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the image. The text tells us what is going on not in the picture but behind it, so compromising and at the same time informing the image with text. His technically very skilled paintings all seem to be grounded on one guiding principle - that what we see will always be always conditioned by what we know.
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Toward the end of 2009, Farthing had his first one-person show at the Purdy Hicks
Gallery in London where, for the first time, he showed the "back-story" paintings. The "back-story" paintings are a series of images painted with a text in reverse sitting on the picture plane between the audience and
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In
November 2010, Farthing became the second living Royal Academician to be featured in the "laboratory" series of one man shows at the Royal Academy of Arts London. "The Back Story," featured an epic 30-foot painting of the Atlantic Ocean.
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Farthing commented that his work is, "not this thing about 'Oh, let's let the audience make up their mind what it is'…" but about "degrading it on purpose so it becomes not more ambiguous, but less what it was in the first place."
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In the late 1980s and early 1990s whilst showing with Edward Totah in London, Farthing showed works that positioned Latin
American vernacular culture within a modernist idiom and classicism within the vernacular.
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Farthing described his work in a 2005 interview, saying "I have dined with the devil in terms of becoming a modern artist. I have taken hold of history, tried to understand it—and then used and abused it."
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Since his return from Italy in 1977, Farthing has had one-man shows in the UK, Brazil, Uruguay, Mexico, Australia, Japan, and the United States. Farthing's work was featured in the 1989
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Farthing's work reflects his education, personal experience and perspective on historical events that have captured his imagination. After spending a period of study at the
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that as a student won him a prize at the John Moores
Exhibition in Liverpool, today this painting stands as an early example of British post modernist painting.
353:, Stephen Farthing inadvertently fell upon what one could later describe as a postmodernist relationship with history. In Paris, he painted an interpretation of
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Cornelia Hesse
Honegger, exhibition catalogue, interview with Dr Stephen Simpson, edited by Paul Bonaventura, published by Locus +, Newcastle.1997
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Farthing's work as a painter sits midway between the conservative and the cutting edge between a classical and radical painting.
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During the 1990s, he reinvented history painting as a viable contemporary narrative taking on subject matters as diverse as the
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in 2006 as part of a project called "Drawing from Turner," which he designed and curated. Farthing painted large murals for the
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294:(1990–2000). Upon leaving the University of Oxford in 2000, Farthing was made a professor emeritus of St Edmund Hall.
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in London. He also won prizes in the John Moores
Liverpool Exhibition on eight separate occasions between 1976 and 1999.
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Randy Lerner, "The Fourth Wall," in
Stephen Farthing: The Fourth Wall, London: Purdy Hicks, 2009, p. 7.
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Randy Lerner, "The Fourth Wall," in
Stephen Farthing: The Fourth Wall, London: Purdy Hicks, 2009, p. 5.
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Stephen
Farthing continues to live and work in both the United Kingdom and the United States.
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Ruskin and Art
Education 1836–1993, Review of the Pre-Raphaelite Society, no.3, Autumn.1993
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and led the Academy until he became the Rootstein Hopkins Research Chair of Drawing at the
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274:(1977–79) where he was a lecturer of painting. He went on to teach at the
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It may require cleanup to comply with Knowledge's content policies, particularly
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278:(1980–85) before becoming Head of Painting and later Head of Fine Art at
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893:"'Louis XV Rigaud', Stephen Farthing - Walker Art Gallery, Liverpool museums"
676:"Stephen Farthing RA - Painters - Royal Academicians - Royal Academy of Arts"
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578:, edited by Jeffrey Dennis, essay, The Unpaintable, Art Space Gallery 2005,
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Farthing has published extensively. He is best known for his authorship of
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Jerwood Drawing Prize, Drawing: The Bigger Picture, catalogue essay, 2005,
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Farthing moved to New York in 2000 to become the Executive Director of the
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The Knowledge, The Artist's Eye, Essay Arts Review, paintings of SE1.1995
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501 Great Artists, A Comprehensive Guide to the Giants of the Art World
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and that same year he served as the Artist in Residence at the
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1009:"Artists' Laboratory 02: Stephen Farthing RA, The Back Story"
200:(born 16 September 1950) is an English painter and writer of
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742:"Aston Villa Football Club | the official club website"
810:"University of the Arts London: Professor Stephen Farthing"
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290:. He was also made a Professorial Fellow of Oxford's
282:(1985–89). Farthing spent the next ten years at
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A major contributor to this article appears to have a
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967:"Stephen Farthing : Marginally Out of Control"
220:in 1973 and a master's degree in painting from the
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263:Football Club in Cleveland, Ohio (2004) and
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513:, Stephen Farthing, Duckworth, London,2000
53:Learn how and when to remove these messages
1040:"Stephen Farthing's Ultra Marine Painting"
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310:1001 Paintings You Must See Before You Die
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895:. Liverpoolmuseums.org.uk. Archived from
178:Learn how and when to remove this message
160:Learn how and when to remove this message
105:Learn how and when to remove this message
1082:22 artworks by or after Stephen Farthing
678:. Royalacademy.org.uk. 16 September 1950
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305:in 2004, a position he held until 2017.
267:Football Club in Birmingham, UK (2008).
247:Farthing was elected as a member of the
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864:. Times Higher Education. 10 June 2005
561:, University of the Arts, London. 2005
1157:Academics of the Royal College of Art
288:Ruskin School of Drawing and Fine Art
280:West Surrey College of Art and Design
592:, 2006, edited by Stephen Farthing.
286:serving as the Ruskin Master at the
216:and earned a bachelor's degree from
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251:in 1998. Farthing's work is in the
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1152:Alumni of the Royal College of Art
947:. Lubbock Online. 24 December 2006
921:. Stephen Farthing. Archived from
838:. Stephen Farthing. Archived from
761:. Stephen Farthing. Archived from
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132:tone or style may not reflect the
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1202:20th-century English male artists
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463:, front cover by Stephen Farthing
34:This article has multiple issues.
972:. Lynnparr.co.uk. Archived from
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449:, Hilary Davis, Enitharmon,1997
447:In a Valley of the Restless Mind
349:in Paris while a student at the
142:guide to writing better articles
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539:Will Barnet: in his own words
303:University of the Arts London
576:Short Stories about Painting
505:The Higher Education Journal
473:, Editions, Jannink, Paris,
423:(2006), photographed at the
347:Cité internationale des arts
218:Saint Martin's School of Art
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272:Canterbury College of Art
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370:Battle of Trafalgar
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616:Writing on Drawing
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314:501 Great Artists
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