytimes.com/2011/10/16/fashion/some-men-are-dressed-to-the-nines-the-height-of-their-pumps.html?searchResultPosition=14
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https://www.nytimes.com/2011/10/16/fashion/some-men-are-dressed-to-the-nines-the-height-of-their-pumps.html?searchResultPosition=14
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please add to Career: "In 2016, Rad Hourani collaborated with VAVA Eyewear and launched a limited edition of 200 sunglasses."
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it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a
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it's not clear what changes you want to be made. Please mention the specific changes in a "change X to Y" format and provide a
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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https://www.cooperhewitt.org/2015/09/15/cooper-hewitt-announces-2016-exhibition-beauty%E2%80%95cooper-hewitt-design-triennial/
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Design Museum in New York. His most recent multidisciplinary exhibitions were presented at Arsenal Contemporary Art Center in
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1985:
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https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
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https://somethingcurated.com/2022/10/26/ivorian-canadian-artist-ramata-cisses-decolonial-dinner-takes-over-fonderie-darling/
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https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
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https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
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https://somethingcurated.com/2022/10/26/ivorian-canadian-artist-ramata-cisses-decolonial-dinner-takes-over-fonderie-darling/
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https://www.gettyimages.ca/detail/news-photo/fashion-designer-rad-hourani-and-actor-musician-jared-leto-news-photo/139030561
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3459:—————————————————————————————————————————————————— 
Early life —————————————————————————————————————————————————— Source:
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Early life —————————————————————————————————————————————————— Source:
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https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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Publications —————————————————————————————————————————————————— Rad Hourani work has been published in books, such as :
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https://www.forbes.com/sites/katiebaron/2018/08/21/fine-tuning-gender-free-the-phluid-project-flagship-hits-6-months-old/
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https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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Publications —————————————————————————————————————————————————— Rad Hourani work has been published in books, such as :
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https://www.forbes.com/sites/katiebaron/2018/08/21/fine-tuning-gender-free-the-phluid-project-flagship-hits-6-months-old/
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https://ashadedviewonfashion.com/2013/07/13/larry-clark-shoots-scene-his-upcoming-film-smell-us-couture-show-rad-hourani/
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https://www.nytimes.com/2015/10/28/business/sweeping-away-gender-specific-toys-and-labels.html?searchResultPosition=17
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https://www.nytimes.com/2015/10/28/business/sweeping-away-gender-specific-toys-and-labels.html?searchResultPosition=17
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self-reflective in areas of codifying masculinity or femininity through cuts, colors, shades, motifs, and textiles.
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self-reflective in areas of codifying masculinity or femininity through cuts, colors, shades, motifs, and textiles.
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://archive.nytimes.com/runway.blogs.nytimes.com/2010/08/26/burberry-runway-to-checkout/?searchResultPosition=7
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gives voice to issues of gender identity and inequality and highlights their ties to mainstream codes of dressing.
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://www.pinterest.ca/pin/a-rad-hourani-retrospective-five-seamless-years-of-unisex-fashion--114841859221710280/
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https://archive.nytimes.com/runway.blogs.nytimes.com/2010/08/26/burberry-runway-to-checkout/?searchResultPosition=7
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gives voice to issues of gender identity and inequality and highlights their ties to mainstream codes of dressing.
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4858:"Walk straight ahead, look straight ahead, don't stop, don't pose sharp turns, be confident, and love yourself.”
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https://www.thenationalnews.com/arts-culture/fashion-designer-rad-hourani-s-style-on-display-in-montreal-1.472664
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https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/?searchResultPosition=1
3103:"Walk straight ahead, look straight ahead, don't stop, don't pose sharp turns, be confident, and love yourself.”
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https://www.thenationalnews.com/arts-culture/fashion-designer-rad-hourani-s-style-on-display-in-montreal-1.472664
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https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/?searchResultPosition=1
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://www.theguardian.com/fashion/fashion-blog/2014/jan/30/rad-hourani-first-unisex-couture-collection-fashion
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https://facekraft.typepad.com/thefacestyler/2011/07/jared-leto-in-rad-by-rad-hourani-at-the-mtv-world-stage.html
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https://www.artsy.net/show/savina-museum-of-contemporary-art-na-na-land-its-my-world?sort=partner_show_position
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https://www.artsy.net/show/savina-museum-of-contemporary-art-na-na-land-its-my-world?sort=partner_show_position
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Rad Hourani collaborations extend to artists like Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Jared Leto.
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Rad Hourani collaborations extend to artists like Lady Gaga, Larry Clark, Rihanna, Lenny Kravitz, Jared Leto.
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https://www.forbes.com/sites/deborahljacobs/2013/07/01/made-to-order-fashion-goes-mainstream/?sh=5aa354e3195d
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https://www.rollingstone.com/culture/culture-news/fashion-week-highlight-survivalism-with-rad-hourani-194902/
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https://www.forbes.com/sites/deborahljacobs/2013/07/01/made-to-order-fashion-goes-mainstream/?sh=5aa354e3195d
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https://www.rollingstone.com/culture/culture-news/fashion-week-highlight-survivalism-with-rad-hourani-194902/
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https://wwd.com/fashion-news/fashion-scoops/vava-rad-hourani-turn-shared-vision-into-eyewear-collab-10480467/
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https://www.nytimes.com/2016/02/11/fashion/cooper-hewitts-triennial-asks-what-makes-something-beautiful.html
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https://www.nytimes.com/2015/08/20/fashion/in-fashion-gender-lines-are-blurring.html?searchResultPosition=16
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https://www.nytimes.com/2016/02/11/fashion/cooper-hewitts-triennial-asks-what-makes-something-beautiful.html
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https://www.nytimes.com/2015/08/20/fashion/in-fashion-gender-lines-are-blurring.html?searchResultPosition=16
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
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https://www.heartmus.dk/en/visit/exhibitions/past-exhibitions/2014/129-clash-counterculture-in-fashion.html
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https://montrealgazette.com/entertainment/arts/visual-arts-rad-hourani-explores-what-divides-and-unites-us
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https://www.lapresse.ca/arts/arts-visuels/201511/06/01-4918139-rad-hourani-universaliser-la-neutralite.php
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terms such as genderless, agender, genderfluid, non-gendered, all genders, ungendered, human, and others.
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https://montrealgazette.com/entertainment/arts/visual-arts-rad-hourani-explores-what-divides-and-unites-us
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https://www.lapresse.ca/arts/arts-visuels/201511/06/01-4918139-rad-hourani-universaliser-la-neutralite.php
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terms such as genderless, agender, genderfluid, non-gendered, all genders, ungendered, human, and others.
1593:"Montreal's Rad Hourani first Canadian invited to present collection of haute couture in Paris - The Star"
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https://montrealgazette.com/life/fashion%20&%20beauty/planet-rad-call-me-a-visualist-rad-hourani-says
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https://www.bbc.com/worklife/article/20171010-a-genderless-style-of-dress-for-the-workplace-of-the-future
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https://montrealgazette.com/life/fashion%20&%20beauty/planet-rad-call-me-a-visualist-rad-hourani-says
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https://www.bbc.com/worklife/article/20171010-a-genderless-style-of-dress-for-the-workplace-of-the-future
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in Paris and continues exhibiting his photographic work around the world, including a film projection at
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https://www.lapresse.ca/actualites/regional/personnalites-la-presse/201302/18/01-4622691-rad-hourani.php
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https://www.vice.com/en/article/jmbw84/fashion-designer-rad-hourani-is-dismantling-the-gender-binary-456
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https://www.lapresse.ca/actualites/regional/personnalites-la-presse/201302/18/01-4622691-rad-hourani.php
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https://www.vice.com/en/article/jmbw84/fashion-designer-rad-hourani-is-dismantling-the-gender-binary-456
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https://www.nationalgeographic.com/culture/article/gender-bending-fashion-rewrites-rules-who-wears-what
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https://www.lesinrocks.com/actu/gender-neutral-gender-fluid-agenre-la-mode-plurielle-144837-03-03-2020/
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https://www.nationalgeographic.com/culture/article/gender-bending-fashion-rewrites-rules-who-wears-what
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https://www.lesinrocks.com/actu/gender-neutral-gender-fluid-agenre-la-mode-plurielle-144837-03-03-2020/
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
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The medium of Runway ( Performance Art ) —————————————————————————————————————————————————— source :
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
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The medium of Runway ( Performance Art ) —————————————————————————————————————————————————— source :
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https://www.bustle.com/articles/14153-rad-hourani-brings-createst-first-ever-unisex-couture-collection
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https://www.reddit.com/r/rupaulsdragrace/comments/cjlq0z/the_exhibition_on_gender_bending_fashion_at/
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https://i-d.vice.com/en/article/qv8ja3/could-genderless-fashion-be-going-from-utopia-to-daily-reality
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https://www.reddit.com/r/rupaulsdragrace/comments/cjlq0z/the_exhibition_on_gender_bending_fashion_at/
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https://i-d.vice.com/en/article/qv8ja3/could-genderless-fashion-be-going-from-utopia-to-daily-reality
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42:. If such material is repeatedly inserted, or if you have other concerns, please report the issue to
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https://www.musee-mccord-stewart.ca/en/exhibitions/visionaries-portraits-montreal-tribute-to-notman/
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https://www.musee-mccord-stewart.ca/en/exhibitions/visionaries-portraits-montreal-tribute-to-notman/
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Known for Gender-Neutral / Unisex genderless artworks, sculpture, architecture (remove : fashion )
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https://www.theguardian.com/lifeandstyle/2017/sep/04/joy-unisex-gender-neutral-clothing-john-lewis
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https://www.scmp.com/magazines/style/article/1030636/unisex-appeal-genderless-dressing-rad-hourani
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Gender-Neutral Patterns ( Invention ) —————————————————————————————————————————————————— Source:
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https://www.theguardian.com/lifeandstyle/2017/sep/04/joy-unisex-gender-neutral-clothing-john-lewis
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https://www.scmp.com/magazines/style/article/1030636/unisex-appeal-genderless-dressing-rad-hourani
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Gender-Neutral Patterns ( Invention ) —————————————————————————————————————————————————— Source:
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His work is included in the permanent collection of the Cooper Hewitt, Smithsonian Design Museum.
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on Knowledge. If you would like to participate, please visit the project page, where you can join
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https://artsandculture.google.com/asset/rad-hourani-unisex-boots-rad-hourani/JgH6aOwdz-hpQQ?hl=en
3578:
https://offbinary.com/blogs/articles/non-binary-clothing-brands-transforming-the-fashion-industry
3354:
2722:
https://artsandculture.google.com/asset/rad-hourani-unisex-boots-rad-hourani/JgH6aOwdz-hpQQ?hl=en
1823:
https://offbinary.com/blogs/articles/non-binary-clothing-brands-transforming-the-fashion-industry
1413:
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46:.If you are a subject of this article, or acting on behalf of one, and you need help, please see
32:
4847:
4502:
4165:
https://www.cbc.ca/cinqasix/fashion/2013/02/15/rad-hourani-brings-his-own-philosophy-to-fashion/
3748:
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2410:
https://www.cbc.ca/cinqasix/fashion/2013/02/15/rad-hourani-brings-his-own-philosophy-to-fashion/
1993:
1388:(born 1982) is a Canadian interdisciplinary artist known for his neutral, genderless creations.
685:
As the lede section calls him a fashion designer and artist, it sounds pretty accurate as it is.
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4152:
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3859:
https://www.harpersbazaar.com/uk/fashion/fashion-news/news/a31123/the-history-of-haute-couture/
3819:
https://www.vanityfair.com/news/2009/08/trendspotting-sharing-your-wardrobe-with-your-boyfriend
3580:
3142:
2397:
2294:
2104:
https://www.harpersbazaar.com/uk/fashion/fashion-news/news/a31123/the-history-of-haute-couture/
2064:
https://www.vanityfair.com/news/2009/08/trendspotting-sharing-your-wardrobe-with-your-boyfriend
1825:
485:
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https://wwd.com/fashion-news/fashion-features/gender-neutral-the-new-fashion-norm-1203408272/
2712:
2218:
1858:
https://wwd.com/fashion-news/fashion-features/gender-neutral-the-new-fashion-norm-1203408272/
81:
4159:
https://suitesculturelles.wordpress.com/2014/12/28/rad-hourani-montreals-innovator-in-paris/
4131:
3893:
3787:
https://www.ellecanada.com/fashion/you-could-be-part-of-an-exhibition-curated-by-rad-hourani
3729:
3708:
https://www.chicagomag.com/chicago-magazine/november-2012/artist-nick-caves-favorite-things/
3615:
2404:
https://suitesculturelles.wordpress.com/2014/12/28/rad-hourani-montreals-innovator-in-paris/
2376:
2138:
2032:
https://www.ellecanada.com/fashion/you-could-be-part-of-an-exhibition-curated-by-rad-hourani
1974:
1953:
https://www.chicagomag.com/chicago-magazine/november-2012/artist-nick-caves-favorite-things/
1860:
1611:"Rad Hourani becomes the first Canadian member of the Chambre Syndicale de la Haute Couture"
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elements of live music and specific lighting, creating an inclusive ambience of belonging.
3671:
3316:
2932:
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elements of live music and specific lighting, creating an inclusive ambience of belonging.
1916:
1575:"Search results for "rad hourani" - Collection of Cooper Hewitt, Smithsonian Design Museum"
932:
575:
5179:
You twice again put massive rewrites that no one will want to invest the time to read(see
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https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/
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1986:
https://archive.nytimes.com/tmagazine.blogs.nytimes.com/2010/04/02/black-is-the-new-black/
8:
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Activism and advocacy work —————————————————————————————————————————————————— sources ;
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Unisex Couture ( Invention ) —————————————————————————————————————————————————— Source:
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Activism and advocacy work —————————————————————————————————————————————————— sources ;
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Unisex Couture ( Invention ) —————————————————————————————————————————————————— Source:
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783:
686:
536:
479:
464:
4801:
2015 “A Gender” Concept Ambassador Lecture, hosted by Lou Stoppard, Selfridges, London
4681:
4673:
https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
4534:
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3663:
3639:
https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
3618:
3046:
2015 “A Gender” Concept Ambassador Lecture, hosted by Lou Stoppard, Selfridges, London
2926:
2918:
https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
2779:
2456:
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2001:
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https://lamaisongaga.com/post/177251007932/back-in-time-lady-gaga-spotted-in-rad-hourani
1863:
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sculpture, architecture (remove : fashion ) Website radhourani.com
5077:
4425:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
4196:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
4178:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
3781:
https://www.elle.com/culture/celebrities/g1783/jessica-alba-cover-shoot-360574/?slide=1
3700:
https://models.com/work/various-editorials-rad-hourani-for-dress-to-kill-magazine/90983
2670:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
2441:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
2423:
https://www.noguchi.org/museum/exhibitions/view/brendan-fernandes-contract-and-release/
2026:
https://www.elle.com/culture/celebrities/g1783/jessica-alba-cover-shoot-360574/?slide=1
1945:
https://models.com/work/various-editorials-rad-hourani-for-dress-to-kill-magazine/90983
1457:
760:
4808:
4757:
4670:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
4485:
4434:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
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Selected Exhibitions  : —————————————————————————————————————————————————— sources ;
4184:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
4040:
3941:
3636:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
3053:
3002:
2915:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
2730:
2679:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
2473:
Selected Exhibitions  : —————————————————————————————————————————————————— sources ;
2429:
https://www.wesleyan.edu/cfa/press/press-releases/2019/brendan-fernandes-inaction.html
2285:
2186:
1881:
https://lamaisongaga.com/post/168145854632/back-in-time-lady-gaga-slays-in-rad-hourani
703:
Unfortunately, Knowledge is only concerned with how independent sources describe him.
4703:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
3697:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
3610:
https://www.menswearstyle.co.uk/2019/05/08/the-increasingly-blurred-gender-lines/8578
3499:
3450:
2948:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
1942:
https://echelonsfl.wordpress.com/2012/07/09/jared-leto-in-rad-hourani-archives-paris/
1855:
https://www.menswearstyle.co.uk/2019/05/08/the-increasingly-blurred-gender-lines/8578
1744:
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1441:
1408:
Two years later, he presented his first photo and video exhibition at the Jardins du
779:
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4822:
2018 “Gender” Lecture hosted by curator Michelle Finamore, Fine Arts Museum, Boston
4772:
4498:
https://www.artsy.net/artwork/rad-hourani-ensemble-from-couture-collection-number-12
4301:
3067:
2018 “Gender” Lecture hosted by curator Michelle Finamore, Fine Arts Museum, Boston
3017:
2743:
https://www.artsy.net/artwork/rad-hourani-ensemble-from-couture-collection-number-12
2546:
1416:
in Paris, a solo show in Montreal at the PHI Centre, an interactive installation at
1153:
or has been extensively edited by the subject or by someone connected to the subject
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5170:
5130:
5085:
4750:
2012 "Genderless” Lecture hosted by Historian Valerie Steele, Fit Museum, New York
4693:
4604:
4146:
4046:
3687:
2995:
2012 "Genderless” Lecture hosted by Historian Valerie Steele, Fit Museum, New York
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1932:
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to be admitted to the La Chambre Syndicale de La Haute Couture for unisex clothing.
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3810:
3625:
https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
3281:
3183:
3023:
2736:
2609:
2175:
2055:
1870:
https://the1a.org/segments/designing-our-world-clothing-without-the-gender-binary/
671:
In just a few short years, Hourani established himself designer of unisex clothing
4830:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
4561:
Film and music collaborations ——————————————————————————————————————————————————
4377:
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
4316:
4193:
https://www.crash.fr/25th-andam-fashion-award-announces-their-finalists-for-2014/
4135:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
3949:
3075:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
2806:
Film and music collaborations ——————————————————————————————————————————————————
2622:
https://metalmagazine.eu/en/post/interview/rad-hourani-multitask-is-the-new-human
2561:
2438:
https://www.crash.fr/25th-andam-fashion-award-announces-their-finalists-for-2014/
2380:
https://arts.mit.edu/cast/symposia/being-material/participants/michelle-finamore/
2194:
1238:
1098:
It may require cleanup to comply with Knowledge's content policies, particularly
39:
4988:
4765:
2013 “Gender Neutral” Lecture, hosted by Phoebe Greenberg, Centre Phi, Montreal
3656:
https://www.imdb.com/title/tt2176690/fullcredits/?mode=desktop&ref_=m_ft_dsk
3411:
Occupation(s) interdisciplinary artist, inventor, pioneer (remove : designer )
3233:
3010:
2013 “Gender Neutral” Lecture, hosted by Phoebe Greenberg, Centre Phi, Montreal
1901:
https://www.imdb.com/title/tt2176690/fullcredits/?mode=desktop&ref_=m_ft_dsk
5180:
5162:
5033:
4553:
https://www.cooperhewitt.org/exhibitions/beauty-cooper-hewitt-design-triennial/
3851:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
3593:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
3278:
2798:
https://www.cooperhewitt.org/exhibitions/beauty-cooper-hewitt-design-triennial/
2096:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
1838:
https://www.gq.com/story/meet-thundercat-the-funkiest-and-funniest-man-in-music
411:
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257:
202:
194:
5042:
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2015 “Rad Hourani : Couture Unisexe #14”, Canadian Cultural Centre CCC, Paris
4325:
3957:
3608:
Rad Hourani paved the way roughly 10 years ago, but over the past few years :
3505:
that scrutinizes our existence and operational modes, aiming to foster unity.
3287:
2575:
2015 “Rad Hourani : Couture Unisexe #14”, Canadian Cultural Centre CCC, Paris
2570:
2202:
1853:
Rad Hourani paved the way roughly 10 years ago, but over the past few years :
1750:
that scrutinizes our existence and operational modes, aiming to foster unity.
5207:
4761:
https://www.flickr.com/photos/museumatfit/8247345993/in/set-72157629801637559
4141:
https://queerguru.com/gender-bending-fashions-at-bostons-museum-of-fine-arts/
3495:
Art ( practice ) —————————————————————————————————————————————————— Source:
3006:
https://www.flickr.com/photos/museumatfit/8247345993/in/set-72157629801637559
2386:
https://queerguru.com/gender-bending-fashions-at-bostons-museum-of-fine-arts/
1740:
Art ( practice ) —————————————————————————————————————————————————— Source:
1398:
415:
5024:
4550:
https://shop.cooperhewitt.org/products/beauty-cooper-hewitt-design-triennial
4340:
3922:
3269:
2795:
https://shop.cooperhewitt.org/products/beauty-cooper-hewitt-design-triennial
2585:
2167:
5119:
4708:
4355:
4304:
4205:
https://www.ledevoir.com/societe/368752/le-petit-prince-de-la-haute-couture
4187:
https://www.thedailybeast.com/rad-hourani-the-first-unisex-couture-designer
3772:
3722:
https://www.amazon.com/Visionary-Women-Icons-Angella-Nazarian/dp/1614284555
3453:
2953:
2600:
2549:
2450:
https://www.ledevoir.com/societe/368752/le-petit-prince-de-la-haute-couture
2432:
https://www.thedailybeast.com/rad-hourani-the-first-unisex-couture-designer
2017:
1967:
https://www.amazon.com/Visionary-Women-Icons-Angella-Nazarian/dp/1614284555
1698:
1505:"Rad Hourani has found success in the niche concept of genderless dressing"
1409:
407:
390:
375:
343:
this is supposed to be the next level of protection after semi-protection.
327:
4675:
4543:
4240:
2007 “Rad Hourani : Gender-Neutral - UC#0”, Dominique Fiat Gallery, Paris
3827:
https://www.dazeddigital.com/fashion/article/8759/1/rad-hourani-s-s11-film
3715:
3641:
2920:
2788:
2485:
2007 “Rad Hourani : Gender-Neutral - UC#0”, Dominique Fiat Gallery, Paris
2072:
https://www.dazeddigital.com/fashion/article/8759/1/rad-hourani-s-s11-film
1960:
1886:
5184:
5166:
5126:
5081:
4982:
4944:
4872:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
4751:
4658:
4322:
4035:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
3954:
3679:
3587:
https://fault-magazine.com/2014/02/meet-unisex-fashion-maker-rad-hourani/
3227:
3189:
3117:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
2996:
2903:
2567:
2280:
https://www.askmen.com/fashion/trends_400/491b_rad-hourani-interview.html
2199:
1924:
1832:
https://fault-magazine.com/2014/02/meet-unisex-fashion-maker-rad-hourani/
1417:
917:
704:
560:
4895:
https://www.askmen.com/fashion/trends_400/491_rad-hourani-interview.html
4859:
4853:
4852:"Masculinity and femininity are just styles. They are interpretations.”
4720:
4717:
4529:
4526:
4523:
4520:
4495:
https://collection.cooperhewitt.org/search/collection/?query=rad+hourani
4451:
4352:
4235:
4232:
4229:
4088:
4085:
3994:
3905:
3902:
3765:
https://www.wsj.com/articles/SB10001424052748703856504575600822799316604
3522:
3496:
3466:
3463:
3460:
3431:
3428:
3425:
3140:
https://www.askmen.com/fashion/trends_400/491_rad-hourani-interview.html
3104:
3098:
3097:"Masculinity and femininity are just styles. They are interpretations.”
2965:
2962:
2774:
2771:
2768:
2765:
2740:
https://collection.cooperhewitt.org/search/collection/?query=rad+hourani
2696:
2597:
2480:
2477:
2474:
2333:
2330:
2239:
2150:
2147:
2010:
https://www.wsj.com/articles/SB10001424052748703856504575600822799316604
1767:
1741:
1711:
1708:
1705:
1676:
1673:
1670:
4846:"I’m not really interested in the fashion, but more in the aesthetic."
4716:
Lectures —————————————————————————————————————————————————— sources ;
4647:
4624:
3472:
early challenges, being born with dysphonia, dysgraphia, and dyslexia.
3091:"I’m not really interested in the fashion, but more in the aesthetic."
2961:
Lectures —————————————————————————————————————————————————— sources ;
2892:
2869:
1717:
early challenges, being born with dysphonia, dysgraphia, and dyslexia.
4889:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
4268:
4062:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
3919:
such as "The Fine Arts Museum" in Boston and others around the world.
3738:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
3606:
https://medium.com/sartorial-poetry/the-great-gender-blur-257ad9855624
3590:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
3134:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
2513:
2307:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
2164:
such as "The Fine Arts Museum" in Boston and others around the world.
1983:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
1851:
https://medium.com/sartorial-poetry/the-great-gender-blur-257ad9855624
1835:
https://www.nytimes.com/2019/03/12/arts/gender-fashion-boston-mfa.html
5000:
4881:
https://www.interviewmagazine.com/fashion/rad-hourani-nightime-person
4823:
4464:
4403:
4386:
https://sjmusart.org/exhibition/beauty-cooper-hewitt-design-triennial
4349:
4331:
4215:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
4071:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
3970:
3938:
3245:
3126:
https://www.interviewmagazine.com/fashion/rad-hourani-nightime-person
3068:
2709:
2648:
2631:
https://sjmusart.org/exhibition/beauty-cooper-hewitt-design-triennial
2594:
2576:
2460:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
2316:
https://www.thedailybeast.com/the-birth-of-unisex-couture-rad-hourani
2215:
2183:
5030:
5012:
4611:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
4448:
4398:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
4348:
2015 “Rad Hourani : Neutrality”, Arsenal Contemporary Art, Montreal
3424:
Article —————————————————————————————————————————————————— Source:
3275:
3257:
2856:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
2693:
2643:
https://estudioyox.com/en/fashion-and-films-ii-exhibitive-programme/
2593:
2015 “Rad Hourani : Neutrality”, Arsenal Contemporary Art, Montreal
1669:
Article —————————————————————————————————————————————————— Source:
5018:
4273:
2011 “Rad Hourani : Transformable UC#8”, Mannerheim Gallery, Paris
3263:
2518:
2011 “Rad Hourani : Transformable UC#8”, Mannerheim Gallery, Paris
1433:
678:
this show is happening,” said the Paris-based designer Rad Hourani,
241:
223:
155:. For instructions on how to use this banner, please refer to the
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External links ——————————————————————————————————————————————————
4607:
4394:
4308:
https://ici.radio-canada.ca/nouvelle/639643/rad-hourani-centre-phi
4296:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
4138:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
3966:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
3603:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
3195:
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External links ——————————————————————————————————————————————————
2852:
2639:
2553:
https://ici.radio-canada.ca/nouvelle/639643/rad-hourani-centre-phi
2541:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
2383:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
2211:
https://www.tate.org.uk/whats-on/tate-modern/hyperlink/vase-curate
1848:
https://bestkeptmontreal.com/queer-me-out-fashions-gender-benders/
181:
5037:
https://en.wikipedia.org/Events_of_National_Historic_Significance
4939:
https://en.wikipedia.org/Category:21st-century_Canadian_inventors
4492:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
4365:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
3931:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
3761:
3517:
conditioning. ——————————————————————————————————————————————————
3480:
completing high school studies, he has no formal arts education.
3282:
https://en.wikipedia.org/Events_of_National_Historic_Significance
3184:
https://en.wikipedia.org/Category:21st-century_Canadian_inventors
2737:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
2610:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
2176:
https://en.wikipedia.org/Cooper_Hewitt,_Smithsonian_Design_Museum
2006:
1762:
conditioning. ——————————————————————————————————————————————————
1725:
completing high school studies, he has no formal arts education.
1557:"31-Year-Old Designer Rad Hourani Opens Solo Exhibit in Montreal"
927:
570:
270:
4928:
Categories: ——————————————————————————————————————————————————
4773:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
4482:
4388:
4335:
https://canada-culture.org/event/rad-hourani-couture-unisexe-14/
4313:
4302:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
4249:
2009 “Rad Hourani : Tranclassic”, Jardin du Palais-Royal, Paris
4241:
4168:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
4144:
https://www.legenerateur.com/spectacle/vertical-feminist-strike/
4125:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
3986:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
3946:
3815:
3173:
Categories: ——————————————————————————————————————————————————
3018:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
2727:
2633:
2580:
https://canada-culture.org/event/rad-hourani-couture-unisexe-14/
2558:
2547:
https://fr.wikipedia.org/Fondation_Phi_pour_l%27art_contemporain
2494:
2009 “Rad Hourani : Tranclassic”, Jardin du Palais-Royal, Paris
2486:
2413:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
2389:
https://www.legenerateur.com/spectacle/vertical-feminist-strike/
2370:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
2231:
https://montecristomagazine.com/magazine/autumn-2014/rad-hourani
2191:
2060:
5054:
4989:
https://en.wikipedia.org/Category:21st-century_Canadian_artists
4746:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
4588:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
4447:
2023 “Rad Hourani : Classroom of Language”, Artexte, Montréal
4181:
https://classicchicagomagazine.com/tag/costumes-by-rad-hourani/
3388:
After a long research on Rad Hourani, here's what I suggest :
3299:
3234:
https://en.wikipedia.org/Category:21st-century_Canadian_artists
2991:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
2833:
https://www.centrepompidou.fr/en/program/calendar/event/cXb8k58
2692:
2023 “Rad Hourani : Classroom of Language”, Artexte, Montréal
2426:
https://classicchicagomagazine.com/tag/costumes-by-rad-hourani/
5034:
https://en.wikipedia.org/Wikipedia:Contents/History_and_events
4994:
4956:
4259:
3745:
3342:
3279:
https://en.wikipedia.org/Wikipedia:Contents/History_and_events
3239:
3201:
2504:
1990:
1237:
from the article and its talk page, especially if potentially
958:
827:
824:
Extended-confirmed-protected edit request on 22 September 2021
722:
601:
205:. Please ensure the assessment is correct before removing the
38:
from the article and its talk page, especially if potentially
5043:
https://en.wikipedia.org/Category:Intelligent_design_movement
4967:
4962:
4848:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
4503:
https://www.mutualart.com/Artist/Rad-Hourani/A67086A7CF8276C1
4430:
4420:
2019 “Noguchi: Body-Space Devices”, Noguchi Museum, New York
3799:
3749:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
3288:
https://en.wikipedia.org/Category:Intelligent_design_movement
3212:
3207:
3093:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
2748:
https://www.mutualart.com/Artist/Rad-Hourani/A67086A7CF8276C1
2675:
2665:
2019 “Noguchi: Body-Space Devices”, Noguchi Museum, New York
2044:
1994:
https://www.interviewmagazine.com/fashion/rad-hourani-fw-2014
1538:"Fashion designer Rad Hourani's style on display in Montreal"
369:
indefinite, but was applied for just long enough to give the
5060:
4976:
4970:
4898:
https://rain-mag.com/an-interview-with-designer-rad-hourani/
4429:
2019 “Inaction”, Ezra and Cecile Zilkha Gallery, Middletown
4153:
https://www.imdb.com/title/tt10152780/?ref_=nm_flmg_eps_tt_1
4050:
http://youstrikemyfancy.com/rad-hourani-unisex-couture-show/
3734:
3704:
3581:
https://rain-mag.com/an-interview-with-designer-rad-hourani/
3339:
Extended-confirmed-protected edit request on 1 February 2024
3305:
3221:
3215:
3143:
https://rain-mag.com/an-interview-with-designer-rad-hourani/
2674:
2019 “Inaction”, Ezra and Cecile Zilkha Gallery, Middletown
2398:
https://www.imdb.com/title/tt10152780/?ref_=nm_flmg_eps_tt_1
2295:
http://youstrikemyfancy.com/rad-hourani-unisex-couture-show/
1979:
1949:
1826:
https://rain-mag.com/an-interview-with-designer-rad-hourani/
719:
Extended-confirmed-protected edit request on 12 January 2021
492:) in front of the file name. The same is true of categories.
5025:
https://en.wikipedia.org/Category:Art_collectors_from_Paris
4842:
https://www.fashionstudies.ca/review-gender-bending-fashion
4817:
4766:
4655:
4598:
4541:
https://www.facebook.com/marketplace/item/3780897508691083/
4341:
https://en.wikipedia.org/Herning_Museum_of_Contemporary_Art
3923:
https://en.wikipedia.org/Herning_Museum_of_Contemporary_Art
3855:
3726:
3676:
3537:
to support an embodiment of liberation through the wearer.
3270:
https://en.wikipedia.org/Category:Art_collectors_from_Paris
3087:
https://www.fashionstudies.ca/review-gender-bending-fashion
3062:
3011:
2900:
2843:
2786:
https://www.facebook.com/marketplace/item/3780897508691083/
2586:
https://en.wikipedia.org/Herning_Museum_of_Contemporary_Art
2168:
https://en.wikipedia.org/Herning_Museum_of_Contemporary_Art
2100:
1971:
1921:
1782:
to support an embodiment of liberation through the wearer.
955:
Extended-confirmed-protected edit request on 5 October 2021
5066:
4837:
Quotes ——————————————————————————————————————————————————
4769:
4569:
4473:
4468:
https://collections.mfa.org/search/objects/*/rad%20hourani
4258:
2010 "Rad Hourani : UC#5”, Yvon Lambert Gallery, New York
3974:
https://collections.mfa.org/search/objects/*/rad%20hourani
3753:
3311:
3082:
Quotes ——————————————————————————————————————————————————
3014:
2814:
2718:
2713:
https://collections.mfa.org/search/objects/*/rad%20hourani
2503:
2010 "Rad Hourani : UC#5”, Yvon Lambert Gallery, New York
2219:
https://collections.mfa.org/search/objects/*/rad%20hourani
1998:
1524:"Rad Hourani presents the first unisex couture collection"
5048:
5006:
4742:
4641:
4621:
4584:
4363:
2016 “Beauty”, The Cooper Hewitt Design Museum, New York
4286:
4132:
https://lefifa.com/en/catalog/carte-blanche-a-rad-hourani
3894:
https://www.nowness.com/playlist/10785/theatreperformance
3863:
3791:
3777:
3730:
https://www.nowness.com/playlist/10785/theatreperformance
3616:
https://twitter.com/RADHOURANI/status/1114241035251658753
3293:
3251:
2987:
2886:
2866:
2829:
2608:
2016 “Beauty”, The Cooper Hewitt Design Museum, New York
2531:
2377:
https://lefifa.com/en/catalog/carte-blanche-a-rad-hourani
2139:
https://www.nowness.com/playlist/10785/theatreperformance
2108:
2036:
2022:
1975:
https://www.nowness.com/playlist/10785/theatreperformance
1861:
https://twitter.com/RADHOURANI/status/1114241035251658753
1450:
In January 2013, Hourani became an invited member of the
4983:
https://en.wikipedia.org/Category:Portrait_photographers
4945:
https://en.wikipedia.org/Category:Contemporary_sculptors
4754:
4752:
https://en.wikipedia.org/Fashion_Institute_of_Technology
4688:
https://ar-ar.facebook.com/mykita/posts/186095264809660/
4575:
4421:
4323:
https://en.wikipedia.org/Fashion_Institute_of_Technology
3955:
https://en.wikipedia.org/Fashion_Institute_of_Technology
3672:
https://ar-ar.facebook.com/mykita/posts/186095264809660/
3228:
https://en.wikipedia.org/Category:Portrait_photographers
3190:
https://en.wikipedia.org/Category:Contemporary_sculptors
2999:
2997:
https://en.wikipedia.org/Fashion_Institute_of_Technology
2933:
https://ar-ar.facebook.com/mykita/posts/186095264809660/
2820:
2666:
2568:
https://en.wikipedia.org/Fashion_Institute_of_Technology
2200:
https://en.wikipedia.org/Fashion_Institute_of_Technology
1917:
https://ar-ar.facebook.com/mykita/posts/186095264809660/
598:
Extended-confirmed-protected edit request on 16 May 2019
4932:
4840:"GENDERLESS RACELESS AGELESS NATIONLESS LIMITLESS”
4735:
2012 “Process of film” Lecture, Centre Pompidou, Paris
4684:
4638:
4581:
4412:
4411:
2019 “Na Na Land: It’s My World”, Savina Museum, Seoul
4339:
2015 “Resistance”, Museum of Contemporary Art, Herning
4267:
2011 “Rad Hourani : Unframed”, Arnhem Biennale, Arnhem
4262:
4202:
https://lactualite.com/culture/la-lecon-de-rad-hourani/
3831:
3712:
3668:
3177:
3085:"GENDERLESS RACELESS AGELESS NATIONLESS LIMITLESS”
2980:
2012 “Process of film” Lecture, Centre Pompidou, Paris
2929:
2883:
2826:
2657:
2656:
2019 “Na Na Land: It’s My World”, Savina Museum, Seoul
2584:
2015 “Resistance”, Museum of Contemporary Art, Herning
2512:
2011 “Rad Hourani : Unframed”, Arnhem Biennale, Arnhem
2507:
2447:
https://lactualite.com/culture/la-lecon-de-rad-hourani/
2076:
1957:
1913:
4443:
https://akate.de/en/exhibitions/das-dritte-geschlecht/
4407:
https://www.mfa.org/exhibitions/gender-bending-fashion
4359:
https://magazineluxe.com/an-exhibition-by-rad-hourani/
4250:
3871:
3784:
http://www.starstyle.com/jessica-alba-elle-us-sp21937/
2688:
https://akate.de/en/exhibitions/das-dritte-geschlecht/
2652:
https://www.mfa.org/exhibitions/gender-bending-fashion
2604:
https://magazineluxe.com/an-exhibition-by-rad-hourani/
2495:
2116:
2029:
http://www.starstyle.com/jessica-alba-elle-us-sp21937/
1391:
1091:
A major contributor to this article appears to have a
635:
called a Fashion designer. PLease correct, thank you.
4682:
https://www.flickr.com/photos/fashionluvr/3756370003/
4644:
4618:
4578:
4535:
https://www.vogue.it/talents/news/2011/06/rad-hourani
4312:
2014 “Genderblender”, MU Hybrid Art House, Eindhoven
4292:
4212:
https://canada-culture.org/en/event/tags/rad-hourani/
4190:
https://www.vogue.it/talents/news/2012/06/rad-hourani
3962:
3795:
https://crfashionbook.tumblr.com/post/74180128966/amp
3757:
https://www.vogue.it/talents/news/2012/06/rad-hourani
3664:
https://www.flickr.com/photos/fashionluvr/3756370003/
3649:
3619:
https://www.vogue.it/talents/news/2012/06/rad-hourani
2927:
https://www.flickr.com/photos/fashionluvr/3756370003/
2889:
2863:
2823:
2780:
https://www.vogue.it/talents/news/2011/06/rad-hourani
2557:
2014 “Genderblender”, MU Hybrid Art House, Eindhoven
2537:
2457:
https://canada-culture.org/en/event/tags/rad-hourani/
2435:
https://www.vogue.it/talents/news/2012/06/rad-hourani
2207:
2040:
https://crfashionbook.tumblr.com/post/74180128966/amp
2002:
https://www.vogue.it/talents/news/2012/06/rad-hourani
1909:
https://www.flickr.com/photos/fashionluvr/3756370003/
1894:
1864:
https://www.vogue.it/talents/news/2012/06/rad-hourani
1420:
in London, as well as different installations at the
5001:
https://en.wikipedia.org/Category:Artists_from_Paris
4824:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
4802:
4690:
4595:
4572:
4465:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
4404:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
4300:
2013 “Rad Hourani : Seamless”, Centre Phi, Montréal
3971:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
3769:
3684:
3246:
https://en.wikipedia.org/Category:Artists_from_Paris
3069:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
3047:
2935:
2840:
2817:
2710:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
2649:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
2545:
2013 “Rad Hourani : Seamless”, Centre Phi, Montréal
2216:
https://en.wikipedia.org/Museum_of_Fine_Arts,_Boston
2014:
1929:
1424:
in New York, MU Art Center in the Netherlands, the
269:, a collaborative effort to improve the coverage of
247:
125:
5031:
https://en.wikipedia.org/Timelines_of_world_history
5013:
https://en.wikipedia.org/Category:Non-binary_gender
4917:——————————————————————————————————————————————————
4910:——————————————————————————————————————————————————
4870:“Beauty is everywhere, yet perfection is nowhere.”
4834:——————————————————————————————————————————————————
4813:2015 “Portraits” Lecture, Photo Festival, Tbilisi
4809:
https://www.culturewhisper.com/r/talks/preview/4071
4787:
4758:
https://www.fitnyc.edu/museum/events/past/index.php
4713:——————————————————————————————————————————————————
4666:
4557:——————————————————————————————————————————————————
4507:——————————————————————————————————————————————————
4490:Cooper Hewitt, Smithsonian Design Museum, New York
4486:
https://www.museedelachemiserie.fr/les-collections/
4457:——————————————————————————————————————————————————
4449:
https://en.wikipedia.org/Artexte_Information_Centre
4439:
4280:
4279:2012 “Rad Hourani : Earth”, I.T Gallery, Hong Kong
4225:——————————————————————————————————————————————————
4081:——————————————————————————————————————————————————
4041:
https://www.nowness.com/contributor/398/rad-hourani
3990:——————————————————————————————————————————————————
3942:
https://cultmtl.com/2015/11/rad-hourani-neutrality/
3898:——————————————————————————————————————————————————
3632:
3421:——————————————————————————————————————————————————
3276:
https://en.wikipedia.org/Timelines_of_world_history
3258:
https://en.wikipedia.org/Category:Non-binary_gender
3162:——————————————————————————————————————————————————
3155:——————————————————————————————————————————————————
3115:“Beauty is everywhere, yet perfection is nowhere.”
3079:——————————————————————————————————————————————————
3058:2015 “Portraits” Lecture, Photo Festival, Tbilisi
3054:
https://www.culturewhisper.com/r/talks/preview/4071
3032:
3003:
https://www.fitnyc.edu/museum/events/past/index.php
2958:——————————————————————————————————————————————————
2911:
2802:——————————————————————————————————————————————————
2752:——————————————————————————————————————————————————
2735:Cooper Hewitt, Smithsonian Design Museum, New York
2731:
https://www.museedelachemiserie.fr/les-collections/
2702:——————————————————————————————————————————————————
2694:
https://en.wikipedia.org/Artexte_Information_Centre
2684:
2525:
2524:2012 “Rad Hourani : Earth”, I.T Gallery, Hong Kong
2470:——————————————————————————————————————————————————
2326:——————————————————————————————————————————————————
2286:
https://www.nowness.com/contributor/398/rad-hourani
2235:——————————————————————————————————————————————————
2187:
https://cultmtl.com/2015/11/rad-hourani-neutrality/
2143:——————————————————————————————————————————————————
1877:
1666:——————————————————————————————————————————————————
5019:https://en.wikipedia.org/Category:Contemporary_art
4775:
4269:https://nl.wikipedia.org/Arnhem_Mode_Bi%C3%ABnnale
3500:https://artexte.ca/en/2022/10/rad-hourani-artexte/
3451:https://artexte.ca/en/2022/10/rad-hourani-artexte/
3264:https://en.wikipedia.org/Category:Contemporary_art
3020:
2514:https://nl.wikipedia.org/Arnhem_Mode_Bi%C3%ABnnale
1745:https://artexte.ca/en/2022/10/rad-hourani-artexte/
1696:https://artexte.ca/en/2022/10/rad-hourani-artexte/
303:This article has not yet received a rating on the
4951:https://en.wikipedia.org/Category:Social_sciences
4924:www.radhourani.com, official Rad Hourani website
4814:
4796:
4793:
4678:
4608:https://en.wikipedia.org/Guggenheim_Museum_Bilbao
4601:
4395:https://en.wikipedia.org/Guggenheim_Museum_Bilbao
4350:https://fr.wikipedia.org/Arsenal_art_contemporain
4332:https://fr.wikipedia.org/Centre_culturel_canadien
3939:https://fr.wikipedia.org/Arsenal_art_contemporain
3890:
3807:
3660:
3196:https://en.wikipedia.org/Category:Social_sciences
3169:www.radhourani.com, official Rad Hourani website
3059:
3041:
3038:
2923:
2853:https://en.wikipedia.org/Guggenheim_Museum_Bilbao
2846:
2640:https://en.wikipedia.org/Guggenheim_Museum_Bilbao
2595:https://fr.wikipedia.org/Arsenal_art_contemporain
2577:https://fr.wikipedia.org/Centre_culturel_canadien
2184:https://fr.wikipedia.org/Arsenal_art_contemporain
2135:
2052:
1905:
1626:"Rad Hourani Tries to Make Unisex Couture Happen"
5205:
4826:
4805:
4783:2014 “5 Yrs of Unisex” Lecture, Art Week, Dubai
4730:
4694:https://www.pinterest.ca/pin/413627547007613453/
4605:https://www.nowness.com/story/rad-hourani-unisex
4402:2019 “Gender Bending”, Fine Arts Museum, Boston
4384:2016 “Beauty”, San Jose Museum of Art, San Jose
4379:
4285:2012 “Rad Hourani : VF”, Centre Pompidou, Paris
4147:https://www.gettextbooks.com/isbn/9782981323613/
4047:https://www.pinterest.ca/pin/201817627024162484/
3879:
3762:https://en.wikipedia.org/The_Wall_Street_Journal
3688:https://www.pinterest.ca/pin/413627547007613453/
3071:
3050:
3028:2014 “5 Yrs of Unisex” Lecture, Art Week, Dubai
2975:
2939:https://www.pinterest.ca/pin/413627547007613453/
2850:https://www.nowness.com/story/rad-hourani-unisex
2647:2019 “Gender Bending”, Fine Arts Museum, Boston
2629:2016 “Beauty”, San Jose Museum of Art, San Jose
2624:
2530:2012 “Rad Hourani : VF”, Centre Pompidou, Paris
2392:https://www.gettextbooks.com/isbn/9782981323613/
2292:https://www.pinterest.ca/pin/201817627024162484/
2124:
2007:https://en.wikipedia.org/The_Wall_Street_Journal
1933:https://www.pinterest.ca/pin/413627547007613453/
1161:policy. There may be relevant discussion on the
4905:
4885:“To have a revolution, you need an evolution.”
4784:
4779:https://m.facebook.com/events/1428647087348323/
4739:
4727:
4389:https://en.wikipedia.org/San_Jose_Museum_of_Art
4274:
4253:
4244:
4242:https://en.wikipedia.org/Galerie_Dominique_Fiat
3823:
3816:https://en.wikipedia.org/Vanity_Fair_(magazine)
3811:https://www.thecut.com/2010/02/rad_hourani.html
3150:
3130:“To have a revolution, you need an evolution.”
3029:
3024:https://m.facebook.com/events/1428647087348323/
2984:
2972:
2634:https://en.wikipedia.org/San_Jose_Museum_of_Art
2519:
2498:
2489:
2487:https://en.wikipedia.org/Galerie_Dominique_Fiat
2068:
2061:https://en.wikipedia.org/Vanity_Fair_(magazine)
2056:https://www.thecut.com/2010/02/rad_hourani.html
5055:https://en.wikipedia.org/Category:LGBT_artists
4736:
4375:2016 “Rad Hourani : Eye”, L40 Gallery, Berlin
4317:https://www.mu.nl/nl/exhibitions/genderblender
3950:https://www.mu.nl/nl/exhibitions/genderblender
3300:https://en.wikipedia.org/Category:LGBT_artists
2981:
2620:2016 “Rad Hourani : Eye”, L40 Gallery, Berlin
2562:https://www.mu.nl/nl/exhibitions/genderblender
2195:https://www.mu.nl/nl/exhibitions/genderblender
1157:It may need editing to conform to Knowledge's
4995:https://en.wikipedia.org/Category:1982_births
4957:https://en.wikipedia.org/Category:Art_history
4260:https://en.wikipedia.org/Yvon_Lambert_Gallery
3839:
3746:https://en.wikipedia.org/Interview_(magazine)
3240:https://en.wikipedia.org/Category:1982_births
3202:https://en.wikipedia.org/Category:Art_history
2505:https://en.wikipedia.org/Yvon_Lambert_Gallery
2084:
1991:https://en.wikipedia.org/Interview_(magazine)
4968:https://en.wikipedia.org/Artistic_revolution
4963:https://en.wikipedia.org/Category:Revolution
4483:https://fr.wikipedia.org/Argenton-sur-Creuse
4481:Musée de la Chemiserie, Argenton-sur-Creuse
4438:2021 “The Third Gender”, A.K.T;, Pforzheim
4431:https://en.wikipedia.org/Wesleyan_University
4314:https://nl.wikipedia.org/MU_Hybrid_Art_House
3947:https://nl.wikipedia.org/MU_Hybrid_Art_House
3847:
3800:https://en.wikipedia.org/National_Geographic
3213:https://en.wikipedia.org/Artistic_revolution
3208:https://en.wikipedia.org/Category:Revolution
2728:https://fr.wikipedia.org/Argenton-sur-Creuse
2726:Musée de la Chemiserie, Argenton-sur-Creuse
2683:2021 “The Third Gender”, A.K.T;, Pforzheim
2676:https://en.wikipedia.org/Wesleyan_University
2559:https://nl.wikipedia.org/MU_Hybrid_Art_House
2192:https://nl.wikipedia.org/MU_Hybrid_Art_House
2092:
2045:https://en.wikipedia.org/National_Geographic
5118:Knowledge describes someone as independent
5061:https://en.wikipedia.org/Category:Celebrity
4977:https://en.wikipedia.org/Category:Activists
4971:https://en.wikipedia.org/Art_and_Revolution
4326:https://exhibitions.fitnyc.edu/trend-ology/
4291:2013 “Metaprojection”, Tate Modern, London
3958:https://exhibitions.fitnyc.edu/trend-ology/
3735:https://en.wikipedia.org/The_New_York_Times
3705:https://en.wikipedia.org/Nick_Cave_(artist)
3306:https://en.wikipedia.org/Category:Celebrity
3222:https://en.wikipedia.org/Category:Activists
3216:https://en.wikipedia.org/Art_and_Revolution
2571:https://exhibitions.fitnyc.edu/trend-ology/
2536:2013 “Metaprojection”, Tate Modern, London
2203:https://exhibitions.fitnyc.edu/trend-ology/
1980:https://en.wikipedia.org/The_New_York_Times
1950:https://en.wikipedia.org/Nick_Cave_(artist)
1070:Learn how and when to remove these messages
4818:https://en.wikipedia.org/Georgia_(country)
4767:https://en.wikipedia.org/Gender_neutrality
4656:https://en.wikipedia.org/Michelle_Gurevich
4599:https://en.wikipedia.org/%C3%89douard_Lock
3856:https://en.wikipedia.org/Harper%27s_Bazaar
3727:https://en.wikipedia.org/%C3%89douard_Lock
3677:https://en.wikipedia.org/Michelle_Gurevich
3399:The following discussion has been closed.
3063:https://en.wikipedia.org/Georgia_(country)
3012:https://en.wikipedia.org/Gender_neutrality
2901:https://en.wikipedia.org/Michelle_Gurevich
2844:https://en.wikipedia.org/%C3%89douard_Lock
2101:https://en.wikipedia.org/Harper%27s_Bazaar
1972:https://en.wikipedia.org/%C3%89douard_Lock
1922:https://en.wikipedia.org/Michelle_Gurevich
1477:"The Birth of Unisex Couture: Rad Hourani"
1230:about living persons that is unsourced or
782:; in addition the company is not-notable.
322:Concerns about full protection escalation.
61:
5224:Automatically assessed biography articles
5067:https://en.wikipedia.org/Category:History
4770:https://en.wikipedia.org/Phoebe_Greenberg
4570:https://en.wikipedia.org/1970s_in_fashion
4474:https://en.wikipedia.org/Bata_Shoe_Museum
4393:2017 “Unisex", Guggenheim Museum, Bilbao
4321:2014 “Trend-ology”, FIT Museum, New York
3754:https://en.wikipedia.org/Vogue_(magazine)
3312:https://en.wikipedia.org/Category:History
3015:https://en.wikipedia.org/Phoebe_Greenberg
2815:https://en.wikipedia.org/1970s_in_fashion
2719:https://en.wikipedia.org/Bata_Shoe_Museum
2638:2017 “Unisex", Guggenheim Museum, Bilbao
2566:2014 “Trend-ology”, FIT Museum, New York
1999:https://en.wikipedia.org/Vogue_(magazine)
1314:Learn how and when to remove this message
1296:Learn how and when to remove this message
1181:Learn how and when to remove this message
1122:Learn how and when to remove this message
5049:https://en.wikipedia.org/Category:Levant
5007:https://en.wikipedia.org/Modern_Painters
4792:2014 “Anatomy” Lecture, Public, Beijing
4743:https://en.wikipedia.org/Centre_Pompidou
4709:https://cultmtl.com/2013/10/rad-hourani/
4642:https://en.wikipedia.org/The_Smell_of_Us
4622:https://en.wikipedia.org/The_Smell_of_Us
4585:https://en.wikipedia.org/Centre_Pompidou
4356:https://aestheticamagazine.com/448411-2/
4305:https://cultmtl.com/2013/10/rad-hourani/
4287:https://en.wikipedia.org/Centre_Pompidou
3864:https://en.wikipedia.org/Vice_(magazine)
3792:https://en.wikipedia.org/Carine_Roitfeld
3778:https://en.wikipedia.org/Elle_(magazine)
3773:https://aestheticamagazine.com/448411-2/
3454:https://aestheticamagazine.com/448411-2/
3294:https://en.wikipedia.org/Category:Levant
3252:https://en.wikipedia.org/Modern_Painters
3037:2014 “Anatomy” Lecture, Public, Beijing
2988:https://en.wikipedia.org/Centre_Pompidou
2954:https://cultmtl.com/2013/10/rad-hourani/
2887:https://en.wikipedia.org/The_Smell_of_Us
2867:https://en.wikipedia.org/The_Smell_of_Us
2830:https://en.wikipedia.org/Centre_Pompidou
2601:https://aestheticamagazine.com/448411-2/
2550:https://cultmtl.com/2013/10/rad-hourani/
2532:https://en.wikipedia.org/Centre_Pompidou
2109:https://en.wikipedia.org/Vice_(magazine)
2037:https://en.wikipedia.org/Carine_Roitfeld
2023:https://en.wikipedia.org/Elle_(magazine)
2018:https://aestheticamagazine.com/448411-2/
1699:https://aestheticamagazine.com/448411-2/
1521:
4755:https://en.wikipedia.org/Valerie_Steele
4676:https://ladygaga.fandom.com/Rad_Hourani
4576:https://en.wikipedia.org/Richard_Avedon
4544:https://www.instagram.com/p/-PLSK0mv0P/
4422:https://en.wikipedia.org/Noguchi_Museum
3716:https://www.instagram.com/p/-PLSK0mv0P/
3642:https://ladygaga.fandom.com/Rad_Hourani
3000:https://en.wikipedia.org/Valerie_Steele
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2821:https://en.wikipedia.org/Richard_Avedon
2789:https://www.instagram.com/p/-PLSK0mv0P/
2667:https://en.wikipedia.org/Noguchi_Museum
1961:https://www.instagram.com/p/-PLSK0mv0P/
1887:https://ladygaga.fandom.com/Rad_Hourani
1475:Sidell, Misty White (25 January 2013).
501:File:Rad_Hourani_Self_portrait_wiki.jpg
461:File:Rad_Hourani_Self_portrait_wiki.jpg
5206:
4933:https://en.wikipedia.org/Cultural_icon
4685:https://en.wikipedia.org/Lenny_Kravitz
4659:https://crushfanzine.com/product/5814/
4639:https://en.wikipedia.org/Chris_Garneau
4582:https://en.wikipedia.org/Helmut_Newton
4413:https://en.wikipedia.org/Savina_Museum
4263:https://en.wikipedia.org/New_York_City
3832:https://en.wikipedia.org/Rolling_Stone
3713:https://en.wikipedia.org/Shirin_Neshat
3680:https://crushfanzine.com/product/5814/
3669:https://en.wikipedia.org/Lenny_Kravitz
3178:https://en.wikipedia.org/Cultural_icon
2930:https://en.wikipedia.org/Lenny_Kravitz
2904:https://crushfanzine.com/product/5814/
2884:https://en.wikipedia.org/Chris_Garneau
2827:https://en.wikipedia.org/Helmut_Newton
2658:https://en.wikipedia.org/Savina_Museum
2508:https://en.wikipedia.org/New_York_City
2077:https://en.wikipedia.org/Rolling_Stone
1958:https://en.wikipedia.org/Shirin_Neshat
1925:https://crushfanzine.com/product/5814/
1914:https://en.wikipedia.org/Lenny_Kravitz
1474:
918:https://www.radhourani.com/pages/about
561:https://www.radhourani.com/pages/about
4860:https://www.azquotes.com/quote/931340
4854:https://www.azquotes.com/quote/931338
4726:2011 “Unisex” Lecture, Public, Seoul
4721:https://e-artexte.ca/id/eprint/35184/
4718:https://e-artexte.ca/id/eprint/35186/
4530:https://e-artexte.ca/id/eprint/35210/
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4230:https://e-artexte.ca/id/eprint/35210/
4089:https://e-artexte.ca/id/eprint/35184/
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3906:https://e-artexte.ca/id/eprint/35184/
3903:https://e-artexte.ca/id/eprint/35186/
3872:https://en.wikipedia.org/The_Guardian
3523:https://e-artexte.ca/id/eprint/35186/
3497:https://e-artexte.ca/id/eprint/35210/
3467:https://e-artexte.ca/id/eprint/35210/
3464:https://e-artexte.ca/id/eprint/35184/
3461:https://e-artexte.ca/id/eprint/35186/
3432:https://e-artexte.ca/id/eprint/35184/
3429:https://e-artexte.ca/id/eprint/35186/
3426:https://e-artexte.ca/id/eprint/35210/
3105:https://www.azquotes.com/quote/931340
3099:https://www.azquotes.com/quote/931338
2971:2011 “Unisex” Lecture, Public, Seoul
2966:https://e-artexte.ca/id/eprint/35184/
2963:https://e-artexte.ca/id/eprint/35186/
2775:https://e-artexte.ca/id/eprint/35210/
2772:https://e-artexte.ca/id/eprint/35182/
2769:https://e-artexte.ca/id/eprint/35184/
2766:https://e-artexte.ca/id/eprint/35186/
2697:https://e-artexte.ca/id/eprint/35210/
2598:https://e-artexte.ca/id/eprint/35184/
2496:https://en.wikipedia.org/Palais-Royal
2481:https://e-artexte.ca/id/eprint/35184/
2478:https://e-artexte.ca/id/eprint/35186/
2475:https://e-artexte.ca/id/eprint/35210/
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2240:https://e-artexte.ca/id/eprint/35186/
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2117:https://en.wikipedia.org/The_Guardian
1768:https://e-artexte.ca/id/eprint/35186/
1742:https://e-artexte.ca/id/eprint/35210/
1712:https://e-artexte.ca/id/eprint/35210/
1709:https://e-artexte.ca/id/eprint/35184/
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1674:https://e-artexte.ca/id/eprint/35186/
1671:https://e-artexte.ca/id/eprint/35210/
1452:Chambre Syndicale de la Haute Couture
4648:https://www.imdb.com/name/nm6108509/
4645:https://en.wikipedia.org/Larry_Clark
4625:https://www.imdb.com/name/nm6108509/
4619:https://en.wikipedia.org/Larry_Clark
4579:https://en.wikipedia.org/Irving_Penn
4293:https://en.wikipedia.org/Tate_Modern
3963:https://en.wikipedia.org/Tate_Modern
3650:https://en.wikipedia.org/Larry_Clark
2893:https://www.imdb.com/name/nm6108509/
2890:https://en.wikipedia.org/Larry_Clark
2870:https://www.imdb.com/name/nm6108509/
2864:https://en.wikipedia.org/Larry_Clark
2824:https://en.wikipedia.org/Irving_Penn
2538:https://en.wikipedia.org/Tate_Modern
2208:https://en.wikipedia.org/Tate_Modern
1895:https://en.wikipedia.org/Larry_Clark
1522:Cochrane, Lauren (30 January 2014).
1192:
1133:
1076:
1035:
863:Canadian fashion designer and artist
263:This article is within the scope of
141:This article is within the scope of
57:
15:
5239:Unknown-importance fashion articles
5214:Biography articles of living people
4803:https://en.wikipedia.org/Selfridges
4691:https://en.wikipedia.org/Jared_Leto
4596:https://en.wikipedia.org/Nico_Muhly
4573:https://en.wikipedia.org/Supermodel
4463:Fine Arts Museum of Boston, Boston
3770:https://en.wikipedia.org/Aesthetica
3685:https://en.wikipedia.org/Jared_Leto
3048:https://en.wikipedia.org/Selfridges
2936:https://en.wikipedia.org/Jared_Leto
2841:https://en.wikipedia.org/Nico_Muhly
2818:https://en.wikipedia.org/Supermodel
2708:Fine Arts Museum of Boston, Boston
2015:https://en.wikipedia.org/Aesthetica
1930:https://en.wikipedia.org/Jared_Leto
484:By the way, you can like to images
396:matter of discretion where to post.
80:It is of interest to the following
13:
4788:https://en.wikipedia.org/Art_Dubai
4667:https://en.wikipedia.org/Lady_Gaga
4440:https://en.wikipedia.org/Pforzheim
4281:https://en.wikipedia.org/Hong_Kong
3633:https://en.wikipedia.org/Lady_Gaga
3033:https://en.wikipedia.org/Art_Dubai
2912:https://en.wikipedia.org/Lady_Gaga
2685:https://en.wikipedia.org/Pforzheim
2526:https://en.wikipedia.org/Hong_Kong
1878:https://en.wikipedia.org/Lady_Gaga
1426:Herning Museum of Contemporary Art
180:
14:
5250:
4776:https://en.wikipedia.org/Montreal
3021:https://en.wikipedia.org/Montreal
1623:
1051:This article has multiple issues.
4937:21st-century Canadian inventors
4815:https://en.wikipedia.org/Tbilisi
4797:https://en.wikipedia.org/Beijing
4794:https://en.wikipedia.org/Anatomy
4679:https://en.wikipedia.org/Rihanna
4602:https://en.wikipedia.org/Nowness
3891:https://en.wikipedia.org/Nowness
3808:https://en.wikipedia.org/The_Cut
3661:https://en.wikipedia.org/Rihanna
3346:
3182:21st-century Canadian inventors
3060:https://en.wikipedia.org/Tbilisi
3042:https://en.wikipedia.org/Beijing
3039:https://en.wikipedia.org/Anatomy
2924:https://en.wikipedia.org/Rihanna
2847:https://en.wikipedia.org/Nowness
2136:https://en.wikipedia.org/Nowness
2053:https://en.wikipedia.org/The_Cut
1906:https://en.wikipedia.org/Rihanna
1554:
1197:
1138:
1102:. Please discuss further on the
1081:
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371:conflict of interest noticeboard
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21:This article must adhere to the
5165:without embellishing language.
4827:https://en.wikipedia.org/Boston
4806:https://en.wikipedia.org/London
4731:https://en.wikipedia.org/Unisex
4380:https://en.wikipedia.org/Berlin
3880:https://en.wikipedia.org/Forbes
3418:( add ) Website radhourani.com
3072:https://en.wikipedia.org/Boston
3051:https://en.wikipedia.org/London
2976:https://en.wikipedia.org/Unisex
2625:https://en.wikipedia.org/Berlin
2125:https://en.wikipedia.org/Forbes
1617:
1603:
1059:or discuss these issues on the
496:
489:
165:Knowledge:WikiProject Biography
5229:WikiProject Biography articles
4987:21st-century Canadian artists
4906:https://en.wikipedia.org/Quote
4785:https://en.wikipedia.org/Dubai
4740:https://en.wikipedia.org/Paris
4728:https://en.wikipedia.org/Seoul
4275:https://en.wikipedia.org/Paris
4254:https://en.wikipedia.org/Paris
4245:https://en.wikipedia.org/Paris
3824:https://en.wikipedia.org/Dazed
3232:21st-century Canadian artists
3151:https://en.wikipedia.org/Quote
3030:https://en.wikipedia.org/Dubai
2985:https://en.wikipedia.org/Paris
2973:https://en.wikipedia.org/Seoul
2520:https://en.wikipedia.org/Paris
2499:https://en.wikipedia.org/Paris
2490:https://en.wikipedia.org/Paris
2069:https://en.wikipedia.org/Dazed
1585:
1567:
1548:
1530:
1515:
1497:
1491:"Rad Hourani: Nightime Person"
1483:
1468:
928:https://twitter.com/radhourani
908:16:38, 22 September 2021 (UTC)
881:16:32, 22 September 2021 (UTC)
807:
571:https://twitter.com/radhourani
168:Template:WikiProject Biography
1:
5219:Stub-Class biography articles
4737:https://en.wikipedia.org/Film
2982:https://en.wikipedia.org/Film
1440:, a film installation at the
660:Rad Hourani became the first
283:Knowledge:WikiProject Fashion
277:and see a list of open tasks.
24:biographies of living persons
5193:16:29, 3 February 2024 (UTC)
5175:01:29, 3 February 2024 (UTC)
5156:01:20, 3 February 2024 (UTC)
5135:00:07, 2 February 2024 (UTC)
5114:23:09, 1 February 2024 (UTC)
5090:19:43, 1 February 2024 (UTC)
5041:Intelligent design movement
4864:"everything is an illusion"
3840:https://en.wikipedia.org/BBC
3384:19:19, 1 February 2024 (UTC)
3333:19:00, 1 February 2024 (UTC)
3286:Intelligent design movement
3109:"everything is an illusion"
2085:https://en.wikipedia.org/BBC
1479:– via www.thedailybeast.com.
1208:biography of a living person
796:15:41, 24 January 2021 (UTC)
765:22:42, 12 January 2021 (UTC)
286:Template:WikiProject Fashion
153:contribute to the discussion
7:
5234:Stub-Class fashion articles
5029:Timelines of world history
3848:https://en.wikipedia.org/GQ
3369:to reactivate your request.
3357:has been answered. Set the
3274:Timelines of world history
2093:https://en.wikipedia.org/GQ
1655:15:04, 5 October 2021 (UTC)
1579:collection.cooperhewitt.org
1438:Museum of Fine Arts, Boston
1235:must be removed immediately
1014:22:05, 5 October 2021 (UTC)
985:to reactivate your request.
973:has been answered. Set the
949:15:10, 5 October 2021 (UTC)
854:to reactivate your request.
842:has been answered. Set the
749:to reactivate your request.
737:has been answered. Set the
628:to reactivate your request.
616:has been answered. Set the
592:15:13, 5 October 2021 (UTC)
402:Knowledge:Protection policy
36:must be removed immediately
10:
5255:
5023:Art collectors from Paris
4893:“I am allergic to trends”
4472:Bata Shoe Museum, Toronto
3553:conditioning of the self.
3268:Art collectors from Paris
3138:“I am allergic to trends”
2717:Bata Shoe Museum, Toronto
1798:conditioning of the self.
1526:– via www.theguardian.com.
486:instead of displaying them
473:15:10, 28 April 2019 (UTC)
450:01:41, 28 April 2019 (UTC)
384:23:13, 27 April 2019 (UTC)
363:23:08, 27 April 2019 (UTC)
305:project's importance scale
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4879:"Gender is irrelevant.”
3402:Please do not modify it.
3124:"Gender is irrelevant.”
1509:South China Morning Post
1363:interdisciplinary artist
1031:interdisciplinary artist
869:Interdisciplinary artist
713:17:22, 16 May 2019 (UTC)
695:16:27, 16 May 2019 (UTC)
645:15:32, 16 May 2019 (UTC)
4981:Portrait photographers
4943:Contemporary sculptors
3226:Portrait photographers
3188:Contemporary sculptors
545:01:55, 7 May 2019 (UTC)
523:23:31, 6 May 2019 (UTC)
3394:Condensed for brevity
1222:Please help by adding
535:thank you for the tip!
189:This article has been
185:
70:This article is rated
5163:neutral point of view
1159:neutral point of view
1100:neutral point of view
1006:ScottishFinnishRadish
900:ScottishFinnishRadish
418:, etc.) on any topic.
341:our protection policy
184:
144:WikiProject Biography
5148:Art design researher
5106:Art design researher
3376:Art design researher
3321:Art design researher
1647:Art design researher
1228:Contentious material
937:Art design researher
580:Art design researher
4999:Artists from Paris
4632:Live Performances:
3244:Artists from Paris
2877:Live Performances:
1493:. 20 February 2009.
1428:in Denmark and the
1379:Neutrality / Unisex
488:by adding a colon (
266:WikiProject Fashion
191:automatically rated
5011:Non-binary gender
3601:An idol of mine :
3256:Non-binary gender
1846:An idol of mine :
1613:. 16 January 2013.
778:This is a case of
201:because it uses a
186:
171:biography articles
76:content assessment
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5017:Contemporary art
4114:extra sources :
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3262:Contemporary art
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5120:reliable sources
5005:Modern painters
4949:Social sciences
4031:extra sources :
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3250:Modern painters
3194:Social sciences
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1249:"Rad Hourani"
1247:
1246:Find sources:
1240:
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1151:autobiography
1147:This article
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984:
981:parameter to
972:
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929:
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905:
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885:
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882:
878:
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867:
861:
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850:parameter to
841:
837:
830:
829:
815:
810:
806:
803:
797:
793:
789:
785:
781:
777:
769:
768:
767:
766:
762:
758:
748:
745:parameter to
736:
732:
725:
724:
714:
710:
706:
702:
701:
696:
692:
688:
684:
683:
679:
675:
672:
668:
665:
663:
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647:
646:
642:
638:
627:
624:parameter to
615:
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568:
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563:
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495:For example,
494:
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367:
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348:
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336:
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329:
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203:stub template
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157:documentation
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51:
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37:
34:
30:
26:
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20:
18:
17:
5064:
5058:
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5046:
5040:
5028:
5022:
5016:
5010:
5004:
4998:
4993:1982 births
4992:
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4955:Art history
4954:
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4909:
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4392:
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4329:
4320:
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4299:
4290:
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4272:
4266:
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4239:
4227:
4224:
4112:
4108:
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3440:
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3423:
3420:
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3413:
3409:
3401:
3387:
3366:
3355:edit request
3315:— Preceding
3309:
3303:
3297:
3291:
3285:
3273:
3267:
3261:
3255:
3249:
3243:
3238:1982 births
3237:
3231:
3225:
3219:
3211:
3205:
3200:Art history
3199:
3193:
3187:
3181:
3175:
3171:
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3146:
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2523:
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2278:
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2259:
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2206:
2198:
2190:
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2142:
2134:
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2115:
2107:
2099:
2091:
2083:
2075:
2067:
2059:
2051:
2043:
2035:
2021:
2013:
2005:
1997:
1989:
1978:
1970:
1956:
1948:
1928:
1920:
1912:
1904:
1893:
1876:
1820:
1816:
1812:
1808:
1804:
1800:
1796:
1792:
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1727:
1723:
1719:
1715:
1693:
1689:
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1668:
1665:
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1658:
1645:
1629:
1619:
1605:
1596:
1587:
1578:
1569:
1560:
1550:
1542:The National
1541:
1532:
1517:
1508:
1499:
1485:
1470:
1462:
1449:
1446:
1410:Palais-Royal
1407:
1402:
1395:
1385:
1384:
1371:2002–present
1368:Years active
1310:
1292:
1283:
1273:
1267:
1261:
1255:
1245:
1234:
1217:verification
1210:
1177:
1168:
1148:
1118:
1109:
1103:
1090:
1067:
1061:
1060:
1054:
1053:Please help
1050:
1033:
997:
982:
971:edit request
931:— Preceding
926:
921:
916:
912:
891:
871:
865:
859:
851:
840:edit request
809:
801:
775:
754:
746:
735:edit request
661:
633:
625:
614:edit request
574:— Preceding
569:
564:
558:
553:
412:sockpuppetry
405:
337:
325:
264:
198:
142:
82:WikiProjects
47:
35:
28:
22:
5078:WP:CIRCULAR
4961:Revolution
4913:References
3206:Revolution
3158:References
1597:thestar.com
1561:Fashionista
1444:in Bilbao.
1418:Tate Modern
1403:Rad Hourani
1401:collection
1386:Rad Hourani
1355:High school
1344:Nationality
1330:Rad Hourani
423:the EP logs
5208:Categories
5140:confusion.
5059:Celebrity
4975:Activists
3359:|answered=
3304:Celebrity
3220:Activists
1463:References
1458:References
1422:FIT Museum
1405:in 2007.
1360:Occupation
1286:April 2019
1259:newspapers
1171:April 2019
1112:April 2019
1056:improve it
975:|answered=
844:|answered=
802:References
780:WP:NOTNEWS
739:|answered=
618:|answered=
420:Reviewing
410:, abusive
332:Floquirion
209:parameter.
199:Stub-class
72:Stub-class
1436:, at the
1376:Known for
1352:Education
1213:citations
1163:talk page
1104:talk page
1062:talk page
998:Not done:
892:Not done:
776:Not done:
499:produces
416:edit wars
408:vandalism
162:Biography
101:Biography
40:libellous
5097:century.
5065:History
3329:contribs
3317:unsigned
3310:History
1434:Montreal
1347:Canadian
1239:libelous
945:contribs
933:unsigned
792:contribs
757:Semyorka
653:content:
588:contribs
576:unsigned
518:contribs
445:contribs
358:contribs
5181:WP:TLDR
5047:Levant
4566:Paris.
3292:Levant
2811:Paris.
1271:scholar
860:change
391:Bearcat
376:Bearcat
328:Bearcat
280:Fashion
271:Fashion
230:Fashion
5185:331dot
5167:331dot
5127:331dot
5082:331dot
1630:Bustle
1392:Career
1149:is an
705:331dot
207:|auto=
78:scale.
3363:|ans=
3353:This
1277:JSTOR
1265:books
1206:This
979:|ans=
969:This
848:|ans=
838:This
743:|ans=
733:This
622:|ans=
612:This
193:by a
5189:talk
5171:talk
5152:talk
5131:talk
5110:talk
5086:talk
3380:talk
3325:talk
1651:talk
1339:1982
1336:Born
1253:news
1215:for
1010:talk
941:talk
904:talk
877:talk
788:talk
761:talk
709:talk
691:talk
641:talk
584:talk
541:talk
512:talk
469:talk
439:talk
380:talk
352:talk
151:and
3361:or
977:or
866:to
846:or
794:)
741:or
620:or
463:) .
326:Hi
299:???
195:bot
29:BLP
5210::
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3382:)
3367:no
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2415:.
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1559:.
1540:.
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1251:–
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1012:)
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852:no
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626:no
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1274:·
1268:·
1262:·
1256:·
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490::
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478:@
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389:@
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307:.
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84::
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27:(
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