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249:, sometimes with life-size character models instead of people. This lets the animators know where to place the animated character in the scene, how to make them move realistically, and for actors to know where to look. In these cases, skin tone and hair color are not important. Height and build, however, are still important for any interaction between live-action actors and animated characters.
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Stand-ins do not necessarily look like the actor, but they must have the same skin tone, hair color, height and build as the actor so that the lighting in a scene will be set up correctly. For example, if the lighting is set up with a stand-in shorter than an actor, the actor might end up having
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from behind, in makeup, or during dangerous stunts. Stand-ins do not appear on camera. However, on some productions the jobs of stand-in and double may be done by the same person. In rare cases, a stand-in will appear on screen, sometimes as an in-joke. For instance, a scene in
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to light the set and the camera department to light and focus scenes while the actors are absent. The director will often ask stand-ins to deliver the scene dialogue ("lines") and walk through ("blocking") the scenes to be filmed.
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is a person who substitutes for the actor before filming, for technical purposes such as lighting and camera setup. Stand-ins are helpful in the initial processes of film and television production.
184:); the look-alike was played by Temple's regular stand-in, Mary Lou Islieb. In another case, the actress who pretends to be Ann Darrow in the stage show during the final act of
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walked out on her Warner Bros. contract, she negotiated for her regular stand-in, Sally Sage, to continue to work at the studio.
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Some actors' contracts mandate that they will always have the same stand-in. Famous cases include Pluma Noisom (stand-in for
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Sullivan, Ed. "Looking at
Hollywood with Ed Sullivan: Playing Movie Star is the Stand-In's Business".
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Gunson, Victor. "Stand-In No Silly
Hollywood Affectation; He-Or She-Saves Studio Time, Expense".
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their head in relative darkness. In some cases, a star and stand-in do differ in height:
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about her friendship and working relationship with her stand-in, Shirley Hughes. When
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Vol. XCVII No. 26, 26 June 1938, Graphic
Section page 2. Accessed 5 March 2022.
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Stars and Stand-Ins: Hollywood's Unsung Heroes Step Into the
Spotlight
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Vol. 92, No. 30, 5 February 1948, page 2. Accessed 5 March 2022.
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Vol. 10 No. 303 p8. 20 July 1937 Accessed 18 June 2024.
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Stand-In
Central: Learn How to Be a TV/Film Stand-In
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wore three-inch risers in his shoes to stand-in for
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176:(1937) features the title character's grandfather (
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16:Substitute for an actor for production purposes
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122:Learn how and when to remove this message
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328:"Shirley's Stand-In Gets First Role."
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298:(1937 film)
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192:Naomi Watts
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279:Look-alike
264:Understudy
259:Fake Shemp
148:television
112:March 2022
82:newspapers
71:"Stand-in"
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187:King Kong
167:on camera
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