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1752:, forming either a chequerboard pattern, a pattern of cubes, or more intricate designs. Sometimes the wood was dyed to achieve the color contrast, or pieces of wood were laid with the grain in different directions. Riesener was especially known for richly ornamented surfaces. Roentgen was particularly famous for his desks, which featured a variety of mechanical features as well as superb woodwork.
1528:
more exotic themes, often taken from popular theatre productions in Paris, appeared in decoration of furniture. These included
Chinese, Arabesque, and Etruscan figures. A variety of specialized pieces of furniture were created, including lightweight chairs for men sitting at gambling tables, and specialized chairs for boudoirs, dressing rooms, libraries, and antechambers.
1944:, to design wallpaper. They also soon developed a process for printing the wallpaper in long rolls. He also made the colorful paper that covered the balloon that made the first manned flight in 1783. Their factory in the Faubourg Saint-Antoine became one of the largest in Paris, and was an early target of demonstrations at the beginning of the
2105:(1784), exalting the willingness of Roman soldiers to give their lives for the nation. The painting was so popular when shown at the Salon of 1785 that David was permitted to establish his studio in the Louvre, a particular honor for artists. This painting became a model of the style that dominated French art during and after the Revolution.
342:, and decorated it from 1782 to 1786. The King's principal architectural addition to Versailles was the new library on the first floor (begun 1774). He was much more generous to Queen Marie Antoinette; she redecorated the Grand Apartments of the Queen at Versailles in 1785, and carried out important works on her apartments at the
2060:, who perfectly captured the spirit and style of the period. After his death in 1770, shortly before the beginning of the reign of Louis XVI, he had no real successor in the baroque style. The end of the reign of Louis XV also brought to prominence the first artist to paint in the neoclassical style,
1931:
had been used since in the 16th century for interior decoration, followed by wood block prints. French aristocrats often used tapestries in the major rooms, but in the antechambers and lesser rooms they often used painted or printed of painted paper designs imported from China, India, and especially
1527:
were the woods most commonly used. The chairs of the early period made for Marie
Antoinette were richly decorated gilded carvings, usually with floral patterns. The chairs and sofas were usually upholstered in satin, with more elaborate medallions embroidered in silk attached. Later in the period,
1359:
Later in the reign, the tendency shifted to smaller, more intimate and comfortable salons, studies, dining rooms and boudoirs, as the
Cabinet Doré of Marie Antoinette at the Palace of Versailles (1783) and the boudoir of Marie Antoinette at Fontainebleau, in the Pompeiian style (1785). The Pompeiian
1951:
Another popular style that developed during the period was the decoration of rooms with panoramic scenes, composed of a number of painted or printed panels put together. These were commonly used in boudoirs and bath chambers. The salon of the pavilion of the
Countess of Provence in Montreuil, and
1335:
In the early part of the reign of Louis XVI, interior decoration was designed to overwhelm the viewer with its scale, majesty and opulence. Grand halls served multiple purposes, for theatre entertainments, balls, or banquets. An example of the early Louis XVI style is the dining room of the
1111:, with the dome in the center. Soufflot employed novel engineering techniques to support the dome; a system of contreforts and arches, and the use of iron bars to support the stone structure. The building was begun in 1764 but not completed until 1790, after the Revolution.
1539:, and featured an ornate canopy over the bed. The sculpted and gilded wood frame of the silk embroidered canopy over the bed of Marie Antoinette at Fontainebleau, installed in 1787, was so heavy that two additional columns were placed under it at night avoid its collapse.
1839:. An increasing amount of the work was the creation of designs, especially polychrome floral patterns, for the upholstery of the royal furniture. The other two major tapestry workshops, Aubusson and Beauvais, also oriented their work primarily to furniture upholstery.
1973:. The fabric was made with wood block prints, was usually white and red or blue and red, was used to cover beds, for curtains, and for the covers of furniture. Another important industry was that of the manufacture of silk products. The best quality silk was made in
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continued to produce high-quality large works for royal residences and the nobility, but tastes had changed. The immense tapestries celebrating historical events were largely out of style. Instead of creating new designs, the manufactures of
Gobelins,
1747:
The tables and cabinets were usually decorated with sculpted and gilded bronze ornament, often in the forms of stylized roses, knotted ribbons, or pine cones. The surfaces were frequently inlaid with plaques of different colored exotic woods or
745:
1122:. It was one of the last churches finished before the Revolution. The church is inspired by paleo-Christian architecture; it features massive columns and a pediment, and an interior with vaulted ceiling that suggests a vast Roman basilica.
1215:(1785) was even more dramatic, with a gigantic arch sheltering the collection of books. While none of his projects were ever built, the images were widely published and inspired architects of the period to look outside the traditional forms.
1197:(1775–1779) This was a model industrial site, in an elliptical shape, with the house of the factory director in the centre, with a rustic neoclassical colonnade, surrounded by the workshops, storerooms and offices in concentric rings.
1188:
specialized in designing functional buildings in greatly simplified the classical style. Examples included his simplified neoclassical design for the customs barrier at La
Villette in Paris (1785–1789), with its classical facade and
1331:
over doors. Other popular motifs included garlands of oak leaves or olive leaves, interlaced flowers, ribbons or vines, crowns of roses, flaming torches, horns of plenty, and particularly vases from which emerged flowers or vines.
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as the Church of Sainte-Geneviève and begun in 1757 under Louis XV, was the most prominent example of religious architecture under construction during the period. It replaced the colossal columns modeled after those of the
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England. In 1765, the French government placed a heavy tax on imported wallpaper, stimulating French production. During the reign of Louis XVI, the largest French enterprise for making wallpaper was created
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continued to make large tapestries, but an increasing part of their business was the manufacture of upholstery for the new sets of chairs, sofas and other furnishings for the royal residences and nobility.
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The Louis XVI style of decoration marked the triumph of neo-classicism, which had been underway in Europe since 1770. It reflected the murals and designs found in the early archeological excavations in
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1740:, was a table with a built-in-shelf which could be raised by a mechanism for reading. Some of the furniture was small and designed to be easily moved, to quickly rearrange salons. These included the
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166:. The style was a reaction against the elaborate ornament of the preceding Baroque period. It was inspired in part by the discoveries of Ancient Roman paintings, sculpture and architecture in
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Louis XVI style furniture, particularly the furniture made for the royal palaces, is among the most finely-crafted and valuable ever produced in France. Much of it was produced at the
928:, which is surmounted by statues. The façade is also animated by busts of Roman emperors in niches, and sculptures in relief above the windows of the semicircular central avant-corps.
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silk coverings with motifs of arabesques and medallions covered the walls of the billiards room of Marie-Antoinette in 1779, and thereafter became fashionable in Paris residences.
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816:(1769) adapted the forms of the neoclassical town house, with a court of honor placed between a pavilion with a colonnade on the street and the main building. He also added a
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in Rome with slender, graceful corinthian columns supporting a continuous entablature. The plan was also classical; the long nave with a vaulted ceiling was replaced by a
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or ceremonial bedrooms of the royal palaces, were of monumental proportions and were usually separated from the rest of the room by a balustrade. These beds were termed
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1309:, and the travels of groups of artists to Greece and Asia Minor. The "taste Pompeiian" was followed by the "taste Entruscan". Motifs in interior decoration included
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1515:, who made a suite of sofas and chairs for the apartments of Marie Antoinette at Versailles and for those of the Comte d'Artois, the King's brother, at the Temple.
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style featured mythical animals, such as sphinxes and griffons, horns of plenty, and vases of flowers mounted on tripods. The style also was frequently used in
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2207:, who also made statues of Greek and Roman gods, illustrating virtues; his statue of Mercury represented commerce. The most celebrated portrait sculptor was
186:-inspired values of returning to nature and the view of nature as an idealized and wild but still orderly and inherently worthy model for the arts to follow.
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311:, or ideal of beauty, based on the purity and grandeur of the art of the Ancient Romans and Greeks. In 1754 The French engraver, painter and art critic
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porcelain. In the later years of the Louis XVI style, the decorative panels were divided into often geometric divisions, either circles or octagons,
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in 1751–1783. The façade is distinguished by its simplicity and purity, and its harmony and balance. A colonnade of corinthian columns supports the
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2384:. The members of the new Masonic movement in Paris were particularly active in sponsoring music; they commissioned Haydn in 1785–86 to write the
1627:
1348:, the brother of Louis XVI. This dining room, inspired by Grand style of Louis XIV and Louis XV. It features columns of the giant order, inches,
319:
style: "Don't torture without reason those things which could be straight, and come back to the good sense which is the beginning of good taste."
423:. Its cubic form, symmetric facade and Corinthian peristyle, similar to the villas of Palladio, made it model for the following Louis XVI style.
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continued the style of architecture based upon symmetry and the straight line. Gabriel created the ensemble of classical buildings around the
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style, which had dominated French architecture, decoration and art since the mid-17th century, and partly from a desire to establish a new
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in the center, a covered promenade and space for concerts and entertainments, with a trellis roof supported by seventy-two ionic columns.
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that he could build a château in less than three months. Marie
Antoinette had a similar small neoclassical belvedere created by architect
1967:
Another popular form of decoration was printed fine cotton, with elaborate arabesques and floral patterns. The most famous variety was
973:
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1884:
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2087:, whose works well before the revolution expressed the Roman virtues of noble and grave simplicity. His major early works included
1995:
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in Paris were of foreign origin, either second-generation immigrants from
Belgium and the Netherlands or first-generation from the
2007:
992:
323:
2211:, known for his busts of leading figures of the period, including, in 1790, in the midst of the Revolution, Louis XVI himself.
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in just sixty-three days to win a bet for its builder, the King's brother. Another period landmark was the belvedere of the
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1511:, the royal furniture workshop, directed by Francois II Foliot (1748–1808). Among the notable craftsmen of the period were
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384:, turned away from the gothic and renaissance style and used a baroque version of the Roman dome on the new churches at
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2356:, a society created to support new religious music. Gluck came to Paris in December 1776 for performances of his opera
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and another floor above the columns, and transformed he entrance to the courtyard into a miniature triumphal arch.
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supporting the architrave and the pilaster of the terrace. It became the model for similar houses under Louis XVI.
2215:
was prominent for making busts of the nobility, including Marie
Antoinette, but also for modeling figures for the
1957:
1211:
allowing the light to enter, giving the impression of a sky full of stars. His project for an enlargement of the
225:. The most characteristic building of the late Louis XVI residential style is the HĂ´tel de Salm in Paris (now the
150:, is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of
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506:, and nature. Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks,
17:
2193:, who created table sculptures on classical and romantic themes for many Parisian salons, as well as the famous
874:, Louis XVI's brother. The small château was designed and completed in just sixty three days, to win a bet with
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was noted for her portraits of the royal family and nobility, including of Marie
Antoinette and her children.
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in the Greek and Roman style were popular, often in the form of rectangual friezes in bronze on furniture, or
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1203:(1728–1799) was another visionary architect of the period; his projects, never built, included a monument to
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859:(1729–1798). It featured a portico in the form of a covered gallery and columns in advance of the facade.
1713:. They received special protection and patronage from Marie-Antoinette, who admired German craftsmanship.
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2076:, which he held from 1789 to 1791. Jean Peyron was another neoclassicist in the early Louis XVI reign.
1573:
804:, both by Ledoux. The latter building has geometric architecture, a flat ceiling, and a portico in the
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Louis XVI himself showed little enthusiasm for art or architecture. He left the management of these to
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1697:, or cabinet-maker, was considered separate from that of other furniture-makers. About a third of the
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to the more serene neoclassical style. The sculptors who were most prominent in the period included
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also became an important part of interior design, thanks to new processes developed by Reveillon.
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to create an arcade of shops, cafes and clubs on the ground floor. In 1788 he added a covered
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430:, which influenced the building of country houses in England, as well as the French architect
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factory, which became better known than his more formal sculpture. Examples include his
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Another notable influence on the style was the architecture of the Renaissance architect
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1940:, and hired a group of noted artists and illustrators, including the son of the painter
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1936:. In 1784, they received the title of Royal Manufactory, opened a large depot near the
1914:
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Theatres in Paris and Bordeaux were prominent examples of the new style. The architect
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364:, based Roman and Greek models had been used in French architecture since the time of
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The Game Room in King's small apartments at Palace of Versailles. (1785). Chairs by
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2223:, made of hard-paste porcelain, mounted on a plaque of marble and gilded bronze.
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The most characteristic building of the late Louis XVI residential style is the
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2338:. The Queen played the harp and sang, and had been, in Vienna, a student of
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831:(1780); its majestic stairway was a forerunner of the stairway of the Paris
767:(one made of musical instruments and the other made of scientific ones), and
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Armchair by Jean-Baptiste Séné with Beauvais tapestry upholstery (1780–1785)
330:. Angeviller, for financial reasons, postponed a grand enlargement of the
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2945:"Philippe Starck, a pair of 'Louis Ghost' armchairs, Kartell. - Bukowskis"
510:, double bow-knots, smoking braziers, linear repetitions of small motifs (
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1705:. The latter group included some of the most famous craftsmen, including
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542:, Ancient urns, tripods, perfume burners, dolphins, ram and lion heads,
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came to Paris in 1778, where he conducted two symphonies including the
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Several new varieties of the furniture were introduced, including a
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Another unusual architectural project was the transformation of the
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174:. Its features included the straight column, the simplicity of the
1724:, which had a door in the front with shelves on either side. The
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2362:, and remained to compose seven more operas. However, his opera,
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in 1779, was a failure, and he departed Paris, never to return.
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A torch crossed with a sheath with arrows on a railing from the
326:, the Count of Angiviller, who was made Director General of the
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Sully at the feet of Henry IV, Gobelins Manufactory (1788–1792)
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Another important church completed in the Louis XVI period was
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in the heart of Paris, into a grand shopping mall. In 1781 the
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Notable monuments of Louis XVI civil architecture include the
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An influential building from the late Louis XV period was the
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Paris- Panorama de l'architecture de l'Antiquité à nos jours
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1325:, marble, molded stucco, baked earth, or simply painted in
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One of the best-known buildings of the period is the small
438:, and its neoclassical music pavilion (1770–1771) built by
434:(1736–1806). Palladio's ideas were the inspiration for the
354:
at Versailles, and in 1785 bought a new château for her at
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Interior of Eglise Saint-Philippe-du-Roule (1764–1784) by
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The decorative motifs of Louis XVI style were inspired by
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Two designs of legs, one featuring straight flutings and
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The Louis XVI style was a reaction to and transition the
236:
Superbly crafted desks and cabinets were created for the
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The most famous painter of the later French baroque was
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Table for Marie-Antoinette by Jean-Henri Riesener (1785)
446:. The pavilion is cubic in form, with a facade of four
315:
denounced the curves and undulations of the predominant
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all of which premiered in Paris under the direction of
550:. Greco-Roman architectural motifs are also very used:
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Table sculpture of a cupid by Étienne Maurice Falconet
2185:
Sculpture evolved from the more animated forms of the
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256:. Equally fine sets of chairs and tables were made by
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for the apartments of Marie-Antoinette at Versailles
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or floral medallions hanging from a knotted ribbon,
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silk on walls of the billiards at Versailles (1779)
886:, her picturesque rustic village in the gardens.
1193:. He was especially known for his project for the
1744:, a small round table with four legs and drawer.
1356:, sculpture in relief, and a gigantic fireplace.
27:Neoclassical style within architecture and design
3847:
700:Barometer - thermometer made of geometric shapes
346:and Compiègne, as well as new apartments in the
2199:, a statue of Peter the Great on horseback for
1922:
1878:Gobelins upholstery for chair backs (1740–1780)
1686:
1207:(1784) in the form of an immense dome, with an
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2744:
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2664:French Furniture - From Louis XIII to Art Deco
2124:(1763) helped launch the wave of neoclassicism
2072:. Vien became the last holder of the title of
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2346:, and she regularly attended concerts at the
2137:Venus. Wounded by Diomedes, is Saved by Iris
2083:The most prominent neoclassicist by far was
1780:Corner commode by Jean-Henri Riesener (1785)
636:, France), with a ribbon at the top and two
240:and other royal residences by cabinetmakers
3088:Les Styles de l'architecture et du mobilier
3048:Prina, Francesca; Demartini, Elena (2006).
1764:Writing table made for Marie Antoinette by
1017:Stairway of the Grand Théâtre de Bordeaux,
792:by the same architect; and the theater of
248:, using inlays of fine woods (particularly
182:of the Greek temple. It also expressed the
3183:
3169:
2046:printed fabric, with balloon design (1784)
1964:had a similar panorama installed in 1775.
1851:A tapestry portrait of Louis XVI from the
1400:Staircase of the Petit Trianon (1762–1768)
189:Notable architects of the period included
118:printed fabric, with balloon design (1784)
2342:. Her favorite composers were Gluck and
2320:Table centerpiece of Sevres porcelain by
2203:. Another notable portrait sculptor was
2051:
1085:
298:
2666:. Little, Brown and Company. p. 72.
1665:Detail of a daybed by Jean-Baptiste Sené
897:, needing money, commissioned architect
739:on the balusters, and a relief of an urn
3085:
3066:
2990:
2971:
2832:
2820:
2801:
2786:
2774:
2705:
2693:
2649:
2637:
2625:
2613:
2601:
2334:Musical tastes at court were guided by
1720:in the form of half-moon form, and the
1452:The Boudoir of Marie-Antoinette at the
493:
324:Charles-Claude Flahaut de la Billaderie
252:) and decorated with gilded bronze and
14:
3848:
3144:Paris Musique- Huit Siècles d'histoire
3104:
3028:
3009:
2893:
2868:
2759:
2729:
2717:
2661:
1985:of Prussia, and other royal clients.
1295:
419:, built for the mistress of the King,
3164:
2176:Marie Antoinette and her children by
1368:, in medallions and in white on blue
775:
688:leafs, and the other twisted flutings
570:and unengaged, sometimes replaced by
392:. Louis XV and his chief architects,
162:style as well as the birth of French
100:, Chateau de Versailles; Armchair by
3141:
3050:Petite encylopédie de l'architecture
2923:. Thames & Hudson. p. 121.
2918:
2856:
2844:
2548:Baroque in Prince-Bishopric of Liège
2462:, Paris, by René Sergent (1910–1913)
1340:, rebuilt between 1777 and 1782 by
350:. The King also gave the Queen the
3198:in architecture and decorative arts
1709:, who became a master in 1768, and
1633:Folding stool by Jean-Baptiste Séné
1174:Functional and utopian architecture
851:in Paris (1779–1782) was built by
812:, or School of Surgery in Paris by
24:
2974:Les Styles Transition et Louis XVI
1831:recycled old designs, such as the
1488:The Salle Marie Antoinette of the
656:mounts and a porcelain column part
201:in Paris (1779–1782) was built by
25:
3922:
3901:Ancien RĂ©gime French architecture
3031:Histoire et dictionnaire de Paris
2896:A History of Western Architecture
2871:A History of Western Architecture
2567:
2013:Sidewall pattern wallpaper (1780)
1286:Project for the Royal Library by
3125:Dictionnaire Historique de Paris
2498:
2467:
2451:
2428:
2404:
2313:
2297:
2281:
2261:
2249:
2228:
2169:
2148:
2129:
2110:
2034:
2018:
2006:
1994:
1899:
1883:
1871:
1859:
1844:
1797:
1785:
1773:
1757:
1670:
1658:
1638:
1626:
1610:
1587:
1572:
1560:
1544:
1481:
1461:
1445:
1425:
1405:
1393:
1377:
1279:
1259:
1240:
1229:Royal Saltworks at Arc-et-Senans
1220:
1195:Royal Saltworks at Arc-et-Senans
1161:
1142:
1127:
1065:
1045:
1026:
1010:
991:
972:
953:
933:
744:
720:
705:
693:
677:
661:
645:
618:
602:
474:
455:
408:(1758–1790) on the Roman model.
158:. It saw the final phase of the
80:
73:
62:
51:
44:
2965:
2937:
2912:
2887:
2862:
1818:The royal tapestry workshop of
866:(1777), designed and built by
835:. In 1791, in the midst of the
193:(1731–1811), who completed the
3142:Vila, Marie Christine (2006).
2898:. Laurence King. p. 602.
2873:. Laurence King. p. 602.
2655:
2581:
2536:Liège–Aachen Baroque furniture
1384:The Salon de Compagnie of the
1136:Jean-François-Thérèse Chalgrin
1120:Jean-François-Thérèse Chalgrin
1116:Église Saint-Philippe-du-Roule
558:(fluted and unfluted), fluted
442:for the mistress of Louis XV,
415:at Versailles (1762–1764), by
92:Left to right, top to bottom:
13:
1:
3146:. Paris, France: Parigramme.
3109:. Paris, France: Parigramme.
3014:. Paris, France: Flammarion.
2993:L'Art Classique et le Baroque
2976:. Les Editions de l'Amateur.
2560:
2482:
1958:Louis Joseph, Prince of Condé
1456:in the Pompeiian Style (1785)
914:Palais de la LĂ©gion d'Honneur
755:-shaped vases decorated with
466:at Versailles (1762–1764) by
227:Palais de la LĂ©gion d'Honneur
154:(1774–1792), just before the
3086:Renault, Christophe (2006).
2421:Alexandre-Dominique Denuelle
1923:Wallpaper and printed fabric
1687:Cabinet-making and marquetry
1621:by Jean-Baptiste Séné (1787)
1531:The beds, especially in the
1496:
882:, who had also designed the
808:of Corinthian columns. The
404:while Soufflot designed the
372:for a baroque façade of the
267:The royal tapestry works of
7:
3906:French architectural styles
3127:. Le Livre de Poche. 2013.
3090:. Paris, France: Gisserot.
2995:. Paris, France: Larousse.
2514:
2397:
2090:Belisarius Begging for Alms
1813:
1728:was a dressing table for a
1653:(1788), Metropolitan Museum
1617:Bed of Marie Antoinette at
108:(1777); Corner cabinet by
10:
3927:
3069:Les styles en architecture
3012:Caractéristique des Styles
2921:Postmodern Design Complete
2745:Prina & Demartini 2006
2682:Prina & Demartini 2006
2577:. Encyclopædia Britannica.
2487:Indianapolis Museum of Art
2096:Andromache Mourning Hector
1500:
1266:Project for a monument to
1177:
827:(1731–1811) completed the
640:-derived hanging ornaments
104:, Chateau of Versailles;
3762:
3746:
3730:
3699:
3683:
3667:
3641:
3610:
3594:
3573:
3557:
3472:
3431:
3360:
3203:
2662:Sylvie, Chadenet (2001).
2509:(2009), various locations
2340:Christoph Willibald Gluck
2074:first painter of the King
1679:Jean-Baptiste-Claude Sené
1651:Jean-Baptiste-Claude Sené
1472:(1785), corner tables by
999:Grand Théâtre de Bordeaux
829:Grand Théâtre de Bordeaux
195:Grand Théâtre de Bordeaux
131:
123:
37:
3830:Richardsonian Romanesque
3432:Germany, Austria-Hungary
3342:Spanish Colonial Revival
3052:. Paris, France: Solar.
2329:
2288:Mercury or Commerce, by
2243:Étienne Maurice Falconet
2191:Étienne Maurice Falconet
1907:The offering of fidelity
1418:François-Joseph Bélanger
1342:François-Joseph Bélanger
1317:on the Pompeiian model.
1227:Director's house at the
1168:Interior of the Panthéon
1155:Jacques-Germain Soufflot
1096:Jacques Germain Soufflot
1038:François-Joseph Bélanger
868:François-Joseph Bélanger
790:Palais de Justice, Paris
784:in Paris (1771–1776) by
668:Armchair with a pair of
562:(twisted and straight),
398:Jacques-Germain Soufflot
368:; he rejected a plan by
334:, but completed the new
211:François-Joseph Bélanger
3738:Serbo-Byzantine Revival
3700:Russian Empire and USSR
3623:National Romantic style
3549:Black-and-white Revival
3029:Fierro, Alfred (1996).
3010:Ducher, Robert (1988).
2991:Cabanne, Perre (1988).
2481:for Arc International (
2460:Musée Nissim de Camondo
2099:(1783), and especially
2078:Élisabeth Vigée Le Brun
2001:Sidewall pattern (1775)
1934:Jean-Baptiste RĂ©veillon
1726:commode bonheur-du-jour
1619:Palace of Fontainebleau
1454:Palace of Fontainebleau
1412:The Dining Room of the
611:Musée Nissim de Camondo
483:Château de Louveciennes
436:Château de Louveciennes
344:Palace of Fontainebleau
3820:Polish cathedral style
3785:Dutch Colonial Revival
3505:Indo-Saracenic Revival
3105:Texier, Simon (2012).
3067:Hopkins, Owen (2014).
2972:Droguet, Anne (2004).
2894:Watkin, David (2022).
2869:Watkin, David (2022).
2387:Symphonies parisiennes
2178:Élisabeth Vigée-Lebrun
2052:Painting and sculpture
1248:Rotonde de la Villette
1086:Religious architecture
843:, now the home of the
481:Music pavilion at the
378:Jules Hardouin-Mansart
338:(1751–1783), begun by
313:Charles-Nicolas Cochin
299:Origins and influences
3805:Mediterranean Revival
3659:Soft Portuguese style
3602:Traditionalist School
2919:Gura, Judith (2017).
2417:HĂ´tel d'Adolphe Fould
2304:Marie Antoinette, by
1470:Jean-Baptiste Boulard
1288:Etienne-Louis Boullée
1272:Etienne-Louis Boullée
1252:Claude-Nicolas Ledoux
1233:Claude-Nicolas Ledoux
1201:Etienne-Louis Boullée
1186:Claude-Nicolas Ledoux
1072:The Belvedere of the
984:Claude-Nicolas Ledoux
980:Château de Bénouville
965:Claude-Nicolas Ledoux
946:Jacques Denis Antoine
798:Château de Bénouville
786:Jacques Denis Antoine
487:Claude Nicolas Ledoux
440:Claude Nicolas Ledoux
432:Claude-Nicolas Ledoux
3896:Architectural styles
3886:History of furniture
3770:American Renaissance
3712:Neoclassical Revival
3413:Louis Philippe style
2477:Louis XVI lowboy by
2359:Iphigenie en Tauride
2221:The Toilet of Madame
1853:Gobelins Manufactory
1738:Jean Robert Tronchin
1438:Palace of Versailles
1432:The Cabinet Doré of
1180:Utopian architecture
1105:St. Peter's Basilica
1034:Château de Bagatelle
864:Château de Bagatelle
652:Pendulum clock with
494:Motifs and ornaments
468:Jacques Ange Gabriel
417:Jacques Ange Gabriel
402:Place de la Concorde
394:Jacques Ange Gabriel
370:Gian Lorenzo Bernini
336:Château de Compiègne
332:Palace of Versailles
238:Palace of Versailles
215:Chateau de Bagatelle
106:Château de Bagatelle
3835:Territorial Revival
3418:Second Empire style
3290:Renaissance Revival
2835:, pp. 134–136.
2789:, pp. 115–139.
2762:, pp. 158–159.
2747:, pp. 250–251.
2720:, pp. 162–163.
2521:Louis period styles
2458:Grand salon of the
2274:Jean-Antoine Houdon
2209:Jean-Antoine Houdon
2162:Jacques-Louis David
2157:Oath of the Horatii
2102:Oath of the Horatii
2085:Jacques-Louis David
1983:Frederick the Great
1979:Catherine the Great
1766:Jean-Henri Riesener
1734:table Ă la Tronchin
1707:Jean-Henri Riesener
1509:Garde-Meuble du Roi
1503:Louis XVI furniture
1474:Jean-Henri Riesener
1296:Interior decoration
839:, he completed the
782:Hotel de la Monnaie
712:Complex designs of
421:Madame de Pompadour
258:Jean-Henri Riesener
242:Jean-Henri Riesener
110:Jean-Henri Riesener
34:
3535:Romanesque Revival
3525:Queen Anne Revival
3347:Swiss chalet style
3317:Romanesque Revival
3033:. Robert Laffont.
2777:, pp. 92–102.
2436:Château de Voisins
2322:Louis-Simon Boizot
2306:Louis-Simon Boizot
2213:Louis-Simon Boizot
1977:, and was sold to
1915:Jean-Baptiste Huet
1677:Chaise voyeuse by
1533:chambers de parade
1414:Château de Maisons
1338:Château de Maisons
1101:Church of the GesĂą
942:HĂ´tel des Monnaies
912:in Paris (Now the
884:Hameau de la Reine
853:Marie-Joseph Peyre
810:École de Chirurgie
776:Civil architecture
203:Marie-Joseph Peyre
32:
3843:
3842:
3775:Collegiate Gothic
3633:Nordic Classicism
3565:Mycenaean Revival
3540:Scottish Baronial
3490:Edwardian Baroque
3485:Bristol Byzantine
3454:Nazi architecture
3251:French Provincial
3153:978-2-84096-419-3
3134:978-2-253-13140-3
3116:978-2-84096-667-8
3097:978-2-877-4746-58
3078:978-2-10-070689-1
3002:978-2-03-583324-2
2930:978-0-500-51914-1
2905:978-1-52942-030-2
2880:978-1-52942-030-2
2859:, pp. 85–87.
2847:, pp. 92–93.
2823:, pp. 58–59.
2640:, pp. 69–70.
2589:"Louis XVI style"
2575:"Louis XVI style"
2308:for salon of 1781
2141:Joseph-Marie Vien
2122:Joseph-Marie Vien
2118:Two Women bathing
2062:Joseph Marie Vien
1946:French Revolution
1913:from a design by
1911:Aubusson tapestry
1892:Beauvais tapestry
1691:The craft of the
1076:at Versailles by
857:Charles de Wailly
845:Comédie-Française
837:French Revolution
788:, as well as the
731:band at the top,
382:Jacques Lemercier
291:, it is known as
207:Charles de Wailly
156:French Revolution
139:
138:
16:(Redirected from
3918:
3825:Queen Anne style
3780:Colonial Revival
3691:Romanian Revival
3611:Nordic countries
3500:Georgian Revival
3495:Egyptian Revival
3403:Directoire style
3378:Louis XIII style
3246:Egyptian Revival
3241:Carpenter Gothic
3185:
3178:
3171:
3162:
3161:
3157:
3138:
3120:
3101:
3082:
3063:
3044:
3025:
3006:
2987:
2959:
2958:
2956:
2955:
2941:
2935:
2934:
2916:
2910:
2909:
2891:
2885:
2884:
2866:
2860:
2854:
2848:
2842:
2836:
2830:
2824:
2818:
2805:
2799:
2790:
2784:
2778:
2772:
2763:
2757:
2748:
2742:
2733:
2727:
2721:
2715:
2709:
2703:
2697:
2691:
2685:
2679:
2668:
2667:
2659:
2653:
2647:
2641:
2635:
2629:
2623:
2617:
2611:
2605:
2599:
2593:
2592:
2585:
2579:
2578:
2571:
2556:
2544:
2526:Directoire style
2502:
2484:
2471:
2455:
2432:
2408:
2365:Echo et Narcisse
2353:Concert Sprituel
2348:Academy of Music
2336:Marie Antoinette
2317:
2301:
2285:
2265:
2253:
2232:
2217:Sevres porcelain
2201:Saint Petersburg
2173:
2152:
2133:
2114:
2058:François Boucher
2038:
2022:
2010:
1998:
1938:Tuileries Palace
1903:
1887:
1875:
1863:
1848:
1804:Rolltop desk by
1801:
1789:
1777:
1761:
1742:table bouillotte
1674:
1662:
1642:
1630:
1614:
1591:
1576:
1564:
1548:
1485:
1465:
1449:
1434:Marie-Antoinette
1429:
1409:
1397:
1381:
1283:
1263:
1244:
1224:
1165:
1153:(1764–1790), by
1146:
1131:
1069:
1049:
1030:
1014:
995:
976:
957:
937:
876:Marie Antoinette
855:(1730–1785) and
748:
727:Railing with an
724:
709:
697:
681:
665:
649:
622:
606:
514:, beads, oves),
478:
459:
348:Tuileries Palace
328:Bâtiments du Roi
205:(1730–1785) and
98:Marie Antoinette
84:
77:
66:
55:
48:
35:
31:
21:
3926:
3925:
3921:
3920:
3919:
3917:
3916:
3915:
3891:Interior design
3881:Decorative arts
3871:1780s in France
3866:1770s in France
3846:
3845:
3844:
3839:
3810:Mission Revival
3758:
3742:
3726:
3717:Russian Revival
3695:
3679:
3663:
3637:
3628:Gustavian style
3606:
3590:
3581:Stile Umbertino
3569:
3553:
3468:
3427:
3393:Louis XVI style
3383:Louis XIV style
3356:
3275:Moorish Revival
3226:Baroque Revival
3221:Arts and Crafts
3199:
3189:
3154:
3135:
3123:
3117:
3098:
3079:
3060:
3041:
3022:
3003:
2984:
2968:
2963:
2962:
2953:
2951:
2943:
2942:
2938:
2931:
2917:
2913:
2906:
2892:
2888:
2881:
2867:
2863:
2855:
2851:
2843:
2839:
2831:
2827:
2819:
2808:
2800:
2793:
2785:
2781:
2773:
2766:
2758:
2751:
2743:
2736:
2728:
2724:
2716:
2712:
2704:
2700:
2692:
2688:
2680:
2671:
2660:
2656:
2648:
2644:
2636:
2632:
2624:
2620:
2612:
2608:
2600:
2596:
2587:
2586:
2582:
2573:
2572:
2568:
2563:
2550:
2538:
2517:
2510:
2507:Philippe Starck
2505:Louis Ghost by
2503:
2494:
2472:
2463:
2456:
2447:
2433:
2424:
2411:Design for the
2409:
2400:
2332:
2325:
2318:
2309:
2302:
2293:
2286:
2277:
2266:
2257:
2254:
2245:
2238:Bronze Horseman
2233:
2196:Bronze Horseman
2181:
2174:
2165:
2153:
2144:
2134:
2125:
2115:
2054:
2047:
2039:
2030:
2023:
2014:
2011:
2002:
1999:
1925:
1918:
1904:
1895:
1888:
1879:
1876:
1867:
1864:
1855:
1849:
1816:
1809:
1802:
1793:
1790:
1781:
1778:
1769:
1762:
1750:mother-of-pearl
1722:commode dessert
1689:
1682:
1675:
1666:
1663:
1654:
1643:
1634:
1631:
1622:
1615:
1606:
1592:
1583:
1577:
1568:
1565:
1556:
1549:
1505:
1499:
1492:
1486:
1477:
1466:
1457:
1450:
1441:
1430:
1421:
1410:
1401:
1398:
1389:
1382:
1298:
1291:
1284:
1275:
1264:
1255:
1245:
1236:
1225:
1182:
1176:
1169:
1166:
1157:
1147:
1138:
1132:
1118:(1768–1784) by
1088:
1081:
1070:
1061:
1058:Pierre Rousseau
1050:
1041:
1031:
1022:
1015:
1006:
996:
987:
977:
968:
958:
949:
938:
918:Pierre Rousseau
895:Duc de Chartres
841:Salle Richelieu
814:Jacques Gondoin
796:(1775) and the
778:
771:
749:
740:
725:
716:
710:
701:
698:
689:
682:
673:
666:
657:
650:
641:
623:
614:
607:
504:Louis XIV style
496:
489:
485:(1770–1771) by
479:
470:
460:
444:Madame du Barry
428:Andrea Palladio
301:
254:mother of pearl
231:Pierre Rousseau
176:post-and-lintel
142:Louis XVI style
119:
90:
89:
88:
87:
86:
85:
78:
69:
68:
67:
58:
57:
56:
49:
33:Louis XVI style
28:
23:
22:
18:Style Louis XVI
15:
12:
11:
5:
3924:
3914:
3913:
3908:
3903:
3898:
3893:
3888:
3883:
3878:
3873:
3868:
3863:
3858:
3841:
3840:
3838:
3837:
3832:
3827:
3822:
3817:
3815:Pueblo Revival
3812:
3807:
3802:
3797:
3792:
3787:
3782:
3777:
3772:
3766:
3764:
3760:
3759:
3757:
3756:
3750:
3748:
3744:
3743:
3741:
3740:
3734:
3732:
3728:
3727:
3725:
3724:
3719:
3714:
3709:
3703:
3701:
3697:
3696:
3694:
3693:
3687:
3685:
3681:
3680:
3678:
3677:
3675:Zakopane Style
3671:
3669:
3665:
3664:
3662:
3661:
3656:
3651:
3645:
3643:
3639:
3638:
3636:
3635:
3630:
3625:
3620:
3614:
3612:
3608:
3607:
3605:
3604:
3598:
3596:
3592:
3591:
3589:
3588:
3583:
3577:
3575:
3571:
3570:
3568:
3567:
3561:
3559:
3555:
3554:
3552:
3551:
3542:
3537:
3532:
3527:
3522:
3517:
3512:
3511:
3510:
3502:
3497:
3492:
3487:
3482:
3476:
3474:
3470:
3469:
3467:
3466:
3461:
3456:
3451:
3446:
3441:
3435:
3433:
3429:
3428:
3426:
3425:
3420:
3415:
3410:
3405:
3400:
3395:
3390:
3388:Louis XV style
3385:
3380:
3375:
3373:Henry IV style
3370:
3368:Henry II style
3364:
3362:
3358:
3357:
3355:
3354:
3349:
3344:
3339:
3338:
3337:
3335:North American
3332:
3327:
3321:Second Empire
3319:
3314:
3312:Rococo Revival
3309:
3308:
3307:
3302:
3297:
3287:
3282:
3277:
3272:
3267:
3258:
3256:Gothic Revival
3253:
3248:
3243:
3238:
3233:
3228:
3223:
3218:
3213:
3207:
3205:
3201:
3200:
3188:
3187:
3180:
3173:
3165:
3159:
3158:
3152:
3139:
3133:
3121:
3115:
3102:
3096:
3083:
3077:
3064:
3058:
3045:
3039:
3026:
3020:
3007:
3001:
2988:
2982:
2967:
2964:
2961:
2960:
2936:
2929:
2911:
2904:
2886:
2879:
2861:
2849:
2837:
2825:
2806:
2791:
2779:
2764:
2749:
2734:
2722:
2710:
2698:
2686:
2684:, p. 249.
2669:
2654:
2642:
2630:
2618:
2606:
2594:
2591:. Marc Maison.
2580:
2565:
2564:
2562:
2559:
2558:
2557:
2545:
2533:
2528:
2523:
2516:
2513:
2512:
2511:
2504:
2497:
2495:
2479:Robert Venturi
2473:
2466:
2464:
2457:
2450:
2448:
2440:Saint-Hilarion
2434:
2427:
2425:
2423:, 19th century
2410:
2403:
2399:
2396:
2392:Joseph Bologne
2377:Paris Symphony
2331:
2328:
2327:
2326:
2319:
2312:
2310:
2303:
2296:
2294:
2290:Augustin Pajou
2287:
2280:
2278:
2267:
2260:
2258:
2255:
2248:
2246:
2234:
2227:
2205:Augustin Pajou
2183:
2182:
2175:
2168:
2166:
2154:
2147:
2145:
2135:
2128:
2126:
2116:
2109:
2053:
2050:
2049:
2048:
2040:
2033:
2031:
2024:
2017:
2015:
2012:
2005:
2003:
2000:
1993:
1924:
1921:
1920:
1919:
1905:
1898:
1896:
1890:Armchair with
1889:
1882:
1880:
1877:
1870:
1868:
1865:
1858:
1856:
1850:
1843:
1815:
1812:
1811:
1810:
1806:David Roentgen
1803:
1796:
1794:
1791:
1784:
1782:
1779:
1772:
1770:
1768:, (1780–1785)
1763:
1756:
1736:, named after
1711:David Roentgen
1688:
1685:
1684:
1683:
1676:
1669:
1667:
1664:
1657:
1655:
1644:
1637:
1635:
1632:
1625:
1623:
1616:
1609:
1607:
1593:
1586:
1584:
1578:
1571:
1569:
1566:
1559:
1557:
1550:
1543:
1501:Main article:
1498:
1495:
1494:
1493:
1487:
1480:
1478:
1467:
1460:
1458:
1451:
1444:
1442:
1431:
1424:
1422:
1411:
1404:
1402:
1399:
1392:
1390:
1383:
1376:
1346:Comte d'Artois
1297:
1294:
1293:
1292:
1285:
1278:
1276:
1265:
1258:
1256:
1246:
1239:
1237:
1226:
1219:
1184:The architect
1175:
1172:
1171:
1170:
1167:
1160:
1158:
1148:
1141:
1139:
1133:
1126:
1094:, designed by
1087:
1084:
1083:
1082:
1071:
1064:
1062:
1051:
1044:
1042:
1032:
1025:
1023:
1016:
1009:
1007:
997:
990:
988:
978:
971:
969:
959:
952:
950:
948:(18th century)
940:Stairs in the
939:
932:
872:Comte d'Artois
777:
774:
773:
772:
750:
743:
741:
726:
719:
717:
711:
704:
702:
699:
692:
690:
683:
676:
674:
667:
660:
658:
651:
644:
642:
624:
617:
615:
608:
601:
495:
492:
491:
490:
480:
473:
471:
461:
454:
305:French Baroque
300:
297:
246:David Roentgen
233:in 1751–1783.
213:completed the
144:, also called
137:
136:
133:
129:
128:
125:
121:
120:
91:
79:
72:
71:
70:
61:
60:
59:
50:
43:
42:
41:
40:
39:
38:
26:
9:
6:
4:
3:
2:
3923:
3912:
3909:
3907:
3904:
3902:
3899:
3897:
3894:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
3853:
3851:
3836:
3833:
3831:
3828:
3826:
3823:
3821:
3818:
3816:
3813:
3811:
3808:
3806:
3803:
3801:
3798:
3796:
3793:
3791:
3790:Federal style
3788:
3786:
3783:
3781:
3778:
3776:
3773:
3771:
3768:
3767:
3765:
3763:United States
3761:
3755:
3752:
3751:
3749:
3745:
3739:
3736:
3735:
3733:
3729:
3723:
3720:
3718:
3715:
3713:
3710:
3708:
3707:Neo-Byzantine
3705:
3704:
3702:
3698:
3692:
3689:
3688:
3686:
3682:
3676:
3673:
3672:
3670:
3666:
3660:
3657:
3655:
3652:
3650:
3649:Neo-Manueline
3647:
3646:
3644:
3640:
3634:
3631:
3629:
3626:
3624:
3621:
3619:
3616:
3615:
3613:
3609:
3603:
3600:
3599:
3597:
3593:
3587:
3584:
3582:
3579:
3578:
3576:
3572:
3566:
3563:
3562:
3560:
3556:
3550:
3546:
3545:Tudor Revival
3543:
3541:
3538:
3536:
3533:
3531:
3528:
3526:
3523:
3521:
3520:Neo-Palladian
3518:
3516:
3513:
3509:British India
3508:
3507:
3506:
3503:
3501:
3498:
3496:
3493:
3491:
3488:
3486:
3483:
3481:
3478:
3477:
3475:
3473:Great Britain
3471:
3465:
3464:Rundbogenstil
3462:
3460:
3457:
3455:
3452:
3450:
3447:
3445:
3442:
3440:
3437:
3436:
3434:
3430:
3424:
3421:
3419:
3416:
3414:
3411:
3409:
3406:
3404:
3401:
3399:
3398:Neoclassicism
3396:
3394:
3391:
3389:
3386:
3384:
3381:
3379:
3376:
3374:
3371:
3369:
3366:
3365:
3363:
3359:
3353:
3350:
3348:
3345:
3343:
3340:
3336:
3333:
3331:
3328:
3326:
3323:
3322:
3320:
3318:
3315:
3313:
3310:
3306:
3305:Palazzo style
3303:
3301:
3298:
3296:
3293:
3292:
3291:
3288:
3286:
3285:New Classical
3283:
3281:
3278:
3276:
3273:
3271:
3270:Mayan Revival
3268:
3266:
3262:
3261:Greek Revival
3259:
3257:
3254:
3252:
3249:
3247:
3244:
3242:
3239:
3237:
3236:Neo-Byzantine
3234:
3232:
3229:
3227:
3224:
3222:
3219:
3217:
3214:
3212:
3209:
3208:
3206:
3204:International
3202:
3197:
3193:
3186:
3181:
3179:
3174:
3172:
3167:
3166:
3163:
3155:
3149:
3145:
3140:
3136:
3130:
3126:
3122:
3118:
3112:
3108:
3103:
3099:
3093:
3089:
3084:
3080:
3074:
3070:
3065:
3061:
3059:2-263-04096-X
3055:
3051:
3046:
3042:
3040:2-221-07862-4
3036:
3032:
3027:
3023:
3021:2-08-011539-1
3017:
3013:
3008:
3004:
2998:
2994:
2989:
2985:
2983:2-85917-406-0
2979:
2975:
2970:
2969:
2950:
2946:
2940:
2932:
2926:
2922:
2915:
2907:
2901:
2897:
2890:
2882:
2876:
2872:
2865:
2858:
2853:
2846:
2841:
2834:
2829:
2822:
2817:
2815:
2813:
2811:
2804:, p. 82.
2803:
2798:
2796:
2788:
2783:
2776:
2771:
2769:
2761:
2756:
2754:
2746:
2741:
2739:
2732:, p. 60.
2731:
2726:
2719:
2714:
2708:, p. 25.
2707:
2702:
2696:, p. 77.
2695:
2690:
2683:
2678:
2676:
2674:
2665:
2658:
2652:, p. 74.
2651:
2646:
2639:
2634:
2628:, p. 22.
2627:
2622:
2616:, p. 20.
2615:
2610:
2604:, p. 13.
2603:
2598:
2590:
2584:
2576:
2570:
2566:
2554:
2549:
2546:
2542:
2537:
2534:
2532:
2529:
2527:
2524:
2522:
2519:
2518:
2508:
2501:
2496:
2492:
2488:
2480:
2476:
2470:
2465:
2461:
2454:
2449:
2445:
2442:, France, by
2441:
2437:
2431:
2426:
2422:
2418:
2414:
2407:
2402:
2401:
2395:
2393:
2389:
2388:
2383:
2379:
2378:
2373:
2369:
2367:
2366:
2361:
2360:
2355:
2354:
2349:
2345:
2341:
2337:
2323:
2316:
2311:
2307:
2300:
2295:
2291:
2284:
2279:
2275:
2271:
2264:
2259:
2252:
2247:
2244:
2240:
2239:
2231:
2226:
2225:
2224:
2222:
2218:
2214:
2210:
2206:
2202:
2198:
2197:
2192:
2188:
2179:
2172:
2167:
2163:
2159:
2158:
2151:
2146:
2142:
2138:
2132:
2127:
2123:
2119:
2113:
2108:
2107:
2106:
2104:
2103:
2098:
2097:
2092:
2091:
2086:
2081:
2079:
2075:
2071:
2067:
2063:
2059:
2045:
2044:
2043:Toile de Jouy
2037:
2032:
2028:
2021:
2016:
2009:
2004:
1997:
1992:
1991:
1990:
1988:
1984:
1980:
1976:
1972:
1971:
1970:toile de Jouy
1965:
1963:
1959:
1955:
1949:
1947:
1943:
1939:
1935:
1930:
1927:Hand-painted
1916:
1912:
1908:
1902:
1897:
1893:
1886:
1881:
1874:
1869:
1862:
1857:
1854:
1847:
1842:
1841:
1840:
1838:
1834:
1833:Metamorphoses
1830:
1826:
1821:
1807:
1800:
1795:
1788:
1783:
1776:
1771:
1767:
1760:
1755:
1754:
1753:
1751:
1745:
1743:
1739:
1735:
1731:
1727:
1723:
1719:
1714:
1712:
1708:
1704:
1700:
1696:
1695:
1680:
1673:
1668:
1661:
1656:
1652:
1648:
1641:
1636:
1629:
1624:
1620:
1613:
1608:
1604:
1603:Georges Jacob
1600:
1599:Petit Trianon
1596:
1590:
1585:
1582:
1581:Georges Jacob
1575:
1570:
1563:
1558:
1554:
1553:Georges Jacob
1547:
1542:
1541:
1540:
1538:
1537:Ă la Duchesse
1534:
1529:
1526:
1522:
1518:
1514:
1513:Georges Jacob
1510:
1504:
1491:
1484:
1479:
1475:
1471:
1464:
1459:
1455:
1448:
1443:
1439:
1435:
1428:
1423:
1419:
1415:
1408:
1403:
1396:
1391:
1387:
1386:Petit Trianon
1380:
1375:
1374:
1373:
1371:
1367:
1363:
1357:
1355:
1351:
1347:
1343:
1339:
1333:
1330:
1329:
1324:
1320:
1316:
1312:
1308:
1304:
1289:
1282:
1277:
1273:
1269:
1262:
1257:
1253:
1249:
1243:
1238:
1234:
1230:
1223:
1218:
1217:
1216:
1214:
1213:Royal Library
1210:
1206:
1202:
1198:
1196:
1192:
1187:
1181:
1164:
1159:
1156:
1152:
1145:
1140:
1137:
1130:
1125:
1124:
1123:
1121:
1117:
1112:
1110:
1106:
1102:
1097:
1093:
1079:
1078:Richard Mique
1075:
1074:Petit Trianon
1068:
1063:
1059:
1055:
1054:Hotel de Salm
1048:
1043:
1039:
1035:
1029:
1024:
1020:
1013:
1008:
1004:
1000:
994:
989:
985:
981:
975:
970:
966:
962:
961:HĂ´tel Guimard
956:
951:
947:
943:
936:
931:
930:
929:
927:
923:
919:
915:
911:
910:HĂ´tel de Salm
906:
904:
900:
896:
892:
887:
885:
881:
880:Richard Mique
877:
873:
869:
865:
860:
858:
854:
850:
849:Odeon Theatre
846:
842:
838:
834:
833:Opera Garnier
830:
826:
821:
819:
815:
811:
807:
803:
799:
795:
791:
787:
783:
770:
766:
762:
758:
754:
747:
742:
738:
734:
730:
723:
718:
715:
708:
703:
696:
691:
687:
680:
675:
671:
664:
659:
655:
648:
643:
639:
635:
631:
630:Petit Trianon
627:
621:
616:
612:
605:
600:
599:
598:
596:
592:
588:
584:
580:
577:
573:
569:
565:
561:
557:
553:
549:
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
505:
501:
488:
484:
477:
472:
469:
465:
464:Petit Trianon
458:
453:
452:
451:
449:
445:
441:
437:
433:
429:
424:
422:
418:
414:
413:Petit Trianon
409:
407:
403:
399:
395:
391:
390:Les Invalides
387:
383:
379:
375:
374:Louvre Palace
371:
367:
363:
359:
357:
353:
352:Petit Trianon
349:
345:
341:
337:
333:
329:
325:
320:
318:
314:
310:
306:
296:
294:
290:
285:
283:
278:
274:
270:
265:
263:
262:Georges Jacob
259:
255:
251:
247:
243:
239:
234:
232:
228:
224:
223:Richard Mique
220:
219:Petit Trianon
216:
212:
209:(1729–1798).
208:
204:
200:
199:Odeon Theatre
196:
192:
187:
185:
181:
177:
173:
169:
165:
164:Neoclassicism
161:
157:
153:
149:
148:
143:
134:
130:
126:
122:
117:
116:
115:Toile de Jouy
111:
107:
103:
102:Georges Jacob
99:
95:
83:
76:
65:
54:
47:
36:
30:
19:
3861:1780s in art
3856:1770s in art
3800:Jeffersonian
3618:Dragon style
3459:Resort style
3423:Belle Époque
3408:Empire style
3392:
3295:Châteauesque
3280:Neoclassical
3143:
3124:
3106:
3087:
3068:
3049:
3030:
3011:
2992:
2973:
2966:Bibliography
2952:. Retrieved
2948:
2939:
2920:
2914:
2895:
2889:
2870:
2864:
2852:
2840:
2833:Cabanne 1988
2828:
2821:Droguet 2004
2802:Renault 2006
2787:Droguet 2004
2782:
2775:Droguet 2004
2725:
2713:
2706:Droguet 2004
2701:
2694:Renault 2006
2689:
2663:
2657:
2650:Renault 2006
2645:
2638:Renault 2006
2633:
2626:Droguet 2004
2621:
2614:Droguet 2004
2609:
2602:Droguet 2004
2597:
2583:
2569:
2531:Empire style
2491:Indianapolis
2444:René Sergent
2419:, Paris, by
2385:
2382:Joseph Haydn
2375:
2370:
2363:
2357:
2351:
2333:
2236:
2220:
2194:
2184:
2155:
2136:
2117:
2100:
2094:
2088:
2082:
2055:
2041:
1968:
1966:
1952:the country
1950:
1926:
1917:(About 1780)
1906:
1832:
1817:
1808:(about 1785)
1746:
1741:
1733:
1725:
1721:
1715:
1698:
1692:
1690:
1647:Lit de repos
1646:
1594:
1579:Armchair by
1551:Armchair by
1536:
1532:
1530:
1508:
1506:
1358:
1334:
1328:trompe-l'Ĺ“il
1326:
1299:
1268:Isaac Newton
1247:
1235:(1775–1779)
1205:Isaac Newton
1199:
1183:
1113:
1089:
1056:, Paris, by
1019:Victor Louis
1003:Victor Louis
907:
899:Victor Louis
891:Palais Royal
888:
861:
825:Victor Louis
822:
779:
595:trompe-l'Ĺ“il
497:
425:
410:
386:Val-de-Grace
360:
321:
308:
302:
292:
286:
266:
235:
229:), built by
197:(1780). The
191:Victor Louis
188:
146:
145:
141:
140:
124:Years active
113:
93:
29:
3754:Neo-Mudéjar
3654:Neo-Mudéjar
3595:Netherlands
3444:GrĂĽnderzeit
3439:Biedermeier
3216:Art Nouveau
3192:Historicism
2760:Ducher 1988
2730:Texier 2012
2718:Ducher 1988
2551: [
2539: [
2446:(1903–1906)
2187:Baroque art
2066:Herculaneum
1981:of Russia,
1894:(1786–1792)
1420:(1777–1782)
1388:(1762–1768)
1319:Bas-reliefs
1303:Herculaneum
1254:(1785–1789)
1109:Greek cross
1060:(1751–1810)
986:(1770–1780)
967:(1770–1773)
922:entablature
916:, built by
806:giant order
672:at the arms
670:cornucopias
536:cornucopias
221:, built by
168:Herculaneum
147:Louis Seize
3876:French art
3850:Categories
3795:Greco Deco
3515:Jacobethan
3449:Jugendstil
3352:Vernacular
3300:Italianate
3231:Beaux-Arts
3196:Revivalism
2954:2023-06-19
2561:References
2475:Postmodern
1645:Daybed or
1315:grotesques
1311:arabesques
1178:See also:
737:acanthuses
714:cartouches
634:Versailles
524:gadrooning
362:Classicism
309:Beau idéal
293:Copf Style
180:architrave
94:Salon Doré
3911:Louis XVI
3722:Stalinist
3480:Adamesque
3071:. Dunod.
2857:Vila 2006
2845:Vila 2006
1962:Chantilly
1929:wallpaper
1703:Rhineland
1699:ébénistes
1597:from the
1497:Furniture
1350:pediments
818:peristyle
729:interlace
583:triglyphs
572:caryatids
560:balusters
556:pilasters
540:mascarons
528:interlace
508:guilloché
500:antiquity
448:pilasters
366:Louis XIV
356:St. Cloud
282:Wallpaper
152:Louis XVI
127:1774–1789
3642:Portugal
3330:European
3265:Neo-Grec
3211:Art Deco
2949:smow.com
2515:See also
2398:Revivals
2350:and the
2270:Voltaire
2268:Bust of
2180:(1787)
2093:(1781),
1829:Aubusson
1825:Beauvais
1820:Gobelins
1814:Tapestry
1694:ébéniste
1595:Tabouret
1521:mahogany
1370:Wedgwood
1354:consoles
1344:for the
1151:Panthéon
1092:Panthéon
870:for the
802:Calvados
794:Besançon
769:sphinxes
765:trophies
761:rinceaux
757:festoons
751:Pair of
733:flutings
686:acanthus
552:flutings
548:gryphons
544:chimeras
532:meanders
522:leaves,
520:acanthus
512:rosettes
406:Panthéon
340:Louis XV
317:rocaille
277:Beauvais
273:Aubusson
269:Gobelins
250:mahogany
184:Rousseau
132:Location
112:(1785);
3684:Romania
3530:Regency
2485:1985),
2415:of the
2413:boudoir
2070:Pompeii
1954:cottage
1942:Boucher
1837:Boucher
1730:boudoir
1718:commode
1681:(1787)
1476:(1774).
1436:at the
1362:friezes
1307:Pompeii
1191:rotunda
926:rotunda
924:of the
847:. The
800:in the
753:amphora
638:festoon
628:of the
613:(Paris)
579:corbels
568:engaged
564:columns
289:Hungary
172:Pompeii
160:Baroque
3731:Serbia
3668:Poland
3558:Greece
3361:France
3325:French
3150:
3131:
3113:
3094:
3075:
3056:
3037:
3018:
2999:
2980:
2927:
2902:
2877:
2372:Mozart
2344:Grétry
2324:(1775)
2292:(1780)
2276:(1778)
2164:(1786)
2143:(1775)
2027:Lampas
2025:Woven
1987:Lampas
1827:, and
1605:(1787)
1525:walnut
1490:Louvre
1440:(1783)
1366:cameos
1323:stucco
1290:(1785)
1274:(1784)
1209:oculus
1080:(1789)
1040:(1777)
1021:(1780)
1005:(1780)
903:cirque
654:ormolu
626:Oculus
591:relief
587:guttae
576:volute
546:, and
516:trophy
502:, the
178:, the
135:France
3747:Spain
3586:Milan
3574:Italy
2555:]
2543:]
2493:, USA
2330:Music
1909:, An
585:with
3194:and
3148:ISBN
3129:ISBN
3111:ISBN
3092:ISBN
3073:ISBN
3054:ISBN
3035:ISBN
3016:ISBN
2997:ISBN
2978:ISBN
2925:ISBN
2900:ISBN
2875:ISBN
2235:The
2068:and
1975:Lyon
1523:and
1364:and
1313:and
1305:and
1149:The
1103:and
1090:The
1052:The
735:and
593:and
589:(in
462:The
396:and
388:and
380:and
275:and
260:and
244:and
170:and
2272:by
2241:by
2160:by
2120:by
1960:at
1956:of
1835:of
1649:by
1601:by
1517:Oak
1416:by
1270:by
1250:by
1231:by
1036:by
1001:by
982:by
963:by
944:by
597:).
574:),
287:In
96:of
3852::
3547:/
3263:/
2947:.
2809:^
2794:^
2767:^
2752:^
2737:^
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2553:nl
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