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272:"Musica proibita" (Forbidden Music) is a song within a song. A young woman tells of a handsome young man ("un bel garzone") who sings a love song beneath her balcony every night. She longs to sing it herself to re-live the thrill she felt, but her mother has forbidden her. Knowing that her mother has left the house, she sings it, and then recalling the last time she heard him, she sings it again even more intensely. The young man's song begins:
435:. A variation on the theme came in 1885 with Gastaldon's "Musica non probita!" (Music not forbidden!) composed to a text by the theatre critic and poet Luigi Bevacqua Lombardo. Two of Gastaldon's other early songs, "Amor non è peccato" (Love is not a sin) and "Fiori di sposa" (Bridal flowers) were set to texts by a poet identified only as "Faustina". The first of these was dedicated to Leonora Genina Mancini, daughter of the Italian statesman
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in the 1920s, and he became increasingly marginalised. Finding it difficult to make a living solely from his music, in the final years of his life he also worked as an art dealer, buying and selling paintings by his friends in the
Gambrinus Halle. He never married and lived alone in his house on Via
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premiered on 9 April 1890 to modest success. Mascagni's opera eventually won the competition and premiered a month later on 17 May at the same theatre. Mascagni's work was an enormous success and completely eclipsed
Gastaldon's. Nevertheless, he continued writing operas over the years, producing two
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In 1882, Gastaldon wrote "Ti vorrei rapire" (I want to carry you away), a sequel to "Musica proibita" which is meant to be sung by the young man referred to in the original song. Like "Musica probita", the text was by "Flick-Flock". It had considerable success in its day and was recorded in 1910 by
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region of Italy. His mother was a Roman noblewoman who had married a wealthy landowner, Count
Bernardo Genardini, at the age of 16. She met Luigi Gastaldon in 1854 when she was 23 and shortly thereafter abandoned her husband and four children to live with him. The family moved from one Italian city
100:. He began composing songs at the age of 17, sometimes writing the lyrics himself under the pseudonym of "Flick-Flock". Although it is not known for sure why Gastaldon chose "Flick-Flock", Italian musicologist Maria Scaccetti suggests that it probably derived from the popular ballet,
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published by
Rizzoli-Ricordi, say that he composed more than 300 songs, Scaccetti suggests that while Gastaldon was prolific, the actual number may be considerably less than this. The work he is almost exclusively remembered for today is his song "Musica proibita".
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corps, which had been based in Turin. Gastaldon was only 20 when the
Florentine firm Venturini published his song "Musica proibita", which made his name as a composer and achieved an enduring popularity. Its success would also provide an entry to the most important
40:. Today, he is remembered almost exclusively for his 1881 song "Musica proibita" ("Forbidden Music"), still one of the most popular pieces of music in Italy. Gastaldon also wrote the lyrics for some of his songs, including "Musica proibita", under the pseudonym
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Felice
Giachetti, "Musica proibita" was Gastaldon's second published work, and the first of six songs for which he also wrote the lyrics using the pseudonym "Flick-Flock". Its success was enormous. Ten years later, a journalist writing in the
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in Italy, where many of his early songs were first performed. His musical fame preceded him when
Gastaldon did his obligatory year of military service in 1883. He was assigned to be one of the "professors" of the 24th Infantry Regiment band.
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in 1921. In a departure from his usual genre of songs for solo voice and piano, Gastaldon also wrote two choral pieces, "Viva il Re" and "Inno della Dante
Alighieri". The patriotic anthem "Viva il Re" (Long Live the King) with text by
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When his military service ended, Gastaldon returned to Rome, where his parents were living at the time. Over the next four years, he continued composing songs and short pieces of instrumental music and started work on his first opera,
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What an invasion, what an inundation, how deafening it was back then! In every house, in every street, in every café, everyone wanted to kiss their raven hair, in every style and in every possible way of singing out of
466:(under the pseudonym Conte di Lara). Of all his songs, Gastaldon's favourite was reportedly "Mamma", dedicated to the memory of his mother, with lyrics by the poet and playwright Giovanni Arrighi. It was recorded by
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Shortly after its publication in Italy, "Musica proibita" was published in
English as "Unspoken Words" (with a text by D'Arcy Jaxone) and in French as "La chanson défendue". It has since been arranged for every
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was published by
Ricordi 1915. "Inno della Dante Alighieri" with text by Augusto Franchetti was written as an anthem for the Dante Alighieri Society. It was first performed on 28 September 1902 in the
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where Barbara Reynolds lists among the operatic adaptations of his story "Cavalleria rusticana": "Music by Stanislao Gastaldon, with a libretto by Bartocci Fontana, performed in 1888 under the title
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for a time and then settled in Florence, where he was to spend the rest of his life. There, in addition to composing, he taught singing and worked as a music critic for the Florentine paper
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on The Lied, Art Song, and Choral Texts Page. (Note that it contains at least one typographical error in the Italian text and the English translation is not completely idiomatic.)
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Sbrocchi (April 18, 2003); Scaccetti (2002) p. 490. According to Scaccetti, no further mention of Gastaldon's younger brother has been found apart from his certificate of baptism.
234:. His associates in Florence were a circle of free-thinking artists and literary figures who gathered at the Gambrinus Halle café in the Piazza Vittorio Emanuele (now called the
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recalled how the song soon became a way for timid young lovers all over Italy to express their affection in words that were both uninhibited and emotionally moving. He went on:
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Montanara. On 6 March 1939, Gastaldon suffered a heart attack while walking across the Piazza Vittorio Emanuele and died the same day at the age of 77. He is buried in the
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to publicize his first novel, it was claimed that he had authored the words to "Musica probita". However, Scaccetti discounts this as does Rubboli (March 1989) pp. 70-71.
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During his lifetime, the vast majority of Gastaldon's works were published by two firms, Genasio Venturini in Florence (absorbed by Carisch & Jänichen in 1905) and
52:. By 1900, he had settled permanently in Florence, where he died at the age of 77. In his later years, he also worked as a voice teacher, music critic, and art dealer.
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410:, a tortuous story of a noblewoman who opposes the marriage of her niece to the son of a famous baritone who had once been the noblewoman's "forbidden love".
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to another during Gastaldon's childhood and early youth while his father worked on a series of engineering projects. Part of his childhood was spent in
783:; all that survives is a serenade, revived by Beniamino Gigli with the title 'Musica proibita' ('Forbidden Music')". Reynolds also has the date of the
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reported that it was nearly finished. However, it was never performed and does not appear to have been published. In 1891, after the premiere of
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Beloved: Christian Ketter, Cara Schlecker & Myron Silberstein Live in Recital by Christian Ketter, Cara Schlecker & Myron Silberstein
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in 2002, and Christian Ketter in 2014. "Musica proibita" was also the inspiration, title, and theme song of a 1943 Italian film directed by
443:. Leonora's younger sister Flora ran a famous musical salon, and both sisters wrote poems that had been set by Gastaldon's contemporaries.
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for the XIII Congress of the SocietĂ Dante Alighieri and published the following year by the Florentine firm of Bemporad & Figlio.
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recordings starting in 1900, and although the words express the thoughts of a young girl, "Musica proibita" became a staple of the
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450:, also wrote the text for his song "Perché tacete" (Why are you silent?). Other poets whose texts were set by Gastaldon included
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For more on the earliest recordings of "Musica proibita" and notable later ones, see Scaccetti (2002) pp. 495-496
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Gastaldon studied music with the Turinese composer Antonio Creonti and with Torquato Meliani, an organist at the
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603:– opera in one act; libretto by Vittorio Bianchi; published 1896, premiered 25 March 1905 in a double bill with
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concert repertoire (sometimes with the text adjusted). Among the tenors who have recorded it over the years are
295:, and the only surviving piece from the work. In fact, it is neither. It was published as a salon song for solo
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on 8 April 1861 to Luigi Gastaldon and Luigia Grazioli. His father was an engineer from Lerino, a village near
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Scaccetti (2002) p. 494. In a 1903 profile of the minor Italian literary figure, Fausto Villa, published in
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in 1890 and copies are held in several libraries in the United States and Europe. Dedicated to the Italian
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346:, military band, and solo voice and orchestra. It was recorded in several different versions on early
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region, where a street is now named for him and where his younger brother Guglielmo was born in 1864.
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premiere wrong, and seems to have been unaware of the many recordings of the song prior to Gigli's.
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for solo voice and piano. However, he also composed instrumental music, two choral works, and four
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in the role of Dante, surrounded by scenery depicting 14th century Florence. According to the
228:, as well as writing a column "Scattola Armonica" ("Music Box") for the children's periodical
1208:"Il compositore Gastaldon, celebre alla fine dell'Ottocento, trascorse l'infanzia a San Vito"
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A common misconception about the song's origin is that it is an aria from Gastaldon's opera,
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First edition of the score for "Amor non è peccato", dedicated to Leonora Genina Mancini
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Scaccetti (2002) p. 499. For a chronological list of Gastaldon's songs see pp. 501-504
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Scaccetti (2002) p. 491 (also the source for the premieres of Gastaldon's stage works)
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32:(8 April 1861 – 6 March 1939) was an Italian composer, primarily of
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Giovanni Domenico Bartocci-Fontana, who wrote the libretto for Gastaldon's opera
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Scaccetti, Maria Paola (2002). "'La Musica Proibita' di Stanislao Gastaldon" in
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was the first of Gastaldon's operas to be performed, he had previously composed
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in 1861. Music from the ballet arranged as a military march became the official
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575:– opera in three acts; libretto by Giovanni Domenico Bartocci-Fontana based on
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as well as transcribed for flute and violin, violin solo, piano solo, guitar,
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Cover of the 10th edition of "Musica proibita", Gastaldon's most enduring work
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announced a competition for one-act operas, Gastaldon decided to enter with
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1075:(1903). "Musica: S. Gastaldon". Roberto Bemporad & Figlio, p. 53
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458:(under the pseudonym Lorenzo Stecchetti), Emilio Praga, Armando Perotti,
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33:
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Rubboli, Daniele (March 1989). "Vorrei baciare i tuoi capelli neri...",
1150:(May 6, 1888). "Nouvelles Diverses: Étranger". Heugel, pp. 148–150
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579:'s short story, "Cavalleria rusticana"; premiered 9 April 1890 at the
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in Milan. Although several biographical entries, including that in
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1119:"Review: Beniamino Gigli – Forbidden Music (Gastaldon) HMV DB1385"
503:, an opera-ballet in four acts and a prologue with a libretto by
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1139:(1915). "Fausto Villa". Renzo Streglio & Co., p. 105
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Chiti, Roberto and Lancia, Enrico (2005). "Musica Proibita",
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Encyclopedic Discography of Victor Recordings: Matrix B-25392
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and after a peripatetic childhood studied music there and in
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1180:(December 16, 1906). "Le Dante en musique" pp. 315–316
589:– opera in one act; libretto by Vittorio Bianchi based on
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Italian text and English translation of "Musica proibita"
1128:. Venerabile Confraternita della Misericordia di Antella
1090:(Bongiovanni GB1043)". Volume 54, Issues 1-3, p. 158
593:'s play of the same name; premiered 15 April 1894 at the
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Sartori, Claudio, ed. (1971). "Gastaldon, Stanislao" in
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Scaccetti (2002) pp. 490-491; Sbrocchi (April 18, 2003)
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Limongi (1999) p. 82. See also Scaccetti (2002) p. 501
641:; premiered 4 April 1914 at the Teatro Balbo in Turin
1269:(IMSLP) ("Musica proibita" and "Amor non è peccato")
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This misconception may have come from the entry for
989:University of California, Santa Barbara Libraries.
184:in Rome. He expanded the opera to three acts, and
511:of 1887, it had been accepted for performance at
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1020:Biblioteca Civica del Comune di Riva del Garda.
1243:(1887). Volume 17. Augener & Co, p. 70
1099:, Volume 1. Gremese Editore, pp. 229–230.
823:"The Wayback Machine has not archived that URL"
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800:, July 1890 quoted in Scaccetti (2002) p. 494
760:Sartori (1972) p. 94; Scaccetti (2002) p. 494
751:Guerrini (2007); Scaccetti (2002) pp. 492-493
148:. However, in 1888, when the music publisher
1126:Storia del Cimitero Misericordia di Antella
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565:Chronological list of performed stage works
1001:Biblioteca Nazionale Centrale di Firenze.
170:, entered the same contest with his opera
133:Libretto for Gastaldon's forgotten opera,
1267:International Music Score Library Project
162:'s popular short story (and later play),
1285:singing "Musica proibita" (1917) on the
1200:, Volume 3. Rizzoli-Ricordi, p. 94
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278:Le labbra tue e gli occhi tuoi severi...
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1227:, Francesco Sanvitale (ed.). EDT srl.
1096:Dizionario del cinema italiano. I film
561:, who sang the piece at its premiere.
1254:Works by or about Stanislao Gastaldon
1088:Italian baritones of the Acoustic era
299:and piano in 1881, nine years before
197:(1905) and a three-act comic opera,
962:American Record Guide (1991) p. 158
953:Chiti and Lancia (2005) pp. 229-230
607:at the Teatro Niccolini in Florence
515:and in 1888, the French periodical
276:Vorrei baciare i tuoi capelli neri,
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1263:Free scores by Stanislao Gastaldon
285:Your lips and your solemn eyes...)
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1206:Sbrocchi, Vito (April 18, 2003).
30:Martino Stanislao Luigi Gastaldon
283:(I want to kiss your raven hair,
245:Misericordia di Antella Cemetery
1159:Sensi unici ovvero la ghirlanda
1058:(December 16, 1906) pp. 315-316
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776:New Grove Dictionary of Opera
394:(who also sang it in several
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398:concerts) in 1979 and 1993,
231:Il giornalino della Domenica
220:in 1890, Gastaldon lived in
116:of the 12th Regiment of the
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1321:Italian classical composers
1156:Limongi, Riccardo (1999).
637:in three acts; libretto by
322:Gazzetta musicale di Milano
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1241:The Monthly Musical Record
1124:Guerrini, Silvano (2007).
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1040:The Monthly Musical Record
798:Gazetta musicale di Milano
509:The Monthly Musical Record
437:Pasquale Stanislao Mancini
390:in 1984, Placido Domingo,
166:. Another young composer,
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721:Sbrocchi (April 18, 2003)
261:Enciclopedia della musica
462:, Fausto Salvatori, and
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1311:Italian opera composers
742:Scaccetti (2002) p. 492
691:Scaccetti (2002) p. 494
631:Il Reuccio di Caprilana
236:Piazza della Repubblica
199:Il Reuccio di Caprilana
1177:Revue Musicale de Lyon
1056:Revue Musicale de Lyon
1008:23 August 2011 at the
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452:Gustavo Adolfo BĂ©cquer
441:Laura Beatrice Mancini
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427:the Italian baritone
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1046:(May 6, 1888) p. 149
1022:Catalogue: Gastaldon
666:Sartori (1972) p. 94
646:Notes and references
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173:Cavalleria rusticana
164:Cavalleria rusticana
1292:Stanislao Gastaldon
1003:Catalogue: Gasaldon
936:, 29 September 2014
611:Il sonetto di Dante
543:Il sonetto di Dante
533:. Initially called
404:Carlo Campogalliani
384:Giuseppe di Stefano
106:Peter Ludwig Hertel
66:Torri di Quartesolo
25:Stanislao Gastaldon
1136:La nuova fioritura
1072:Almanacco Italiano
1027:2011-07-26 at the
731:Almanacco Italiano
677:La nuova fioritura
639:FĂ©licien Champsaur
530:Twenty Years After
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382:in 1952 and 1959,
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94:Florence Cathedral
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1162:. Guida Editori.
1117:(February 1934).
1086:(1991). "Review:
898:"Musica proibita"
873:"Musica Proibita"
848:"Musica proibita"
613:– described as a
388:Luciano Pavarotti
372:Aureliano Pertile
268:"Musica proibita"
75:San Vito Chietino
44:. He was born in
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201:(1915). Like
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1236:(in Italian)
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1171:(in Italian)
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1147:Le MĂ©nestrel
1146:
1141:(in Italian)
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1130:(in Italian)
1121:, p. 37
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1108:(in Italian)
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1077:(in Italian)
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1044:Le MĂ©nestrel
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905:. Retrieved
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880:. Retrieved
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855:. Retrieved
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830:. Retrieved
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785:Mala Pasqua!
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733:(1903) p. 53
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572:Mala Pasqua!
570:
554:
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535:Rosa Minchon
534:
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521:Mala Pasqua!
520:
517:Le MĂ©nestrel
516:
508:
500:
496:
494:
448:Mala Pasqua!
447:
445:
425:
396:Three Tenors
332:
327:
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305:Mala Pasqua!
304:
301:Mala Pasqua!
300:
292:Mala Pasqua!
290:
288:
282:
275:
271:
260:
254:
229:
225:
218:Mala Pasqua!
217:
215:
203:Mala Pasqua!
202:
198:
194:
190:
186:Mala Pasqua!
185:
171:
163:
155:Mala Pasqua!
153:
145:
142:
136:Mala Pasqua!
134:
101:
91:
59:
41:
29:
28:
15:
1331:1939 deaths
1326:1861 births
1182:(in French)
1152:(in French)
940:10 December
907:10 December
882:10 December
857:10 December
781:Mala Pasqua
539:Mazzarinata
505:Marco Praga
497:Mala Pasqua
491:Stage works
422:Other songs
380:Mario Lanza
193:(1894) and
118:Bersaglieri
42:Flick-Flock
34:salon songs
1305:Categories
1279:Audio file
1114:Gramophone
810:Gramophone
617:; text by
408:Tito Gobbi
348:gramophone
336:voice type
537:and then
495:Although
386:in 1961,
370:in 1936,
366:in 1933,
362:in 1917,
344:accordion
1296:WorldCat
1213:Il Tempo
1025:Archived
1006:Archived
635:operetta
601:Stellina
597:in Milan
513:La Scala
470:for the
352:cylinder
340:mandolin
317:baritone
309:libretto
195:Stellina
150:Sonzogno
110:La Scala
50:Florence
1265:at the
1256:at the
1188:L'Opera
1065:Sources
832:13 July
773:in the
583:in Rome
313:Ricordi
297:soprano
257:Ricordi
222:Orvieto
178:Ricordi
114:fanfare
79:Abruzzo
77:in the
68:in the
1231:
1166:
1103:
827:Amazon
527:novel
139:, 1890
123:salons
70:Veneto
38:operas
621:from
605:Pater
587:Pater
577:Verga
551:tenor
547:Dante
501:Fatma
485:Siena
356:tenor
329:tune.
251:Works
191:Pater
146:Fatma
62:Turin
46:Turin
1229:ISBN
1164:ISBN
1101:ISBN
942:2018
909:2018
884:2018
859:2018
834:2023
431:for
350:and
1294:on
1281:of
483:in
104:by
1307::
1210:.
900:.
875:.
850:.
825:.
705:^
684:^
633:–
454:,
378:,
374:,
342:,
911:.
886:.
861:.
836:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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