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524:. One reviewer wrote: "Also on this record is some exciting music by Tak Shindo: Behind this music's fragility there is great emotional power. It's Japanese in antecedent one supposes. If you're too young to have this record stir memories, perhaps it will stimulate you into washing out your gym clothes and going out to look the world over."
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Shindo, Professor
Sheppard noted: "Shindo suddenly found the mainstream spotlight shining on him in the late 1950s as the representative of Japanese musical culture in Hollywood film and television." He first gained general notoriety for his work as technical adviser for the music in the 1957 motion picture,
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label in Japan in 1966. The album features traditional
Japanese folk melodies with eastern and western instrumentation. In his review for allmusic.com, Jason Ankeny calls it "clearly the most appealing and imaginative album of the bunch ... A beautiful, thoughtful album, free of kitsch and irony."
284:
Following the war, Shindo studied music at Los
Angeles State College and studied jazz composition at the American Operatic Laboratory school. He also formed a dance band in 1947, which he continued to operate for more than 25 years. In a 1947 interview, Shindo discussed the multi-ethnic composition
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Pierson wrote that Shindo's "skillful arrangements of big band chestnuts and
Hollywood theme tunes achieved a blend that was witty, cosmopolitan, and almost immediately outmoded as the ascendancy of rock and its youth market turned American pop music into an arena of generational identity politics."
857:
camp records listed his date of birth as
November 29, 1922. Another record states that Shindo's birth date is November 11, 1922, and notes that this date was taken directly from Shindo's birth certificate. According to Sheppard, Shindo consistently told him that his date of birth was November 11,
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magazine in 1960 wrote: "Tak mixes ancient
Eastern and modern Western instruments in a steamy dance sukiyaki." Another reviewer wrote that "the music is neither Oriental nor jazz, but a delightful, different sound" providing "nothing but fun for stereo fanciers." Writing for allmusic.com, Richard
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While he had some musical experience, he had just begun college before Pearl Harbor and had no thoughts of pursuing music as a career. ... Shindo performed in one of the camp orchestras and took advantage of the camp's musical education program. Most significantly for his later career, he also took
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are both divided "into two utterly different racial/musical realms." One half of the covers features a
Caucasian woman "presented as sexually sophisticated and modern as she appears caressing and surrounded by phallic instruments," while the other half features a Japanese woman dressed in a kimono
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contributed a
Chinese gong acquired on a trip to Hong Kong. At the time of the album's release, Shindo said: "It . . . introduces a foreign sound to the American ear. Oriental instruments have been used for solo passages in record before, but as far as I know this is the first time they have ever
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Shindo also collected
Japanese instruments and wrote and lectured on Japanese music. In the late 1950s and 1960s, Shindo was frequently called on by Hollywood film and television productions to serve as a technical consultant on projects incorporating Japanese music and themes. In his article on
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peaked in 1959 as Denny's album "Exotica" spent five weeks at No. 1 on the
Billboard album chart and was the No. 3 album of the year according to Billboard. Shindo later recalled what attracted him to the style: "Everyone is looking for a style. So in my case, I decided being Oriental, I had
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been an integral part of the arrangements." One reviewer rated it as the "Album of the Month" for April 1960, calling it a "sparkling debut" with "a new, refreshing blend of music of the East and West, big band dance arrangements spiced with exotic instrumental sounds of the orient."
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There is some discrepancy in official records concerning Shindo's precise date of birth. The U.S. Social Security Administration's Social Security Death Index lists Shindo's date of birth as December 29, 1922. However, Shindo biographer W. Anthony Sheppard has noted that Shindo's
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and developed his interest in music. Music professor W. Anthony Sheppard, who published an article on Shindo and his music in 2005, concluded that, had it not been for his internment at Manzanar, Shindo would most likely have become an electrical engineer. Sheppard observed:
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opened up numerous opportunities for him. He noted that "the whole thing just lined up one after the other ... it just rode and rode to the point I couldn't keep up with it anymore." Other projects in which Shindo was asked to consult (or compose) include
341:. Shindo was charged with blending Japanese and western musical influences, using Japanese instruments and a mixed choral group of 38 voices of which 16 were female Japanese and four were male Japanese. Ron Burton, in an article distributed by the
544:, Shindo minimized the Japanese musical elements in favor of "largely straightforward big-band arrangements." The album's liner notes observe that "this well-arranged meeting of East and West is a swinging thing, and Oriental too – but scrutable."
494:, and bamboo flutes, with Western brass with "orchestration in tempos and moods that range from ballads to swing." The fanfare drums used in the recording were borrowed from the Tenrikyo Church in Los Angeles, and musicians from the
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music genre during the late 1950s and early 1960s. Shindo also founded a dance band in 1947 and was a frequent lecturer and writer on Japanese music. He first gained prominence for his work on the 1957 motion picture
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policy that was adopted after the outbreak of war between the United States and Japan. Shindo spent more than two years at Manzanar. While at Manzanar, he worked as a reporter for the
205:(1960). He also released several albums in Japan during the mid-1960s that blended American and Japanese musical traditions. During the 1950s and 1960s, Shindo was a columnist for the
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in the mid-1960s. His work, "Impressions for Piano and Strings," premiered at Cal State Los Angeles in 1967. In 1970, Shindo received a master's degree in Asian Studies from the
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in 1979, the same year that he retired from Cal State LA. In 1980, he released a documentary film, "Encounter with the Past," about the Manzanar relocation camp.
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named Shindo as a "Giant of Jazz" in the fifteenth article in Feather's series on the "giants of jazz." His albums won favor with listeners of music in the
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Shindo is most remembered for the albums he recorded featuring a mix of eastern and western musical styles and instrumentation. Jazz composer and critic
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of his band: "As long as a player can produce good music, that's all I'm interested in. My band is supposed to be Japanese-American. But besides the four
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did not achieve the same level of commercial success as its predecessor, and Capitol informed Shindo in March 1961 that it would not renew his contract.
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as "vibrant and intoxicating, with a rhythmic intensity quite uncommon for its era. For an artificial experience, it packs a genuine wallop."
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Shindo's albums drew attention for their cover art as well as the music. Music professor W. Anthony Sheppard has written that the covers of
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281:. While at Fort Snelling, he also continued his correspondence courses in music and became an arranger for the Nisei Eager Beavers band.
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164:, November 11, 1922 – April 17, 2002) was an American musician, composer and arranger. He was one of the prominent artists in the
911:"Appendix and Selected Chronology to "Representing the Authentic: Tak Shindo's 'Exotic Sound' and Japanese American History""
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has been called "Shindo's orchestral fantasy of Africa" and is probably the best known of his albums in the exotica genre.
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Shindo received his bachelor's degree in 1951 from Los Angeles City College and subsequently studied under film composer
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His other albums for the Nippon Victor label included "Mood in Japan" (1964) and "Midnight in San Francisco" (1966).
462:. It also features animal sounds and chants to create an exotic, fantasy feel. Music critic Jason Ankeny described
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on it, I have Jewish, Negro, Russian, Irish, and Mexican-American boys on it. And we have a swell time together."
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300:. Early in his career, Shindo worked on several television series, including service as the musical director for
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William D. Laffler (February 20, 1963). "Popular Records: Ella Fitzgerald Treatment Brightens Arlen Song Book".
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586:. The album "use oriental instruments to show how universal such American songs as "Wagon Wheels" and "
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Paul Mark and His Orchestra and Voices, "Golden Melodies from Japan: (1961, Imperial LP 9161/LP 12075)
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Shindo's albums received renewed attention in the 1990s with the revival of interest in exotica and
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556:"demurely holding their instruments and representing an alternative form of sensuality."
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Pat Hinton (April 18, 1960). "Highlights: The Realm of Entertainment and Other Scopes".
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193:. He is most remembered for the exotica albums he released from 1958 to 1962, including
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Roger Matz (April 1, 1960). "Record Review: Album Introduces New Musical Combination".
951:"Representing the Authentic: Tak Shindo's 'Exotic Sound' and Japanese American History"
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626:. He was the arranger and director for the grand opening of the Japanese Pavilion at
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genre. The album explores the primal rhythms of African music with influences from
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Paul Mark and His Orchestra, "East to West" (1961, Imperial LP 9120/LP 12057)
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1922, which date was also confirmed by Sheppard with Shindo's daughter.
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Tak Shindo, "Mganga! Primitive Sounds" (1958, Edison International 100)
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779:(1958, CBS television) – composer/director of "The Kurushiki Incident"
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and Shindo was asked to complete the follow-up album within 30 days.
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something I should draw upon and so I decided to go 'exotic sound.'"
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243:. He moved with his family to Los Angeles in 1927. He enrolled at
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796:"Geisha Fantasy" (1962) – arranger for show at Las Vegas Desert Inn
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was requested by Capitol Records as a follow-up to the success of
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Superstar" (1983) – composer for show at Las Vegas Stardust Hotel
605:, released in 1966, was one of several recorded in Japan for the
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Shindo also gained positive reviews for his instrumental work on
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American musician, composer, arranger, and bandleader (1922–2002)
763:" (1957, CBS television) – music supervisor for several episodes
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Seven Wonders of the World" (1955, Warner-Adventure) – composer
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Hiroshi Watanabe's Star Dust Orchestra, "Mood in Japan" (1964,
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Capitol, Mercury, Edison International, Imperial, Nippon Victor
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relocation camp where he was relocated in 1942 as part of the
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Tak Shindo, "Midnight in San Francisco" (1966, Nippon Victor)
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732:," (1949, Columbia Pictures) – uncredited assistant composer
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in 1944 and served as a Japanese language instructor in the
379:(1958, composer for episode titled "The Sakae Ito Story"),
175:, served as the musical director for the television series
749:"Stopover Tokyo" (1957) – music supervisor, Japanese music
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1028:"Teachers Bill Japanese as Speaker on Oriental Music".
770:" (1958, NBC television) – composer for episode titled
385:(1958, composer/director of "The Kurushiki Incident"),
793:" (1962, Warner Bros.) – uncredited assistant composer
756:" (1957, RKO Pictures) – uncredited assistant composer
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Tak Shindo, "Accent on Bamboo" (1961, Capitol T-1433)
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718:Tak Shindo, "Sea of Spring" (1966, Nippon Victor)
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802:"Encounter with the Past" (documentary, 1980)
1304:United States Army personnel of World War II
1212:"Premiere of 2 Works Planned at Cal State".
1074:"Mganga! The Primitive Sounds of Tak Shindo"
701:Tak Shindo, "Far East Goes Western" (1962,
219:. In 1980, Shindo made a documentary film,
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998:Ron Burton (March 31, 1958). "Film Shop".
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452:Mganga! The Primitive Sounds of Tak Shindo
446:Mganga! The Primitive Sounds of Tak Shindo
195:Mganga! The Primitive Sounds of Tak Shindo
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1062:. Billboard Books. pp. 80 and 334.
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1013:"Japanese Music Will Be Featured".
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409:Album cover for Shindo's 1958 debut
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355:Cinerama Seven Wonders of the World
310:. He also composed theme music for
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1227:Sheppard, W. Anthony (Fall 2004).
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421:genre that also included artists
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235:Early years and television work
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1233:Echo: A Music-Centered Journal
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685:, "The Yellow Unicorn" (1960,
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640:music. Shindo died in 2002 at
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536:"Accent on Bamboo" album cover
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1043:"Japanese History Workshop".
953:. ECHO (UCLA). Archived from
913:. ECHO (UCLA). Archived from
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618:Shindo joined the faculty at
510:Rod McKuen's "Yellow Unicorn"
478:In late 1959, Shindo's album
275:Military Intelligence Service
251:in early 1942 as part of the
1229:"Representing The Authentic"
1184:Leader-Times, Kittanning, PA
909:W. Anthony Sheppard (2005).
597:and Nippon Victor recordings
253:Japanese American internment
229:Japanese American internment
112:Musician, composer, arranger
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1279:Japanese-American internees
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723:Film and television credits
450:Shindo's 1958 debut album,
239:Shindo was born in 1922 in
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665:LRP-3087) – Shindo played
249:Manzanar Relocation Center
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245:Los Angeles State College
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279:Fort Snelling, Minnesota
1139:Esquire, vol. 54, 1960.
269:Shindo enlisted in the
221:Encounter with the Past
1127:Waterloo Daily Courier
1091:"Tak Shindo Biography"
1058:Joel Whitburn (1991).
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241:Sacramento, California
65:Sacramento, California
47:Background information
957:on February 11, 2011.
949:W. Anthony Sheppard.
869:"Meet the Columnists"
661:, "Primitiva" (1958,
642:San Dimas, California
580:Far East Goes Western
578:Shindo's 1962 album,
574:Far East Goes Western
535:
437:. The popularity of
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81:San Dimas, California
1047:. December 24, 1978.
313:The Ed Sullivan Show
184:The Ed Sullivan Show
154:Takeshi "Tak" Shindo
1171:. Accent on Bamboo.
772:The Sakae Ito Story
540:In his 1960 album,
257:Manzanar Free Press
1169:"Accent on Bamboo"
1109:The Altoona Mirror
980:. spaceagepop.com.
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1216:. March 10, 1967.
1214:Los Angeles Times
1045:Los Angeles Times
1032:. March 30, 1967.
1015:Los Angeles Times
917:on July 18, 2010.
875:. October 3, 1953
807:Siegfried and Roy
791:A Majority of One
754:Escapade in Japan
394:A Majority of One
364:Escapade in Japan
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1153:. March 5, 1960.
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1017:. July 16, 1964.
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549:Brass and Bamboo
542:Accent on Bamboo
528:Accent on Bamboo
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1241:. Retrieved
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978:"Tak Shindo"
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879:November 20,
877:. Retrieved
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825:Lounge music
771:
712:) - Arranger
659:Martin Denny
653:Original LPs
638:ultra lounge
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99:lounge music
76:(2002-04-17)
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1269:2002 deaths
1264:1922 births
873:Rafu Shimpo
768:Wagon Train
648:Discography
644:at age 79.
614:Later years
590:" can be."
376:Wagon Train
319:Wagon Train
208:Rafu Shimpo
201:(1959) and
190:Wagon Train
1258:Categories
831:References
777:Studio One
683:Rod McKuen
516:Rod McKuen
427:Les Baxter
382:Studio One
58:1922-11-11
25:Tak Shindo
730:Tokyo Joe
705:PPS 2031)
689:LP 12036)
601:Shindo's
324:Adventure
271:U.S. Army
213:classical
211:covering
136:1957–1967
41:, c. 1943
855:Manzanar
814:See also
761:Gunsmoke
744:Sayonara
737:Cinerama
687:Imperial
679:ST-1345)
492:shamisen
397:(1962).
373:(1957),
370:Gunsmoke
367:(1957),
361:(1957),
357:(1955),
350:Sayonara
338:Sayonara
308:Suspense
303:Gunsmoke
231:policy.
225:Manzanar
197:(1958),
178:Gunsmoke
172:Sayonara
158:Japanese
121:Clarinet
1289:Exotica
820:Exotica
703:Mercury
677:Capitol
663:Liberty
502:Esquire
468:Mganga!
464:Mganga!
456:exotica
439:exotica
419:exotica
296:at the
166:exotica
91:Exotica
631:Disney
435:Chaino
322:, and
141:Labels
87:Genres
628:EPCOT
287:Nisei
1245:2018
881:2021
667:koto
551:and
488:koto
433:and
306:and
215:and
187:and
162:進藤 武
125:koto
71:Died
52:Born
429:,
277:at
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