405:(Peter's tapes of his victims) thrown in to give weight to the outrageous characterisations. Brenda, so naive that she fully expects to meet her dream lover on every corner, is a hard enough character to swallow, but the script finally abandons all claims to verisimilitude with the introduction of Peter, the beautiful and generous psychotic who lives in the complete isolation of a palatial mews house with the wealth of various murdered girlfriends stuffed in his kitchen drawer. From this point on practically nothing in the plot can be taken seriously, and it is constructed with a pretentious fragmentation whose only function seems to be to disguise the series of absurd coincidences on which the story depends. In her determination to make Brenda pathetic, Rita Tushingham overplays mawkishly, though Shane Briant manages considerably better in the almost impossible role of Peter, and at times even contrives to make the character credible.
31:
386:
Anyone approaching I in the hope that Hammer's seasoned approach to the thriller may have had a steadying influence on Peter
Collinson's directorial technique is in for a sad disappointment. From the sledgehammer irony of its opening in which a jungle of TV aerials is juxtaposed with Brenda's reading
276:
Back at the flat, Brenda washes the dog, and pretties it up with a bow. She then uses the address on the dog's collar to take it back to Peter. He lets her in, and is nice to her, but upsets her when he insists she tell him why she took the dog. She finally admits that it was because she wanted to
291:
When Brenda returns, Peter is alone in the house (the implication being that
Caroline has been buried in the garden). Brenda has had a total makeover – hair, clothes, make-up – in order to look beautiful for Peter. He makes it very clear that he loves her exactly the way she was. He tells a fairy
284:
After Brenda returns, Peter starts to buy her baby gifts. Meanwhile, Brenda's mother is worried about not hearing from her daughter, and calls her last known number, which is
Caroline's flat. She then visits Caroline, before going to the police. Caroline looks through Brenda's old room and finds
272:
After discovering
Caroline in bed with Joey, another co-worker that she was interested in, Brenda runs crying out of the flat and onto the streets. She comes across a scruffy dog, and sees its owner looking for it. Recognising the young man who had previously bumped into her (Peter), she picks up
265:
Arriving in London, she has some of her belongings knocked out of her hands by an attractive young man (Peter) who doesn't give her a second look. She ends up living in a grubby bedsit before finding a job at a fashionable boutique (run by Jimmy
Lindsay), and taking a spare room in a flat owned by
416:
gave the film 3/5 stars, writing: "This audacious blend of kitchen sink drama and psychosexual thriller represented an attempt by Hammer to revive the kinky brand of horror suspense that worked in their banner golden years. Rita
Tushingham is the naive Liverpudlian who hooks up with gigolo Shane
298:
Brenda gives signs that she might now be pregnant, and they both seem happy. Peter tells Brenda he has a surprise for her and takes her up to his bedroom, where he plays her a tape of him killing the dog and
Caroline. Brenda becomes hysterical and tries to get out of the flat but the doors are
280:
While she has gone to get her belongings, Peter kills his dog with a utility knife, ostensibly because it is now pretty. Brenda lies to
Caroline, telling her that she is moving in with her mother who is ill.
288:
After Brenda has gone out shopping, Caroline arrives at Peter's house, and eventually they go to bed. Peter then murders her with the utility knife, again because she is too beautiful.
262:
and enjoys writing fairy tales for children. One day she tells her mother that she is leaving home and moving to London in order to find a father for her yet unborn baby.
387:
of a fairy story, to her final realisation that the Prince
Charming of her dreams is a homicidal maniac, the film limps along like some nightmarish cross-breeding of
295:
A few days later Peter reads in the paper that there are missing person reports out on both Brenda and
Caroline, and when he gets home he forbids Brenda to go out.
417:
Briant, falls pregnant and discovers her dream lover is a serial killer. Directed by Peter Collinson in a similar vein to his other woman-in-terror flick
861:
365:
98:
831:
250:. The screenplay concerns a reserved young woman who finds herself attracted to a handsome stranger, unaware of his psychotic tendencies.
851:
826:
269:
Peter appears to live with an older, alcoholic woman. He invites her upstairs, she goes into his room and, unseen, starts screaming.
623:
821:
836:
846:
801:
725:
479:
292:
story, which is interspersed with flashbacks implying that he has killed multiple women. Brenda and Peter go to bed.
533:
733:
806:
633:
427:
223:
44:
30:
571:
454:
765:
616:
266:
one of her co-workers, Caroline, specifically as she hopes to meet a man at one of Caroline's many parties.
856:
816:
811:
677:
701:
645:
502:
395:
378:
841:
609:
497:
717:
661:
525:
400:
389:
247:
653:
741:
757:
8:
796:
749:
709:
596:
567:
529:
601:
434:
341:
88:
62:
669:
311:
227:
72:
133:
790:
773:
685:
419:
353:
219:
144:
108:
277:
meet him, and have a baby with him. He suggests that she move in with him.
483:
423:, this is an effectively cold-hearted piece that goes for the easy shock."
347:
317:
299:
locked, as Peter walks after her, telling her he doesn't want to hurt her.
231:
76:
431:
describes the film as an "offbeat thriller, but not terribly effective."
273:
the dog and runs home with it. Unbeknownst to her, Peter sees her do so.
411:
329:
323:
239:
235:
118:
80:
590:
359:
335:
243:
84:
259:
258:
Brenda is a plain young woman, who lives at home with her mother in
437:
describes the film as an "unattractive suspenser, wildly directed
302:
Later Peter sits alone in his house. There is no sign of Brenda.
285:
the dog's broken lead, which has Peter's address on it.
631:
788:
510:(456): 172. 1 January 1972 – via ProQuest.
566:(7th ed.). London: Paladin. p. 966.
617:
624:
610:
399:. There are even a few desultory echos of
29:
561:
459:British Film Institute Collections Search
447:
862:English-language mystery thriller films
789:
605:
16:1972 British film by Peter Collinson
832:Hammer Film Productions horror films
13:
14:
873:
852:Films directed by Peter Collinson
827:Films shot at EMI-Elstree Studios
584:
480:"Straight on till Morning (1972)"
35:British theatrical release poster
552:, New York: Plume, 2008, p.1325
822:British mystery thriller films
555:
542:
514:
490:
472:
1:
837:Hammer Film Productions films
766:The House on Garibaldi Street
440:
847:1970s English-language films
802:1970s mystery thriller films
550:Leonald Maltin's Movie Guide
428:Leonard Maltin's Movie Guide
372:
7:
10:
878:
562:Halliwell, Leslie (1989).
522:Radio Times Guide to Films
498:"Straight On till Morning"
455:"Straight On till Morning"
640:
524:(18th ed.). London:
503:The Monthly Film Bulletin
379:The Monthly Film Bulletin
191:
183:
173:
150:
145:MGM-EMI Film Distributors
140:
124:
114:
104:
94:
68:
58:
50:
40:
28:
23:
726:And Then There Were None
694:Straight On till Morning
592:Straight On till Morning
203:Straight On till Morning
24:Straight On till Morning
526:Immediate Media Company
305:
253:
248:Hammer Film Productions
807:Films set in Liverpool
564:Halliwell's Film Guide
407:
742:Target of an Assassin
678:You Can't Win 'Em All
528:. 2017. p. 884.
384:
159:9 July 1972
758:Tomorrow Never Comes
734:The Spiral Staircase
662:The Long Day's Dying
548:Leonard Maltin (ed)
218:) is a 1972 British
857:1970s British films
817:Films about writers
812:Films set in London
710:The Man Called Noon
702:Innocent Bystanders
486:on 16 January 2009.
632:Films directed by
314:as Brenda Thompson
784:
783:
246:. It was made by
215:Dressed for Death
199:
198:
869:
626:
619:
612:
603:
602:
578:
577:
559:
553:
546:
540:
539:
518:
512:
511:
494:
488:
487:
482:. Archived from
476:
470:
469:
467:
465:
451:
435:Leslie Halliwell
390:A Taste of Honey
344:as Jimmy Lindsay
166:
164:
63:Michael Carreras
33:
21:
20:
877:
876:
872:
871:
870:
868:
867:
866:
842:EMI Films films
787:
786:
785:
780:
670:The Italian Job
654:Up the Junction
636:
634:Peter Collinson
630:
587:
582:
581:
574:
560:
556:
547:
543:
536:
520:
519:
515:
496:
495:
491:
478:
477:
473:
463:
461:
453:
452:
448:
443:
375:
312:Rita Tushingham
308:
256:
228:Rita Tushingham
224:Peter Collinson
206:(also known as
176:
169:
162:
160:
153:
136:
129:
127:
87:
83:
79:
75:
73:Rita Tushingham
45:Peter Collinson
36:
17:
12:
11:
5:
875:
865:
864:
859:
854:
849:
844:
839:
834:
829:
824:
819:
814:
809:
804:
799:
782:
781:
779:
778:
770:
762:
754:
746:
738:
730:
722:
714:
706:
698:
690:
682:
674:
666:
658:
650:
641:
638:
637:
629:
628:
621:
614:
606:
600:
599:
586:
585:External links
583:
580:
579:
572:
554:
541:
534:
513:
489:
471:
445:
444:
442:
439:
414:Guide to Films
374:
371:
370:
369:
363:
357:
351:
345:
339:
333:
327:
321:
315:
307:
304:
255:
252:
197:
196:
193:
189:
188:
187:United Kingdom
185:
181:
180:
177:
174:
171:
170:
168:
167:
156:
154:
151:
148:
147:
142:
141:Distributed by
138:
137:
134:Hammer Studios
132:
130:
125:
122:
121:
116:
112:
111:
106:
102:
101:
96:
95:Cinematography
92:
91:
70:
66:
65:
60:
56:
55:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
874:
863:
860:
858:
855:
853:
850:
848:
845:
843:
840:
838:
835:
833:
830:
828:
825:
823:
820:
818:
815:
813:
810:
808:
805:
803:
800:
798:
795:
794:
792:
776:
775:
774:The Earthling
771:
768:
767:
763:
760:
759:
755:
752:
751:
747:
744:
743:
739:
736:
735:
731:
728:
727:
723:
720:
719:
715:
712:
711:
707:
704:
703:
699:
696:
695:
691:
688:
687:
683:
680:
679:
675:
672:
671:
667:
664:
663:
659:
656:
655:
651:
648:
647:
646:The Penthouse
643:
642:
639:
635:
627:
622:
620:
615:
613:
608:
607:
604:
598:
594:
593:
589:
588:
575:
569:
565:
558:
551:
545:
537:
535:9780992936440
531:
527:
523:
517:
509:
505:
504:
499:
493:
485:
481:
475:
460:
456:
450:
446:
438:
436:
432:
430:
429:
424:
422:
421:
415:
413:
406:
404:
403:
398:
397:
396:The Penthouse
392:
391:
383:
381:
380:
367:
364:
361:
358:
355:
354:Harold Berens
352:
349:
346:
343:
340:
337:
334:
331:
328:
325:
322:
319:
316:
313:
310:
309:
303:
300:
296:
293:
289:
286:
282:
278:
274:
270:
267:
263:
261:
251:
249:
245:
241:
237:
233:
229:
226:and starring
225:
221:
220:thriller film
217:
216:
211:
210:
205:
204:
194:
190:
186:
182:
178:
172:
158:
157:
155:
149:
146:
143:
139:
135:
131:
123:
120:
117:
113:
110:
109:Alan Pattillo
107:
103:
100:
97:
93:
90:
86:
82:
78:
74:
71:
67:
64:
61:
57:
53:
49:
46:
43:
39:
32:
27:
22:
19:
772:
764:
756:
750:The Sell Out
748:
740:
732:
724:
716:
708:
700:
693:
692:
684:
676:
668:
660:
652:
644:
591:
563:
557:
549:
544:
521:
516:
507:
501:
492:
484:the original
474:
462:. Retrieved
458:
449:
433:
426:
425:
418:
409:
408:
401:
394:
388:
385:
377:
376:
366:Lola Willard
362:as newsagent
356:as Mr Harris
348:Claire Kelly
318:Shane Briant
301:
297:
294:
290:
287:
283:
279:
275:
271:
268:
264:
257:
232:Shane Briant
222:directed by
214:
213:
208:
207:
202:
201:
200:
175:Running time
152:Release date
99:Brian Probyn
77:Shane Briant
54:John Peacock
18:
718:Open Season
464:18 February
412:Radio Times
402:Peeping Tom
368:as customer
332:as Caroline
330:Katya Wyeth
324:James Bolam
240:Katya Wyeth
236:James Bolam
119:Roland Shaw
81:James Bolam
59:Produced by
41:Directed by
797:1972 films
791:Categories
573:0586088946
441:References
360:John Clive
336:Annie Ross
244:John Clive
179:96 minutes
163:1972-07-09
126:Production
85:Annie Ross
51:Written by
373:Reception
260:Liverpool
105:Edited by
350:as Margo
342:Tom Bell
320:as Peter
192:Language
115:Music by
89:Tom Bell
69:Starring
382:wrote:
338:as Liza
326:as Joey
195:English
184:Country
161: (
128:company
777:(1980)
769:(1979)
761:(1978)
753:(1976)
745:(1976)
737:(1975)
729:(1974)
721:(1974)
713:(1973)
705:(1972)
697:(1972)
689:(1971)
686:Fright
681:(1970)
673:(1969)
665:(1968)
657:(1968)
649:(1967)
570:
532:
420:Fright
209:Victim
597:IMDb
568:ISBN
530:ISBN
466:2024
410:The
393:and
306:Cast
254:Plot
242:and
212:and
595:at
793::
508:39
506:.
500:.
457:.
238:,
234:,
230:,
625:e
618:t
611:v
576:.
538:.
468:.
165:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.png)