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Royal Academy Summer Exhibition

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increase in the volume of entries over recent years, the number of entries per artist was reduced to 2 (from 3) and the fee was increased per piece. The committee is formed from the Council of Academicians (the governing body of the RA) and is traditionally chaired by the President of the Royal Academy. In addition to those works selected by the committee, all 80 Academicians are entitled to have six of their own pieces in the exhibition.
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Today, around 1,000 works are selected each year from as many as 32,000 entries representing some 16,000 artists. Any artist (living, known or unknown) may submit up to two works at a fee of ÂŁ40 per piece for selection by The Summer Exhibition Selection and Hanging Committee. Due to the significant
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For the 2006 exhibition, the academy received a statue and a plinth from David Hensel. By mistake, the two parts were judged independently, with the result that the statue was rejected and the plinth put on display. Some artists apply repeatedly before being selected: in 2024 Alison Aye's accepted
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In 1768, a group of artists visited King George III and sought his permission to establish a society for Arts and Design. They proposed the idea of an annual exhibition and a school design. King George III approved of the idea and the first exhibition, in 1769, included 136 works. The name Summer
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When the Royal Academy was founded in 1768 one of its key objectives was to establish an annual exhibition, open to all artists of merit, which could be visited by the public. The first Summer Exhibition took place in 1769; it has been held every year since without exception.
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Almost all exhibited works are for sale; the Academy receives 30% of the purchase price. In 2003, this amounted to a sum of some ÂŁ2,000,000 for the institution, which receives no financial support from the state or crown.
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and the multiple". In 2006, the theme was "From Life." In 2008, the theme was "Man Made". The theme for 2010 was "Raw". In 2011, the selection committee agreed to have no specific theme.
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Over ÂŁ70,000 prize money, including the ÂŁ25,000 Charles Wollaston Award, is awarded each year at the Summer Exhibition. In addition, a ÂŁ10,000 architectural prize is awarded.
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described it in 2019 as the "bloated corpse of a tradition ... a tired, inward looking, end-of-the-road quality".
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The Royal Academy (1837–1901) revisited: Victorian paintings from the Forbes magazine Collection
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The RA Summer Exhibition usually opens to the public in early June, preceded by a series of
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Participants in the RA Summer Exhibition 2015 at St. James, Piccadilly, on Varnishing Day
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Mannequin, Dutch wax printed cotton textile, leather, fibreglass and metal
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Thirty-six Murano glass works for the Grande Albergo Ausonia and Hungaria
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Aluminium (bottle tops, printing plates, roofing sheets) and copper wire
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The Great Spectacle: 250 Years of the Royal Academy Summer Exhibition
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Some years have particular themes. The 2005 exhibition theme was "
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High chromium stainless steel with transparent colour coating
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Posters: A Century of Summer Exhibitions at the Royal Academy
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The Royal Academy Summer Exhibition: A Chronicle, 1769–2018
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The exhibition has received both admiration and criticism.
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An exhibition about the history of the Summer Exhibition,
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RA Summer Exhibition: The promotional power of the poster
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About the Researching the Summer Exhibition project
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New York: The Metropolitan Museum of Art. 2726: 1515: 1082:Painted foam, copper and fibreglass resin 2531:"Gavin Turk Wins Charles Wollaston Award" 2254:"1995 Sculpture Returns to the Courtyard" 1107:Oil, acrylic, steel, pastel and charcoal 46:A Private View at the Royal Academy, 1881 2561: 1485: 1483: 1481: 1479: 1263:The Annenberg Courtyard & Staircase 142: 39: 36:View of one of the main rooms, June 2015 31: 2665: 2374: 2345: 1668: 1578: 14: 2841: 2564:"Kaleidoscopic vision | The Spectator" 2348:"Hockney wins summer exhibition prize" 2016:"Royal Academy Summer Exhibition 2023" 1991:"Royal Academy Summer Exhibition 2022" 1966:"Royal Academy Summer Exhibition 2021" 1759:Ellis-Petersen, Hannah (5 June 2015). 1530: 1518:"Artist laughs his head off at the RA" 2696: 2407: 2375:Darwent, Charles (24 February 2021). 1906: 1819: 1787: 1697: 1524: 1476: 27:Annual open art exhibition in England 2849:Recurring events established in 1769 2473:"Chapman brothers win ÂŁ25,000 prize" 1874: 121: 2314: 2122:"Roger de Grey | Grosvenor Gallery" 1128:TSIATSIA – searching for connection 24: 2720: 2317:"1998 Sheffield, Bali, Piccadilly" 2220: 1260:Sleeping bag, concrete and rubble 307:Winners of Charles Wollaston Award 173:for various prizes are announced. 57:and other Victorian worthies at a 25: 2890: 2774:RESEARCHING THE SUMMER EXHIBITION 2751: 2562:Lambirth, Andrew (26 June 2010). 2346:Gibbons, Fiachra (29 June 1999). 2251: 2160:"Jeffries, Neil, b.1959 | Art UK" 2089: 1610:"2010 Rawness and Artists' Books" 1607: 1579:Boucher, Caroline (5 June 2005). 899:Marriage of Reason and Squalor II 2092:"1978 The First Wollaston Award" 1875:Cole, Alison (16 January 2018). 99:architectural designs and models 2697:Jones, Jonathan (5 June 2018). 2659: 2634: 2611: 2588: 2555: 2523: 2491: 2466: 2450:. 1 August 2002. 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Index

Summer Exhibition


A Private View at the Royal Academy, 1881
William Powell Frith
Oscar Wilde
private view
art exhibition
Royal Academy
Burlington House
Piccadilly
central London
paintings
sculpture
architectural designs and models
United Kingdom

private viewings
varnish
vernissage
St James's Church, Piccadilly
shortlists
Printmaking
Stephen Farthing
Christopher Orr
Stephen Chambers
Christopher Le Brun
Tess Jaray
Eva Jiřičná
Norman Ackroyd

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