1096:, maintains a connection with the final movement of the Ninth. A long, bleak Andante melody for violas alone leads to the exposition of the slow first theme in the strings. This theme is developed and another, lighter theme is introduced. The music dies away and the violas repeat the opening theme. With slight variation, the opening adagio is repeated and developed with growing intensity. This also soon dies away, leaving several variations on the lighter second theme, followed by the climax, an extremely intense variation of the first theme. This restatement culminates in an extraordinary dissonance, after which the piece becomes very quiet.
139:
1168:) stopped below their hotel window. From his room on the 11th floor, the only sound that could be heard was the muffled stroke of a large bass drum preceding a moment of silence. The introduction to the fifth movement re-enacts this scene as a rising line on tubas supported by two double bassoons slowly tries to make headway and is repeatedly negated by the loud (but muffled) drum strokes. However, some musicologists believe that this narrative has been made up by Alma Mahler, and that the use of the drums in fact stems from the shock Mahler suffered when he found out about his wife's affair.
2843:
1160:. There is an annotation on the cover of the draft to the effect that in this movement "The Devil dances with me", and at the very end Mahler wrote "Ah! God! Farewell my lyre!". Cooke's version finishes with a percussion coda employing both timpanists, bass drum, and a large military drum which is to be muffled, that leads directly into the final slow movement. This scherzo differs from the first scherzo in tone, portraying a graver and more sinister mood.
1069:
25:
1101:
693:. Krenek is supposed to have renounced the changes to his version, which was subsequently published. Performances of the Krenek-Schalk/Zemlinsky version have been moderately successful, but the third movement is not generally convincing when taken out of context between the second and fourth movements: it is possible that some of the conductors who have refused to perform the Tenth, most famously
1008:
2869:
2517:
2484:
792:, who also assisted with the orchestration of Cooke's edition. At its first performance Cooke's realisation of the final movement proved to be a revelation to listeners, and Cooke resolved to complete the orchestration and elaboration of the Scherzo movements, which required much more compositional work than he had time for.
894:
Mahler's symphonic output to guide him in his effort, but went so far as to include actual quotations from every Mahler symphony in his edition. The view has been expressed that much of this process of recomposition gives the impression that
Carpenter has effectively written his own symphony using Mahler's as a basis.
812:
second time. I then realised that the time had come when I must reconsider my previous decision not to permit the performance of this work. I have now decided once and for all to give you full permission to go ahead with performances in any part of the world. I enclose copy of my letter of even date to BBC.
672:
in facsimile (1924). The facsimile made evident that the stress of Mahler's final year had not adversely affected the composition, and that the draft contained passages of great beauty. Much of the manuscript, however, was too difficult to read and seemingly too chaotic for the unbroken continuity of
322:
was written in the summer of 1910, and was his final composition. At the time of Mahler's death, the composition was substantially complete in the form of a continuous draft, but not fully elaborated or orchestrated, and thus not performable. Only the first movement is regarded as reasonably complete
1171:
The emotional weight of the symphony is resolved by the long final movement, which incorporates and ties together music from the earlier movements, whereby the opening passage of the symphony, now transferred to the horns, is found to be the answer that tames the savage dissonance that had disturbed
909:
In recent years several further realisations of the symphony have been attempted: Remo
Mazzetti initially made his 1989 version from dissatisfaction with the existing Cooke, Carpenter, and Wheeler editions, though the spur of preparing a performance of Wheeler's version in 1997 led him to recant his
824:
on 13 August 1964 and recorded soon after. After Alma's death in
December 1964, her daughter Anna allowed Cooke access to the full set of manuscript sketches, many of which had not been published four decades earlier. In the light of these, Cooke made a revised performing version in association with
743:
It was soon realised that a performing version of only two movements did not give listeners a clear idea of the entire symphony, let alone constitute a complete artistic statement, so in the 1940s the
American Mahler enthusiast Jack Diether tried to encourage several notable composers to realise the
421:
to Alma on the verge of its successful première in Munich in a desperate attempt to repair the breach. The unsettled frame of Mahler's mind found expression in the despairing comments (many addressed to Alma) on the manuscript of the Tenth, and must have influenced its composition: on the final page
1206:
The original, incomplete Cooke version was first recorded by the BBC as noted above; the first complete version (denoted Cooke I) was also premièred by
Goldschmidt, this time with the London Symphony Orchestra in 1964; the first commercial recording appeared in 1966 (recorded in 1965), conducted by
905:
considers
Wheeler's fourth version to be the closest to Mahler's late orchestral style. Wheeler's interventions are at the opposite end of the spectrum to Carpenter's, and he is less interventionist even than Cooke: he only makes additions to the score where performance is otherwise impossible. The
833:
between 1966 and 1972, and thereafter his final version before his death in 1976. The release of these pages also prompted the
International Gustav Mahler Society in Vienna to issue another, more complete collection of Mahler's manuscripts in facsimile (Ricke, 1967). This revised edition of Cooke's
811:
visited me here in New York. Today he read me your excellent articles on Mahler's Tenth
Symphony and your equally authoritative score. Afterwards I expressed my desire to finally listen to the London BBC tape. I was so moved by this performance that I immediately asked Mr. Byrns to play the work a
1163:
The fifth and final movement begins with a military drum. This may be a reference to a funeral procession that Mahler once observed: on
February 16, 1908, while staying with Alma in the Hotel Majestic on Central Park West in New York City, the funeral cortège of Deputy Fire Chief Charles W. Kruger
1118:
The second movement, the first of two
Scherzo movements, consists of two main ideas, the first of which is notated in consistently changing metres, which would have proved a challenge to Mahler's conducting technique had he lived to perform the symphony. This alternates with a joyful and typically
893:
Clinton Carpenter (1921–2005) started working on his edition long before Cooke, and called his score a "completion" rather than a "performing version". Although he finished his version in 1949 (revising the work in 1966), it had to wait until 1983 for a performance. Carpenter did not merely review
799:
to heart and demanded a veto on further performances of the Cooke performing version, actually changed her mind upon seeing Cooke's revised score and hearing the recording. She wrote Cooke a letter in English, postmarked New York, 8 May 1963, which Cooke includes in the preface pages to the score:
1138:
accompaniment, that are soon subverted by a diabolical undercurrent of more cynical music. The short movement fails to end in limbo though, as after a brief recapitulation a sudden harp arpeggio and gong stroke pull the rug out from under it; it is consigned to perdition by a final grim utterance
961:
In 2011–12 the Portuguese composer/conductor/clarinetist Luis Carvalho produced another chamber version, this one for an ensemble of 21 players, which he revised in 2013–14. Described as a "reinvention of the draft", this version was premiered under Carvalho's direction in June 2014 at the 37th
396:
The parts in short score were usually in four staves. The designations of some movements were altered as work progressed: for example, the second movement was initially envisaged as a finale. The fourth movement was also relocated many times. Mahler then started on an orchestral draft of the
756:(all of whom had been considerably influenced by the works of Mahler) refused, and instead the task was taken up by musicologists: early attempts at realising the entire work were made in America by Clinton Carpenter (completed 1949, subsequently revised 1966), in Germany by
397:
symphony, which begins to bear some signs of haste after the halfway point of the first movement. He had got as far as orchestrating the first two movements and the opening 30 bars of the third movement when he had to put the work aside to make final revisions to the
724:) were 'absolutely performable'. Briefly after Schalk performed Krenek's score (with his own additions) on October 12, 1924, Alma sent what is believed to be Schalk's score to Mengelberg, who subsequently prepared his own edition with the aid of his assistant
1267:, recorded the previous year. The remaining movements of Cooke II were recorded in 1980. The same performance of the 1978 Adagio was incorporated with the 1980 recording of the remainder in a different 2-LP set, with no apparent differences in sound quality.
918:
and Giuseppe Mazzuca (2001). All have been performed and recorded. The version by Samale and Mazzuca was commercially released in 2008 on Octavia Records, through Exton from Japan, with Martin Sieghart conducting the Arnhem Philharmonic Orchestra.
323:
and performable as Mahler intended. Perhaps as a reflection of the inner turmoil he was undergoing at the time (Mahler knew that he had a failing heart and that his wife had been unfaithful), the 10th Symphony is arguably his most dissonant work.
404:
The circumstances surrounding the composition of the Tenth were highly unusual. Mahler was at the height of his compositional powers, but his personal life was in complete disarray, most recently compounded by the revelation that his young wife,
783:
A first, still incomplete performing version by Cooke stemmed from a performance and an associated lecture for radio broadcast on the BBC Third Programme, marking the centenary of Mahler's birth. This was aired on 19 December 1960, with the
434:
cannot be defined precisely, owing to the incompleteness of the orchestral draft, the short score has occasional indications of instrumentation, and some of the orchestration may be surmised from the three movements of the orchestral draft.
1227:
gave the former percussionist an opportunity to make some pointed revisions, most noticeably giving prominence to the military drum in the fifth movement, which is played as loudly as possible without being muffled or dampened.
684:
was enlisted to proofread the work, but his suggested corrections were never incorporated, while at the same time some unauthorised changes were introduced, possibly by one of the conductors of the first two performances,
883:
reading errors corrected; minor changes to orchestration; enhanced by considerations concerning performance; editorial input from David and Colin Matthews and Berthold Goldschmidt; pages altered are marked with
1172:
the end of the first movement. The music of the flute solo that was heard after the introductory funeral scene can now return to close the symphony peacefully, and unexpectedly, in the principal key of
958:(SACD) in March 2019. This chamber version was also recorded by Ensemble Mini under the direction of Joolz Gale in june 2016. This recording was released on SACD on the label Ars Produktion in 2021.
422:
of the final movement, Mahler wrote, "fĂĽr dich leben! fĂĽr dich sterben!" (To live for you! To die for you!) and the exclamation "Almschi!" (his pet name for Alma) underneath the last soaring phrase.
978:
added solo transcriptions of the other movements in 2010. This composite version (whose last four movements do not follow Cooke's edition at all points) has been recorded with White as soloist.
1150:
The scene is now set for the second scherzo, which has a somewhat driven and harried character, and which has significant connections to Mahler's recent work: the sorrowful first movement of
834:
first complete score was published in 1976, shortly before Cooke's death. A further revision, with mostly minor changes made by the three surviving collaborators, appeared in print in 1989.
1325:
released a 3-CD set featuring Cooke's BBC lecture, the 1960 studio performance of the incomplete version as well as the 1964 world premiere conducted by Goldschmidt. The release received a
2253:
Becqué, Robert (1991). Paul Op de Coul (ed.). "Die Korrespondenz zwischen Alma Mahler und Willem Mengelberg über die Niederländische Erstaufführung von zwei Sätzen der Zehnten Symphonie".
1263:
and the Philadelphia Orchestra. The Adagio movement from this recording was originally recorded and released in 1978, as the fourth side of a 2-LP set containing a complete performance of
680:) and third (Purgatorio) movements, and might have made a fair copy of the second movement, but as Mahler's draft of the Scherzo was very much patchier this was evidently less feasible.
2810:
668:
to make a fair copy of Mahler's orchestral draft for a festival of performances of Mahler works, and at about the same time some of the manuscripts were published by the company of
346:
draft (two of which are missing), and a further 44 pages of preliminary drafts, sketches, and inserts. In the form in which Mahler left it, the symphony has five movements:
732:, and subsequently played a number of times under Mengelberg's baton. This version has since received its first performance in nearly 100 years in December 2019 with the
946:, UK, by the Canterbury Chamber Orchestra under Castelletti's direction. This version was recorded in October 2017 by Lapland Chamber Orchestra under the direction of
910:
earlier view. Of his own revised version he remarked, "I really believe I got things right this time". Two more completions have been produced since, by the conductor
901:
dates from 1953 to 1965, and like Cooke he also refined his ideas several times, so the final version of 1965 was actually the fourth iteration; the American composer
2189:
Gasser, M., "Ronald Stevenson, Composer-Pianist : An Exegetical Critique from a Pianistic Perspective" (Edith Cowan University Press, Western Australia, 2013)
1060:
For his Tenth, Mahler devised a symmetrical structure with two large slow movements enclosing a core of faster inner movements, at the very centre of which is the
1018:
2909:
2820:
1701:
2116:
1314:
have chosen to perform and record just the Adagio, since they interpret it as the only movement completed by Mahler himself. Other noted Mahlerians, such as
1123:. It is almost certainly this movement Paul Stefan had in mind when he described the symphony as containing "gaiety, even exuberance" (Cooke's translation).
728:. This version uses a larger orchestra and makes significant changes in dynamic markings and tempi. It was premiered on November 27, 1924, in the Amsterdam
648:
After Mahler's death there was no immediate attempt to complete the symphony, or render it in a state where it could be performed, although figures such as
902:
849:
BBC performance; realizations of 1st, 3rd and 5th movements; partial realizations of 2nd and 4th movements; presented as part of a lecture-demonstration
2316:
Rothkamm, Jörg. "Berthold Goldschmidt und Gustav Mahler. Zur Entstehung von Deryck Cookes Konzertfassung der X. Symphonie", Hamburg: von Bockel, 2000.
1139:
from the double basses. According to Colin Matthews the title of this movement is almost certainly a reference to a poem about betrayal by his friend
1029:
2135:
2800:
664:
to suggest Mahler wanted the manuscript burned after his death. Hence it was only in the 1920s that Alma Mahler-Werfel asked the composer
1821:
1134:
but the word "Inferno" was struck out) is a brief vignette presenting a struggle between alternately bleak and carefree melodies with a
2028:
Stam, Joop, 'Mengelberg/Doppers versie van Mahlers Tiende Symfonie' , Talk at the Dutch Musicologist's Day, Utrecht, November 25, 2000.
2795:
2387:
2359:
89:
42:
1419:(concert originally recorded for local and syndicated broadcast by WFMT-FM, Chicago. Issued on CD in 1991 by the Chicago Symphony)
61:
335:, and ended his efforts in September. He did not complete the orchestral draft before his May 1911 death at the age of 50 from a
2904:
2424:
2914:
68:
2442:
2283:
2889:
2805:
1507:
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famously expressed the opinion that no one could possibly write a Tenth Symphony without being close to the hereafter (see
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75:
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effect is sparer than other completions, although Wheeler does increase the brass part to a greater degree than Cooke.
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2161:
2075:
1165:
1047:
108:
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A project to recompose and recontextualise the first movement using samples and electronic effects was completed by
2642:
2094:
1945:
733:
57:
970:
A piano transcription of the first movement (in the pre-Cooke 1950s UMP edition) was made by the British composer
2584:
1544:
1244:
2105:
2038:
2894:
2591:
2120:
1489:
1224:
46:
2577:
439:'s performing version of the symphony (the one most often performed today) calls for the following orchestra:
2622:
2302:
1839:
1633:
898:
761:
577:
342:
Mahler's drafts and sketches for the Tenth Symphony comprise 72 pages of full score, 50 pages of continuous
1857:
1562:
1787:
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1683:
1453:
1236:
1100:
1068:
975:
2899:
2859:
2825:
2785:
2373:
1416:
2345:
Matthews, Colin. "Tempo Relationships in the Adagio of Mahler's Tenth Symphony; and two wrong notes."
1909:
926:, was premiered in Berlin in September 2010. Its author conducted the International Mahler Orchestra.
1940:
1904:
1875:
1665:
1380:
830:
302:
2378:
82:
2754:
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2175:
1239:– 1979; Cooke II – employing revisions/alterations by Sanderling himself and Berthold Goldschmidt;
729:
2214:
2090:
1215:. Several notable recordings of the revised Cooke (version II) have been made: the first, made by
1025:
1022:
that states a Knowledge editor's personal feelings or presents an original argument about a topic.
2529:
2508:
2503:
2494:
2489:
2479:
2474:
2465:
2456:
1264:
1259:– 1999; Cooke III, again with alterations by Rattle. Cooke's second version was also recorded by
1107:
1075:
690:
418:
398:
35:
138:
2873:
2846:
2739:
2553:
2410:
1628:
1580:
1471:
1435:
1398:
1362:
1322:
1311:
1212:
785:
242:
381:: 170 bars drafted in short score, the first 30 of which were also drafted in orchestral score
2522:
2396:
2272:
1287:
1152:
542:
451:
2374:
Schott Music, "Work of the Week: Gustav Mahler/Yoel Gamzou, 10th Symphony", 1 September 2010
1375:
1357:
939:
856:
789:
292:
757:
8:
2790:
2675:
2296:
Rothkamm, Jörg. "The Tenth Symphony: Analysis of its Composition and 'Performing Versions
2268:
1979:
1737:
1615:
1596:
1256:
991:
745:
443:
2309:
Rothkamm, Jörg. "Five-Movement Orchestral Versions of Gustav Mahler’s Tenth Symphony",
1870:
1182:. The draft for this movement reveals that Mahler had originally written the ending in
657:
406:
2271:. "In Search of Mahler's Tenth: The Four Performing Versions as Seen by a Conductor",
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2605:
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2346:
2325:
2071:
1852:
1714:
1539:
1275:
1271:
1140:
935:
749:
709:
702:
653:
343:
281:
2598:
2360:
Deryck Cooke's original 1960 radio broadcast on 'Mahler's Unfinished Tenth Symphony'
1958:
1295:
1291:
947:
1974:
1927:
1922:
1719:
1575:
1502:
1326:
1240:
1135:
971:
753:
512:
820:
Cooke's revised and completed version, conducted by Goldschmidt, was premièred at
780:
have, since the mid-1960s, become the basis for most performances and recordings.
2815:
2627:
2106:
Mahler Symphony No. 10 Carpenter completion, MusicWeb (UK), review by Tony Duggan
1557:
1448:
1303:
1279:
1232:
987:
737:
725:
698:
484:
374:
351:
842:
Cooke's performing editions of the Tenth Symphony may be summarised as follows:
2364:
2140:
1757:
1732:
1696:
1678:
1393:
1299:
1208:
955:
911:
860:
826:
677:
661:
597:
410:
355:
238:
2200:
2883:
2734:
2705:
2659:
2433:
1660:
1411:
1283:
1173:
1087:
915:
864:
567:
506:
496:
414:
336:
319:
315:
152:
130:
2780:
2744:
2711:
2379:
Canterbury Christ Church University, concert announcement, 23 November 2012
2063:
1888:
1834:
1816:
1782:
1610:
1521:
1484:
1466:
1307:
1260:
1248:
1220:
1183:
808:
796:
777:
765:
694:
686:
669:
665:
587:
436:
2764:
2717:
2699:
2693:
2637:
1800:
1315:
951:
923:
649:
632:
520:
466:
360:
1164:(whose death in the line of duty inspired the creation of the Manhattan
2759:
1430:
1216:
943:
874:
681:
561:
211:
821:
713:
592:
556:
2306:, ed. Jeremy Barham. Cambridge: University Press, 2007, pp. 150–161.
852:
Cooke I – first complete performing version (1960–1964, unpublished)
24:
532:
479:
431:
2236:
Liner Notes to the 1999 Simon Rattle/Berlin Philharmonic recording
2188:
582:
550:
526:
502:
455:
332:
2402:
2291:
Gustav Mahlers Zehnte Symphonie. Entstehung, Analyse, Rezeption
2278:
Chew, Teng-Leong. "Performing Versions of the Tenth Symphony."
617:
611:
572:
870:
Cooke II – second performing version (1966–1972, printed 1976)
226:
Internationale Gustav Mahler Gesellschaft (complete facsimile)
2255:
Fragment or Completion. Proceedings of the Mahler X Symposium
1192:, but in the process of revision worked the same music into F
1144:
627:
622:
377:
880:
Cooke III – slightly revised form of Cooke II (printed 1989)
2811:
Gustav Mahler's orchestration of Beethoven's Symphony No. 9
1019:
personal reflection, personal essay, or argumentative essay
605:
537:
462:
331:
Mahler started work on his tenth symphony in July 1910 in
2039:"Work of the Week – Mahler/Mengelberg – Symphonie Nr. 10"
1106:
Audio playback is not supported in your browser. You can
1074:
Audio playback is not supported in your browser. You can
2293:, Frankfurt: Peter Lang, 2003 (Reprint and e-book 2012).
2068:
A Performing Version for the Draft of the Tenth Symphony
1997:
1255:– 1993; Cooke II, and Rattle again – this time with the
2821:
Repertory of the Vienna Court Opera under Gustav Mahler
2393:
Orchestral score of the Adagio and Purgatorio movements
1702:
South-West German Radio-Symphony Orchestra, Baden-Baden
1332:
922:
Another new version, by the Israeli-American conductor
981:
2857:
795:
Alma Mahler, who had at one point taken the views of
705:, took exception to such a piecemeal representation.
1086:
The opening of the symphony, which is in the key of
2117:
Spinola, Julia: Unbeirrbar, radikal, kompromisslos.
1649:Polish National Radio Symphony Orchestra, Katowice
1318:, omit the Tenth from their repertoire altogether.
708:In 1923, Alma had also sent a copy of the score to
676:
In 1924 Krenek made a fair copy of only the first (
652:described the high quality of the work as drafted.
49:. Unsourced material may be challenged and removed.
2133:
2099:
1321:In 2011, to mark the centenary of Mahler's death,
962:International Music Festival of Paços de Brandão.
2349:, Vol. 151, No. 1910 (Spring 2010), pp. 3–8.
2881:
2367:including incomplete versions, with commentary.
837:
369:: 522 bars drafted in orchestral and short score
1201:
2910:Classical musical works published posthumously
2418:
2124:, 9 September 2010, retrieved 9 December 2010
2801:Composing hut of Gustav Mahler (Wörthersee)
1822:Bulgarian National Radio Symphony Orchestra
1231:Other notable recordings include those of:
638:
2425:
2411:
2322:Beauty and Sadness: Mahler's 11 Symphonies
888:
771:
760:(1954–1960, withdrawn), and in England by
137:
2796:Composing hut of Gustav Mahler (Attersee)
2388:International Music Score Library Project
2275:, Vol. 74, No. 2 (1990), pp. 175–196
1367:Cooke Incomplete First Version from 1960
1048:Learn how and when to remove this message
109:Learn how and when to remove this message
2257:. The Hague: University Press Rotterdam.
2233:
2215:"Mahler – Recomposed By Matthew Herbert"
2162:"BIS Records – Mahler – Symphony No. 10"
2282:, vol. 1, no. 2 (2002), pp. 7–10 (
409:, had had an affair with the architect
386:: about 579 bars drafted in short score
2882:
2252:
2016:
2003:
1893:Tokyo Metropolitan Symphony Orchestra
965:
716:with the addition that two parts (the
2406:
2324:. Edinburgh: Candle Row Press, 2022.
2062:
1966:Castelletti (chamber version) (SACD)
938:'recreation' by the Maltese composer
776:The various realisations produced by
363:drafted in orchestral and short score
2806:Gustav Mahler Conducting Competition
1333:Recordings of the completed symphony
1219:in 1972 has recently been reissued.
1001:
877:; basis for all recordings 1972–1992
47:adding citations to reliable sources
18:
2176:"Symphony No. 10 (Mahler/Carvalho)"
982:Recomposition of the first movement
13:
2339:
2319:
1527:Radio-Sinfonie-Orchester Frankfurt
1253:Frankfurt Radio Symphony Orchestra
929:
816:Sincerely yours, Alma Maria Mahler
673:the music to be clearly apparent.
425:
14:
2926:
2432:
2365:Discography of the Tenth Symphony
2353:
2313:, vol. 53 (2006), pp. 48–66.
2303:The Cambridge Companion to Mahler
2134:Alex Vella Gregory (2013-12-08).
1198:, the key of the first movement.
1158:Das Trinklied vom Jammer der Erde
768:(1959–1960, 1966–1972 and 1976).
643:
392:: 400 bars drafted in short score
2867:
2842:
2841:
2515:
2482:
2136:"All things beginning with an M"
2091:Symphony No. 10 by Gustav Mahler
1946:Rotterdam Philharmonic Orchestra
1508:Radio-Symphonie-Orchester Berlin
1006:
734:Hong Kong Philharmonic Orchestra
413:. Mahler sought counseling from
23:
2585:Lieder eines fahrenden Gesellen
2262:
2227:
2207:
2193:
2182:
2168:
2154:
2070:. Associated Music Publishers.
1805:International Mahler Orchestra
1545:BBC National Orchestra of Wales
1245:Berlin Radio Symphony Orchestra
997:
199:Paul Zsolnay Verlag (sketches)
34:needs additional citations for
16:Final Symphony by Gustav Mahler
2905:Symphonies completed by others
2127:
2121:Frankfurter Allgemeine Zeitung
2110:
2084:
2056:
2031:
2022:
2009:
1844:Cooke III (DVD & Blu-ray)
1774:Carpenter (DVD & Blu-ray)
1490:Bournemouth Symphony Orchestra
1329:in the 'Historical' category.
1225:Bournemouth Symphony Orchestra
1130:movement (originally entitled
974:; to this the English pianist
942:premiered in November 2012 in
914:(2000), and a joint effort by
326:
1:
2915:Compositions in F-sharp major
2623:Gustav Mahler Jugendorchester
2201:"Divine Art Recordings Group"
1990:
1840:Royal Concertgebouw Orchestra
1771:Singapore Symphony Orchestra
1634:Cincinnati Symphony Orchestra
873:premiered 15 October 1972 by
846:Cooke O – (1960, unpublished)
838:Summary of the Cooke versions
660:); and a mistaken report led
430:While instrumentation of the
58:"Symphony No. 10" Mahler
1858:Melbourne Symphony Orchestra
1563:St. Louis Symphony Orchestra
1385:Cooke I 1964 World Premiere
1202:Recordings of Mahler's Tenth
1103:
1071:
855:premiered 13 August 1964 by
214:edited movements I and III)
7:
2890:Symphonies by Gustav Mahler
2643:Médiathèque Musicale Mahler
1808:Gamzou 2010 World Premiere
1684:Junge Deutsche Philharmonie
1454:Berliner Sinfonie-Orchester
1237:Berliner Sinfonie-Orchester
1223:'s 1980 recording with the
10:
2931:
2311:News about Mahler Research
2015:Briefly after October 24.
1963:Lapland Chamber Orchestra
1436:New Philharmonia Orchestra
1417:Chicago Symphony Orchestra
859:; basis for recordings by
2837:
2773:
2727:
2686:
2651:
2615:
2562:
2546:
2449:
2440:
1876:Sydney Symphony Orchestra
1788:Tonhalle-Orchester ZĂĽrich
1666:Dallas Symphony Orchestra
1381:London Symphony Orchestra
1270:Some conductors, notably
740:, who later recorded it.
303:London Symphony Orchestra
298:
288:
277:
262:
257:
249:
234:
179:
158:
148:
136:
128:
123:
2750:Henry-Louis de La Grange
2633:Mahler Chamber Orchestra
2234:Matthews, Colin (2000),
1510:(as it was then called)
639:Realisations of the work
339:infection of the blood.
266:13 August 1964
171: – Unfinished:
1910:Orchestre MĂ©tropolitain
1132:Purgatorio oder Inferno
1108:download the audio file
1076:download the audio file
889:Other complete versions
772:Deryck Cooke's versions
691:Alexander von Zemlinsky
493:(doubling 4th clarinet)
390:Finale. Langsam, schwer
2786:Bernstein–Mahler cycle
2511:Symphony of a Thousand
1581:Philharmonia Hungarica
1472:Philadelphia Orchestra
1399:Philadelphia Orchestra
1363:Philharmonia Orchestra
1312:Gennady Rozhdestvensky
1213:Philadelphia Orchestra
1028:by rewriting it in an
825:the British composers
818:
786:Philharmonia Orchestra
744:work. Figures such as
505:(3rd and 4th doubling
243:Philadelphia Orchestra
2895:Unfinished symphonies
2592:Des Knaben Wunderhorn
2524:Das Lied von der Erde
2397:New York Philharmonic
2273:The Musical Quarterly
1288:Michael Tilson Thomas
1153:Das Lied von der Erde
802:
143:Gustav Mahler in 1907
2443:List of compositions
2269:Bloomfield, Theodore
1941:Yannick NĂ©zet-SĂ©guin
1905:Yannick NĂ©zet-SĂ©guin
1753:Arnhem Philharmonic
1376:Berthold Goldschmidt
1358:Berthold Goldschmidt
940:Michelle Castelletti
857:Berthold Goldschmidt
790:Berthold Goldschmidt
417:, and dedicated the
293:Berthold Goldschmidt
43:improve this article
2791:Colorado MahlerFest
2676:Mahler on the Couch
2652:Cultural depictions
2399:'s digital archives
2006:, pp. 217–236.
1980:Minnesota Orchestra
1738:Vienna Philharmonic
1616:Berlin Philharmonic
1597:Colorado MahlerFest
1257:Berlin Philharmonic
992:Deutsche Grammophon
966:Piano transcription
2578:Lieder und Gesänge
2043:Schott Music Group
1871:Vladimir Ashkenazy
1247:– 1986; Cooke II;
1166:Firemen's Memorial
1030:encyclopedic style
1017:is written like a
897:The completion by
658:Curse of the ninth
210:Associated Press (
2900:1910 compositions
2855:
2854:
2827:Song of the Earth
2714:(father's cousin)
2668:Bride of the Wind
2606:Kindertotenlieder
2571:Das klagende Lied
2539:
2347:The Musical Times
2095:Michael Steinberg
1988:
1987:
1984:Cooke III (SACD)
1896:Cooke III (SACD)
1853:Mark Wigglesworth
1715:Gianandrea Noseda
1629:JesĂşs LĂłpez Cobos
1540:Mark Wigglesworth
1323:Testament Records
1276:Leonard Bernstein
1272:Hermann Scherchen
1143:, rather than to
1141:Siegfried Lipiner
1112:
1080:
1058:
1057:
1050:
976:Christopher White
936:chamber orchestra
903:Remo Mazzetti Jr.
758:Hans Wollschläger
710:Willem Mengelberg
703:Leonard Bernstein
654:Arnold Schoenberg
308:
307:
282:Royal Albert Hall
119:
118:
111:
93:
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2872:
2871:
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2845:
2844:
2774:Related articles
2616:Named for Mahler
2537:
2519:
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2450:Orchestral music
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2386:: Scores at the
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2289:Rothkamm, Jörg.
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1923:Thomas Dausgaard
1756:Samale/Mazzuca (
1750:Martin Sieghart
1720:BBC Philharmonic
1576:Harold Farberman
1503:Riccardo Chailly
1337:
1336:
1327:Gramophone Award
1265:the 5th symphony
1241:Riccardo Chailly
1197:
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1136:perpetuum mobile
1093:
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990:and released by
972:Ronald Stevenson
950:and released by
804:Dear Mr. Cooke,
764:(1953–1965) and
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2874:Classical music
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2816:Neo-romanticism
2769:
2755:Donald Mitchell
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2628:Mahler (crater)
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2384:Symphony No. 10
2368:
2356:
2342:
2340:Further reading
2332:
2320:Vernon, David.
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1280:Bernard Haitink
1233:Kurt Sanderling
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738:Jaap van Zweden
726:Cornelis Dopper
699:Bernard Haitink
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426:Instrumentation
419:Eighth Symphony
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312:Symphony No. 10
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1412:Jean Martinon
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1015:This section
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788:conducted by
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736:conducted by
735:
731:
730:Concertgebouw
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633:double basses
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568:military drum
565:
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555:
553:(two players)
552:
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497:bass clarinet
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415:Sigmund Freud
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345:
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338:
337:streptococcal
334:
324:
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320:Gustav Mahler
317:
316:F-sharp major
313:
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153:F-sharp major
151:
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131:Gustav Mahler
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102:
99:February 2009
91:
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63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
2826:
2781:Alma Problem
2745:Deryck Cooke
2712:Fritz Mahler
2674:
2666:
2658:
2604:
2597:
2590:
2583:
2576:
2569:
2538:(unfinished)
2534:
2523:
2510:
2496:
2468:Resurrection
2467:
2458:
2321:
2310:
2301:
2290:
2279:
2263:Bibliography
2254:
2246:
2245:
2235:
2229:
2218:. Retrieved
2209:
2195:
2184:
2170:
2156:
2145:. Retrieved
2139:
2129:
2119:
2112:
2101:
2086:
2067:
2058:
2046:. Retrieved
2042:
2033:
2024:
2011:
1999:
1889:Eliahu Inbal
1835:Eliahu Inbal
1817:Emil Tabakov
1783:David Zinman
1638:Mazzetti II
1611:Simon Rattle
1522:Eliahu Inbal
1485:Simon Rattle
1467:James Levine
1320:
1308:Lorin Maazel
1269:
1261:James Levine
1249:Eliahu Inbal
1230:
1221:Simon Rattle
1205:
1170:
1162:
1157:
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1149:
1131:
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1125:
1120:
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1016:
998:Musical form
985:
969:
960:
933:
921:
908:
896:
892:
841:
819:
815:
809:Harold Byrns
806:
803:
797:Bruno Walter
794:
782:
775:
766:Deryck Cooke
746:Shostakovich
742:
721:
717:
707:
695:Bruno Walter
687:Franz Schalk
675:
670:Paul Zsolnay
666:Ernst Krenek
647:
588:glockenspiel
437:Deryck Cooke
429:
403:
395:
389:
384:
373:Purgatorio.
372:
366:
350:
341:
330:
311:
309:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
2765:Paul Stefan
2718:Otto Mahler
2700:Anna Mahler
2694:Alma Mahler
2679:(2010 film)
2671:(2001 film)
2663:(1974 film)
2638:Mahler Spur
2563:Vocal music
2369:(in French)
2017:Becqué 1991
2004:Becqué 1991
1975:Osmo Vänskä
1801:Yoel Gamzou
1652:Wheeler IV
1602:Wheeler IV
1567:Mazzetti I
1316:Georg Solti
952:BIS Records
924:Yoel Gamzou
762:Joe Wheeler
650:Paul Stefan
467:cor anglais
344:short score
327:Composition
2884:Categories
2760:Erwin Ratz
2702:(daughter)
2220:2010-11-13
2147:2014-12-14
2048:9 December
1991:References
1950:Cooke III
1932:Cooke III
1914:Cooke III
1862:Cooke III
1826:Cooke III
1742:Cooke III
1724:Cooke III
1706:Cooke III
1670:Carpenter
1620:Cooke III
1599:Orchestra
1585:Carpenter
1549:Cooke III
1431:Wyn Morris
1346:Orchestra
1343:Conductor
1217:Wyn Morris
1128:Purgatorio
1119:Mahlerian
1064:movement.
1062:Purgatorio
944:Canterbury
875:Wyn Morris
750:Schoenberg
722:Purgatorio
682:Alban Berg
562:snare drum
543:Percussion
299:Performers
270:1964-08-13
69:newspapers
2720:(brother)
2280:Naturlaut
1768:Lan Shui
1531:Cooke II
1513:Cooke II
1494:Cooke II
1476:Cooke II
1458:Cooke II
1440:Cooke II
1211:with the
994:in 2010.
884:asterisks
822:the Proms
714:Amsterdam
593:xylophone
557:bass drum
533:trombones
480:clarinets
444:Woodwinds
289:Conductor
250:Movements
180:Published
2847:Category
2830:(ballet)
2728:Scholars
2708:(cousin)
2066:(1976).
1880:Barshai
1688:Barshai
1422:Cooke I
1403:Cooke I
1349:Version
1195:♯
1187:♭
1177:♯
1091:♯
1038:May 2010
578:triangle
527:trumpets
503:bassoons
491:clarinet
488:♭
475:♭
432:symphony
378:moderato
284:, London
278:Location
258:Premiere
235:Recorded
159:Composed
2509:No. 8 (
2495:No. 6 (
2466:No. 2 (
2457:No. 1 (
2247:Sources
1121:Ländler
1024:Please
754:Britten
618:violins
612:violins
598:Strings
583:tam-tam
573:cymbals
551:timpani
456:piccolo
375:Allegro
367:Scherzo
352:Andante
333:Toblach
268: (
220: (
204: (
193: (
173:Toblach
165: (
83:scholar
2860:Portal
2696:(wife)
2687:Family
2660:Mahler
2535:No. 10
2504:No. 7
2497:Tragic
2328:
2284:online
2074:
867:(1966)
752:, and
718:Adagio
678:Adagio
628:cellos
623:violas
478:and A
452:flutes
359:: 275
356:Adagio
245:, 1965
85:
78:
71:
64:
56:
2530:No. 9
2490:No. 5
2480:No. 4
2475:No. 3
2459:Titan
1971:2020
1955:2019
1937:2017
1919:2015
1901:2014
1885:2014
1867:2012
1849:2011
1831:2011
1813:2011
1797:2010
1779:2010
1765:2009
1747:2008
1729:2008
1711:2007
1693:2005
1675:2001
1657:2001
1643:2000
1625:2000
1607:1999
1590:1997
1572:1994
1554:1994
1536:1994
1518:1992
1499:1986
1481:1980
1463:1980
1445:1979
1427:1972
1408:1966
1390:1965
1372:1964
1354:1960
1340:Year
1190:major
1180:major
1145:Dante
1094:major
827:Colin
778:Cooke
606:harps
521:horns
513:Brass
463:oboes
90:JSTOR
76:books
2326:ISBN
2072:ISBN
2050:2019
1758:SACD
1310:and
1126:The
829:and
807:Mr.
720:and
701:and
689:and
616:2nd
610:1st
538:tuba
407:Alma
361:bars
310:The
263:Date
222:1967
218:1967
212:Berg
206:1951
202:1951
195:1924
191:1924
186:1924
167:1910
163:1910
62:news
2300:",
2093:by
954:on
712:in
472:3 B
318:by
314:in
149:Key
129:by
45:by
2886::
2395:,
2138:.
2041:.
1760:)
1306:,
1302:,
1298:,
1294:,
1290:,
1286:,
1282:,
1278:,
1274:,
1251:–
1243:–
1235:–
1156:,
1147:.
934:A
748:,
697:,
604:2
549:6
531:4
525:4
519:4
501:4
461:4
450:4
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241:,
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2223:.
2203:.
2178:.
2164:.
2150:.
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1040:)
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354:–
272:)
253:5
224:)
208:)
197:)
169:)
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
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